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1889 April | May 2018

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TRIP PLANNER:<br />

PORT TOWNSEND<br />

PG. 78<br />

Burrata & Leek<br />

Big Toast<br />

Storm-Tossed<br />

Whiskey Sour<br />

A Spokane<br />

Awakening<br />

Dream Homes<br />

IN THE GREAT OUTDOORS<br />

SLEEP IN THE TREES<br />

AT A TREE HOUSE B&B<br />

SUSTAINABILITY<br />

IS DEAD<br />

<strong>1889</strong>mag.com<br />

$5.95 display until <strong>May</strong> 31, <strong>2018</strong><br />

LIVE THINK EXPLORE WASHINGTON<br />

<strong>April</strong> | <strong>May</strong> volume 8


A (Modern) Cabin<br />

in the Woods<br />

Jim Olson’s long love of architecture can be traced<br />

back to his grandparents’ cabin on the South Puget<br />

Sound. The original cottage, built in 1912, burned<br />

in the 1950s, and Olson has taken a remaining<br />

bunkhouse he designed and added on, renovating<br />

and remodeling throughout the years. Today, Olson<br />

is one of the most respected modern architects in<br />

Washington, and the cabin has become a modern<br />

dream home in the woods. (pg. 50).<br />

2 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 3<br />

Kevin Scott/Olson Kundig


FEATURES<br />

APRIL | MAY <strong>2018</strong> • volume 8<br />

58<br />

The Death<br />

of Sustainability<br />

Sustainability just isn’t enough<br />

anymore. Now, designers seek<br />

to make buildings that actually<br />

improve the environment.<br />

written by Kevin Max<br />

Daniel Banko<br />

50<br />

Outward Bound<br />

Middle of nowhere can be<br />

fashionable, too. Check out our three<br />

dream homes that make isolation<br />

even more beautiful.<br />

written by Melissa Dalton<br />

64<br />

Higher Ground<br />

Get your head in the clouds and grow closer<br />

to nature with our inside look at TreeHouse<br />

Point, a bed and breakfast with six<br />

treehouses just a half hour from Seattle.<br />

photography by Cameron Zegers


DEPARTMENTS<br />

APRIL | MAY <strong>2018</strong> • volume 8<br />

LIVE<br />

12 NOTEBOOK<br />

Get your Seattle story straight with the re-release of Skid Road, the city’s definitive<br />

and delightful history. Plus, spring has arrived and we’ve got your best options for<br />

outdoor festivities.<br />

18 FOOD + DRINK<br />

Ring in spring with our picks for best gelato around the state. Don’t drive by the Super<br />

Deli Mart in Seattle without checking out the beers on tap. And up your cocktail game<br />

with vintage barware and a private cocktail lesson from Stories in a Glass.<br />

22 FARM TO TABLE<br />

Leeks are the unsung hero of many a dish, and Nash’s Organic Produce in the<br />

Sequim-Dungeness Valley grows some of the best.<br />

28 HOME + DESIGN<br />

Making dysfunctional kitchens work with their surroundings—and a DIY to<br />

incorporate your kitchen with the rest of the house.<br />

48<br />

34 MIND+ BODY<br />

Breezy Johnson just got back from skiing in the <strong>2018</strong> Olympic Winter Games in<br />

PyeongChang, and she’s not done yet. Not even close.<br />

36 ARTIST IN RESIDENCE<br />

Derek Armstrong McNeill shattered stereotypes about homelessness in his first<br />

documentary, The Road to Nickelsville, and next up he’ll take on aging and happiness.<br />

THINK<br />

40 STARTUP<br />

One man’s trash is another’s treasure, and the Appliance Depot in Bellingham<br />

has taken the message to heart, refurbishing appliances for resale and serving<br />

as a training ground to boot.<br />

42 WHAT’S GOING UP<br />

Stephen Day Architecture is turning historic buildings into high-end hotels.<br />

44 WHAT I’M WORKING ON<br />

Washington State University’s Mona Ghandi wants buildings to respond to<br />

users’ needs and emotions. It’s not as crazy as it sounds.<br />

U.S. Ski & Snowboard<br />

34 82<br />

8 Editor’s Letter<br />

9 <strong>1889</strong> Online<br />

86 Map of Washington<br />

88 Until Next Time<br />

46 MY WORKSPACE<br />

The University of Washington’s CoMotion Labs are helping the startup<br />

community make its ideas a reality.<br />

48 GAME CHANGER<br />

At Monte Cook Games, designers believe that tabletop games can do more<br />

than entertain—they can change the world for the better.<br />

EXPLORE<br />

72 TRAVEL SPOTLIGHT<br />

Ohme Gardens in Wenatchee was one family’s labor of love, and today is this<br />

city’s oasis.<br />

74 ADVENTURE<br />

Ski to Sea in Bellingham is the original adventure race and an outdoor<br />

enthusiast’s dream.<br />

76 LODGING<br />

The Sleeping Lady in Leavenworth is the perfect jumping-off point for exploring<br />

the town, but the resort is so pleasant you may not want to leave at all.<br />

COVER<br />

photo by Cameron Zegers<br />

(see Higher Ground, pg. 64)<br />

78 TRIP PLANNER<br />

Port Townsend is the perfect mix of food, views and plenty to do. Bonus: its<br />

Victorian seaport.<br />

82 NORTHWEST DESTINATION<br />

Spring is the forgotten season in Bend, Oregon, and with golfing, fly fishing and<br />

other options, it just might be the perfect time for a visit.


CONTRIBUTORS<br />

MELISSA DALTON<br />

Writer<br />

Outward Bound<br />

GINA WILLIAMS<br />

Writer<br />

Game Changer<br />

TRACY ELLEN BEARD<br />

Writer<br />

Trip Planner<br />

TEGRA STONE NUESS<br />

Photographer<br />

Farm to Table<br />

I have focused on Pacific<br />

Northwest design and lifestyle<br />

since 2008. As an East Coast<br />

native, I find everything about<br />

my adopted region fascinating,<br />

especially the architects who<br />

draw on Washington’s natural<br />

beauty and history to design<br />

drool-worthy homes in the<br />

state’s far-flung corners.<br />

(pg. 50)<br />

Interviewing brilliantly creative<br />

professionals like Monte Cook<br />

and Shanna Germain of Monte<br />

Cook Games always leaves me<br />

inspired. I’m in awe of their<br />

talent and drive—and their<br />

commitment to the company’s<br />

core values of acceptance,<br />

inclusion and truth.<br />

(pg. 48)<br />

Port Townsend, only 3 ½ hours<br />

from my home in Vancouver,<br />

Washington, made for a perfect<br />

weekend getaway. My husband<br />

and I agreed that certain<br />

experiences were standouts.<br />

We woke to one of the most<br />

beautiful sunrises at our<br />

cottage at Fort Worden. Our<br />

dinner experience at Finistère<br />

was lighthearted and delicious,<br />

and the sheets and pillows at<br />

Ravenscroft Inn were the most<br />

glorious I have ever slept in.<br />

(pg. 78)<br />

Visiting Nash’s Organic Produce<br />

was a wonderful personal<br />

reminder to connect with<br />

where my food comes from.<br />

The 2-month-old piglets were<br />

the highlight as they romped<br />

through the fields of chard,<br />

curious to see who I was.<br />

Meeting the people who care<br />

for them was reassuring and<br />

educational. I also really enjoyed<br />

meeting all the strong, savvy<br />

women who help run the farm.<br />

(pg. 22)<br />

6 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


EDITOR<br />

MANAGING EDITOR<br />

CREATIVE<br />

MARKETING + DIGITAL MANAGER<br />

WEBMASTER<br />

OFFICE MANAGER<br />

DIRECTOR OF SALES<br />

ACCOUNT EXECUTIVES<br />

BEERVANA COLUMNIST<br />

CONTRIBUTING WRITERS<br />

CONTRIBUTING PHOTOGRAPHERS<br />

Kevin Max<br />

Sheila G. Miller<br />

Allison Bye<br />

Kelly Rogers<br />

Isaac Peterson<br />

Cindy Miskowiec<br />

Jenny Kamprath<br />

Cindy Guthrie<br />

Jenn Redd<br />

Jill Weisensee<br />

Jackie Dodd<br />

Tracy Ellen Beard, Melissa Dalton, Viki Eierdam, Lauren Kramer,<br />

Ben Salmon, Cara Strickland, Corinne Whiting, Gina Williams<br />

Tegra Stone Nuess, Cameron Zegers<br />

Statehood Media<br />

Mailing Address<br />

70 SW Century Dr.<br />

Suite 100-218<br />

Bend, Oregon 97702<br />

Portland Address<br />

1801 NW Upshur St.<br />

Suite 100<br />

Portland, Oregon 97209<br />

<strong>1889</strong>mag.com/subscribe<br />

@<strong>1889</strong>washington<br />

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All rights reserved. No part of this publiCation may be reproduCed or transmitted in any form or by any means, eleCtroniCally or meChaniCally, inCluding<br />

photoCopy, reCording or any information storage and retrieval system, without the express written permission of Statehood Media. ArtiCles and photographs<br />

appearing in <strong>1889</strong> Washington’s Magazine may not be reproduCed in whole or in part without the express written Consent of the publisher. <strong>1889</strong> Washington’s<br />

Magazine and Statehood Media are not responsible for the return of unsoliCited materials. The views and opinions expressed in these artiCles are not<br />

neCessarily those of <strong>1889</strong> Washington’s Magazine, Statehood Media or its employees, staff or management.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 7


FROM THE<br />

EDITOR<br />

<strong>1889</strong> WASHINGTON’S MAGAZINE’S mission<br />

of Live Think Explore is based on an underpinning<br />

of recreation for all and conservation of our<br />

natural resources. Without these, Washington<br />

loses its greatest economic resource, competitive<br />

advantage, and we erode our kids’ future with<br />

short-sighted decisions made today. The more<br />

people we can inspire to engage in Washington’s<br />

greatest events, to see the connections between<br />

land and commerce, climate and economics, the<br />

more our readers will want to do to preserve this<br />

common gift for future generations.<br />

Welcome to our Home Design issue.<br />

Throughout, you’ll find innovative DIY ideas,<br />

inspiring home designs and trends that are just<br />

beginning to take shape. We did this our way—<br />

with beauty, innovation and conservation.<br />

In this issue, we introduce you to a group of<br />

people doing something cool at the intersection<br />

of development and conservation. In The<br />

Death of Sustainability (pg. 58), we showcase<br />

an ambitious movement that envisions a future<br />

where all development is aimed at improving our<br />

surroundings, not merely sustaining them. Given<br />

the state of things, sustainability is not quite<br />

enough. Welcome to the Regenerative movement<br />

that is just catching on in architectural firms, in<br />

cities and in the social consciousness. We talk to Phaedra Svec,<br />

director of regenerative design at Seattle’s McLennan Design,<br />

as well as Chrisna du Plessis, a regenerative leader at University<br />

of Pretoria and Dr. John Robinson, who led the University of<br />

British Columbia’s charge on its regenerative campus building.<br />

Across the state, at Washington State University, Mona<br />

Ghandi is working on a cutting-edge project of bringing a<br />

home’s environment in line with the emotion of its occupant.<br />

Through computational design, Professor Ghandi is designing<br />

spaces that dynamically transform to their users’ needs. Wow!<br />

Go to What I’m Working On, page 44 to read this interview.<br />

TreeHouse Point may fit in this movement somewhere<br />

among the trees. Here is a visual tour of bed-and-breakfast<br />

cabins that are hand-hewn and hanging in the deep forest of<br />

Fall City, 30 minutes east of Seattle. One night here along the<br />

Raging River will be refreshing and get you thinking about<br />

Washington’s amazing natural resources.<br />

In our Farm to Table feature, on page 22, we send<br />

photographer Tegra Stone Nuess out to the Olympic Peninsula<br />

and into the heart of leek country in Sequim-Dungeness Valley<br />

to meet the hardworking people of Nash’s Organic Produce.<br />

Bring the fruits of their labor into your own kitchen with our<br />

three leek recipes, sourced from Seattle restaurants.<br />

Also on the Olympic Peninsula is the subject of this issue’s<br />

Trip Planner—Port Townsend. Once the second busiest<br />

seaport on the West Coast, Port Townsend today is a breath of<br />

fresh air coming off the Strait of Juan de Fuca. It is boutiques,<br />

bookstores, boats, history and sophistication in a small<br />

Victorian package. Read our experience there and then make<br />

your own this summer as part of an Olympic Peninsula retreat.<br />

Tread lightly and regenerate!<br />

8 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


<strong>1889</strong> ONLINE<br />

More ways to connect with your favorite Washington content<br />

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you’ll be published here.<br />

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TAKE HOME YOUR<br />

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Wake up to <strong>1889</strong> with limited<br />

edition mugs featuring our cover<br />

photography. Keep a piece of your<br />

favorite magazine in your kitchen,<br />

or collect them all by purchasing<br />

a mug from each issue as they<br />

become available.<br />

<strong>1889</strong>mag.com/shop<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 9


SAY WA? 12<br />

FOOD + DRINK 18<br />

FARM TO TABLE 22<br />

HOME + DESIGN 28<br />

Tegra Stone Nuess<br />

MIND + BODY 34<br />

ARTIST IN RESIDENCE 36<br />

pg. 22<br />

Nash’s Organic Produce grows leeks and other vegetables.


What does<br />

your summer<br />

look like?<br />

The Washington<br />

coast’s newest<br />

resort community<br />

now selling beach homes vacation rentals<br />

info@oyhutbay.com 360.209.1886


say wa?<br />

Tidbits & To-dos<br />

Skagit Valley Tulip Festival<br />

The Tulip Festival runs the entire month of <strong>April</strong><br />

with events and activities happening daily. Choose<br />

from an art show or quilt walk, crafts for the kids<br />

in the children’s art center and bike tours through<br />

the tulip fields, plus a tulip parade to enjoy. We<br />

think it’s the best place to celebrate spring.<br />

mark your<br />

calendar<br />

tulipfestival.org<br />

Anna’s Honey<br />

It doesn’t get any better than pure, all-natural<br />

honey. Anna’s Honey is made by Pacific Northwest<br />

bees that visit blossoms in remote regions and<br />

bring back nectar to create a rich, smooth honey.<br />

Flavors include blackberry, clover, wildflower and<br />

raspberry, available in traditional mason jars or in<br />

a gift jar featuring a sketch of the floral variety<br />

from which its honey was derived.<br />

annashoney.com<br />

Book Grain<br />

Made from redwood,<br />

these handmade journals are<br />

great because they lay flat, making it<br />

easier to put your thoughts down or draw<br />

a sketch. The cover can be engraved and can<br />

also have a typeset custom quote of your<br />

choice added to the inside front cover. Book<br />

Grain journals are handmade in Everett.<br />

bookgrain.com<br />

12 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


say wa?<br />

Gig Harbor Paddlers Cup<br />

The Paddlers Cup in Gig<br />

Harbor is one of those<br />

spring events that makes<br />

gearing up and getting<br />

outside completely worth it.<br />

Dragon boat, paddleboard<br />

and kayak races all take<br />

place at Skansie Brothers<br />

Park, <strong>April</strong> 20-22, with a<br />

reception at the Gig Harbor<br />

Marina and Boatyard.<br />

gigharborpaddlerscup.com<br />

mark your<br />

calendar<br />

Apple Blossom Festival<br />

mark your<br />

calendar<br />

Since 1919, the Apple Blossom Festival<br />

in Wenatchee has drawn crowds.<br />

This eleven-day event from<br />

the last week in <strong>April</strong> to the<br />

first week in <strong>May</strong> includes a<br />

carnival, golf tournament, an<br />

arts and craft fair and other<br />

entertainment, as well as a<br />

Grand Parade, all to celebrate<br />

the wonderful apple industry<br />

in Washington.<br />

appleblossom.org<br />

Orna’s Pottery<br />

Orna’s Pottery opened at Pike Place Market in 2005,<br />

specializing in Seattle-themed works and Pacific<br />

Northwest-inspired pieces. From mugs to bowls<br />

to vases, each piece is as unique as the artist and<br />

handmade in a backyard pottery studio. Our favorite<br />

is the Seattle-themed mug, highlighting the urban<br />

culture and scenery. This is a fan favorite for visitors<br />

and locals alike.<br />

orna-pottery.com<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 13


say wa?<br />

Musician<br />

Looking Out<br />

Courtney Marie Andrews’<br />

new record is next level<br />

written by Ben Salmon<br />

Listen on Spotify<br />

COURTNEY MARIE ANDREWS calls her<br />

2016 album, Honest Life, a “quiet, introspective<br />

songwriter record.” Nonetheless, it made<br />

a big splash, racking up glowing reviews,<br />

landing in Rolling Stone’s list of that year’s best<br />

country albums and raising the Seattle-based<br />

troubadour’s profile around the world.<br />

When it came time to make a follow-up,<br />

Andrews decided to stretch a bit. The result<br />

is <strong>May</strong> Your Kindness Remain, a gorgeous<br />

collection of ten tracks that features fuller<br />

arrangements and more roots-rock ’n’ soul to go<br />

with Andrews’ marvelous voice, mellow twang<br />

and melancholy story-songs.<br />

This time, those stories are more outwardlooking,<br />

Andrews said, with a special focus on<br />

regular folks struggling to cope with common<br />

demons and unattainable standards of success.<br />

It’s a story Andrews—who left her Arizona<br />

home at age 16—knows all too well.<br />

“Our job as songwriters is to empathize with<br />

the world. It’s hard not to let everything that<br />

is happening impact my writing in some way,”<br />

Andrews said. “Rural poverty, mental illness<br />

and delusions of grandeur are stories that have<br />

impacted me my whole life. It all just came to a<br />

head on this record.”<br />

Andrews made <strong>May</strong> Your Kindness Remain<br />

in a house overlooking Los Angeles, where<br />

recording felt “intuitive” and the music ebbed<br />

and flowed with the rhythms of Earth.<br />

“It was symbolic in a way. … You could point<br />

out the ‘good’ and ‘bad’ parts of town and<br />

wonder why the two don’t interact,” she said.<br />

“At night, when the sun came down over the<br />

hill and all was calm, we’d record the ballads.<br />

During the day, we’d open all the doors and (do)<br />

the more rockin’ tracks. It was natural.”<br />

Laura E. Partain<br />

14 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


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say wa?<br />

Bibliophile<br />

Seattle’s Story<br />

UW Press releases new version<br />

of Skid Road, a timeless tome<br />

about Seattle’s start<br />

interview by Sheila G. Miller<br />

AS NEWCOMERS CONTINUE to swarm Seattle and high<br />

rises replace historic storefronts, it’s easy to forget the city’s<br />

incredible history—Chief Seattle, the Great Seattle Fire in<br />

1906, the Sonics.<br />

For newcomers and Seattle natives alike, Skid Road should<br />

be required reading. First published in 1951 and written by<br />

Murray Morgan, the book, “an informal portrait of Seattle,”<br />

tells the city’s story through witty character studies.<br />

In March, the University of Washington press re-released<br />

Morgan’s Skid Road, with a new introduction from longtime<br />

local journalist Mary Ann Gwinn.<br />

“It’s a really inspired idea for the University of Washington<br />

Press to reissue it,” Gwinn said. “I consider myself a relative<br />

newcomer, but I have been here since the ’80s. A lot of<br />

people have been here for maybe a year or two. Skid Road<br />

is a great place for people to start when they want to learn<br />

more about their new home. It will not be a chore.”<br />

Gwinn, who won the Pulitzer Prize in 1990 for her coverage<br />

of the Exxon Valdez oil spill, worked at The Seattle Times<br />

for thirty-four years, eighteen of those as the book<br />

editor. Gwinn picked up Skid Road long before she<br />

became the Times’ book editor, though.


say wa?<br />

“Part of the genius of the book is that it’s a character study of<br />

several people who were instrumental in Seattle coming together.<br />

Characters are the heart and soul of the book.”<br />

—Mary Ann Gwinn<br />

How did you come to first read Skid<br />

Road?<br />

I came to Seattle in 1983, and I really<br />

didn’t know a thing about it. My first<br />

newspaper employer had laid off about<br />

a third of the staff, and I thought, ‘Oh, I<br />

need to find another job.’ I had a friend<br />

who worked at The Seattle Times, and<br />

so I came out here, and I got here in<br />

February. It was just dark, and the city<br />

was strange, and I thought, ‘What<br />

have I gotten myself into?’ I asked a<br />

colleague at the paper, ‘Can you give<br />

me a recommendation for a book,<br />

a work of history that explains this<br />

place?’ And he said, ‘You need to read<br />

Skid Road.’ He directed me to the Elliott<br />

Bay Book Company, and that was the<br />

beginning of a long relationship.<br />

I went down there and sat down<br />

and read it and I was just enthralled.<br />

It made me feel like I came to the right<br />

place after all.<br />

What are your favorite bits of history<br />

in the book?<br />

Part of the genius of the book is that<br />

it’s a character study of several people<br />

who were instrumental in Seattle<br />

coming together. Characters are the<br />

heart and soul of the book—and<br />

Doc <strong>May</strong>nard has got to be the main<br />

character I love. I can’t believe no one’s<br />

made a movie out of this guy’s life. He<br />

was a frontier doctor, he was a lawyer,<br />

he was a real estate impresario—not a<br />

very good one, because I think he lost<br />

most of the money he made by the end<br />

of his life—most interestingly to me,<br />

he was really probably the best friend<br />

that Indians had among the white<br />

people. He was just an interesting<br />

combination of a visionary and a<br />

goofball, and I love that about him.<br />

Every character Murray<br />

Morgan picked was in<br />

some respects a kind of<br />

outlier or misfit.<br />

Why do you think Skid<br />

Road has stood the test<br />

of time?<br />

One thing it has going<br />

for it, other than that<br />

it’s never been out of<br />

print, is that I think<br />

Murray Morgan’s<br />

sensibility was really<br />

progressive for the<br />

time. He was born<br />

and raised in Tacoma, but he had been<br />

all over the world. He got a master’s<br />

degree at Columbia University in<br />

journalism, and he was in New York<br />

when Pearl Harbor was bombed so<br />

suddenly he was working all these jobs<br />

at a radio and at a newspaper. He and<br />

his wife, Rosa, traveled extensively all<br />

over the world. During World War II,<br />

Murray served in the Aleutians, and<br />

when I was researching him, I found he<br />

wrote great letters that his daughter<br />

has posted online. That’s where he first<br />

encountered African Americans, and<br />

he really got to know them. He also<br />

encountered people who were terrible<br />

bigots, and he was quite advanced<br />

for his time in his beliefs about how<br />

racism is the most pernicious aspect<br />

of human nature, of what a threat it<br />

was. That was in the late ’40s, and I<br />

think that sensibility, and his incredible<br />

sense of humor, keep the book feeling<br />

so fresh.<br />

How does one go about writing an<br />

introduction, especially to such a<br />

key book?<br />

I said, ‘Yeah, I’ll<br />

do it,’ and then I<br />

immediately thought,<br />

‘What am I supposed<br />

to do?’ I had a<br />

personal connection<br />

I knew I could write<br />

about, but then I<br />

decided—I’d heard<br />

of Murray Morgan, I<br />

knew who he was, but<br />

I didn’t know anything<br />

about him to speak of. I<br />

interviewed his daughter<br />

Lane, who is still around<br />

and available and had a<br />

good relationship, both<br />

working and personal, with her parents<br />

and knew a lot about him. I was able<br />

to go into his letters, which is where I<br />

got a sense of his voice independent<br />

of the book. And then I went down to<br />

the Tacoma public library, which has<br />

the Murray and Rosa Morgan Reading<br />

Room. That’s where his family donated<br />

all his books. His papers are there, too,<br />

but they haven’t been catalogued, so<br />

you can’t get into them in any shape.<br />

I was able to go through a lot of old<br />

newspaper clippings—a librarian had<br />

clipped them out—I was able to sit<br />

there and go through the actual clips,<br />

and that’s where I got a much better<br />

sense of his feistiness. He was a guy<br />

who was up for everything.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 17


food + drink<br />

Cocktail Card<br />

recipe courtesy of<br />

Fremont Mischief Distillery<br />

Grilled Storm-Tossed Sour<br />

1 ½ ounces Storm Tossed Rye Whiskey<br />

1 ounce grilled lemon juice<br />

¾ ounce rosemary simple syrup<br />

1 fresh egg white (optional)<br />

Put whiskey, egg white, lemon juice and<br />

rosemary simple syrup in shaker without<br />

ice. Shake well to mix egg whites and<br />

make them fluffy. Add ice to the shaker<br />

and shake to make the cocktail cold.<br />

Pour all into rocks glass (including ice)<br />

and garnish with a grilled lemon and a<br />

sprig of rosemary.<br />

FOR GRILLED LEMON JUICE<br />

You will need 1 lemon per cocktail.<br />

Fire up the grill on a low temperature.<br />

Cut lemons in half. Mix together fresh<br />

rosemary and white sugar (you can save<br />

the remaining mixture for the simple<br />

syrup). Dip the lemon half in the sugar<br />

mix and place face down on the grill.<br />

Slow grill for about 15 minutes on the<br />

face, then turn over for more grilling to<br />

make sure all the juice doesn’t leak out.<br />

Grill until the lemon is soft with a nice<br />

char. Once lemon has cooled, squeeze<br />

juice out, saving some grilled lemons<br />

for garnish.<br />

FOR ROSEMARY SIMPLE SYRUP<br />

Mix ¾ cup water and ¾ cup sugar with<br />

a handful of fresh chopped<br />

rosemary and put in a<br />

small pan. Put the<br />

pan on the grill<br />

while the lemons<br />

are grilling and let<br />

simmer. Strain the<br />

rosemary from the<br />

syrup and let it cool.<br />

Beervana<br />

Super Deli Mart builds community, one beer at a time<br />

written and photographed by Jackie Dodd<br />

IF THERE IS a place that exemplifies “hidden gem” more than Super Deli, I<br />

haven’t found it. From the outside it looks so much like any quick mart, any other<br />

convenience-store-that-no-longer-sells-gas, that you might drive by without<br />

knowing what it really is.<br />

If you did, you’d miss the sixteen taps of outstanding beer, the simple but<br />

delicious sandwiches and shelf after shelf of hard-to-find bottles of beer. You’d<br />

drive right past a community gathering spot of people from all walks of life, all<br />

ages and backgrounds, watching the game and sipping their beverage of choice.<br />

You’d never know that Brian Park, the impossibly dedicated owner, would be<br />

behind those simple walls pouring beer for his regular customers.<br />

This isn’t a place to go if you’re looking for frills—there aren’t any. There doesn’t<br />

need to be. Super Deli Mart is as unpretentious as it gets. It’s cups of ramen and<br />

bottles of Gatorade next to cellared bottles of barrel-aged wild fermented ales.<br />

It’s avocado spread on rye with Havarti next to Slim Jims and Diet Cokes.<br />

Park is a beer drinker, but that’s not why he searches high and low for the<br />

beer he stocks. It’s about community and how beer brings people together. Last<br />

summer, when he was asked to collaborate with Schooner Exact for a summer<br />

IPA, the name he chose for his first (of many) collaborations spoke volumes—<br />

Kizuna, the Chinese symbol for bond or relationship. He may have a head for<br />

business, but he has a heart for community.<br />

No matter the topic, conversation with Park always finds a way back to his<br />

desire to build a community and his love for people. The large and well-loved<br />

summer festival he puts on every July, with Korean food, beer and live music? It’s<br />

a benefit to raise money for the Children’s Hospital. He was inspired to donate<br />

to the cause when he discovered he has a few customers who have to spend a<br />

heartbreaking amount of time there. His prices are lower than most tap rooms<br />

and bottle shops because he wants people to come in and feel like they got a<br />

good deal, or as he puts it, “More beer happiness without breaking the wallet.”<br />

It’s hard to argue with that—after all, happiness and beer are great places to start<br />

when trying to build a community inside a small shop in Seattle.<br />

9051 35TH AVE. SW<br />

SEATTLE<br />

superdmart.com<br />

Brian Park pours a beer from one of Super Deli Mart’s sixteen taps.<br />

18 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Pepper Bridge Winery<br />

You can wish your family<br />

had the chance to<br />

experience life on a farm.<br />

Or you can go ahead and<br />

give it to them.<br />

visiteasternoregon.com<br />

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Abeja Inn & Winery<br />

Experience Walla Walla’s laid-back,<br />

small-town charm, blended with more than 120<br />

world-class wineries, award-winning restaurants,<br />

history, arts, and culture beyond our size.<br />

Fly from Walla Walla and check<br />

your first case of wine for free!<br />

Learn more at TasteAndTote.com


food + drink<br />

CRAVINGS<br />

SPECIALTY COFFEE<br />

Not only is Roost Coffee’s space<br />

cute and relaxing, the coffee is<br />

lovingly prepared with the best<br />

beans from local purveyors.<br />

Syrups are made in-house (the<br />

lavender is subtle and flavorful),<br />

as is the whipped cream. You’ll<br />

want to stop and stay awhile.<br />

125 SOUTHEAST SPRING STREET<br />

SUITE 102<br />

PULLMAN<br />

roostcoffeepullman.com<br />

RAMEN<br />

Though this place is new on the<br />

Capitol Hill scene, Ooink is already<br />

making a name among ramen<br />

enthusiasts. Its focus is on letting<br />

excellent ingredients speak for<br />

themselves (and sometimes in<br />

limited editions).<br />

1416 HARVARD AVENUE<br />

SEATTLE<br />

facebook.com/ooinkramen<br />

Gastronomy<br />

Raising the Bar<br />

written by Cara Strickland<br />

IN 2013, RENEE CEBULA channeled her love of days gone by into a business with<br />

a kick. Cebula sells vintage barware out of a cozy (and also vintage) trailer, and is<br />

always willing to talk about the history of cocktails. It’s that background in history<br />

that has Cebula in such demand for private cocktail events—you too can learn to<br />

make classic cocktails, create your own bitters and learn about the history of punch<br />

in the process. Catch Cebula and her trailer at one of the many events she attends<br />

in Washington or Oregon, or book her expertise for a class that’s sure to leave your<br />

guests stirred (not shaken).<br />

EVENTS THROUGHOUT WASHINGTON AND OREGON<br />

storiesinaglass.com<br />

CLOCKWISE FROM TOP Cebula hosts private cocktail<br />

events. Cebula’s vintage trailer. Vintage barware.<br />

ARTISAN PIZZA<br />

Pizza has come a long way since<br />

just marinara and mozzarella.<br />

Though it offers some of those,<br />

Fire also serves up pies like<br />

the Gordy, topped with dates,<br />

gorgonzola, balsamic reduction,<br />

a blend of cheeses, and, based<br />

on the addiction level, some sort<br />

of crack.<br />

816 WEST SPRAGUE AVENUE<br />

SPOKANE<br />

firepizzaspokane.com<br />

BREAKFAST<br />

Whether you sleep at White<br />

House or not, it’s the place to<br />

go for breakfast (and lunch).<br />

Everything on the concise menu<br />

is made with attention to detail<br />

and beautifully garnished. Try the<br />

croissant breakfast, an open-face<br />

croissant topped with ham and<br />

Havarti, broiled and served with<br />

fresh fruit.<br />

3602 KERN ROAD<br />

YAKIMA<br />

whitehouseinyakima.com<br />

20 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


food + drink<br />

BEST PLACES FOR<br />

GELATO<br />

NORTH TOWN<br />

COFFEEHOUSE<br />

Eat a variety of gelato flavors<br />

(or sip a coffee) in the reclaimed<br />

1909 waiting room of the Northern<br />

Pacific Train Depot in downtown<br />

Yakima. The gelato is smooth<br />

and satisfying (coconut is a<br />

favorite) and the location is<br />

elegant and inspiring.<br />

32 NORTH FRONT STREET<br />

YAKIMA<br />

northtowncoffee.com<br />

SOFIE’S SCOOPS<br />

GELATO<br />

Visit Sofie’s Scoops in the 222<br />

Market, and you’ll likely get to see<br />

gelato magic being made in front of<br />

you. With ever-changing flavors like<br />

cardamom, earl grey lavender chip,<br />

salty butterscotch and hibiscus,<br />

you’ll be glad Sofie’s offers tastes.<br />

222 CAPITOL WAY NORTH<br />

OLYMPIA<br />

sofiesscoops.com<br />

FERRANTE’S<br />

This casual neighborhood<br />

restaurant is known for its<br />

Italian food, and what better to<br />

complement than a choice of<br />

eighteen flavors of natural gelato?<br />

Hang out and enjoy the ambience<br />

and marketplace, or take your<br />

frozen happiness to go.<br />

4516 SOUTH REGAL STREET<br />

SPOKANE<br />

doitalian.com<br />

COLVILLE STREET<br />

PATISSERIE<br />

There’s a lot to love at this<br />

downtown Walla Walla staple, but<br />

with regularly rotating flavors of<br />

gelato made in-house with organic<br />

milk, this frozen confection is top<br />

of our list. Keep it simple with a<br />

scoop or take home a pint.<br />

40 SOUTH COLVILLE STREET<br />

WALLA WALLA<br />

colvillestreetpatisserie.com<br />

Andrae’s Kitchen makes homemade tortillas and smokes its own brisket.<br />

Dining<br />

Andrae’s Kitchen<br />

written by Cara Strickland<br />

ANDRAE BOPP HAS an impressive culinary resume. He graduated from the<br />

French Culinary Institute in New York City, worked in fine dining restaurants such<br />

as Balthazar and Le Bernardin, and then opened a restaurant in Boise, Idaho, to<br />

critical acclaim.<br />

Bopp first moved to Walla Walla in 2008 and immediately began innovating—<br />

his food truck was one of the first in Washington. Now, in addition to the truck,<br />

you’ll find his restaurant in an unassuming Cenex gas station. But don’t be confused,<br />

because this is no ordinary gas station fare. Bopp and his team are making tortillas<br />

from scratch and smoking their own brisket for street tacos, “Voodoo Fries” topped<br />

with pulled pork, aioli and peppers, and a host of gourmet hot dogs.<br />

Bopp likes that his place is a bit of a secret. “I can see the trepidation as they walk<br />

in and look around like, ‘Is this the place?’ Then you smell the food and realize this<br />

is the place to be.”<br />

706 W. ROSE STREET<br />

WALLA WALLA<br />

andraeskitchen.com<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 21


farm to table<br />

Nash’s Organic Produce manager Kia Armstrong<br />

checks on a chard crop after a snowstorm.<br />

22 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


farm to table<br />

Farm to Table<br />

The Underappreciated Leek<br />

Exploring farm-fresh treasures<br />

from Sequim-Dungeness Valley<br />

written by Corinne Whiting<br />

photography by Tegra Stone Nuess<br />

WHEN WE FIRST connected with Kia Armstrong, manager<br />

at Nash’s Organic Produce, she was dreaming up dishes for an<br />

upcoming crew meal. At Nash’s home in Washington’s fertile<br />

Sequim-Dungeness Valley, they serve “farm lunch” for the team<br />

the last Friday of every month.<br />

Among Armstrong’s favorite leek-centric creations—a<br />

hummus puree that features the farm’s dried field peas with<br />

roasted leeks, and a cornbread made using Nash’s freshly ground<br />

cornmeal and leeks. (Inspiration for the cornbread comes from<br />

Sid Maroney, a farm employee from Tennessee, where cornbread<br />

remains unadulterated by wheat flour or sweeteners.) “I love to<br />

cook and am passionate about feeding large groups of people<br />

and sharing simple recipes that utilize seasonal ingredients,”<br />

Armstrong said.<br />

Armstrong, who has worked at Nash’s for fifteen years in roles<br />

ranging from harvest crew to booths at Seattle farmers markets,<br />

loves leeks. “I can’t have enough in my fridge,” she said. Luckily<br />

for her, she has access to them August through <strong>May</strong>, thanks<br />

to the region’s microclimate and the farm’s season extension<br />

techniques. “Overwintered leeks are sown in the field in tightly<br />

knit rows in late <strong>April</strong> and then transplanted into beds about<br />

eight weeks later,” Armstrong said. “They are ready to harvest in<br />

November, and we peck away at them through <strong>May</strong>.”<br />

Armstrong likes to get these nutrient-packed, allium family<br />

veggies into her diet, especially throughout the winter, as a<br />

way to “keep the immune system strong … in a delicious way.”<br />

She lauds Nash’s leeks for being consistently tender, and she<br />

encourages consumers to eat the entire thing, “from root to tip.”<br />

Jason Stoneburner, executive chef at Seattle’s Bastille Café &<br />

Bar and Stoneburner, has an affinity for leeks, too. “[The leek<br />

is] humble and inexpensive and extremely versatile,” he said.<br />

“You’re able to change its flavor profile and texture by different<br />

techniques, similar to what you can do with meat.” Stoneburner’s<br />

favorite way to prepare leeks? “I make big batches of a leek<br />

condiment in the summer to spoon over grilled meat, cheese,<br />

toast and fish,” he said. In order to use fresh leeks throughout the<br />

year, Stoneburner sources from several farms, most of them—<br />

like Nash’s—based at Seattle’s Ballard Farmers Market.<br />

Over the years, Nash’s Organic Produce has won awards from<br />

many local organizations on the Olympic Peninsula,<br />

in addition to receiving state and national accolades.<br />

Situated on the fertile delta of the Dungeness River,<br />

Nash’s is surrounded by water on three sides and the<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 23


farm to table<br />

Harvest manager Suzy Strom trims the<br />

roots and tops off a freshly dug leek.<br />

24 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


farm to table<br />

majestic Olympic Mountains to the south. The North<br />

Olympic Peninsula boasts a unique, moderate climate<br />

and “amazing alluvial soil” that enables Nash Huber and<br />

his team to produce “the finest organic fruits, vegetables,<br />

grains, seed, eggs and pork year-round.”<br />

Armstrong said that, among the farm’s “wonderfultasting,<br />

fresh food,” carrots stand out. Huber has been<br />

planting his own carrot seeds for decades; these days,<br />

the farm grows 9 acres of carrots annually (over seven<br />

rotations). She praised the farm’s Brussels sprouts, too.<br />

The farm sells its goods at seven local markets, through<br />

CSA programs and wholesale to PCC Natural Markets<br />

(Seattle), Organically Grown Company (Portland) and<br />

Discovery Organics (Victoria, B.C.).<br />

Although Huber and his wife, Patty McManus-Huber,<br />

own 19 acres of land, their team farms more than 600<br />

acres and has nine landlords. The land includes 70 acres<br />

of vegetables, berries and orchard; 355 acres of grain; 30<br />

acres of organic seed; 40 acres devoted to pigs, poultry<br />

and compost; 40 acres in wildlife habitat and buffers, and<br />

the remainder hay or fallow. The farm employs about<br />

thirty-two people (two-thirds of them full-time).<br />

The couple pushes for seasonal extension for several<br />

reasons—since people have to eat all year long and so the<br />

farm can offer year-round employment. “It takes many<br />

years to train a good farmer,” Armstrong said, explaining<br />

the farm strives to retain staff for multiple years. “We<br />

grow a lot of winter crops to be harvested fresh from<br />

the fields twelve months a year. It’s rough work picking<br />

Brussels sprouts or kale in the rain and cold, but it keeps<br />

folks employed.”<br />

Huber has also worked hard over the past forty years to<br />

expand the farm’s footprint and to retain the agricultural<br />

landscape of Sequim. With so much pressure on the<br />

development of farmland, he attempts to keep as much<br />

of it in production as possible. The farm’s seed-breeding<br />

work also plays into season extension, as it develops<br />

varieties suited to the Pacific Northwest climate.<br />

Loyal Nash followers love visiting the farm store, which<br />

is open six days a week (and daily from <strong>May</strong> through<br />

October). The shop features more than eighty items on<br />

any given day, with items ranging from local cider and<br />

craft beer to cheese and meat, as well as an extensive allorganic<br />

produce department. Shoppers notice a strong<br />

emphasis on education and access to recipes, plus a kids’<br />

corner and lending library.<br />

“It’s a great place for folks to come get perspective on<br />

what’s going on here,” Armstrong said. “They get a sense<br />

of place, as they have to drive right by the fields to get to<br />

the store, which was intentionally placed in the heart of<br />

the operation.”<br />

AT RIGHT, FROM TOP Andrea LaPlante, pastured hog manager, rakes barley<br />

grain as it comes out of the mill; Nash’s grows and mills the barley for its hogs.<br />

View of the Olympic Mountains from Nash’s Organic Produce.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 25


farm to table<br />

Pepper flakes and lemon add<br />

zest to Stoneburner’s Burrata<br />

and Leek Big Toast.<br />

Washington Recipes<br />

Limitless Leeks<br />

Corned Beef Hash with Leek Soubise<br />

SEATTLE / Saint Helens Cafe<br />

Ira Taylor<br />

FOR THE CORNED BEEF<br />

HASH (SERVES 1)<br />

3 ounces chopped corned<br />

beef<br />

3 ounces blanched sweet<br />

potatoes<br />

⅛ cup pickled leeks<br />

2 eggs<br />

Salt and pepper to taste<br />

Dill sprigs (for plating)<br />

FOR THE LEEK SOUBISE<br />

(SERVES 4)<br />

2 tablespoons butter<br />

2 tablespoons all-purpose<br />

flour<br />

1 cup whole milk<br />

⅓ cup chopped leeks<br />

1 teaspoon salt<br />

FOR THE LEEK SOUBISE<br />

In a small saucepan, begin melting 2 tablespoons of butter<br />

on low heat. Once melted, add ⅓ cup chopped leeks and stir<br />

until leeks are translucent and tender. Once translucent, add<br />

2 tablespoons of flour and stir for 5 minutes on low heat.<br />

Make sure the flower-butter mixture does not brown. After<br />

5 minutes, add 1 cup whole milk and whisk on low heat until<br />

sauce has thickened. Using a hand blender, puree sauce until<br />

smooth. Add 1 teaspoon of salt.<br />

FOR THE CORNED BEEF HASH<br />

In a medium sauté pan, heat 1 teaspoon of canola oil on<br />

medium high until the oil just starts to ripple. Add in corned<br />

beef and diced sweet potatoes, then add a pinch of salt and 1<br />

ounce of lemon juice to get some golden-brown color on the<br />

sweet potatoes. Add ⅛ cup of pickled leeks and warm through<br />

with the hash mixture. Check seasoning and adjust with salt<br />

and lemon juice as needed.<br />

While cooking hash mixture, heat up the soubise over<br />

medium-low heat to warm through. Set aside in a warm place<br />

for plating.<br />

While your hash mixture finishes cooking, heat a small knob<br />

of butter in a small, nonstick sauté pan over medium-low heat.<br />

When butter is fully melted, add two eggs and continue to<br />

cook slowly over medium-low heat. When the eggs are cooked<br />

to your satisfaction, season with salt and pepper. Set aside in a<br />

warm area for plating.<br />

On a warmed entrée plate, place about 2 ounces of soubise<br />

in the center of the plate, spreading it out evenly. Place the<br />

hash mixture in the center of the sauce. Place eggs on top of<br />

hash mixture and garnish with sea salt and dill sprigs.<br />

Burrata and Leek Big Toast<br />

SEATTLE / Stoneburner<br />

Jason Stoneburner<br />

SERVES 2<br />

2 ½ cups leeks, thinly sliced<br />

in half moons<br />

1 teaspoon Aleppo pepper<br />

or chili flakes<br />

¾ cup olive oil<br />

⅛ teaspoon salt<br />

Zest and juice of 1 large lemon<br />

Split the leeks lengthwise and thinly slice into half moons. Blanch leeks<br />

in boiling salted water for 20 seconds and shock in a water ice bath, then<br />

drain leeks and dry. Lightly heat olive oil, add pepper and zest, then pour<br />

over blanched leeks. Add lemon juice and salt, then stir to mix. Grill bread<br />

with a little olive oil and salt, divide cheese among bread pieces, and<br />

top with leek condiment, herbs and greens. The leek condiment can be<br />

stored in the fridge for 5 to 8 days, and can be spooned over everything<br />

from fried eggs to grilled steak or fish.<br />

Leek Bagna Caoda with Long Pepper<br />

SEATTLE / mbar<br />

Jason Stratton<br />

SERVES 4<br />

2 tablespoons unsalted butter<br />

¼ cup extra-virgin olive oil<br />

20 oil-cured anchovy fillets<br />

(such as Agostino Recca),<br />

drained of oil<br />

8 cloves garlic, very thinly sliced<br />

1 Burrata or your favorite<br />

cheese<br />

1 loaf of your favorite rustic<br />

bread, such as ciabatta<br />

Picked herbs and greens to<br />

garnish (mint, dill, arugula and<br />

mustard greens recommended)<br />

4 leeks, whites cut into small<br />

dice and rinsed well<br />

1 cup cream<br />

1 teaspoon ground long pepper<br />

Lemon juice to taste (optional)<br />

Heat the butter and olive oil in a heavy-bottomed non-reactive pot over<br />

medium heat. Add anchovies and garlic and cook until anchovies begin<br />

to break apart and garlic just starts to get a little color. Lower heat and<br />

cook slowly, stirring every 5 minutes or so with a wooden spoon until<br />

the anchovies completely break down into a paste and reach a deep<br />

brown. Add leeks and continue to cook until the leeks are tender. Add<br />

cream and continue to cook until the volume reduces by two-thirds.<br />

Season with the long pepper and lemon if desired. Use immediately or<br />

cool down for future use. Reheat over very low heat, adding a teaspoon<br />

of water or cream if it threatens to break.<br />

26 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Summer<br />

is right around the corner<br />

FREE Travel Guide cascadeloop.com


home + design<br />

Perfect Harmony<br />

Two Seattle designers rework<br />

dysfunctional kitchens to sing<br />

with their surroundings<br />

written by Melissa Dalton<br />

Seattle: An Inviting Loft Makeover<br />

WITH ITS CONCRETE floors, airy open spaces and<br />

galvanized steel decking on the ceiling, this Capitol<br />

Hill apartment embodied chic, pared-back loft living.<br />

Unfortunately, its kitchen was equally bare bones.<br />

“These lofts were very raw,” said architect Thomas<br />

Schaer of the units in the 2001 building. “The original<br />

concept was an industrial chef’s kitchen.” As such,<br />

everything was out in the open, from the plumbing<br />

pipes beneath the commercial sink basin to the pots<br />

and pans stacked under a stainless-steel prep table.<br />

A Sears cabinet with a butcher-block top possessed<br />

the only closed drawers. “It was pretty hard to work<br />

with that kitchen,” Schaer said.<br />

Nearby, the loft’s front door spilled unceremoniously into the<br />

home, providing no natural spots for hanging coats, putting<br />

on shoes or throwing down keys. An empty zone beneath the<br />

stairs became a dumping ground for bikes, backpacks and even<br />

bulky kitchen items that couldn’t find a home. In 2014, Schaer,<br />

principal of Seattle’s SHED Architecture & Design, paired up<br />

with contractor Dolan Built for a targeted renovation.<br />

The revamp started with a smart spatial tweak that fixes both<br />

the kitchen and the entry—a 4-foot extension of the kitchen<br />

wall. Not only does the subtle addition increase culinary<br />

capacity, but the back side of the new wall defines the entryway<br />

and forms a niche for a built-in bench with shoe storage. A<br />

custom wall-hanging cabinet beneath the stairs is a prettier<br />

catchall, with the wall space below it cleverly protected with<br />

metal. “The steel plate is intended as a spot where you can park<br />

your bike without damaging the wall,” Schaer said.<br />

For materials, he chose a palette that complements the loft’s<br />

existing industrial mix and adds subtle texture. “One of the first<br />

ideas that we came up with was the concrete bricks,” he said.<br />

“We thought, because we have this concrete floor, we can just<br />

build brick right on the floor. If it was a house with a wood floor,<br />

you wouldn’t do that.” That brick now lines the backsplash,<br />

frames up the island and supports the entry bench.<br />

One countertop, composed of glimmering ¼-inch<br />

bead-blasted stainless-steel plate, references the<br />

beams overhead, and has the added benefit of being<br />

28 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


home + design<br />

Mark Woods<br />

The Capitol Hill loft’s kitchen got an upgrade<br />

with concrete bricks and more storage.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 29


Haris Kenjar<br />

“pretty indestructible,” Schaer said. Zebrawood with a pronounced<br />

grain pattern flows across the flat-front cabinetry and island<br />

worktop. “That element strategically adds warmth and material<br />

depth to what is otherwise a pretty cold space,” Schaer said.<br />

The new island accommodates seating and additional storage,<br />

but it’s the under-the-counter microwave there that infuses a little<br />

quirk into the new space. It wasn’t possible to drill new electrical<br />

connections through the concrete floor, so the appliance is<br />

powered vis-a-vis a curly pigtail cord that stretches all the way to<br />

the ceiling. Like everything else that came with the renovation, the<br />

treatment fits the loft’s overall vibe. “In the end it was an easy way<br />

to solve a functional problem,” Schaer said of the cord. “Now that<br />

it’s there, it’s a cool element.”<br />

Woodinville: A New Family Hub<br />

In this Woodinville house built in 1986, the impetus for<br />

remodeling the kitchen wasn’t just its cramped work triangle and<br />

dated finishes. The homeowners were equally motivated to tackle<br />

an adjacent room—a large sunken family room everyone in the<br />

household had abandoned. The room’s awkward layout, cold stone<br />

floor and lack of natural light made it uniformly unwelcoming. “All<br />

the way in the back of the house, separated by columns and a step<br />

was this sunken family room,” said Heidi Caillier, a Seattle-based<br />

interior designer in charge of the home’s 2017 overhaul. “They<br />

never used it, just because it felt so disconnected from the rest of<br />

the house.”<br />

Caillier’s design plan was a bold redress: to flip the first-floor<br />

layout and swap the kitchen into the unused space. Now, a more<br />

generous eat-in kitchen segues into a relaxed dining area and<br />

cozy family room. “They really wanted something that was more<br />

open, a joined area that felt like it all flowed,” Caillier said. Such<br />

an approach was not without its challenges, from reconfiguring<br />

windows, relocating plumbing and raising the floor, to devising an<br />

efficient floor plan. “It was tricky trying to figure out the layout,”<br />

Caillier said. “No matter what we did with it, it was still going to<br />

have an L-shape that you can’t really change without changing other<br />

significant parts of the house.” Her solution was to incorporate a<br />

butler’s pantry and eating nook along one wall, ensuring that every<br />

inch of previously wasted space is put to good use.<br />

Now, the 450-square-foot kitchen is grounded by a 10-foot-long<br />

island packed with storage on both sides, its warm brown-black<br />

color silhouetted against white perimeter cabinets. “We knew that<br />

it was going to be the anchor of the room and where everyone<br />

would gather,” Caillier said of the island. A snowy Caesarstone<br />

counter climbs up the backsplash for a seamless look. Brass cabinet<br />

hardware and lighting punctuate the cool color palette while wood<br />

accents, including dark-stained oak floors, a sliding wood door<br />

on the pantry and floating bench, offer understated texture that<br />

mingles well with the traditional elements. Painted shiplap wraps<br />

the breakfast nook, keeping it light and bright. “I just wanted it to<br />

feel a little bit cozy and textural, while working with the rest of the<br />

space,” Caillier said.<br />

Caillier juxtaposed playful personality suitable to a family with<br />

young kids via a few more stylish steps. “It’s a big kitchen, so I felt<br />

like we needed to mix the finishes up a little bit to make it layered<br />

and interesting,” she said. The cement tile backsplash at a drinks<br />

station lends a hit of contemporary pattern. Woven pendant lights<br />

skew whimsical, the pattern giving off a fun glow at night. “I love<br />

the kitchen nook; it’s probably my favorite part,” Caillier said. “I like<br />

that it brings down the seriousness a little bit.” Even better is how<br />

her redesign has transformed the household’s former dead zones<br />

into family destinations, revitalizing the home in the process. Said<br />

Caillier: “It’s changed the way they use their house.”<br />

30 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


home + design<br />

FROM LEFT Interior designer Heidi Caillier<br />

moved the kitchen to an underused room<br />

in the house. The breakfast nook has<br />

painted shiplap and a wooden bench.<br />

Haris Kenjar<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 31


home + design<br />

DIY: Unite the Kitchen with the Rest of the House<br />

OPEN-CONCEPT FLOOR PLANS have become extremely popular over the years, and the kitchen is always at the center.<br />

We asked Schaer and Caillier their tricks for seamlessly incorporating the kitchen with the adjoining living spaces.<br />

1<br />

2<br />

REPEAT MATERIALS<br />

“Material connection is really important,” Schaer<br />

said. This is why he used Zebrawood for both the<br />

entry cabinet and main kitchen area in the Capitol<br />

Hill loft. “It makes it feel like it wasn’t just a random<br />

kitchen plugged into the living room,” he said. “It<br />

feels like part of a suite of moves.” Caillier agreed.<br />

“All of the materials have to work together,” she<br />

said. For instance, she chose furnishings with the<br />

same wood tones across the different spaces, such<br />

as the kitchen counter stools, the dining room<br />

table and a credenza in the family room.<br />

KEEP COLORS CONSISTENT<br />

Seeing too many colors at once can make the<br />

final scheme look choppy. “We painted everything<br />

the same color and I think that’s really important,”<br />

Caillier said. “There are some starts and stops<br />

that could have facilitated using different paint<br />

colors, but we really wanted it to feel like one big<br />

open space.”<br />

CREATE SUBTLE LAYERS WITH CONTRAST<br />

Subtle contrast draws the eye through the space.<br />

In Woodinville, Caillier positioned four curvy<br />

walnut stools (the Cherner barstool from Design<br />

Within Reach) against the dark backdrop of<br />

the island cabinetry to pleasing effect. A large<br />

blank wall in the loft had the owner wanting to<br />

incorporate a unique decorative touch. A local<br />

interior designer, Brian Paquette, suggested<br />

wallpaper printed with a Japanese kimono pattern.<br />

The design was photocopied onto 11x17 printer<br />

paper and then carefully pasted in place for<br />

a layered look that contrasts nicely with the<br />

kitchen’s crisp lines and unites the open room.<br />

32 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


home + design<br />

Beautiful Utility from Washington Makers<br />

Girl Meets Dirt is an Orcas Island “farmette” dedicated to<br />

spreading the sweetness of heritage preserves. The Orcas<br />

Madrona Wood Serving Board, available in the online shop and<br />

made by artisans at Orcas Workshop, is composed of wood from<br />

the island with an organic live-edge shape, perfect for<br />

showcasing your next fruit and cheese spread.<br />

girlmeetsdirt.com<br />

The online shop Goose Creek Mercantile,<br />

curated by the West Seattle-based Holly Johnston,<br />

specializes in “natural goods for the modern home,”<br />

all with a Pacific Northwest sensibility. We like the<br />

oversized Cherry spoon, made in Woodinville, for<br />

its modern take on a good old kitchen standby.<br />

goosecreekmercantile.com<br />

Sur La Table<br />

The handmade knives from celebrated Bellingham master<br />

bladesmith Bob Kramer are the prized possession of many<br />

chefs—just ask Anthony Bourdain. Kramer’s creations are<br />

primarily available by auction and lottery, meaning years-long<br />

waitlists. Luckily for impatient home cooks, he teamed up with<br />

Zwilling J.A. Henckels to produce this line of carbon steel blades<br />

fashioned after the ones that come from his workshop.<br />

surlatable.com<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 33


mind + body<br />

Just Getting Started<br />

Skier Breezy Johnson competed at the<br />

Winter Olympics, and is ready for more<br />

written by Lauren Kramer<br />

U.S. Ski & Snowboard<br />

34 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


mind + body<br />

Breezy Johnson<br />

U.S. Olympic Skier<br />

Age: 22<br />

Born: Jackson, Wyoming<br />

Residence: Victor, Idaho, and Bellingham, Washington<br />

Breezy Johnson cruises downhilll during the 2017 U.S. Alpine Ski Team training<br />

camp in Chile.<br />

WHEN BREEZY JOHNSON got the call saying she’d been<br />

selected to be one of the U.S. alpine skiers in the <strong>2018</strong> Winter<br />

Olympics in PyeongChang, the 22-year-old was breathless with<br />

excitement. A fierce competitor since her childhood days, this<br />

was the ultimate test of her skill, pairing her with the world’s<br />

finest alpine skiers.<br />

“I was always super serious about ski racing, and for as long<br />

as I can remember I wanted to be an Olympian ski racer,” she<br />

said. “I remember competing at one race when I was super<br />

young, and where they gave ribbons to everyone who competed.<br />

I immediately threw mine out because I wasn’t interested in<br />

something given just for competing. I wanted something I had<br />

to earn.”<br />

Johnson’s father, Greg Johnson, was her first ski instructor and<br />

coach and she quickly took a shine to the sport. “My brother and<br />

I were pains in the butt to any resort we were at,” she recalled.<br />

“We were better skiers than our instructors even as kids, so we’d<br />

ditch them and rip around the mountain on our own. But what<br />

influenced me to stick with the sport is that I’m always looking<br />

for a challenge, and skiing was the most challenging thing I ever<br />

did, which made it the most rewarding.”<br />

Accustomed to skiing at speeds of up to 85 mph, Johnson said<br />

what scares her is less the actual speed and more the relative<br />

speed of “things coming at you. I always say that alpine speed<br />

skiing is about hearing that little instinctual voice tell you to slow<br />

down and then going faster anyway. It’s so thrilling to see how far<br />

you can push the limits. And every time you decide not to listen<br />

to your instincts and you go faster, you feel a little bit like you’re<br />

defying death itself.”<br />

A member of the U.S. Ski Team since 2014, Johnson has been<br />

in training for several years, tackling glacial slopes in Europe and<br />

snowy peaks in New Zealand, Chile and across the U.S. She’s<br />

determined to come home with a gold medal. In PyeongChang,<br />

she finished fourteenth in Super G and seventh in the downhill,<br />

just 1.12 seconds behind the gold medal winner. “We know that<br />

we are all good,” she said of her seven fellow athletes on the team.<br />

“The only thing we can do is ski our best. If I can’t win, then<br />

having one of my teammates win is the next best thing.”<br />

U.S. Ski Team<br />

WORKOUT<br />

SUMMER TRAINING<br />

Monday: 45-minute jog followed by 2.5 hours strength training, lunch<br />

then 1.5 hours core workout<br />

Tuesday: 30-minute jog, 1.5 hours coordination (soccer ball work,<br />

slackline, trampoline), lunch then 1.5 hours sprint workout<br />

Wednesday: 3 hours strength (more power-based), afternoon off<br />

Thursday: 30-minute jog, medium-intensity cardio workout, then<br />

2-hour core workout<br />

Friday: 2.5 hours strength, then 1-hour coordination workout (speed<br />

ladder, possibly rollerblading), maybe a 1-hour fun game in evening<br />

with friends<br />

Saturday: 3-5 hour hike, bike, run or swim<br />

Sunday: Off<br />

WINTER TRAINING<br />

Monday: Off<br />

Tuesday: 3 hours ski training, 1-hour game in afternoon (volleyball,<br />

tennis, tennoccer)<br />

Wednesday: Off<br />

Thursday: Training run (on hill for 4 hours with two 30-minute<br />

warmup bodyweight workouts with squats, jumps, lunges etc.),<br />

30-minute core workout in afternoon<br />

Friday: Training run (on hill for 4 hours with two 30-minute warmup<br />

bodyweight workouts with squats, jumps, lunges etc.), 1-hour<br />

coordination and power workout (stair jumps, skips, speed ladder)<br />

Saturday: Race Downhill (on hill for 5 hours with two 30-minute<br />

warmup bodyweight workouts with squats, jumps, lunges etc.),<br />

30-minute recovery spin in afternoon<br />

Sunday: Race Super G (on hill for 5 hours with two 30-minute warmup<br />

bodyweight workouts with squats, jumps, lunges etc.), 1-2 hour weight<br />

workout in afternoon<br />

NUTRITION:<br />

• All sources of proteins (eggs, meat, salmon, dairy, tofu)<br />

• Berries, tomatoes, cherries<br />

• 4-5 cups veggies<br />

• 4-5 cups whole wheat grains<br />

• 1 sea salt caramel prior to races<br />

INSPIRATIONS:<br />

• “Your body is firing at 100 percent when you’re skiing, and your mind<br />

is also working at 100 percent. That combination of using your mind<br />

and body makes me feel more alive than anything else.”<br />

• “My amazing U.S. Ski Team teammates, who know so much and have<br />

shared their knowledge and experience with me, even though at times<br />

like Olympics and World Championships we have to compete against<br />

each other. We are constantly bouncing ideas back and forth and I<br />

honestly can’t say if I would be as good as I am today without them.”<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 35


artist in residence<br />

Tackling<br />

Misconceptions<br />

Filmmaker takes on social issues<br />

written by Viki Eierdam<br />

36 <strong>1889</strong> WASHINGTONS’S MAGAZINE FEBRUARY APRIL | MAY | MARCH <strong>2018</strong> 2017


artist in residence<br />

IT’S BEEN SAID that overnight success can take years to achieve. Seattle filmmaker Derek Armstrong<br />

McNeill can attest to that. After three decades pursuing related yet fragmented interests, the<br />

common denominators of his life finally revealed his gift of storytelling.<br />

When McNeill began concentrating on the growing homelessness in his city, clarity hit him and<br />

he knew he could present the human side of the issue with The Road to Nickelsville.<br />

“A moment was happening in Seattle that would later<br />

be seen as a pivotal point, and I felt there was a story<br />

that needed to be told,” McNeill said. “I wanted to craft<br />

something more than a sleepy documentary but add<br />

subtext that operated on different emotional layers.”<br />

McNeill joined the United States Air Force straight<br />

out of high school and spent the next eight years as<br />

a photographer. For the better part of his Air Force<br />

career he shot, printed and processed film. After his<br />

service, he worked as a wedding and<br />

portrait photographer, freelanced for<br />

a newspaper, earned an advertising<br />

degree from the University of Alaska<br />

with a minor in design and even<br />

created Windows ads for Microsoft.<br />

He’d wanted to pursue filmmaking<br />

since he was a child, but McNeill was<br />

unable to afford film school so he tried<br />

to find satisfaction in photography. In<br />

2000, he was inspired by the opening<br />

title sequence of the HBO series<br />

Six Feet Under. He discovered the<br />

company responsible for it, Digital<br />

Kitchen, was in Seattle and took a<br />

motion design class it offered. McNeill<br />

then had a front-row seat to the<br />

making of the True Blood title sequence and his path in<br />

filmmaking became more grounded.<br />

McNeill began to feel the stirrings to go out on his own<br />

in 2013, and a couple years later he decided to tackle the<br />

topic of the controversial Seattle homeless encampment<br />

known as Nickelsville. To date, his documentary, The<br />

Road to Nickelsville, has earned multiple awards and<br />

nominations from the film community.<br />

Through a series of intimate interviews, McNeill<br />

breaks down misconception after misconception<br />

without taking a political or social side or offering a<br />

solution to the homelessness problem. He allows the<br />

“cast” to tell their own stories in words, through facial<br />

expressions and a very personal look into their day-today<br />

lives.<br />

Compassion and empathy are the premier<br />

instruments in any effective storyteller’s toolbox, and<br />

McNeill employs both deftly as he seeks to deliver a<br />

familiar concept to his audience and let them digest<br />

it anew.<br />

“I didn’t want it to be a finger-wagging exercise. I<br />

wanted people to stop and think and question their<br />

assumptions. I wanted to create a neutral look. It’s a very<br />

emotional and personal look, but I didn’t have a strong<br />

agenda that you must feel sorry for these people, and I<br />

also didn’t say, ‘These people are lazy,’” McNeill said. “I<br />

think art in its truest form works best when it holds a<br />

mirror up to the viewer and causes them to stop and<br />

think about their own humanity.”<br />

It is his nuanced stylings that have<br />

garnered critical acclaim for The<br />

Road to Nickelsville, including winner<br />

at the International Independent<br />

Film Awards for Title/Credit Design,<br />

Editing, Cinematography, Directing<br />

and Documentary Short Film. He<br />

was one of four finalists—out of 1,300<br />

submissions—for Best International<br />

Documentary at the Fabrique Du<br />

Cinema Awards held in Rome last<br />

December and judged by American<br />

representative, Willem DeFoe.<br />

“Fabrique is a symbol to me that it<br />

(the film) is doing well and touching<br />

people,” McNeill said.<br />

His next venture, Appleseeds,<br />

explores another complex human issue—the secret to<br />

true happiness. Similar in style to The Road to Nickelsville,<br />

McNeill pastes together a collection of interviews with<br />

men and women ages 65 to 85. Commissioned by a<br />

friend designing an installation on aging, Appleseeds goes<br />

beyond the premise of how to find hope and happiness<br />

through adverse life moments and, organically, delves<br />

into the cultural issue of elder worth.<br />

One interviewee mimics the way he’s treated by<br />

saying, “Oh, he’s old. He must be retarded.”<br />

While that may sound harsh, it is a reality that the<br />

elderly face and, just like The Road to Nickelsville,<br />

Appleseeds promises to challenge cultural assumptions,<br />

open the eyes of the audience who choose to see the film<br />

and, possibly, start a conversation. It also offers hope.<br />

“So, you take everything you’ve been through in life<br />

and, if you’re fortunate enough to live ‘til you’re older,<br />

how can you not be beautiful? It has nothing to do with<br />

your gender or the color of your skin. How can we not be<br />

beautiful?” another interviewee asks proudly.<br />

FEBRUARY APRIL | MARCH | MAY <strong>2018</strong> 2017 <strong>1889</strong> WASHINGTON’S MAGAZINE 37


STARTUP 40<br />

WHAT’S GOING UP 42<br />

WHAT I’M WORKING ON 44<br />

MY WORKSPACE 46<br />

GAME CHANGER 48<br />

pg. 44<br />

Mona Ghandi wants buildings to adapt to our moods.


golf, dine, explore<br />

PULLMAN, WA<br />

Rob Perry<br />

Birch & Barley PalousePics.com Majestic Nature<br />

Home of Washington State University<br />

and so much more<br />

pullmanchamber.com 509.334.3565


startup<br />

Trash to Treasure<br />

Appliance Depot reduces waste and trains<br />

employees to re-enter the workforce<br />

written by Lauren Kramer<br />

40 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


startup<br />

“[Our trainees] get a sense of ownership in the business<br />

and a sense of community from their coworkers. That<br />

feeling of support and investment goes a long way toward<br />

building confidence and we see huge transformations in<br />

our trainees’ demeanor, communication skills and selfesteem<br />

in their time with us.”<br />

—Dallas Betz<br />

ReUse Works<br />

SUSTAINABILITY IS A BUZZWORD these days,<br />

but when Appliance Depot started in 2005 it was one<br />

of the early pioneers of the movement. The goal of<br />

the Bellingham-based nonprofit is to convert trash to<br />

treasure by refurbishing old appliances or, when that’s<br />

not possible, to strip their reusable parts and put<br />

them back to work. Refurbished appliances are resold<br />

at a fraction of the cost of new ones. The sales team,<br />

funneled from social service agencies, consists of<br />

folks who have experienced significant life challenges<br />

and need new, basic skills and experience to re-enter<br />

the workforce.<br />

“Our program is unique in that it was created<br />

with the aim of using trainees as primary workers,”<br />

explained Dallas Betz, executive director at ReUse<br />

Works, the nonprofit that operates Appliance Depot.<br />

“Trainees work at a variety of tasks and progress<br />

quickly. Moreover, they get a sense of ownership in<br />

the business and a sense of community from their<br />

coworkers. That feeling of support and investment<br />

goes a long way toward building confidence, and we<br />

see huge transformations in our trainees’ demeanor,<br />

communication skills and self-esteem in their time<br />

with us.”<br />

Most of the 450 trainees who have worked at<br />

Appliance Depot have arrived with little or no work<br />

history—or nothing recent. The team of seven full-time<br />

staff helps train for soft skills like customer service,<br />

and trainees usually leave with a good reference and<br />

recent work history they can take to their next jobs.<br />

To date, Appliance Depot has kept 50,000 appliances<br />

out of the waste stream and sold 13,000 refurbished<br />

appliances, generating $3.5 million in sales. “Our planet<br />

has limited resources that are rapidly diminishing, so<br />

we need to extend the life of those goods that already<br />

exist,” Betz said. While recycling is a good idea, the<br />

first option should be re-use because that “allows us to<br />

maintain the embedded energy in each machine and<br />

keeping our money circulating locally,” he explained.<br />

Up to 25 percent of the appliances Appliance<br />

Depot receives can be reconditioned. The rest are<br />

stripped for parts and then recycled for scrap metal.<br />

Salvageable appliances are repaired in the nonprofit’s<br />

2,000-square-foot shop and sold in the showroom<br />

at 802 Marine Drive. Surplus revenue is set aside for<br />

unforeseen, unpredictable expenses, like the new box<br />

truck that was needed after the old one’s transmission<br />

failed recently.<br />

For most of us, when we need a new appliance we<br />

go out and buy it. We don’t think about the energy<br />

that goes into creating that machine, from resource<br />

extraction to manufacturing and transportation.<br />

“Every appliance we refurbish means that one less<br />

needs to be manufactured,” Betz said.<br />

Betz doesn’t put much stock in the touted energy<br />

efficiencies of new appliances, either. “When you look<br />

deeper, they’re made of flimsy materials and typically<br />

last less than ten years,” he said. “When we see them<br />

here at Appliance Depot, they are rarely worth<br />

repairing. We need to shift our thinking to designing<br />

and manufacturing that is not only energy efficient<br />

in use, but has a long lifespan and can be repaired.<br />

Planned obsolescence is not a sustainable practice.”<br />

As consumers we have to stop perceiving broken<br />

items as trash, he said, especially when it comes to<br />

appliances. “When we take people’s broken appliances<br />

and give them new life, we’re offering purchasers<br />

something that’s affordable, reliable and guaranteed<br />

by us. That appliance also enables us to provide job<br />

training services to low-income residents, so we<br />

regard it as treasure.”<br />

Collecting old appliances is one of Appliance Depot’s<br />

challenges, but the nonprofit is grateful to have secured<br />

a partnership with Home Depot in Bellingham. “Some<br />

of their take-backs are set aside for us and we so<br />

appreciate these donations,” Betz said. “We hope that<br />

Home Depot’s model of community support opens<br />

doors to other retailers doing the same.”<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 41


what’s going up?<br />

Everything Old<br />

Is New Again<br />

Classic architecture meets upscale hotel<br />

properties around Washington<br />

written by Sheila G. Miller<br />

WALLA WALLA<br />

Visitors to Walla Walla will have a four-star hotel<br />

to look forward to when the Penrose Walla Walla<br />

opens in 2019. The project, overseen by Stephen Day<br />

Architecture, will transform the National Registerlisted<br />

Odd Fellows building and a large addition on<br />

Mill Creek near Whitman College into a hotel with<br />

132 rooms, event spaces, a music venue, a penthouse<br />

swimming pool and rooftop terraces.<br />

PORT TOWNSEND<br />

Another Stephen Day Architecture project<br />

expected to transform a historic area is the waterfront<br />

redevelopment in Port Townsend. The project will<br />

update the 1890 Hastings Building and add a new<br />

building near the pier that will have a hotel, restaurant<br />

and ferry terminal. The project will also replace the<br />

pier, which has been damaged over the years in a<br />

series of storms. Day said the project is slated to be<br />

finished in 2020.<br />

The Penrose Walla Walla will<br />

open in 2019 with 132 rooms.<br />

42 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Find Wonder. Everywhere You Look.<br />

Spring in the San Juan Islands is always new. Clear mornings and lingering sunsets.<br />

And always the magic of orca whales in the sparkling waters they call home. Come to<br />

the islands for your spring break getaway and be wonder-fi lled.<br />

INSPIRATION FOR THE SENSES<br />

VisitSanJuans.com<br />

Lopez Island • Orcas Island • San Juan Island / Friday Harbor<br />

SJIVB_<strong>2018</strong>_<strong>1889</strong>WashMag_HalfPage_final.indd 1<br />

2/20/18 8:51 AM<br />

D I S C O V<br />

E R<br />

M UKI L T E O<br />

Lighthouse Park<br />

www.discovermukilteo.org<br />

Whidbey Island Ferry Japanese Gulch Trails Harbour Pointe Golf Course Paine Field Aerospace Museums


what i’m working on<br />

Mona Ghandi, a WSU professor,<br />

recently won a Vilcek Prize for<br />

Creative Promise.<br />

What I’m Working On<br />

What Has Your House<br />

Done for You Lately?<br />

Mona Ghandi is working across disciplines<br />

to make architecture more adaptive<br />

interview by Sheila G. Miller<br />

WHAT IF YOUR apartment could change the lighting, window size<br />

or wall configuration depending on your mood? Mona Ghandi<br />

wants to make that a reality.<br />

Ghandi was born in Iran and earned her bachelor’s and master’s<br />

degrees in architecture from Tehran University. In 2012, she earned<br />

another master’s degree from the University of California, Berkeley,<br />

and is now an associate professor of architecture and design at<br />

Washington State University. Most recently she received a Vilcek<br />

Prize for Creative Promise, which is given to young immigrants who<br />

are showing signs of being high achievers in fields like biomedical<br />

science and the arts.<br />

Her focus is in computational design and compassionate<br />

spaces—more on that later. In a word, she wants buildings to<br />

change depending on what their users need. The building,<br />

she believes, should be more of a living organism that can<br />

adapt as necessary, especially for people who might need<br />

a little extra help making their environment work for them.<br />

44 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


what i’m working on<br />

In layman’s terms, what is<br />

computational design?<br />

Computational design looks at how<br />

we design a building. Rather than just<br />

being involved in the geometry and<br />

shape of the place and the building,<br />

we can encode a set of instructions<br />

and let that generate a design.<br />

Computational design is a change of<br />

medium, from geometry to logic. We<br />

use coding, computer language, to<br />

enhance a space.<br />

I believe computational design can<br />

provide diverse aspirations—artistic<br />

expression, efficiency, a scientific<br />

approach in the design. It can also<br />

help to optimize the building practice<br />

based on its parameters. It can help<br />

you evaluate before you start building,<br />

so it prevents mistakes and saves<br />

a lot of money. And it helps in the<br />

sustainability approach—you can<br />

analyze and simulate the environment<br />

and make an informed decision before<br />

you start building.<br />

You speak a lot about building<br />

compassionate spaces. What does<br />

that mean and how does it manifest<br />

itself in your work?<br />

This is truly my motivator. I am<br />

interested in the idea of how we<br />

can make a building concerned with<br />

healing—both the user and society’s<br />

well-being. So, the strategy changes<br />

from a rigid architectural structure to a<br />

transformable structure that takes into<br />

account an individual’s emotions and<br />

feelings. This combines architecture,<br />

computer science, materials science,<br />

robotics and psychology.<br />

It’s the idea that spaces can have<br />

empathy, that they can heal and<br />

empower the user by understanding<br />

and accommodating the user’s needs.<br />

That can happen with a chance in the<br />

shape of the building’s environment,<br />

for example. Whatever the user wants,<br />

the building will act accordingly and it<br />

will make the user feel better.<br />

How does that work, exactly?<br />

The building would be able to<br />

make changes based on user<br />

Ghandi is focused on creating spaces that adapt to users’ needs.<br />

behavior. Currently we are gathering<br />

neurological and biofeedback data,<br />

things like heart rates, brain waves,<br />

blood pressure, electromagnetic<br />

charges in the body, to create smart<br />

data. The idea is, ‘How can the<br />

synapses in the brain trigger changes<br />

in the building?’ <strong>May</strong>be we can make<br />

the user and the building into a single<br />

entity and dissolve the boundaries.<br />

We are collecting that data and then<br />

finding materials that can respond in<br />

kind, so that structure needs to be<br />

kinetic and transformable and be able<br />

to perform some configuration—<br />

moving back and forth, opening<br />

and closing.<br />

It seems like this work would<br />

be perfect to assist people with<br />

disabilities.<br />

That’s the whole purpose—to move<br />

toward democratizing buildings. My<br />

research tries to provide access to<br />

underrepresented people who have<br />

always been limited to the final design<br />

of a building environment without<br />

taking into account their preferences<br />

or needs. This works for two groups<br />

of people—those with disabilities<br />

like a spinal cord injury who cannot<br />

move, those who are not disabled but<br />

are having a hard time taking care of<br />

some stuff becuase of their ages, and<br />

then some are disabled mentally—<br />

they can’t communicate or express<br />

feelings and emotions. What we’re<br />

trying to do is give them more control<br />

over their environment.<br />

And how does that work?<br />

We collect data from the user. For<br />

those with physical disabilities, the<br />

user would have the opportunity to<br />

control the structure just by looking at<br />

it. So you move your head, or your eye,<br />

and they can open or close a window<br />

that way. They can change the size<br />

or location of the window, a wall can<br />

transform to offer a desk or to offer a<br />

table or shelves, and when needed it<br />

will go back to the neutral wall.<br />

The other group we gather is<br />

emotional data—the building can<br />

guess your mood or feeling by your<br />

tone of voice, your heart rate, your<br />

body temperature and make changes<br />

accordingly. And then these changes<br />

in the space could be used as a<br />

communicative tool for parents or<br />

others, and the building could be used<br />

to change or improve your mood.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 45


my workspace<br />

CoMotion Labs, based at the University of<br />

Washington, is dedicated to the high-tech<br />

startup community. Members can be from<br />

anywhere in the state. The lab’s mission is<br />

to expand the economic, societal impact of<br />

the community and help innovators make<br />

the biggest impact with their discoveries.<br />

There are three CoMotion Labs around the<br />

University of Washington campus area.<br />

The group also operates a virtual space in<br />

Spokane. Each lab has an industry cluster as<br />

its focus—one offers a focus on health care<br />

and biotech engineering, others virtual reality<br />

and augmented reality, and IT, software and<br />

artificial intelligence development.<br />

Associate director Elizabeth Scallon<br />

runs the labs and also does much of<br />

the legwork surrounding partnerships,<br />

strategic vision and identifying new<br />

startups for CoMotion to work with.<br />

Scallon has a graduate degree in global<br />

business and previously worked for<br />

a small biotech company called<br />

VLST that grew from an accelerator<br />

and in turn incubated more biotech<br />

companies in the area.<br />

My Workspace<br />

Start It Up<br />

CoMotion Labs is a high-tech startup’s best friend<br />

written by Sheila G. Miller<br />

46 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


my workspace<br />

Conrado Tapado<br />

The space first opened in 2012. By 2013, twelve<br />

startups were being developed through the labs.<br />

Today there are about ninety-five in the program.<br />

“We provide space and a learning network and<br />

services to help the startup community in that<br />

early phase,” Scallon said. “We help them as<br />

they go on their journey to scale up.” Two of<br />

the more successful startups to come out of<br />

CoMotion Labs include Turi, a machine learning<br />

company that was acquired by Apple for about<br />

$200 million, and Vicis, which has developed<br />

technology in athletes’ helmets that can reduce<br />

concussions by absorbing the impact. Or take<br />

M3 Biotechnology, which has a technology in<br />

phase-one clinical trials for the treatment of<br />

Alzheimer’s. That technology was developed at<br />

Washington State University and the startup<br />

was incubated at CoMotion Labs.<br />

Matt Hagen<br />

More than half the people developing<br />

startups through CoMotion Labs are<br />

from outside UW. “What I think is great<br />

about that is, we have these startups<br />

throughout the entire community and<br />

they hire UW interns or grads to be part<br />

of their startup full time, and then the<br />

startup also has opportunities to join<br />

in with different professors on campus<br />

and to develop capstone projects for<br />

which students can apply.”<br />

The group also operates a maker space available<br />

to the public, who can borrow a tool or participate<br />

in workshops. There are education and training<br />

programs free and open to the public, as well as<br />

available through live-streaming on YouTube.<br />

“It’s great, because when you have a mission of<br />

economic development you can take a broad view<br />

rather than a very singular view,” Scallon said.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 47


game changer<br />

“Even though we<br />

make fiction for a<br />

living, the truth is<br />

really important.”<br />

—Shanna Germain<br />

Acceptance, Inclusion and Truth<br />

No Thank You, Evil, a children’s game created by Monte Cook<br />

Games, is used by schools to help children confront issues.<br />

Monte Cook Games is creating positive<br />

change through core values<br />

written by Gina Williams<br />

FROM THEIR CREATIVE PERCH in the wild garden that is<br />

northern Washington, Monte Cook and Shanna Germain are busy<br />

creating new worlds and changing the real world—for the better.<br />

The duo founded Monte Cook Games in 2012 with business<br />

partner Charles Ryan, who is based in Kansas City, Kansas. The<br />

company develops and produces some of today’s most innovative<br />

tabletop roleplaying games<br />

From the beginning, Germain said, they built core values<br />

into their company that put diversity, inclusivity and truth at the<br />

forefront of their business practices, employee relations and product<br />

development.<br />

“We started the company as human beings and we included those<br />

core values into company structure because they are our own core<br />

values as human beings,” Germain said. “At some point we realized<br />

we wanted to put those on the page.”<br />

“In our products, in the events we support, and in the gaming<br />

spaces we strive to create, we welcome people from all walks of<br />

life, all genders and orientations, all religions and cultures, and all<br />

ethnicities,” the company’s values credo states in part. “Although<br />

fantasy is our business, we recognize that we can’t be good stewards<br />

of that business if we make decisions based on fantasy. Our<br />

employees, our families, our Kickstarter backers, our fans, and our<br />

future all depend on vision and aspiration built upon a foundation<br />

of fact.”<br />

How do the company’s stated values reveal themselves<br />

in products?<br />

“We do a lot of art that reflects diversity. And we are very<br />

careful with language,” Germain said. “Our games give players<br />

tools to encourage individuality without shame, and we create<br />

characters in our novels that are gay, gender-neutral and people<br />

of color, for example.”<br />

Traditionally, she said, the world of tabletop roleplaying games<br />

and electronic games was a white male place. That’s changing,<br />

Germain added, but when there’s change, there can be pushback.<br />

That’s not an issue for Monte Cook Games. Both Germain and<br />

Cook said they welcome the challenges.<br />

The company also produced No Thank You, Evil, a wildly<br />

successful children’s game that is also popular with general<br />

audiences and is used by schools and organizations like Kirklandbased<br />

“Game To Grow” to help children work through grief and<br />

other difficult issues.<br />

“We are all searching for safe havens,” Germain said, adding<br />

that more and more people from all walks of life who never felt<br />

comfortable entering the gaming world—and especially roleplaying<br />

games—are emboldened to join the ranks and love the experience.<br />

“And we’re seeing such diversity at game conventions and in<br />

other arenas,” she said. “That’s positive growth.”<br />

As for what’s next, Germain, an award-winning writer, is<br />

working on a game-related novel that will come out next year.<br />

Cook, also a writer and well-known creator and game designer,<br />

said the company is finalizing production of a new tabletop game<br />

called Invisible Sun, expected out in <strong>May</strong>, that he described as<br />

surreal fantasy, filled with magic and wonder that focuses on<br />

personal change and growth.<br />

“Most of all, it’s a game about escaping the real world for a short<br />

while and enjoying experiences in a very different realm,” Cook<br />

said. “And I think we can all enjoy a little escape right now.”<br />

48 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


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Kevin Scott/Olson Kundig<br />

Outward<br />

Bound<br />

THREE HOMES DESIGNED TO GET AWAY FROM IT ALL<br />

written by Melissa Dalton<br />

FROM ISLAND BEACHES to rainforests to mountain meadows,<br />

this state has a lot to lure us outside the city limits. Step inside<br />

three houses that offer a stylish respite from urban life.<br />

50 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Kevin Scott/Olson Kundig<br />

Benjamin Benschneider<br />

Longbranch<br />

THE STORIED FOREST CABIN<br />

OF AN ESTEEMED ARCHITECT<br />

Kevin Scott/Olson Kundig<br />

AT LEFT Windows in the Olson cabin blur the boundary of<br />

inside and out.<br />

CLOCKWISE FROM BOTTOM LEFT Walls at the cabin<br />

feature plywood and recycled boards. The modern building<br />

started as a cabin in 1912. Two guest rooms were added in a<br />

recent remodel.<br />

JIM OLSON’S ARCHITECTURAL training began in the woods. In 1966,<br />

the architect founded the Seattle-based Olson Kundig, a firm that has since<br />

expanded and is long respected for its contributions to modern Pacific<br />

Northwest architecture (updating the Space Needle is a recent commission). But<br />

Olson grew up tramping through the forest that surrounds his family’s waterside<br />

cottage on the South Puget Sound. “There, I started noticing things, like the verticality<br />

of the fir trees or the curve of the madrone trees—how the straight line of one plays off<br />

the curve of the other,” Olson said. Such observations proved to have lasting impact.<br />

“The things from this place that I noticed as a child are still playing out in my work as<br />

an architect today,” Olson said.<br />

His grandparents, both avid hikers, built their getaway in 1912, when the only<br />

access to the land was via ferry from Tacoma and a rowboat. Years later, in 1959,<br />

Olson’s father gave the first-year architecture student $500 and a request to build<br />

a bunkhouse to accommodate overflow guests. Olson erected a 14x14-foot cabin<br />

elevated on stilts in the forested hillside. “That was the start of my philosophy as<br />

an architect in doing things that are not about themselves but are about creating an<br />

experience for the people inhabiting them,” Olson said. “In this case, it was about<br />

being in nature.”<br />

Unfortunately, his grandparents’ cottage was destroyed by fire in the next year.<br />

Olson’s tiny bunkhouse then underwent a series of remodels over the ensuing<br />

decades. In 1981, a bedroom and bathroom were added as separate units linked by<br />

outdoor catwalks. In 2003, a roof was incorporated to “knit all the rooms together.” In<br />

2014, the cabin received a revamped principle suite and two guest rooms. “First it was<br />

a bunkhouse for friends, then an experimental retreat for a young couple and family,<br />

and now it’s a quiet place for contemplation and creative work,” Olson said.<br />

Throughout the renovations, Olson never lost sight of the home’s original intent: to<br />

bring its occupants closer to nature. Now, copious windows blur the boundaries<br />

between inside and out. Light walls “sheathed in plywood and recycled boards”<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 51


“I started noticing things, like the verticality of the fir trees or the<br />

curve of the madrone trees—how the straight line of one plays off<br />

the curve of the other. The things from this place that I noticed as a<br />

child are still playing out in my work as an architect today.”<br />

— JIM OLSON<br />

evoke fir bark and the nearby<br />

beach’s driftwood. A private<br />

deck off the principle suite<br />

produces a treehouse effect. “You<br />

feel as though you are sitting in the<br />

trees with the birds and squirrels at<br />

eye level,” Olson said.<br />

With every remodel, the<br />

previous structure was carefully<br />

integrated with the new, instead<br />

of demolished. Old walls visibly<br />

connect with new walls. Exterior<br />

decks skirt mature trees, with one<br />

canopy extending through the<br />

roof. In this way, the cabin acts<br />

as a chronicle of Olson’s creative<br />

practice over the decades, as<br />

well as a testament to his family’s<br />

history in such a beautiful, natural<br />

spot. “You can see and feel all<br />

those layers of history,” he said.<br />

“Each iteration of the cabin marks<br />

a point of evolution not only<br />

in my personal life, but in my<br />

architectural career.”<br />

Get the<br />

Look<br />

East Cascades<br />

A CENTURY-OLD BARN RETROFITTED<br />

INTO A CITY ESCAPE<br />

ABOUT A DECADE AGO, a Seattle couple fell in love with a dilapidated<br />

barn on a few hundred acres in the eastern foothills of the Cascade<br />

Mountains and decided to transform it into their city escape. Upon seeing<br />

the barn, Matt King of the Mercer Island-based King Construction knew he was<br />

looking at a challenge. “The structure was over a hundred years old and looked<br />

like it would blow over in a windstorm,” he said. The building’s age was both a<br />

burden and a blessing. Having sat unused for more than thirty years, the barn was<br />

uninhabitable as it stood, but that vintage personality was just what the new owners<br />

sought to preserve. “It was interesting because it was in such a state of disrepair, but<br />

the owners were so excited about turning it into a house,” King said. The question<br />

became, how to retain the building’s appeal and make it structurally sound and<br />

livable? King joined up with MW Works Architecture and Nelleen Berlin Interior<br />

Design to discover the answers.<br />

Reuse became a key component to the project, starting with the exterior shell. All<br />

of the framing material—including the siding, studs, floorboards and joists—was<br />

stripped off and saved, leaving the roof and some of the skeleton intact. Then the<br />

team installed a new foundation, framework, insulation and drywall. The salvaged<br />

wood was then reapplied to the interior walls, “so when you’re inside the space,<br />

everything you see is authentic,” King said.<br />

That recycling ethos continues throughout the interior’s design. “Basically, the<br />

story behind it was, ‘What if a farmer came across this barn and wanted to turn it<br />

into a house?’” King said. “How would he go about doing that? By using raw,<br />

natural materials that were laying around the farm.” To that end, a cattle-milking<br />

1 Outdoor grilling is a summer must. The<br />

fire pits from Hotspot, located in Twisp,<br />

let you assemble s’mores in utilitarian<br />

style. The steel-footed basins come in a<br />

range of sizes, from the 24-inch round<br />

Chico model to the super-sized Jefe, which<br />

clocks in at 48 inches. Marshmallows not<br />

included.<br />

hotspotfirepits.com<br />

2 The Seattle-based painter and potter<br />

Jose Melchor is influenced by Japanese<br />

and Korean ceramic traditions when<br />

shaping his mugs and tea ware on<br />

the wheel. His one-of-a-kind creations<br />

embrace drips and imperfections in the<br />

glaze, for a finish that’s both elegant and<br />

eye-catching.<br />

etsy.me/2FTksxg<br />

3 Whether you’re after a classic farm<br />

table, an elegant Stickley spindle chair, or<br />

a pie safe, The Shaker Craftsman has<br />

you covered. The family-run woodworking<br />

studio in Yakima uses a variety of<br />

wood species to make all of its custom<br />

furnishings by hand, right down to the<br />

dovetails on drawers.<br />

theshakercraftsman.com<br />

52 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Wood salvaged from the framing material<br />

was reapplied to interior walls, giving the<br />

barn an authentic feel.<br />

Tim Bies<br />

1<br />

2<br />

3<br />

4 After spending fifteen years working as a freelance<br />

designer, Jonathan Baker moved 3,000 miles to<br />

Twisp and set up eqpd (pronounced “equipped”), a<br />

reusable bag company. The product line, designed<br />

and manufactured at TwispWorks, features durable<br />

and streamlined bags that will “live long and carry<br />

lots.” We like the hardy Log Tote, which is fashioned<br />

from coated fabric with a tear strength of 90 pounds.<br />

eqpdgear.com<br />

4<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 53


“Basically, the<br />

story behind it was,<br />

‘What if a farmer<br />

came across this<br />

barn and wanted<br />

to turn it into a<br />

house?’ How would<br />

he go about doing<br />

that? By using raw,<br />

natural materials<br />

that were laying<br />

around the farm.”<br />

— MATT KING<br />

CLOCKWISE, FROM TOP LEFT The revamped barn,<br />

nestled in the Cascade foothills. A feature wall<br />

incorporates old apple crates found around the<br />

property. The fireplace was made from steel drums.<br />

station was taken apart and reassembled to create the framework for a<br />

mudroom. The old meat locker door now provides entry to the wine cellar. A<br />

hog-wire chandelier dangles from a track previously used to move hay, and a feature<br />

wall is comprised of a mélange of apple crates once stacked in the barn or found in<br />

the meadow.<br />

New materials were carefully inserted into the mix so as to flow well with the old.<br />

The former hayloft opening was glassed in. Wood stair stringers and treads were<br />

sprayed with a mixture of water, vinegar, steel wool and rusty nails, for instant patina.<br />

A local fabricator constructed fireplaces from steel drums, and they’re affixed with<br />

hardware that came off an abandoned tractor.<br />

Striking just the right balance between old and new was integral to fulfilling the<br />

homeowners’ vision—and you need only look up to see the team’s success. At the<br />

ceiling, there are glimpses of the original galvanized steel roof and shingles. That’s<br />

because a key decision was to blanket that roof with a new layer of Cor-ten steel, so<br />

as to keep the building’s distinctive silhouette—and character—intact. Said King:<br />

“There was no other way to create the feeling of that old barn.”<br />

Photos by Tim Bies<br />

54 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


TACOMA: CLEVER URBAN INFILL<br />

A few years ago, Cady Chintis and John Wolters decided<br />

to build the type of housing they had often looked for<br />

but rarely found in their hometown of Tacoma. When<br />

searching for a rental, the co-founders of WC Studio,<br />

an architecture agency, discovered a problem of scale,<br />

popularly termed the “missing middle,” Chintis said.<br />

“There are not that many options that are somewhere<br />

in between a single-family home or a large apartment<br />

building.” So in 2015, they designed and built a modern<br />

take on a fourplex. The result, dubbed the Prospect, is<br />

located on a typical 25x100-foot lot between an alley and<br />

a street in a mixed-use center. Early on, the architects<br />

realized that constructing a single building would block<br />

the sunlight to the neighbor’s south-facing windows,<br />

so they split the plex into two structures with a shared<br />

courtyard nestled in-between. Each building houses a<br />

ground-floor studio with a two-bedroom apartment<br />

above. A mix of off-the-shelf and custom materials, such<br />

as IKEA kitchen cabinets and bespoke light fixtures, make<br />

for sleek and uncluttered interiors, while the communal<br />

greenspace encourages people to come together.<br />

Kelly Nowels<br />

Washington<br />

Rising<br />

SUPERIOR URBAN<br />

HOUSING ACROSS<br />

THE STATE<br />

SPOKANE: CHIC LOFTS IN A<br />

HISTORIC DOWNTOWN BUILDING<br />

HDG Architecture has been reinventing a 1905 brick building<br />

in downtown Spokane’s theater district, one square foot at a<br />

time. Starting in 2012, the firm tackled the first floor, eventually<br />

replacing a defunct restaurant and old shoe store with two new<br />

restaurant destinations, Fire Artisan Pizza and Nudo, respectively.<br />

In 2016, it was the second floor’s turn. It had been fitfully<br />

remodeled over the years and previously housed a dance studio.<br />

Upon walking through the space, architects Armando Hurtado<br />

and Josh Hissong saw past the layers of dropped ceilings<br />

and uninspired finishes to envision four chic loft apartments,<br />

called the Mystery Lofts. In short order, the space was gutted<br />

and the historical building’s inherent charm revealed. “We<br />

left as much of the original structure as exposed as possible,”<br />

Hissong said. The resulting units now possess brick walls with<br />

a whitewash finish, crosshatch trusses that soar overhead,<br />

and restored 10-foot-high arched windows. Thanks to interior<br />

designer Hannah Mackin, those features mesh with a simple,<br />

contemporary palette, like Silestone counters and flat-front<br />

cabinets, to capture that elusive, sought-after urban loft vibe.<br />

Tony Roslund Photography<br />

SEATTLE: THE CITY’S FIRST<br />

PASSIVE HOUSE TOWNHOMES<br />

Clad in a mix of reclaimed wood, charcoal Shou Sugi Ban cedar<br />

and painted cement board, from the outside the View Haus<br />

5 townhomes could pass for just the usual stylish Seattle<br />

housing. But upon closer inspection, this Madison Park<br />

development boasts some serious green building cred. In 2014,<br />

View Haus 5 became the city’s first townhomes designed and<br />

built to Passive House standards. Buildings constructed to the<br />

Passive House paradigm provide peak energy efficiency, relying<br />

on features like airtight construction, copious insulation, uberefficient<br />

doors and windows and advanced mechanical systems<br />

to deliver major savings. The challenge behind View Haus<br />

5, which was helmed by b9 Architects and pioneering green<br />

builder Cascade Built, was achieving those goals on a steep and<br />

narrow city lot. The team succeeded and then repeated the<br />

effort, combining modern design with Passive House principles<br />

in an even bigger project in 2016: a cluster of ten townhomes,<br />

called SolHaus, in the Capitol Hill neighborhood.<br />

Aaron Leitz Photography


Will Austin<br />

56 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Photos by Will Austin<br />

Orcas Island<br />

AN ARCHITECT CREATES AN ELEGANT<br />

RETREAT FOR HIS MOM<br />

W<br />

HEN MARIE GLADWISH was 17 years old and living on the east coast,<br />

she took a summer cruise to tour the San Juan Islands. Upon arriving at<br />

Orcas Island for the first time, she had a surprising and heady reaction,<br />

despite having never seen the place before. “I got very welled up and felt like I was<br />

coming home,” she said. She decided she would someday live on the island. Decades<br />

later, she made good on that promise.<br />

Gladwish bought 7 acres on the island in the late ’90s while still living on the east<br />

coast, where she worked as a graphic designer. With retirement approaching, she<br />

partnered up with her son, the Seattle-based architect Gary Gladwish, to design and<br />

build a home that would connect her to the spectacular location that so struck her as<br />

an adolescent. “She didn’t want the house to be an imposition on the site,” Gary said.<br />

“She wanted to have a roof over her in nature, almost like she’s outside all the time.”<br />

His answering design is a seamless union between the home and its natural setting.<br />

To start, Gary kept the exterior form simple, essentially merging two boxes into<br />

an L-shape. The long walkway to the front door borders a yard that Gladwish<br />

landscaped with moss-covered rocks, burgeoning ferns and a small pond. “A<br />

relaxed, Zen-feeling comes over me,” she said of the approach to the entry. Through<br />

a 10-foot-tall pivoting glass door, one immediately glimpses an indoor moss garden<br />

lit by a skylight above. Beyond the garden, a floor-to-ceiling window beckons the eye<br />

back outside to tall trees silhouetted against the distant water. “I didn’t want to just<br />

enter into a room since the view and the landscape is so important there,” Gary said.<br />

“I wanted it to be a gentle transition from the outside to the inside.”<br />

Nature’s presence continues to be felt in every room. “The landscape flows through<br />

the house,” Gary said. In a bedroom, a horizontal band of windows frames Gladwish’s<br />

rock garden in the front. In the kitchen, a single glass door acts as a lens zooming<br />

in on the nearby tree trunks and underbrush. In the living room, retractable glass<br />

panels wrap a corner of the house to convey panoramic views. When the doors are<br />

pulled open in fine weather, the living room virtually becomes an outdoor pavilion.<br />

“I feel as though I can just soar off into the view,” Gladwish said.<br />

The limited-materials palette never detracts from the house’s main purpose. On<br />

the exterior, Cor-ten steel and reclaimed wood, two of Gladwish’s favorite materials,<br />

are more textural than showy. Inside, simple white walls, exposed steel and acidetched<br />

concrete floors create the perfect backdrop to appreciate the house’s various<br />

perspectives of the island’s beauty. From the micro to macro, moss gardens to<br />

soaring vistas, the effect is both relaxing and exhilarating for Marie. “Mom giggles<br />

every time she goes home,” Gary said. “She loves it.”<br />

CLOCKWISE FROM TOP The living room features<br />

retractable glass panels. The home is a simple<br />

L shape. In the kitchen, simple white walls and<br />

exposed steel keep the focus on nature.<br />

AT LEFT An indoor moss garden is lit by a skylight.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 57


THE DEATH<br />

SUSTA<br />

58 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


OF<br />

An emerging regenerative ethic is<br />

taking on more and staying net positive<br />

written by Kevin Max<br />

INABILITY<br />

illustrated by Allison Bye<br />

SUSTAINABILITY IS DEAD.<br />

German philosopher Friedrich Nietzsche led us out of the Age of<br />

Enlightenment, with the declaration in his philosophical novel Thus<br />

Spoke Zarathustra, “God is dead.” Emerging voices in architecture and<br />

design today are trumpeting a new execution—Sustainability is Dead.<br />

A nascent movement called “regenerative design” is pushing a higher standard<br />

and becoming an ideal that could save the world from itself.<br />

Cork floors? No-VOC paint? Reclaimed<br />

barn wood? No longer is the act of doing less<br />

environmental harm good enough. As earthlings<br />

overseeing global environmental degradation, we<br />

may be too far gone for that. Regenerative design<br />

demands that each building project actually<br />

improve the environment and, perhaps, even<br />

boost human well-being, a more elusive goal.<br />

When the concept of sustainable development<br />

first surfaced in earnest, it came from a<br />

Norwegian woman. In 1987, the Brundtland<br />

Commission released its watershed report,<br />

Our Common Future, to the United Nations.<br />

Led by the former longstanding Norwegian<br />

prime minister, Gro Harlem Brundtland, the<br />

commission defined sustainable development<br />

as that which meets the needs of the present<br />

without compromising the needs of future<br />

generations. That notion would see minor<br />

facelifts over the next generation, but largely<br />

stayed intact over the years.<br />

Regenerative development goes beyond this<br />

lesser standard of not compromising the needs<br />

of future generations. Its goal is the ambitious<br />

task of improving the prospects for future<br />

generations, making net positive gains.<br />

Phaedra Svec is the director of regenerative<br />

design at Seattle’s McLennan Design. She grew<br />

up in rural Iowa, where her family restored a<br />

barren farm plot to health. “It was there that<br />

I first understood if you invite life to barren<br />

places, it will always show up (a regenerative<br />

concept),” Svec said. “We participated<br />

with our place, took responsibility for<br />

its health, and it allowed us to thrive<br />

there (another regenerative concept).”<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 59


CLOCKWISE, FROM LEFT Heron Hall, on Bainbridge<br />

Island, is a 3,200-square-foot solar-powered building.<br />

It features rammed-earth walls. The University of<br />

British Columbia’s Center for Interactive Research on<br />

Sustainability (CIRS) includes a living wall, which helps<br />

shade the building. Solar water-heating cylinders at CIRS.<br />

The Brundtland concept of sustainability,<br />

Svec said, fails because humans are not good<br />

at predicting the needs of future generations.<br />

“Sustainability is about surviving, not<br />

thriving,” she said. “So, how do we inspire<br />

our communities to act in their own best<br />

interest and in service to life if they are in<br />

survival mode? I believe regenerative design<br />

is an approach which heals our community<br />

trauma and harnesses the best of our<br />

creative energy to allow us to leap, skip and<br />

catapult to quality-of-life solutions that<br />

restore, repair and invite life to thrive before<br />

our very eyes.”<br />

Regenerative design is a comprehensive<br />

plan that aspires for positive outcomes<br />

across social, economic and ecological<br />

systems, rolled together. “Regenerative<br />

design is not a style or a building or a thing<br />

at all,” according to Svec. Rather, she said,<br />

it’s a mindset that asks, “What can we do to<br />

make something better, more vital than the<br />

state we find it in from the outset?”<br />

Foremost among regenerative design’s<br />

pieces is human and wildlife well-being. Can<br />

it be improved by the act of development?<br />

Given the significant amount of time people<br />

spend indoors today, an ongoing connection<br />

to nature is crucial for ongoing health in a<br />

regenerative environment.<br />

Next are the systems involved—from water<br />

quality to wastewater management, energy<br />

generation and pollution remediation. In<br />

a house built under today’s green building<br />

ethic, we will find solar arrays for hot water<br />

heat, passive solar for light and ambient<br />

heat, low-flush toilets to reduce water use<br />

and sustainably harvested materials to avert<br />

bad forestry practices. We’ve created a nice<br />

home for ourselves, but not made the world<br />

a net better place for our effort.<br />

The regenerative portfolio of options<br />

goes beyond these with human experience<br />

research, rain capture for complete<br />

water use, composting toilets, carbon<br />

sequestration, living walls and roofs, and net<br />

positive energy production per project.<br />

Daniel Banko<br />

60 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Don Erhardt Don Erhardt Emily Hagopian<br />

“Sustainability is about surviving, not thriving. So, how do<br />

we inspire our communities to act in their own best interest<br />

and in service to life if they are in survival mode? I believe<br />

regenerative design is an approach which heals our community<br />

trauma and harnesses the best of our creative energy to allow<br />

us to leap, skip and catapult to quality-of-life solutions that<br />

restore, repair and invite life to thrive before our very eyes.”<br />

—Phaedra Svec<br />

WITHIN MCLENNAN Design’s<br />

portfolio are a number of<br />

examples of the state of<br />

regenerative projects today.<br />

Take, for example, the home<br />

of McLennan Design founder Jason<br />

McLennan. Heron Hall on Bainbridge<br />

Island is a 3,200-square-foot solar-powered<br />

building with rammed-earth walls and the<br />

area’s first certified composting toilets.<br />

This project has earned a Living Building<br />

Certification, meaning it has to create more<br />

energy than it uses; harvest, use and treat<br />

all water it uses, and salvage and re-use<br />

materials destined for landfills.<br />

The house is a beacon of regenerative<br />

design on a small scale. For the new<br />

development ethic to succeed, however,<br />

the bigger community of municipalities,<br />

commercial builders and universities must<br />

also be engaged.<br />

Another McLennan project that goes<br />

deeper into human wellbeing is that of<br />

the Warriors’ Ascent project, a retreat<br />

for active-duty military, veterans and first<br />

responders who suffer from post-traumatic<br />

stress disorder. Through design and holistic<br />

medicine, this prospective healing center<br />

on 116 acres in Kansas City, Missouri,<br />

intermingles research, design, architecture<br />

and nature in a program that aims to help<br />

people strengthen themselves and their ties<br />

to family and community.<br />

One test piece from the University of<br />

British Columbia brings together many of<br />

the elements of regenerative design in a<br />

commercial building that houses its Center<br />

for Interactive Research on Sustainability<br />

(CIRS). A concept led by Dr. John<br />

Robinson, then the executive director of the<br />

sustainability initiative at UBC, CIRS is the<br />

collegiate benchmark for a living laboratory<br />

of regenerative design.<br />

The concept was born in 1999, when he<br />

was talking to colleagues at the institute,<br />

recalled Robinson, now presidential adviser<br />

on the environment, climate change and<br />

sustainability at University of Toronto. “We<br />

talked about doing all of this research but<br />

not putting it into practice. So we said, ‘Why<br />

don’t we build a building at the frontier<br />

of sustainability? Well, because faculty<br />

don’t build buildings.’” Robinson and his<br />

colleagues, nonetheless, raised about $25<br />

million before the university contributed its<br />

first dollar, Robinson said.<br />

This project would be designed to move<br />

beyond net-zero energy use to net-positive<br />

energy creation and the more nebulous<br />

net-positive human health. “It was always<br />

inevitable that it would happen—it was<br />

just a small circle who knew that at the<br />

start,” Robinson said with a laugh. “It just<br />

wasn’t exciting enough to be net zero. We<br />

were trying to create something that was<br />

net positive.”<br />

The group of architects, designers,<br />

engineers and sustainability practitioners<br />

threw everything on the table and<br />

researched and analyzed each aspect of the<br />

building—from water reclamation<br />

to human behavior. “We ended up<br />

with ten goals and 150 strategies,”<br />

Robinson said. “We all agreed that<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 61


62 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong><br />

UNIVERSITY OF BRITISH COLUMBIA’S<br />

CENTER FOR INTERACTIVE RESEARCH<br />

ON SUSTAINABILITY (CIRS)


the basic principles were three—this had to be smart<br />

[cost-conscious], green [net positive] and humane.”<br />

The four-story, 61,000-square-foot frame of the<br />

CIRS building is largely composed of Canadian timber,<br />

including from Western Beetle-infested stands. The<br />

building’s water demand is offset by captured rain<br />

water. CIRS can purify up to 2,300 liters of water per<br />

day and accounts for 600 tons of sequestered carbon.<br />

Its 275-megawatt solar array supplies excess power.<br />

(For measure, one megawatt can power more than 500<br />

residential homes for a year.)<br />

Robinson noted that while many of the building’s<br />

objectives were met, it fell short in two categories—<br />

water quality and energy production goals.<br />

Nonetheless, CIRS is a living laboratory where<br />

theses are tested and rejected or embraced for future<br />

development. The result is a tome of research and<br />

practice from which tomorrow’s regenerative leaders<br />

will emerge at the university. “From a living lab point<br />

of view, we learned a ton that we now use in different<br />

projects,” Robinson said.<br />

WHY IS THE regenerative movement<br />

getting its legs now? One argument is that<br />

climate change is making us all lobsters in<br />

a pot whose temperature (and urgency)<br />

is slowly rising. We are increasingly<br />

witnessing the effects of environmental degradation<br />

and global warming. NASA and NOAA reported that<br />

seventeen of the eighteen warmest years in the 136-<br />

year history of that recorded data have all occurred<br />

since 2001, with the exception of 1998. Sustaining this<br />

is equivalent to locking in heightened greenhouse gas<br />

levels and long-term failure.<br />

It’s also no coincidence that a New York Times<br />

bestseller in 2017 was Drawdown: The Most<br />

Comprehensive Plan Ever Proposed to Reverse Global<br />

Warming. This book, edited by environmentalist Paul<br />

Hawken, examines 100 ways we can reverse manmade<br />

greenhouse gas levels and restore the natural order<br />

of things.<br />

While success is a piecemeal story in this<br />

movement, ultimately its edges have to overlap global<br />

boundaries in one defense shield. In South Africa at<br />

University of Pretoria’s department of agriculture,<br />

Professor Chrisna du Plessis is seeding regenerative<br />

sustainability. She got involved in this field because<br />

she was an optimist with a good imagination. “I could<br />

see the world was taking a direction that would lead us<br />

off an evolutionary cliff if we we did not dramatically<br />

change our values and practices,” du Plessis said. “And<br />

watching the global ‘us’ continue to hurtle down this<br />

path at a growing pace certainly leads to moments of<br />

Martin Dee Don Erhardt<br />

existential despair. However, I chose to do something<br />

about it in whatever way I could, so you could say I<br />

chose the path of hope.”<br />

In the late 1990s, du Plessis began writing articles,<br />

speaking at conferences and producing books on<br />

the subject. In her latest book, Designing for Hope:<br />

Pathways to Regenerative Sustainability, du Plessis<br />

offers a hopeful perspective that uses science and<br />

optimism to refute doom-sayers.<br />

“It is true that the longer we stay on the current<br />

path, the fewer the available options that would lead to<br />

a positive outcome,” du Plessis noted. “But as thinkers<br />

like Paul Hawken, [Belgian technologist] Michel<br />

Bauwens and [self-described ‘de-growth activist’]<br />

Charles Eisenstein point out—we have everything we<br />

need to choose a different path. What is holding us<br />

back is our fear of change, our own path dependency.”<br />

Regenerative sustainability is a lofty goal, but is it<br />

achievable? “I think it is,” Robinson said. “I think it’s<br />

happening now.”<br />

MORE ONLINE<br />

Watch The Regenerates, a documentary produced by<br />

Chrisna du Plessis: vimeo.com/phlogiston/theregenerates<br />

FROM TOP The<br />

CIRS building is a<br />

living laboratory of<br />

regenerative design.<br />

Dr. John Robinson<br />

led the push to build<br />

the facility.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 63


HIGHER GROUND<br />

photography by Cameron Zegers<br />

STEP INTO WASHINGTON’S temperate rainforest.<br />

TreeHouse Point, in Fall City, is only a half hour<br />

from Seattle, but it couldn’t feel farther away from<br />

the hustle and bustle of city life. The bed-andbreakfast<br />

property, with six hand-hewn tree houses<br />

and a small lodge, is the brain child of Pete Nelson.<br />

Nelson purchased the property in 2005, after nearly<br />

a lifetime of building tree houses. Since building<br />

his first tree house on the site, Temple of the Blue<br />

Moon, he’s added five more. And he’s also started<br />

a company, Nelson Tree House and Supply, which<br />

offers workshops and sells the tools and units<br />

necessary to build your own at home.<br />

Temple of the Blue Moon was Nelson’s first project<br />

on the site, and is accessed by a suspension bridge.<br />

64 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 65


FROM LEFT The Burl, the most recently built tree house on<br />

the site, curls around a huge fir tree. Trillium is a two-story<br />

tree house, 16 feet up in the air in a cedar tree.<br />

66 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


LEFT Bonbibi has a covered deck that allows you to sit among the<br />

trees even in bad weather.<br />

AT RIGHT 1) A sign directs visitors to each of the tree houses on the<br />

property. 2) As the newest tree house, The Burl is the only one to offer<br />

indoor plumbing. 3) Nest has a large deck allowing views of the river.<br />

4) Upper Pond is the largest tree house on the property, with a ship’s<br />

ladder access and room for up to four people to sleep over.<br />

68 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


1 2<br />

4<br />

3<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 69


TRAVEL SPOTLIGHT 72<br />

ADVENTURE 74<br />

LODGING 76<br />

TRIP PLANNER 78<br />

NORTHWEST DESTINATION 82<br />

pg. 74<br />

Racers and spectators prepare for the sea kayak<br />

section of Ski to Sea.


travel spotlight<br />

Travel Spotlight<br />

How Does Your<br />

Garden Grow?<br />

Ohme Gardens in Wenatchee<br />

brings the green<br />

written by Sheila G. Miller<br />

WHEN HERMAN AND RUTH OHME<br />

bought 40 acres of land in Wenatchee in<br />

1929, they planned an orchard. But one<br />

section of the land was so beautiful, with<br />

its view of the Cascade Mountains and<br />

the Columbia River, that the pair set to<br />

building a private garden.<br />

It was a massive project—transplanting<br />

trees, hauling buckets of water and<br />

stone to the site, and turning the area<br />

into a lush, green landscape. The Ohmes<br />

planned the gardens to be a private<br />

family spot, but eventually opened it to<br />

the public.<br />

Today, the 9-acre property is owned<br />

and managed by Chelan County, and<br />

Ohme Gardens lives on. It’s filled with<br />

green spots perfect for photo ops and<br />

breathtaking scenery—look for the<br />

Hobbit Bench and the Sylvan Pool, or get<br />

off the beaten path with a walk to two<br />

other pools or Enchantment Falls.<br />

A popular wedding site, the park is<br />

open seven days a week from <strong>April</strong> 15 to<br />

October 15. Adults enter for $8, kids 5<br />

and under are free and 6 to 17 are $4.<br />

72 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


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attractions, pint-sized adventure<br />

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FOR THE VERY BEST TICKET DEALS<br />

& VACATION PACKAGES VISIT US ONLINE<br />

SILVERWOODTHEMEPARK.COM


adventure<br />

Ski to Sea begins with a<br />

4-mile cross-country ski.<br />

Adventure<br />

RACE DAY: SKI TO SEA<br />

Feeling the rush from Baker to Bellingham<br />

written by Corinne Whiting<br />

TALK TO FOLKS in Bellingham about the annual Ski to Sea event and<br />

the excitement is palpable. Dubbed the original adventure race, this<br />

team relay from the Mt. Baker Ski Area to Bellingham Bay comes<br />

steeped in history (it had its first run in 1973) and enveloped in beauty.<br />

With a stunning course that winds<br />

through Washington’s Whatcom County,<br />

the much-anticipated gathering happens<br />

annually on the Sunday of Memorial Day<br />

weekend. It draws racers, spectators and<br />

tourists from around the globe—and<br />

culminates in a massive party. “Ski to Sea<br />

is a truly iconic Northwest event,” race<br />

director Anna Rankin said. “This <strong>May</strong><br />

will be our forty-sixth year!”<br />

The race has traditionally featured<br />

teams of eight competing in seven<br />

different sports: cross-country ski,<br />

downhill ski/snowboard, running, road<br />

bike, canoe (two paddlers), cyclocross<br />

bike and sea kayak. Beginning this year,<br />

racers can participate in up to three legs<br />

(for one team or multiple teams). Teams<br />

now consist of a minimum of three<br />

racers and a maximum of eight.<br />

The 96-mile course breaks down<br />

like this—a 4-mile cross-country ski<br />

starts the course, followed by a 2.5-<br />

mile downhill ski or snowboard. After<br />

an 8-mile run, racers complete a 42-<br />

mile bike leg. The fifth leg is a twoperson,<br />

18.5-mile canoe trip, followed<br />

by a 14-mile cyclocross bike leg and<br />

finishing with a 5-mile sea<br />

kayak journey.<br />

Bellingham resident Fred<br />

Schacht has participated six<br />

TIPS FOR SPECTATORS<br />

The course runs through the towns<br />

of Glacier, Maple Falls, Kendall, Everson,<br />

Lynden and Ferndale, finishing in Bellingham’s<br />

beautiful Marine Park. Here,<br />

enthusiastic spectators wait on the beach<br />

and along the finish-line chute; the festive<br />

gathering features the Boundary Bay<br />

beer garden plus local food vendors and<br />

sponsor booths.<br />

Attendees will find giveaways, a photo<br />

booth and merchandise for sale. “By 2<br />

p.m., the Beer Garden is full and stays<br />

that way until we close at 7 p.m.,” race<br />

director Anna Rankin said. During a 5 p.m.<br />

awards ceremony, the top three teams in<br />

each division receive plaques. Tip: to avoid<br />

parking woes, take public transportation or<br />

ride your bike. A separate festival enlivens<br />

the town of Fairhaven (eight to ten blocks<br />

from the finish line).<br />

TWO OTHER SPOTS FOR SPECTATING:<br />

Zuanich Park, where the cyclocross to<br />

kayak hand-off takes place, and Hovander<br />

Park (technically in Ferndale), where the<br />

canoe team comes in and the cyclocross<br />

biker completes a few obstacles before<br />

riding to Bellingham. Parking can be difficult<br />

at Zuanich, yet remains plentiful<br />

at Hovander.<br />

74 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


adventure<br />

FROM LEFT The race begins with a 4-mile cross-country ski. A maximum of eight people can be on each team. The 5-mile sea kayak finishes the race in Bellingham.<br />

The 96-mile course breaks down like this—a 4-mile cross-country ski<br />

starts the course, followed by a 2.5-mile downhill ski or snowboard.<br />

After an 8-mile run, racers complete a 42-mile bike leg. The fifth leg<br />

is a two-person, 18.5-mile canoe trip, followed by a 14-mile cyclocross<br />

bike leg and finishing with a 5-mile sea kayak journey.<br />

times, always as a runner. “The race is cool for a lot of reasons,”<br />

he explained, “but the team concept is a big one. Add to that<br />

the fact that the participants will range from super-novice and<br />

weekenders to Olympic-caliber athletes.”<br />

Schacht said the sign-up process is fairly straightforward—<br />

the team captain goes online to register team members and pay<br />

the fee. (The registration system, built in-house and tailor-made<br />

for the race, proves easy for captains and racers to navigate.)<br />

“Preparation for race day can be significant or absolutely nothing,<br />

as some people jump on a team at the last minute to cover for<br />

someone who became injured,” Schacht said. “With that said, lots<br />

of team participants take the event and the training process very<br />

seriously. They know they are not going to finish anywhere at the<br />

top of the stack, but they want to perform their best regardless.”<br />

“Many people train for months to beat their personal best or<br />

another team or simply just to finish (a goal for all teams),” Rankin<br />

said. ”All of the legs are pretty lengthy. I never recommend that<br />

people do the race without any training, but it does happen.”<br />

Schacht believes the event showcases what many residents find<br />

so special about their region: the natural beauty and its accessibility,<br />

the adventurous lifestyle and commitment to personal fitness.<br />

“Regardless of how you do,” he said, “the hard work ends and you<br />

go somewhere to celebrate with your teammates and families, tell<br />

your war stories, drink some beer.”<br />

FEBRUARY | MARCH <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 75


ACCOMMODATIONS<br />

Guest rooms are arranged in clusters of six to ten<br />

rooms, each a short walk from the other buildings<br />

on the property. The rooms feature log furniture<br />

and cozy robes, with several configurations<br />

(including alcoves and lofts for little ones), as well<br />

as pet-friendly options. Two stand-alone cabins<br />

provide great options for a large group (The<br />

Rookery’s bunkroom can accommodate up to<br />

eight) or a romantic getaway (The Eyrie features a<br />

private whirlpool tub and sleeps two).<br />

Lodging<br />

Sleeping Lady<br />

written by Cara Strickland<br />

SLEEPING LADY IS NAMED for the mountain profile just<br />

above Leavenworth. She looks pretty relaxed, and chances<br />

are as a guest, you will be, too. The resort is nestled into the<br />

trees and offers cozy and rustic accommodations suitable for<br />

families, groups and romantic getaways. Although you’re close<br />

enough to explore Leavenworth’s city center, the natural beauty<br />

on all sides might give you the space for a true retreat.<br />

7375 ICICLE ROAD<br />

LEAVENWORTH<br />

sleepinglady.com<br />

CLOCKWISE FROM TOP LEFT Sleeping Lady has<br />

a hot pool outdoors. Some rooms have alcoves for<br />

kids to tuck into. The Kingfisher Restaurant offers<br />

a locally sourced breakfast buffet.<br />

DINING<br />

Most resort reservations include breakfast,<br />

dinner or both at the onsite Kingfisher<br />

Restaurant—be sure to check out the Chihuly<br />

sculpture on your way in. The chef serves a<br />

locally sourced buffet sure to tickle everyone’s<br />

taste buds. At the entrance to the resort, you’ll<br />

find O’Grady’s serving breakfast, lunch and<br />

dinner, as well as espresso and snacks. If you’re in<br />

search of a nightcap, check out The Grotto in the<br />

evenings for beer and wine around the fire circle.<br />

AMENITIES<br />

Also on-site, you’ll find a full-service spa, dry<br />

sauna, fitness room and play barn featuring<br />

a pool table, board games and table tennis.<br />

Venture outdoors and take a dip in the natural<br />

rock-lined swimming pool and hot pool, wander<br />

through the organic garden, take a self-guided<br />

art walk, or challenge your friends to volleyball,<br />

badminton or horseshoes.<br />

76 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


trip planner<br />

Tracy Ellen Beard Tracy Ellen Beard<br />

Tracy Ellen Beard<br />

Andrew Wiese<br />

Port Townsend<br />

Witness the resurgence of a Victorian seaport<br />

written by Tracy Ellen Beard<br />

IN THE LATE 1800s, city fathers poured their hopes, dreams, sweat and tears into building Port<br />

Townsend, once the second-busiest seaport on the West Coast. Constructed at the northeasternmost<br />

point of the Olympic Peninsula and along the Strait of Juan de Fuca, this city sat poised for growth in<br />

anticipation of the arrival of the Pacific Coast Railroad.<br />

Alas, to quote the insightful words of Robert Burns,<br />

“The best-laid plans of mice and men often go awry.”<br />

Misfortune came upon the city—railroad planners<br />

bypassed Port Townsend in favor of a route on the east<br />

side of Puget Sound, and the city’s economy floundered.<br />

No longer are the streets filled with a parade of top hats,<br />

corsets and petticoats. The lingering aroma of fish does<br />

not permeate the air, nor do people line the docks waiting<br />

to purchase wares from afar. The harbor that once teemed<br />

with seafaring traffic is now peppered with an assortment<br />

of recreational vessels.<br />

Today, the charming Victorian seaport thrives on<br />

tourism. The city has outstanding dining options,<br />

luxurious B&Bs and a booming art scene. Historic<br />

buildings and unique shops create a delightful ambience<br />

from days gone by.<br />

CLOCKWISE FROM TOP LEFT Port Townsend sits on the Port Townsend Bay. Finistère’s chef’s tasting menu is for adventurous appetites only. The seaport has a Victorian feel.<br />

Port Townsend Vineyards has a tasting room with locally made wines.<br />

78 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


trip planner<br />

Day<br />

PIZZA • BOOKSTORES • ARTS<br />

On your way to Port Townsend, make a quick stop in the small<br />

town of Chimacum, where farms supply quality ingredients<br />

to the local communities and beyond. Visit Finnriver Farm &<br />

Cidery for a delicious tasting of farm-crafted hard ciders and<br />

dessert wines. On Friday or Saturday, stay long enough to enjoy<br />

a woodfired pizza and live music.<br />

If you missed pizza at Finnriver, pick up a quick slice in<br />

downtown Port Townsend at Waterfront Pizza. Employees<br />

constantly refill the pizza rack with a variety of flavored pies.<br />

Beware, locals love this tiny place and you may have to wait for<br />

the slice of your choice.<br />

Walk along Water Street and peruse the art galleries, quaint<br />

boutiques and Victorian shops while you treat yourself to a<br />

decadent chocolate or a scoop of ice cream from Elevated Ice<br />

Cream Co. & Candy Shop. Stroll into one of the city’s four<br />

bookstores offering readers an opportunity to escape to new<br />

worlds, live out a fantasy, or even improve their writing skills.<br />

Step back in time as you gaze upon the historic buildings, or<br />

enter the Jefferson Museum of Art and History to learn more<br />

about the seaport’s past.<br />

Maritime activities continue to influence the city. Poke<br />

around the Northwest Maritime Center and Wooden Boat<br />

Foundation near the marina. Here you will learn about the long<br />

history of the Wooden Boat Festival, and nautical enthusiasts<br />

can sign up for programs teaching world-class boatbuilding and<br />

maritime skills.<br />

Art abounds in Port Townsend, and the city’s calendar is<br />

filled with music festivals, writers’ workshops, art walks and<br />

year-round theater featuring plays, poetry and prose. Locals<br />

and visitors enjoy the Film Festival, which showcases all types<br />

The Northwest Maritime Center and Wooden<br />

Boat Foundation celebrate all things nautical.<br />

of films, including free outdoor movies on the weekends<br />

during September.<br />

Admiralty Distillers is open on Saturdays or by appointment.<br />

Jake Soule, the owner, will share his story while you taste his<br />

distilled creations.<br />

Take part in the longtime tradition of afternoon tea at Pippa’s<br />

Real Tea. Select a flavor you find appealing, then choose one<br />

of Pippa’s delectable treats as an accompaniment. Try a slice of<br />

cake or a traditional scone, but be sure to order Pippa’s authentic<br />

clotted cream—it is simply divine.<br />

For dinner, try Finistère. Owners Scott Ross and chef Deborah<br />

Taylor devised a menu with small and large plates. Diners with<br />

adventurous appetites should order the multi-course chef’s<br />

tasting menu. The potato leek soup is delicious and soothing,<br />

and the gnocchi with pork shoulder ragu and shaved Parmesan<br />

will leave you convinced that you’ve been transported to a<br />

trattoria in Italy.<br />

Next up, head to Cellar Door, the city’s subterranean<br />

cocktail lounge and restaurant, or Sirens Pub for some fun<br />

after dark. Sirens’ upstairs seating offers views of the water,<br />

and the main floor features a fireplace to warm you on cold<br />

nights. Both venues highlight live music from local musicians<br />

on the weekends.<br />

Finally, it’s time to sleep in luxury. Snuggle into silky soft<br />

sheets and lay your head on pillows suited for royalty at the<br />

Ravenscroft Inn. Hidden in a residential neighborhood, this<br />

bed and breakfast is the perfect place for a relaxing<br />

getaway. Read a book in the library, cuddle up with a<br />

blanket by the fire in the great room or simply unwind<br />

in the comfort of your lavish guest room.<br />

APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 79


Tracy Ellen Beard<br />

Day<br />

MARKETS • FERRY RIDES • HISTORIC HOMES<br />

FROM LEFT Port Townsend’s Saturday Market appeals to all ages.<br />

The Ravenscroft Inn is tucked into a residential area.<br />

PORT TOWNSEND, WASHINGTON<br />

EAT<br />

Finestère<br />

restaurantfinistere.com<br />

Fountain Café<br />

www.fountaincafept.com<br />

Silverwater Café<br />

silverwatercafe.com<br />

Taps at the Guardhouse<br />

facebook.com/<br />

TapsFortWorden<br />

STAY<br />

Ravenscroft Inn<br />

ravenscroftinn.com<br />

Bliss Vista Cottage<br />

at Fort Worden<br />

fortworden.org<br />

PLAY<br />

Jefferson Museum<br />

of Art and History<br />

jchsmuseum.org<br />

Northwest Maritime<br />

Center and Wooden Boat<br />

Foundation<br />

nwmaritime.org<br />

Port Townsend<br />

Farmers Market<br />

jcfmarkets.org/saturday<br />

Breakfast at the inn changes frequently,<br />

but guests can always count on locally made<br />

granola or muesli, fresh fruit, yogurt and a<br />

pastry. A hot breakfast follows with offerings<br />

such as frittata or fluffy lemon ricotta<br />

pancakes with blueberries.<br />

On Saturdays, walk a few blocks to the Port<br />

Townsend Saturday Market. Local farmers<br />

and purveyors line the blockaded streets with<br />

fresh produce and tasty morsels for patrons<br />

to relish. For lunch, assemble a picnic from<br />

the market, or get a bite at the Silverwater<br />

Café downtown.<br />

Outdoor activities abound in the area, so<br />

explore the local waters by renting a kayak,<br />

rowboat, or longboat. Ride the ferry or take<br />

one of the numerous tours available near<br />

the marina. For land discoveries, enjoy one<br />

of the local trails on foot or by bike. For<br />

a diversified city walk, begin by strolling<br />

through Chetzemoka Park. Make a right at<br />

the beach and wander alongside the water<br />

down to the marina. Revel in the water’s<br />

beauty and appreciate the variety of boats,<br />

then cross back to the street and meander<br />

up the hill and admire the historic homes on<br />

your way back to the park.<br />

After exploring the outdoors, check into<br />

one of the newly renovated cottages or a<br />

historic vacation rental on Officers Row at Fort<br />

Worden State Park. The Bliss Vista Cottage<br />

sits on a hill overlooking the water with views<br />

of passing ships for your entertainment. For<br />

a drink or appetizer before dinner, stop over<br />

at Taps at the Guardhouse. If a member of<br />

your party misbehaves, put them behind bars<br />

in the old jail cell.<br />

Dine at a longtime favorite restaurant,<br />

Fountain Café. Owner Nickolas Yates uses<br />

locally sourced ingredients in his Northwest<br />

cuisine. Choose a delicious menu item like<br />

the chicken and linguini, or branch out and<br />

order one of the specials—the lamb shank<br />

is perfect.<br />

Cellar Door<br />

cellardoorpt.com<br />

Sirens<br />

sirenspub.com<br />

Day<br />

SCENIC DRIVES • LAVENDER FARMS • HEARTY BREAKFAST<br />

Wake before sunrise and make a hot<br />

beverage in the cottage kitchen, then get<br />

comfortable on the porch and gaze over<br />

the water as the sun peeks from beyond<br />

the horizon.<br />

Blue Moose Café is an unpretentious<br />

eatery with delicious, hearty breakfast<br />

items. Stop at Port Townsend Vineyards and<br />

sample locally produced wines, or extend<br />

your trip and delight in a scenic drive along<br />

the Strait of Juan de Fuca toward Sequim.<br />

Spend the afternoon visiting fragrant<br />

lavender farms, then dine at Nourish or<br />

Alder Wood Bistro where ingredients are<br />

sourced from nearby farms.<br />

80 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


Explore DELICIOUS Destinations • EnjoyOlympicPeninsula.com • 360-437-0120<br />

The Heart of the Olympics from Sea-to-Summit & Canal-to-Coast


northwest destination<br />

The Old Mill District features<br />

walking trails, fine dining and<br />

plenty of shopping.<br />

Bend in Spring<br />

The smart traveler’s guide<br />

to Bend in its best season<br />

written by Kevin Max<br />

MANY PEOPLE IN the Pacific Northwest know Bend as a twoseason<br />

town in summer and winter. Cue the crusty with the<br />

cliché, “The only two seasons in Bend are winter and July.”<br />

Spring, however, makes a fresh and compelling argument all<br />

its own.<br />

Let’s face it—summer in Bend has become a mild variation of<br />

Fools Rush In, a story of momentary attraction leading to cultural<br />

imbalances. The Deschutes River becomes a floating carnival,<br />

strewn with medium-rare performers, three dogs to every<br />

campground up the road, past-prime adults stretching their<br />

heads with prescribed Stitch Fix beanies to fit in at the breweries.<br />

Driving takes the amorphous shape of motorized wandering<br />

without the inconvenience of turn signals. Summer rules.<br />

Before all of that, truly, spring is Bend at its finest.<br />

I wouldn’t wager if I were going to be skiing on late corn snow<br />

or road biking on dry pavement in <strong>May</strong> or even June in Bend,<br />

but I’d bet that, either way, the sun would frame it in a golden<br />

array. Frankly, it doesn’t matter. It turns out that, in the longstanding<br />

Pole Pedal Paddle, or PPP, you can do both in the spring<br />

at different elevations.<br />

No event better sums up the opportunities and the weather in<br />

Bend in spring than the 42-year-old PPP, in which participants<br />

start with downhill and Nordic ski legs at Mt. Bachelor above<br />

6,000 feet and in snow, before jumping on a bike and flying 22<br />

miles down to 3,400 feet in town to finish with a run, paddle and a<br />

sprint into the Les Schwab Amphitheater, where craft beer, music<br />

and war stories meld and top finishers pick up the coveted coffee<br />

mug trophy. “Did you mug?” is on everyone’s tongue.<br />

In mid-<strong>May</strong>, the PPP marks the shedding of a layer of fleece for<br />

Bendites, a local Groundhog Day.<br />

While many locals are pulling on Spandex and saddling up<br />

mountain and road bikes, anglers are gearing up for the most<br />

spectacular events of the year—the mayfly and salmonfly hatches.<br />

Drift-boat rodeos float past the wader-clad anglers in one of<br />

Central Oregon’s high rituals. In late March and the beginning<br />

of <strong>April</strong>, rainbow trout surface for the brown mayflies. Flyfishermen<br />

and women trim their lines ahead of the first nibbles.<br />

Then in <strong>May</strong>, salmonflies, or stoneflies, drip from the banks and<br />

trees of the Lower Deschutes in a decadent affair of redsides castand-catch<br />

fishing. If you need new gear, local beta and flies that<br />

match the hatch, head to Fly & Field Outfitters in Bend.<br />

Random and remote encounters can put events like this in new<br />

perspective. Almost fifteen years ago, while I was in a small tavern<br />

in rural Vermont, a surgeon from Boston on the next stool asked<br />

me if I had ever heard of the salmonfly hatch on the Deschutes<br />

River, while he studied the surface of his beer, perhaps for riffles.<br />

“One day,” he said, pitifully. “One day.”<br />

Spring matters when it comes to golf, tee times and greens fees.<br />

Among its other charms, Bend is a place where serious golfers<br />

can keep busy for months without doubling back on the same<br />

course. Tee times and greens fees are more reasonable at the top<br />

spots. Resort courses at Tetherow, Brasada and Pronghorn are<br />

masterpieces of architecture and beauty. The David McLay Kidddesigned<br />

Tetherow course brings challenging Scottish links-style<br />

play to Bend, finishing at the resort bar and restaurant, both<br />

destinations in themselves. A little farther flung in the eastern<br />

flanks of Bend are the Brasada and Pronghorn resorts.<br />

Pronghorn brings together two titans of the sport in<br />

Jack Nicklaus and Tom Fazio courses. Brasada’s comely<br />

features lead with a Peter Jacobsen-designed golf<br />

82 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


northwest destination<br />

BEND, OREGON<br />

EAT<br />

Newport Market<br />

newportavemarket.com<br />

Greg’s Grill<br />

gregsgrill.com<br />

Strictly Organic<br />

strictlyorganic.com<br />

Worthy Brewing<br />

worthybrewing.com<br />

STAY<br />

Tetherow<br />

tetherow.com<br />

Pronghorn<br />

pronghornresort.com<br />

Kathleen Nyberg<br />

CLOCKWISE<br />

FROM LEFT<br />

High Desert<br />

Museum will<br />

keep kids (and<br />

adults) occupied<br />

for hours.<br />

Brasada Ranch<br />

is one of several<br />

top-notch<br />

golfing spots<br />

in the region.<br />

Take a dip in the<br />

soaking pools at<br />

McMenamins.<br />

Brasada<br />

brasada.com<br />

McMenamins Old St. Francis<br />

School<br />

mcmenamins.com<br />

Oxford Hotel<br />

oxfordhotelbend.com<br />

Riverhouse on the Deschutes<br />

riverhouse.com<br />

PLAY<br />

Pole Pedal Paddle<br />

pppbend.com<br />

Mt. Bachelor<br />

mtbachelor.com<br />

Les Schwab Amphitheater<br />

bendconcerts.com<br />

Fly & Field Outfitters<br />

flyandfield.com<br />

High Desert Museum<br />

highdesertmuseum.org<br />

Old Mill District<br />

oldmilldistrict.com<br />

Athletic Club of Bend<br />

athleticclubofbend.com<br />

Dudley’s Bookshop Café<br />

dudleysbookshopcafe.com<br />

Volcanic Theatre Pub<br />

volcanictheatrepub.com<br />

Crater Lake Spirits<br />

craterlakespirits.com<br />

Oregon Spirit Distillers<br />

oregonspiritdistillers.com<br />

course and comfort food at one of its restaurants,<br />

the Ranch House. All of these resorts broaden their<br />

appeal with full day spas.<br />

For hikers and trail runners, there is no better<br />

time to be in Bend. The benefits of spring are on<br />

display along trails at lower elevations. The scent of<br />

desert juniper infuses a canvas of sensuous violet<br />

lupine, garish orange of Indian Paintbrush and<br />

inconspicuous pink bells of blossoming manzanita.<br />

What’s missing from this picture is the crowd.<br />

Hikers head east of town to Oregon’s Badlands<br />

Wilderness, where centuries-old juniper trees<br />

twist in an artful display. Bring water as you head<br />

into 30,000 acres of well-marked trails.<br />

Shevlin Park on Bend’s southwest side is another<br />

charmer. Out Shevlin Drive to the trailhead<br />

parking on the left begins a serene stroll along<br />

Tumalo Creek. Hikers and trail runners can pick<br />

off 5-mile or 7-mile loops, even easy out and backs<br />

of varying lengths. Footbridges and a covered<br />

bridge cross the creek at different points. Bring a<br />

picnic lunch from Newport Market and set up at<br />

one of the riverside picnic tables. The farther out<br />

you go, the better the experience.<br />

If you have little ones with you who desperately<br />

need stimulation without epic hikes, hit the High<br />

Desert Museum, where live interactions with<br />

wildlife are a child’s storybook thrill. Bobcats,<br />

otters and birds of prey will keep the kids engaged<br />

until they get pulled into chores on the museum’s<br />

Miller Family Ranch. It’s a parent’s wonder to<br />

witness the specter of honest pioneer-era work on<br />

their offspring’s young modern faces.<br />

For one of the most beautiful and navigable<br />

strolls, head over to the Old Mill District and<br />

loop a paved section of the ambling Deschutes<br />

River. This is particularly good for families with<br />

small children, infants in strollers and people who<br />

prefer flat, even ground underfoot. On this hike,<br />

you are never far from creature comfort. Strictly<br />

Organic Coffee makes a compelling cup. REI’s<br />

signature store in the old mill brick building is<br />

a must. Greg’s Grill offers a full dinner menu, a<br />

hopping happy hour and al fresco dining next to<br />

an outdoor fire pit.<br />

Not long ago, a Belgian ale was considered<br />

culture. Led by innovative programming at<br />

downtown’s Tower Theatre, the culture scene is<br />

vastly improving. From intimate concerts such<br />

as Jethro Tull and Madeleine Peyroux to film<br />

festivals and visiting speakers, Tower Theatre is the<br />

intellectual campus of Bend. The local music scene<br />

plays out across town at places like the Athletic<br />

Club of Bend, Volcanic Theatre, McMenamins<br />

Old St. Francis School, Worthy Brewing and the<br />

Domino Room. First-rate jazz can be found at<br />

the Oxford Hotel, Joe’s Music and now at the<br />

Riverhouse on North Highway 97.<br />

Perhaps because of an increasing feeling that<br />

global forces are beyond our control, coziness is<br />

making a huge comeback. This time it’s happening<br />

in places like the new Crater Lake Spirits tasting<br />

room for vodka, gin and whiskey; and Oregon<br />

Spirit Distillers; as well as over in the Old Mill at Va<br />

Piano and Naked Winery tasting rooms.<br />

No place better epitomizes coziness as Dudley’s<br />

Bookshop Café on Minnesota Avenue downtown.<br />

I have seen people wearing their own slippers<br />

while curled on an upstairs couch engrossed in a<br />

book. Did she bring her own afghan? Culture, any<br />

facet of it, begins on page one and is limited only by<br />

the number of pages turned.<br />

84 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


NEW EXHIBIT<br />

Open <strong>April</strong> 28 through September 3<br />

59800 South Highway 97, Bend, Oregon 97702<br />

541-382-4754 | www.highdesertmuseum.org<br />

Smithsonian Affiliate<br />

Made possible by<br />

Shopping at our locally and employee owned store is a<br />

one-of-a-kind, delicious experience, has been since 1991!<br />

Our expert employees are ready to help with everything,<br />

from tonight’s dinner to tomorrow’s picnic. So, before<br />

heading to the trails or a back-deck soiree, pick up specially<br />

curated artisan cheese along with the finest touches<br />

like jams, various nuts and olives, fantastic produce, crackers<br />

and crostini, savory salami, and cured meats. Cheers!<br />

Real food, real fun, real Bend.<br />

541.382.3940 • newportavemarket.com


<strong>1889</strong> MAPPED<br />

The points of interest below are culled from<br />

stories and events in this edition of <strong>1889</strong>.<br />

Oroville<br />

Forks<br />

Friday Harbor<br />

Port Angeles Coupeville<br />

Port<br />

Townsend<br />

Bellingham<br />

Mount Vernon<br />

Lakewood<br />

Marysville<br />

Everett<br />

Okanogan<br />

Republic<br />

Colville<br />

Newport<br />

Aberdeen<br />

South<br />

Bend<br />

Shelton<br />

Montesano<br />

Port Orchard<br />

Cathlamet<br />

Longview<br />

Olympia<br />

Chehalis<br />

Kelso<br />

Seattle<br />

Bellevue<br />

Renton<br />

Kent<br />

Federal Way<br />

Tacoma<br />

Ellensburg<br />

Yakima<br />

Waterville<br />

Wenatchee<br />

Ephrata<br />

Prosser<br />

Richland<br />

Wilbur<br />

Pasco<br />

Kennewick<br />

Ritzville<br />

Dayton<br />

Walla<br />

Walla<br />

Davenport<br />

Spokane<br />

Colfax<br />

Pomeroy<br />

Asotin<br />

Vancouver<br />

Stevenson<br />

Goldendale<br />

Live<br />

Think<br />

Explore<br />

18<br />

Super Deli Mart<br />

40<br />

Appliance Depot<br />

72<br />

Ohme Gardens<br />

20<br />

White House<br />

42<br />

The Penrose<br />

74<br />

Mt. Baker Ski Area<br />

22<br />

Nash’s Organic Produce<br />

44<br />

WSU School of Design<br />

76<br />

Sleeping Lady<br />

33<br />

Girl Meets Dirt<br />

46<br />

CoMotion Labs<br />

78<br />

Northwest Maritime Center<br />

34<br />

Western Washington University<br />

48<br />

Monte Cook Games<br />

82<br />

Bend, Oregon<br />

86 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


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Until Next Time<br />

Waiting for the Rebirth<br />

written by Kate Hudson | illustrated by Allison Bye<br />

I REMEMBER the moment I first laid eyes on Spokane.<br />

The city was a stranger and I was just a kid in Converse.<br />

A freshly minted 18-year-old, I was heading to Gonzaga<br />

University for my freshman year. It was 1993, Kurt<br />

Cobain was an icon, and I felt like I was on the brink of<br />

an awakening.<br />

I chose Gonzaga and Spokane sight unseen. I never<br />

made the trek to check out the campus or the city before I<br />

arrived. I simply liked the way it looked in photos. I loved<br />

the idea of a Jesuit education far enough away from my<br />

strict upbringing in Alaska, yet close enough to still feel<br />

safe. Something about Spokane beckoned. I could feel it.<br />

Descending out of the clouds on that unusually hot<br />

August day, I saw before me prodigious basalt thrusting<br />

out of prairies scrubbed by eons of wind. The sky was<br />

blue, the sun blistering the concrete of the runway.<br />

Apprehension and expectation churned, but I had a<br />

feeling about this place. It wasn’t until we drove east on<br />

I-90 that the city unfurled before me in the late afternoon<br />

light. My breath caught.<br />

Old brick buildings, mixed with new, filled the<br />

downtown landscape. An air of neglect hung thick, but<br />

I was still smitten, still intrigued. This city had a story to<br />

tell, it had been something once, it had an energy as strong<br />

and thundering as the falls roaring through Riverfront<br />

Park. I could hear the whispers of history in the old<br />

buildings, many boarded up, as I walked the downtown<br />

streets looking around. I liked seeing what it had been and<br />

imagining what it could be. I liked the bones of this place.<br />

It was an old beauty showing signs of age, underrated and<br />

continually dismissed by bigger Pacific Northwest cities,<br />

but this place had potential.<br />

I made a point of sticking around Spokane once I<br />

graduated. I liked that feeling of being a part of something<br />

on the brink of greatness, and I wanted to see how the story<br />

played out. I wanted to be part of the story. This city had<br />

long felt on the verge of breaking through, experiencing an<br />

awakening of its own.<br />

Unlike the cataclysmic glacial floods that shaped the<br />

natural landscape, Spokane’s rebirth has taken a slower<br />

pace, and I’ve stuck it out. It was well worth the wait. You<br />

can feel the hum of energy as forward-thinking visionaries<br />

have stepped up and saved historic buildings. People have<br />

been willing to take a risk and invest in Spokane. Inspired,<br />

adventurous menus are now a mainstay in restaurants.<br />

Gone are the boarded-up windows. Sun glints off shiny<br />

glass where wineries, craft breweries and bustling shops do<br />

business. The arts and music scene thrive. Residents and<br />

visitors alike share in the dividends of all the investment.<br />

Twenty-five years later, Spokane’s story is part of my<br />

story. I’m proud to call this place home and I invite you to<br />

come experience it for yourself.<br />

This city is wide awake.<br />

88 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>


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