1889 April | May 2018
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TRIP PLANNER:<br />
PORT TOWNSEND<br />
PG. 78<br />
Burrata & Leek<br />
Big Toast<br />
Storm-Tossed<br />
Whiskey Sour<br />
A Spokane<br />
Awakening<br />
Dream Homes<br />
IN THE GREAT OUTDOORS<br />
SLEEP IN THE TREES<br />
AT A TREE HOUSE B&B<br />
SUSTAINABILITY<br />
IS DEAD<br />
<strong>1889</strong>mag.com<br />
$5.95 display until <strong>May</strong> 31, <strong>2018</strong><br />
LIVE THINK EXPLORE WASHINGTON<br />
<strong>April</strong> | <strong>May</strong> volume 8
A (Modern) Cabin<br />
in the Woods<br />
Jim Olson’s long love of architecture can be traced<br />
back to his grandparents’ cabin on the South Puget<br />
Sound. The original cottage, built in 1912, burned<br />
in the 1950s, and Olson has taken a remaining<br />
bunkhouse he designed and added on, renovating<br />
and remodeling throughout the years. Today, Olson<br />
is one of the most respected modern architects in<br />
Washington, and the cabin has become a modern<br />
dream home in the woods. (pg. 50).<br />
2 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 3<br />
Kevin Scott/Olson Kundig
FEATURES<br />
APRIL | MAY <strong>2018</strong> • volume 8<br />
58<br />
The Death<br />
of Sustainability<br />
Sustainability just isn’t enough<br />
anymore. Now, designers seek<br />
to make buildings that actually<br />
improve the environment.<br />
written by Kevin Max<br />
Daniel Banko<br />
50<br />
Outward Bound<br />
Middle of nowhere can be<br />
fashionable, too. Check out our three<br />
dream homes that make isolation<br />
even more beautiful.<br />
written by Melissa Dalton<br />
64<br />
Higher Ground<br />
Get your head in the clouds and grow closer<br />
to nature with our inside look at TreeHouse<br />
Point, a bed and breakfast with six<br />
treehouses just a half hour from Seattle.<br />
photography by Cameron Zegers
DEPARTMENTS<br />
APRIL | MAY <strong>2018</strong> • volume 8<br />
LIVE<br />
12 NOTEBOOK<br />
Get your Seattle story straight with the re-release of Skid Road, the city’s definitive<br />
and delightful history. Plus, spring has arrived and we’ve got your best options for<br />
outdoor festivities.<br />
18 FOOD + DRINK<br />
Ring in spring with our picks for best gelato around the state. Don’t drive by the Super<br />
Deli Mart in Seattle without checking out the beers on tap. And up your cocktail game<br />
with vintage barware and a private cocktail lesson from Stories in a Glass.<br />
22 FARM TO TABLE<br />
Leeks are the unsung hero of many a dish, and Nash’s Organic Produce in the<br />
Sequim-Dungeness Valley grows some of the best.<br />
28 HOME + DESIGN<br />
Making dysfunctional kitchens work with their surroundings—and a DIY to<br />
incorporate your kitchen with the rest of the house.<br />
48<br />
34 MIND+ BODY<br />
Breezy Johnson just got back from skiing in the <strong>2018</strong> Olympic Winter Games in<br />
PyeongChang, and she’s not done yet. Not even close.<br />
36 ARTIST IN RESIDENCE<br />
Derek Armstrong McNeill shattered stereotypes about homelessness in his first<br />
documentary, The Road to Nickelsville, and next up he’ll take on aging and happiness.<br />
THINK<br />
40 STARTUP<br />
One man’s trash is another’s treasure, and the Appliance Depot in Bellingham<br />
has taken the message to heart, refurbishing appliances for resale and serving<br />
as a training ground to boot.<br />
42 WHAT’S GOING UP<br />
Stephen Day Architecture is turning historic buildings into high-end hotels.<br />
44 WHAT I’M WORKING ON<br />
Washington State University’s Mona Ghandi wants buildings to respond to<br />
users’ needs and emotions. It’s not as crazy as it sounds.<br />
U.S. Ski & Snowboard<br />
34 82<br />
8 Editor’s Letter<br />
9 <strong>1889</strong> Online<br />
86 Map of Washington<br />
88 Until Next Time<br />
46 MY WORKSPACE<br />
The University of Washington’s CoMotion Labs are helping the startup<br />
community make its ideas a reality.<br />
48 GAME CHANGER<br />
At Monte Cook Games, designers believe that tabletop games can do more<br />
than entertain—they can change the world for the better.<br />
EXPLORE<br />
72 TRAVEL SPOTLIGHT<br />
Ohme Gardens in Wenatchee was one family’s labor of love, and today is this<br />
city’s oasis.<br />
74 ADVENTURE<br />
Ski to Sea in Bellingham is the original adventure race and an outdoor<br />
enthusiast’s dream.<br />
76 LODGING<br />
The Sleeping Lady in Leavenworth is the perfect jumping-off point for exploring<br />
the town, but the resort is so pleasant you may not want to leave at all.<br />
COVER<br />
photo by Cameron Zegers<br />
(see Higher Ground, pg. 64)<br />
78 TRIP PLANNER<br />
Port Townsend is the perfect mix of food, views and plenty to do. Bonus: its<br />
Victorian seaport.<br />
82 NORTHWEST DESTINATION<br />
Spring is the forgotten season in Bend, Oregon, and with golfing, fly fishing and<br />
other options, it just might be the perfect time for a visit.
CONTRIBUTORS<br />
MELISSA DALTON<br />
Writer<br />
Outward Bound<br />
GINA WILLIAMS<br />
Writer<br />
Game Changer<br />
TRACY ELLEN BEARD<br />
Writer<br />
Trip Planner<br />
TEGRA STONE NUESS<br />
Photographer<br />
Farm to Table<br />
I have focused on Pacific<br />
Northwest design and lifestyle<br />
since 2008. As an East Coast<br />
native, I find everything about<br />
my adopted region fascinating,<br />
especially the architects who<br />
draw on Washington’s natural<br />
beauty and history to design<br />
drool-worthy homes in the<br />
state’s far-flung corners.<br />
(pg. 50)<br />
Interviewing brilliantly creative<br />
professionals like Monte Cook<br />
and Shanna Germain of Monte<br />
Cook Games always leaves me<br />
inspired. I’m in awe of their<br />
talent and drive—and their<br />
commitment to the company’s<br />
core values of acceptance,<br />
inclusion and truth.<br />
(pg. 48)<br />
Port Townsend, only 3 ½ hours<br />
from my home in Vancouver,<br />
Washington, made for a perfect<br />
weekend getaway. My husband<br />
and I agreed that certain<br />
experiences were standouts.<br />
We woke to one of the most<br />
beautiful sunrises at our<br />
cottage at Fort Worden. Our<br />
dinner experience at Finistère<br />
was lighthearted and delicious,<br />
and the sheets and pillows at<br />
Ravenscroft Inn were the most<br />
glorious I have ever slept in.<br />
(pg. 78)<br />
Visiting Nash’s Organic Produce<br />
was a wonderful personal<br />
reminder to connect with<br />
where my food comes from.<br />
The 2-month-old piglets were<br />
the highlight as they romped<br />
through the fields of chard,<br />
curious to see who I was.<br />
Meeting the people who care<br />
for them was reassuring and<br />
educational. I also really enjoyed<br />
meeting all the strong, savvy<br />
women who help run the farm.<br />
(pg. 22)<br />
6 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
EDITOR<br />
MANAGING EDITOR<br />
CREATIVE<br />
MARKETING + DIGITAL MANAGER<br />
WEBMASTER<br />
OFFICE MANAGER<br />
DIRECTOR OF SALES<br />
ACCOUNT EXECUTIVES<br />
BEERVANA COLUMNIST<br />
CONTRIBUTING WRITERS<br />
CONTRIBUTING PHOTOGRAPHERS<br />
Kevin Max<br />
Sheila G. Miller<br />
Allison Bye<br />
Kelly Rogers<br />
Isaac Peterson<br />
Cindy Miskowiec<br />
Jenny Kamprath<br />
Cindy Guthrie<br />
Jenn Redd<br />
Jill Weisensee<br />
Jackie Dodd<br />
Tracy Ellen Beard, Melissa Dalton, Viki Eierdam, Lauren Kramer,<br />
Ben Salmon, Cara Strickland, Corinne Whiting, Gina Williams<br />
Tegra Stone Nuess, Cameron Zegers<br />
Statehood Media<br />
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<strong>1889</strong>mag.com/subscribe<br />
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APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 7
FROM THE<br />
EDITOR<br />
<strong>1889</strong> WASHINGTON’S MAGAZINE’S mission<br />
of Live Think Explore is based on an underpinning<br />
of recreation for all and conservation of our<br />
natural resources. Without these, Washington<br />
loses its greatest economic resource, competitive<br />
advantage, and we erode our kids’ future with<br />
short-sighted decisions made today. The more<br />
people we can inspire to engage in Washington’s<br />
greatest events, to see the connections between<br />
land and commerce, climate and economics, the<br />
more our readers will want to do to preserve this<br />
common gift for future generations.<br />
Welcome to our Home Design issue.<br />
Throughout, you’ll find innovative DIY ideas,<br />
inspiring home designs and trends that are just<br />
beginning to take shape. We did this our way—<br />
with beauty, innovation and conservation.<br />
In this issue, we introduce you to a group of<br />
people doing something cool at the intersection<br />
of development and conservation. In The<br />
Death of Sustainability (pg. 58), we showcase<br />
an ambitious movement that envisions a future<br />
where all development is aimed at improving our<br />
surroundings, not merely sustaining them. Given<br />
the state of things, sustainability is not quite<br />
enough. Welcome to the Regenerative movement<br />
that is just catching on in architectural firms, in<br />
cities and in the social consciousness. We talk to Phaedra Svec,<br />
director of regenerative design at Seattle’s McLennan Design,<br />
as well as Chrisna du Plessis, a regenerative leader at University<br />
of Pretoria and Dr. John Robinson, who led the University of<br />
British Columbia’s charge on its regenerative campus building.<br />
Across the state, at Washington State University, Mona<br />
Ghandi is working on a cutting-edge project of bringing a<br />
home’s environment in line with the emotion of its occupant.<br />
Through computational design, Professor Ghandi is designing<br />
spaces that dynamically transform to their users’ needs. Wow!<br />
Go to What I’m Working On, page 44 to read this interview.<br />
TreeHouse Point may fit in this movement somewhere<br />
among the trees. Here is a visual tour of bed-and-breakfast<br />
cabins that are hand-hewn and hanging in the deep forest of<br />
Fall City, 30 minutes east of Seattle. One night here along the<br />
Raging River will be refreshing and get you thinking about<br />
Washington’s amazing natural resources.<br />
In our Farm to Table feature, on page 22, we send<br />
photographer Tegra Stone Nuess out to the Olympic Peninsula<br />
and into the heart of leek country in Sequim-Dungeness Valley<br />
to meet the hardworking people of Nash’s Organic Produce.<br />
Bring the fruits of their labor into your own kitchen with our<br />
three leek recipes, sourced from Seattle restaurants.<br />
Also on the Olympic Peninsula is the subject of this issue’s<br />
Trip Planner—Port Townsend. Once the second busiest<br />
seaport on the West Coast, Port Townsend today is a breath of<br />
fresh air coming off the Strait of Juan de Fuca. It is boutiques,<br />
bookstores, boats, history and sophistication in a small<br />
Victorian package. Read our experience there and then make<br />
your own this summer as part of an Olympic Peninsula retreat.<br />
Tread lightly and regenerate!<br />
8 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
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APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 9
SAY WA? 12<br />
FOOD + DRINK 18<br />
FARM TO TABLE 22<br />
HOME + DESIGN 28<br />
Tegra Stone Nuess<br />
MIND + BODY 34<br />
ARTIST IN RESIDENCE 36<br />
pg. 22<br />
Nash’s Organic Produce grows leeks and other vegetables.
What does<br />
your summer<br />
look like?<br />
The Washington<br />
coast’s newest<br />
resort community<br />
now selling beach homes vacation rentals<br />
info@oyhutbay.com 360.209.1886
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Tidbits & To-dos<br />
Skagit Valley Tulip Festival<br />
The Tulip Festival runs the entire month of <strong>April</strong><br />
with events and activities happening daily. Choose<br />
from an art show or quilt walk, crafts for the kids<br />
in the children’s art center and bike tours through<br />
the tulip fields, plus a tulip parade to enjoy. We<br />
think it’s the best place to celebrate spring.<br />
mark your<br />
calendar<br />
tulipfestival.org<br />
Anna’s Honey<br />
It doesn’t get any better than pure, all-natural<br />
honey. Anna’s Honey is made by Pacific Northwest<br />
bees that visit blossoms in remote regions and<br />
bring back nectar to create a rich, smooth honey.<br />
Flavors include blackberry, clover, wildflower and<br />
raspberry, available in traditional mason jars or in<br />
a gift jar featuring a sketch of the floral variety<br />
from which its honey was derived.<br />
annashoney.com<br />
Book Grain<br />
Made from redwood,<br />
these handmade journals are<br />
great because they lay flat, making it<br />
easier to put your thoughts down or draw<br />
a sketch. The cover can be engraved and can<br />
also have a typeset custom quote of your<br />
choice added to the inside front cover. Book<br />
Grain journals are handmade in Everett.<br />
bookgrain.com<br />
12 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
say wa?<br />
Gig Harbor Paddlers Cup<br />
The Paddlers Cup in Gig<br />
Harbor is one of those<br />
spring events that makes<br />
gearing up and getting<br />
outside completely worth it.<br />
Dragon boat, paddleboard<br />
and kayak races all take<br />
place at Skansie Brothers<br />
Park, <strong>April</strong> 20-22, with a<br />
reception at the Gig Harbor<br />
Marina and Boatyard.<br />
gigharborpaddlerscup.com<br />
mark your<br />
calendar<br />
Apple Blossom Festival<br />
mark your<br />
calendar<br />
Since 1919, the Apple Blossom Festival<br />
in Wenatchee has drawn crowds.<br />
This eleven-day event from<br />
the last week in <strong>April</strong> to the<br />
first week in <strong>May</strong> includes a<br />
carnival, golf tournament, an<br />
arts and craft fair and other<br />
entertainment, as well as a<br />
Grand Parade, all to celebrate<br />
the wonderful apple industry<br />
in Washington.<br />
appleblossom.org<br />
Orna’s Pottery<br />
Orna’s Pottery opened at Pike Place Market in 2005,<br />
specializing in Seattle-themed works and Pacific<br />
Northwest-inspired pieces. From mugs to bowls<br />
to vases, each piece is as unique as the artist and<br />
handmade in a backyard pottery studio. Our favorite<br />
is the Seattle-themed mug, highlighting the urban<br />
culture and scenery. This is a fan favorite for visitors<br />
and locals alike.<br />
orna-pottery.com<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 13
say wa?<br />
Musician<br />
Looking Out<br />
Courtney Marie Andrews’<br />
new record is next level<br />
written by Ben Salmon<br />
Listen on Spotify<br />
COURTNEY MARIE ANDREWS calls her<br />
2016 album, Honest Life, a “quiet, introspective<br />
songwriter record.” Nonetheless, it made<br />
a big splash, racking up glowing reviews,<br />
landing in Rolling Stone’s list of that year’s best<br />
country albums and raising the Seattle-based<br />
troubadour’s profile around the world.<br />
When it came time to make a follow-up,<br />
Andrews decided to stretch a bit. The result<br />
is <strong>May</strong> Your Kindness Remain, a gorgeous<br />
collection of ten tracks that features fuller<br />
arrangements and more roots-rock ’n’ soul to go<br />
with Andrews’ marvelous voice, mellow twang<br />
and melancholy story-songs.<br />
This time, those stories are more outwardlooking,<br />
Andrews said, with a special focus on<br />
regular folks struggling to cope with common<br />
demons and unattainable standards of success.<br />
It’s a story Andrews—who left her Arizona<br />
home at age 16—knows all too well.<br />
“Our job as songwriters is to empathize with<br />
the world. It’s hard not to let everything that<br />
is happening impact my writing in some way,”<br />
Andrews said. “Rural poverty, mental illness<br />
and delusions of grandeur are stories that have<br />
impacted me my whole life. It all just came to a<br />
head on this record.”<br />
Andrews made <strong>May</strong> Your Kindness Remain<br />
in a house overlooking Los Angeles, where<br />
recording felt “intuitive” and the music ebbed<br />
and flowed with the rhythms of Earth.<br />
“It was symbolic in a way. … You could point<br />
out the ‘good’ and ‘bad’ parts of town and<br />
wonder why the two don’t interact,” she said.<br />
“At night, when the sun came down over the<br />
hill and all was calm, we’d record the ballads.<br />
During the day, we’d open all the doors and (do)<br />
the more rockin’ tracks. It was natural.”<br />
Laura E. Partain<br />
14 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
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Bibliophile<br />
Seattle’s Story<br />
UW Press releases new version<br />
of Skid Road, a timeless tome<br />
about Seattle’s start<br />
interview by Sheila G. Miller<br />
AS NEWCOMERS CONTINUE to swarm Seattle and high<br />
rises replace historic storefronts, it’s easy to forget the city’s<br />
incredible history—Chief Seattle, the Great Seattle Fire in<br />
1906, the Sonics.<br />
For newcomers and Seattle natives alike, Skid Road should<br />
be required reading. First published in 1951 and written by<br />
Murray Morgan, the book, “an informal portrait of Seattle,”<br />
tells the city’s story through witty character studies.<br />
In March, the University of Washington press re-released<br />
Morgan’s Skid Road, with a new introduction from longtime<br />
local journalist Mary Ann Gwinn.<br />
“It’s a really inspired idea for the University of Washington<br />
Press to reissue it,” Gwinn said. “I consider myself a relative<br />
newcomer, but I have been here since the ’80s. A lot of<br />
people have been here for maybe a year or two. Skid Road<br />
is a great place for people to start when they want to learn<br />
more about their new home. It will not be a chore.”<br />
Gwinn, who won the Pulitzer Prize in 1990 for her coverage<br />
of the Exxon Valdez oil spill, worked at The Seattle Times<br />
for thirty-four years, eighteen of those as the book<br />
editor. Gwinn picked up Skid Road long before she<br />
became the Times’ book editor, though.
say wa?<br />
“Part of the genius of the book is that it’s a character study of<br />
several people who were instrumental in Seattle coming together.<br />
Characters are the heart and soul of the book.”<br />
—Mary Ann Gwinn<br />
How did you come to first read Skid<br />
Road?<br />
I came to Seattle in 1983, and I really<br />
didn’t know a thing about it. My first<br />
newspaper employer had laid off about<br />
a third of the staff, and I thought, ‘Oh, I<br />
need to find another job.’ I had a friend<br />
who worked at The Seattle Times, and<br />
so I came out here, and I got here in<br />
February. It was just dark, and the city<br />
was strange, and I thought, ‘What<br />
have I gotten myself into?’ I asked a<br />
colleague at the paper, ‘Can you give<br />
me a recommendation for a book,<br />
a work of history that explains this<br />
place?’ And he said, ‘You need to read<br />
Skid Road.’ He directed me to the Elliott<br />
Bay Book Company, and that was the<br />
beginning of a long relationship.<br />
I went down there and sat down<br />
and read it and I was just enthralled.<br />
It made me feel like I came to the right<br />
place after all.<br />
What are your favorite bits of history<br />
in the book?<br />
Part of the genius of the book is that<br />
it’s a character study of several people<br />
who were instrumental in Seattle<br />
coming together. Characters are the<br />
heart and soul of the book—and<br />
Doc <strong>May</strong>nard has got to be the main<br />
character I love. I can’t believe no one’s<br />
made a movie out of this guy’s life. He<br />
was a frontier doctor, he was a lawyer,<br />
he was a real estate impresario—not a<br />
very good one, because I think he lost<br />
most of the money he made by the end<br />
of his life—most interestingly to me,<br />
he was really probably the best friend<br />
that Indians had among the white<br />
people. He was just an interesting<br />
combination of a visionary and a<br />
goofball, and I love that about him.<br />
Every character Murray<br />
Morgan picked was in<br />
some respects a kind of<br />
outlier or misfit.<br />
Why do you think Skid<br />
Road has stood the test<br />
of time?<br />
One thing it has going<br />
for it, other than that<br />
it’s never been out of<br />
print, is that I think<br />
Murray Morgan’s<br />
sensibility was really<br />
progressive for the<br />
time. He was born<br />
and raised in Tacoma, but he had been<br />
all over the world. He got a master’s<br />
degree at Columbia University in<br />
journalism, and he was in New York<br />
when Pearl Harbor was bombed so<br />
suddenly he was working all these jobs<br />
at a radio and at a newspaper. He and<br />
his wife, Rosa, traveled extensively all<br />
over the world. During World War II,<br />
Murray served in the Aleutians, and<br />
when I was researching him, I found he<br />
wrote great letters that his daughter<br />
has posted online. That’s where he first<br />
encountered African Americans, and<br />
he really got to know them. He also<br />
encountered people who were terrible<br />
bigots, and he was quite advanced<br />
for his time in his beliefs about how<br />
racism is the most pernicious aspect<br />
of human nature, of what a threat it<br />
was. That was in the late ’40s, and I<br />
think that sensibility, and his incredible<br />
sense of humor, keep the book feeling<br />
so fresh.<br />
How does one go about writing an<br />
introduction, especially to such a<br />
key book?<br />
I said, ‘Yeah, I’ll<br />
do it,’ and then I<br />
immediately thought,<br />
‘What am I supposed<br />
to do?’ I had a<br />
personal connection<br />
I knew I could write<br />
about, but then I<br />
decided—I’d heard<br />
of Murray Morgan, I<br />
knew who he was, but<br />
I didn’t know anything<br />
about him to speak of. I<br />
interviewed his daughter<br />
Lane, who is still around<br />
and available and had a<br />
good relationship, both<br />
working and personal, with her parents<br />
and knew a lot about him. I was able<br />
to go into his letters, which is where I<br />
got a sense of his voice independent<br />
of the book. And then I went down to<br />
the Tacoma public library, which has<br />
the Murray and Rosa Morgan Reading<br />
Room. That’s where his family donated<br />
all his books. His papers are there, too,<br />
but they haven’t been catalogued, so<br />
you can’t get into them in any shape.<br />
I was able to go through a lot of old<br />
newspaper clippings—a librarian had<br />
clipped them out—I was able to sit<br />
there and go through the actual clips,<br />
and that’s where I got a much better<br />
sense of his feistiness. He was a guy<br />
who was up for everything.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 17
food + drink<br />
Cocktail Card<br />
recipe courtesy of<br />
Fremont Mischief Distillery<br />
Grilled Storm-Tossed Sour<br />
1 ½ ounces Storm Tossed Rye Whiskey<br />
1 ounce grilled lemon juice<br />
¾ ounce rosemary simple syrup<br />
1 fresh egg white (optional)<br />
Put whiskey, egg white, lemon juice and<br />
rosemary simple syrup in shaker without<br />
ice. Shake well to mix egg whites and<br />
make them fluffy. Add ice to the shaker<br />
and shake to make the cocktail cold.<br />
Pour all into rocks glass (including ice)<br />
and garnish with a grilled lemon and a<br />
sprig of rosemary.<br />
FOR GRILLED LEMON JUICE<br />
You will need 1 lemon per cocktail.<br />
Fire up the grill on a low temperature.<br />
Cut lemons in half. Mix together fresh<br />
rosemary and white sugar (you can save<br />
the remaining mixture for the simple<br />
syrup). Dip the lemon half in the sugar<br />
mix and place face down on the grill.<br />
Slow grill for about 15 minutes on the<br />
face, then turn over for more grilling to<br />
make sure all the juice doesn’t leak out.<br />
Grill until the lemon is soft with a nice<br />
char. Once lemon has cooled, squeeze<br />
juice out, saving some grilled lemons<br />
for garnish.<br />
FOR ROSEMARY SIMPLE SYRUP<br />
Mix ¾ cup water and ¾ cup sugar with<br />
a handful of fresh chopped<br />
rosemary and put in a<br />
small pan. Put the<br />
pan on the grill<br />
while the lemons<br />
are grilling and let<br />
simmer. Strain the<br />
rosemary from the<br />
syrup and let it cool.<br />
Beervana<br />
Super Deli Mart builds community, one beer at a time<br />
written and photographed by Jackie Dodd<br />
IF THERE IS a place that exemplifies “hidden gem” more than Super Deli, I<br />
haven’t found it. From the outside it looks so much like any quick mart, any other<br />
convenience-store-that-no-longer-sells-gas, that you might drive by without<br />
knowing what it really is.<br />
If you did, you’d miss the sixteen taps of outstanding beer, the simple but<br />
delicious sandwiches and shelf after shelf of hard-to-find bottles of beer. You’d<br />
drive right past a community gathering spot of people from all walks of life, all<br />
ages and backgrounds, watching the game and sipping their beverage of choice.<br />
You’d never know that Brian Park, the impossibly dedicated owner, would be<br />
behind those simple walls pouring beer for his regular customers.<br />
This isn’t a place to go if you’re looking for frills—there aren’t any. There doesn’t<br />
need to be. Super Deli Mart is as unpretentious as it gets. It’s cups of ramen and<br />
bottles of Gatorade next to cellared bottles of barrel-aged wild fermented ales.<br />
It’s avocado spread on rye with Havarti next to Slim Jims and Diet Cokes.<br />
Park is a beer drinker, but that’s not why he searches high and low for the<br />
beer he stocks. It’s about community and how beer brings people together. Last<br />
summer, when he was asked to collaborate with Schooner Exact for a summer<br />
IPA, the name he chose for his first (of many) collaborations spoke volumes—<br />
Kizuna, the Chinese symbol for bond or relationship. He may have a head for<br />
business, but he has a heart for community.<br />
No matter the topic, conversation with Park always finds a way back to his<br />
desire to build a community and his love for people. The large and well-loved<br />
summer festival he puts on every July, with Korean food, beer and live music? It’s<br />
a benefit to raise money for the Children’s Hospital. He was inspired to donate<br />
to the cause when he discovered he has a few customers who have to spend a<br />
heartbreaking amount of time there. His prices are lower than most tap rooms<br />
and bottle shops because he wants people to come in and feel like they got a<br />
good deal, or as he puts it, “More beer happiness without breaking the wallet.”<br />
It’s hard to argue with that—after all, happiness and beer are great places to start<br />
when trying to build a community inside a small shop in Seattle.<br />
9051 35TH AVE. SW<br />
SEATTLE<br />
superdmart.com<br />
Brian Park pours a beer from one of Super Deli Mart’s sixteen taps.<br />
18 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Pepper Bridge Winery<br />
You can wish your family<br />
had the chance to<br />
experience life on a farm.<br />
Or you can go ahead and<br />
give it to them.<br />
visiteasternoregon.com<br />
EXECUTION: EOVA COWGIRL 1/4 PAGE<br />
FILE NAME: EOVA_<strong>1889</strong>_4x5.06_cowgirl.indd<br />
PUB: <strong>1889</strong><br />
FINAL TRIM SIZE: 4" wide x 5.06" tall<br />
Abeja Inn & Winery<br />
Experience Walla Walla’s laid-back,<br />
small-town charm, blended with more than 120<br />
world-class wineries, award-winning restaurants,<br />
history, arts, and culture beyond our size.<br />
Fly from Walla Walla and check<br />
your first case of wine for free!<br />
Learn more at TasteAndTote.com
food + drink<br />
CRAVINGS<br />
SPECIALTY COFFEE<br />
Not only is Roost Coffee’s space<br />
cute and relaxing, the coffee is<br />
lovingly prepared with the best<br />
beans from local purveyors.<br />
Syrups are made in-house (the<br />
lavender is subtle and flavorful),<br />
as is the whipped cream. You’ll<br />
want to stop and stay awhile.<br />
125 SOUTHEAST SPRING STREET<br />
SUITE 102<br />
PULLMAN<br />
roostcoffeepullman.com<br />
RAMEN<br />
Though this place is new on the<br />
Capitol Hill scene, Ooink is already<br />
making a name among ramen<br />
enthusiasts. Its focus is on letting<br />
excellent ingredients speak for<br />
themselves (and sometimes in<br />
limited editions).<br />
1416 HARVARD AVENUE<br />
SEATTLE<br />
facebook.com/ooinkramen<br />
Gastronomy<br />
Raising the Bar<br />
written by Cara Strickland<br />
IN 2013, RENEE CEBULA channeled her love of days gone by into a business with<br />
a kick. Cebula sells vintage barware out of a cozy (and also vintage) trailer, and is<br />
always willing to talk about the history of cocktails. It’s that background in history<br />
that has Cebula in such demand for private cocktail events—you too can learn to<br />
make classic cocktails, create your own bitters and learn about the history of punch<br />
in the process. Catch Cebula and her trailer at one of the many events she attends<br />
in Washington or Oregon, or book her expertise for a class that’s sure to leave your<br />
guests stirred (not shaken).<br />
EVENTS THROUGHOUT WASHINGTON AND OREGON<br />
storiesinaglass.com<br />
CLOCKWISE FROM TOP Cebula hosts private cocktail<br />
events. Cebula’s vintage trailer. Vintage barware.<br />
ARTISAN PIZZA<br />
Pizza has come a long way since<br />
just marinara and mozzarella.<br />
Though it offers some of those,<br />
Fire also serves up pies like<br />
the Gordy, topped with dates,<br />
gorgonzola, balsamic reduction,<br />
a blend of cheeses, and, based<br />
on the addiction level, some sort<br />
of crack.<br />
816 WEST SPRAGUE AVENUE<br />
SPOKANE<br />
firepizzaspokane.com<br />
BREAKFAST<br />
Whether you sleep at White<br />
House or not, it’s the place to<br />
go for breakfast (and lunch).<br />
Everything on the concise menu<br />
is made with attention to detail<br />
and beautifully garnished. Try the<br />
croissant breakfast, an open-face<br />
croissant topped with ham and<br />
Havarti, broiled and served with<br />
fresh fruit.<br />
3602 KERN ROAD<br />
YAKIMA<br />
whitehouseinyakima.com<br />
20 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
food + drink<br />
BEST PLACES FOR<br />
GELATO<br />
NORTH TOWN<br />
COFFEEHOUSE<br />
Eat a variety of gelato flavors<br />
(or sip a coffee) in the reclaimed<br />
1909 waiting room of the Northern<br />
Pacific Train Depot in downtown<br />
Yakima. The gelato is smooth<br />
and satisfying (coconut is a<br />
favorite) and the location is<br />
elegant and inspiring.<br />
32 NORTH FRONT STREET<br />
YAKIMA<br />
northtowncoffee.com<br />
SOFIE’S SCOOPS<br />
GELATO<br />
Visit Sofie’s Scoops in the 222<br />
Market, and you’ll likely get to see<br />
gelato magic being made in front of<br />
you. With ever-changing flavors like<br />
cardamom, earl grey lavender chip,<br />
salty butterscotch and hibiscus,<br />
you’ll be glad Sofie’s offers tastes.<br />
222 CAPITOL WAY NORTH<br />
OLYMPIA<br />
sofiesscoops.com<br />
FERRANTE’S<br />
This casual neighborhood<br />
restaurant is known for its<br />
Italian food, and what better to<br />
complement than a choice of<br />
eighteen flavors of natural gelato?<br />
Hang out and enjoy the ambience<br />
and marketplace, or take your<br />
frozen happiness to go.<br />
4516 SOUTH REGAL STREET<br />
SPOKANE<br />
doitalian.com<br />
COLVILLE STREET<br />
PATISSERIE<br />
There’s a lot to love at this<br />
downtown Walla Walla staple, but<br />
with regularly rotating flavors of<br />
gelato made in-house with organic<br />
milk, this frozen confection is top<br />
of our list. Keep it simple with a<br />
scoop or take home a pint.<br />
40 SOUTH COLVILLE STREET<br />
WALLA WALLA<br />
colvillestreetpatisserie.com<br />
Andrae’s Kitchen makes homemade tortillas and smokes its own brisket.<br />
Dining<br />
Andrae’s Kitchen<br />
written by Cara Strickland<br />
ANDRAE BOPP HAS an impressive culinary resume. He graduated from the<br />
French Culinary Institute in New York City, worked in fine dining restaurants such<br />
as Balthazar and Le Bernardin, and then opened a restaurant in Boise, Idaho, to<br />
critical acclaim.<br />
Bopp first moved to Walla Walla in 2008 and immediately began innovating—<br />
his food truck was one of the first in Washington. Now, in addition to the truck,<br />
you’ll find his restaurant in an unassuming Cenex gas station. But don’t be confused,<br />
because this is no ordinary gas station fare. Bopp and his team are making tortillas<br />
from scratch and smoking their own brisket for street tacos, “Voodoo Fries” topped<br />
with pulled pork, aioli and peppers, and a host of gourmet hot dogs.<br />
Bopp likes that his place is a bit of a secret. “I can see the trepidation as they walk<br />
in and look around like, ‘Is this the place?’ Then you smell the food and realize this<br />
is the place to be.”<br />
706 W. ROSE STREET<br />
WALLA WALLA<br />
andraeskitchen.com<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 21
farm to table<br />
Nash’s Organic Produce manager Kia Armstrong<br />
checks on a chard crop after a snowstorm.<br />
22 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
farm to table<br />
Farm to Table<br />
The Underappreciated Leek<br />
Exploring farm-fresh treasures<br />
from Sequim-Dungeness Valley<br />
written by Corinne Whiting<br />
photography by Tegra Stone Nuess<br />
WHEN WE FIRST connected with Kia Armstrong, manager<br />
at Nash’s Organic Produce, she was dreaming up dishes for an<br />
upcoming crew meal. At Nash’s home in Washington’s fertile<br />
Sequim-Dungeness Valley, they serve “farm lunch” for the team<br />
the last Friday of every month.<br />
Among Armstrong’s favorite leek-centric creations—a<br />
hummus puree that features the farm’s dried field peas with<br />
roasted leeks, and a cornbread made using Nash’s freshly ground<br />
cornmeal and leeks. (Inspiration for the cornbread comes from<br />
Sid Maroney, a farm employee from Tennessee, where cornbread<br />
remains unadulterated by wheat flour or sweeteners.) “I love to<br />
cook and am passionate about feeding large groups of people<br />
and sharing simple recipes that utilize seasonal ingredients,”<br />
Armstrong said.<br />
Armstrong, who has worked at Nash’s for fifteen years in roles<br />
ranging from harvest crew to booths at Seattle farmers markets,<br />
loves leeks. “I can’t have enough in my fridge,” she said. Luckily<br />
for her, she has access to them August through <strong>May</strong>, thanks<br />
to the region’s microclimate and the farm’s season extension<br />
techniques. “Overwintered leeks are sown in the field in tightly<br />
knit rows in late <strong>April</strong> and then transplanted into beds about<br />
eight weeks later,” Armstrong said. “They are ready to harvest in<br />
November, and we peck away at them through <strong>May</strong>.”<br />
Armstrong likes to get these nutrient-packed, allium family<br />
veggies into her diet, especially throughout the winter, as a<br />
way to “keep the immune system strong … in a delicious way.”<br />
She lauds Nash’s leeks for being consistently tender, and she<br />
encourages consumers to eat the entire thing, “from root to tip.”<br />
Jason Stoneburner, executive chef at Seattle’s Bastille Café &<br />
Bar and Stoneburner, has an affinity for leeks, too. “[The leek<br />
is] humble and inexpensive and extremely versatile,” he said.<br />
“You’re able to change its flavor profile and texture by different<br />
techniques, similar to what you can do with meat.” Stoneburner’s<br />
favorite way to prepare leeks? “I make big batches of a leek<br />
condiment in the summer to spoon over grilled meat, cheese,<br />
toast and fish,” he said. In order to use fresh leeks throughout the<br />
year, Stoneburner sources from several farms, most of them—<br />
like Nash’s—based at Seattle’s Ballard Farmers Market.<br />
Over the years, Nash’s Organic Produce has won awards from<br />
many local organizations on the Olympic Peninsula,<br />
in addition to receiving state and national accolades.<br />
Situated on the fertile delta of the Dungeness River,<br />
Nash’s is surrounded by water on three sides and the<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 23
farm to table<br />
Harvest manager Suzy Strom trims the<br />
roots and tops off a freshly dug leek.<br />
24 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
farm to table<br />
majestic Olympic Mountains to the south. The North<br />
Olympic Peninsula boasts a unique, moderate climate<br />
and “amazing alluvial soil” that enables Nash Huber and<br />
his team to produce “the finest organic fruits, vegetables,<br />
grains, seed, eggs and pork year-round.”<br />
Armstrong said that, among the farm’s “wonderfultasting,<br />
fresh food,” carrots stand out. Huber has been<br />
planting his own carrot seeds for decades; these days,<br />
the farm grows 9 acres of carrots annually (over seven<br />
rotations). She praised the farm’s Brussels sprouts, too.<br />
The farm sells its goods at seven local markets, through<br />
CSA programs and wholesale to PCC Natural Markets<br />
(Seattle), Organically Grown Company (Portland) and<br />
Discovery Organics (Victoria, B.C.).<br />
Although Huber and his wife, Patty McManus-Huber,<br />
own 19 acres of land, their team farms more than 600<br />
acres and has nine landlords. The land includes 70 acres<br />
of vegetables, berries and orchard; 355 acres of grain; 30<br />
acres of organic seed; 40 acres devoted to pigs, poultry<br />
and compost; 40 acres in wildlife habitat and buffers, and<br />
the remainder hay or fallow. The farm employs about<br />
thirty-two people (two-thirds of them full-time).<br />
The couple pushes for seasonal extension for several<br />
reasons—since people have to eat all year long and so the<br />
farm can offer year-round employment. “It takes many<br />
years to train a good farmer,” Armstrong said, explaining<br />
the farm strives to retain staff for multiple years. “We<br />
grow a lot of winter crops to be harvested fresh from<br />
the fields twelve months a year. It’s rough work picking<br />
Brussels sprouts or kale in the rain and cold, but it keeps<br />
folks employed.”<br />
Huber has also worked hard over the past forty years to<br />
expand the farm’s footprint and to retain the agricultural<br />
landscape of Sequim. With so much pressure on the<br />
development of farmland, he attempts to keep as much<br />
of it in production as possible. The farm’s seed-breeding<br />
work also plays into season extension, as it develops<br />
varieties suited to the Pacific Northwest climate.<br />
Loyal Nash followers love visiting the farm store, which<br />
is open six days a week (and daily from <strong>May</strong> through<br />
October). The shop features more than eighty items on<br />
any given day, with items ranging from local cider and<br />
craft beer to cheese and meat, as well as an extensive allorganic<br />
produce department. Shoppers notice a strong<br />
emphasis on education and access to recipes, plus a kids’<br />
corner and lending library.<br />
“It’s a great place for folks to come get perspective on<br />
what’s going on here,” Armstrong said. “They get a sense<br />
of place, as they have to drive right by the fields to get to<br />
the store, which was intentionally placed in the heart of<br />
the operation.”<br />
AT RIGHT, FROM TOP Andrea LaPlante, pastured hog manager, rakes barley<br />
grain as it comes out of the mill; Nash’s grows and mills the barley for its hogs.<br />
View of the Olympic Mountains from Nash’s Organic Produce.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 25
farm to table<br />
Pepper flakes and lemon add<br />
zest to Stoneburner’s Burrata<br />
and Leek Big Toast.<br />
Washington Recipes<br />
Limitless Leeks<br />
Corned Beef Hash with Leek Soubise<br />
SEATTLE / Saint Helens Cafe<br />
Ira Taylor<br />
FOR THE CORNED BEEF<br />
HASH (SERVES 1)<br />
3 ounces chopped corned<br />
beef<br />
3 ounces blanched sweet<br />
potatoes<br />
⅛ cup pickled leeks<br />
2 eggs<br />
Salt and pepper to taste<br />
Dill sprigs (for plating)<br />
FOR THE LEEK SOUBISE<br />
(SERVES 4)<br />
2 tablespoons butter<br />
2 tablespoons all-purpose<br />
flour<br />
1 cup whole milk<br />
⅓ cup chopped leeks<br />
1 teaspoon salt<br />
FOR THE LEEK SOUBISE<br />
In a small saucepan, begin melting 2 tablespoons of butter<br />
on low heat. Once melted, add ⅓ cup chopped leeks and stir<br />
until leeks are translucent and tender. Once translucent, add<br />
2 tablespoons of flour and stir for 5 minutes on low heat.<br />
Make sure the flower-butter mixture does not brown. After<br />
5 minutes, add 1 cup whole milk and whisk on low heat until<br />
sauce has thickened. Using a hand blender, puree sauce until<br />
smooth. Add 1 teaspoon of salt.<br />
FOR THE CORNED BEEF HASH<br />
In a medium sauté pan, heat 1 teaspoon of canola oil on<br />
medium high until the oil just starts to ripple. Add in corned<br />
beef and diced sweet potatoes, then add a pinch of salt and 1<br />
ounce of lemon juice to get some golden-brown color on the<br />
sweet potatoes. Add ⅛ cup of pickled leeks and warm through<br />
with the hash mixture. Check seasoning and adjust with salt<br />
and lemon juice as needed.<br />
While cooking hash mixture, heat up the soubise over<br />
medium-low heat to warm through. Set aside in a warm place<br />
for plating.<br />
While your hash mixture finishes cooking, heat a small knob<br />
of butter in a small, nonstick sauté pan over medium-low heat.<br />
When butter is fully melted, add two eggs and continue to<br />
cook slowly over medium-low heat. When the eggs are cooked<br />
to your satisfaction, season with salt and pepper. Set aside in a<br />
warm area for plating.<br />
On a warmed entrée plate, place about 2 ounces of soubise<br />
in the center of the plate, spreading it out evenly. Place the<br />
hash mixture in the center of the sauce. Place eggs on top of<br />
hash mixture and garnish with sea salt and dill sprigs.<br />
Burrata and Leek Big Toast<br />
SEATTLE / Stoneburner<br />
Jason Stoneburner<br />
SERVES 2<br />
2 ½ cups leeks, thinly sliced<br />
in half moons<br />
1 teaspoon Aleppo pepper<br />
or chili flakes<br />
¾ cup olive oil<br />
⅛ teaspoon salt<br />
Zest and juice of 1 large lemon<br />
Split the leeks lengthwise and thinly slice into half moons. Blanch leeks<br />
in boiling salted water for 20 seconds and shock in a water ice bath, then<br />
drain leeks and dry. Lightly heat olive oil, add pepper and zest, then pour<br />
over blanched leeks. Add lemon juice and salt, then stir to mix. Grill bread<br />
with a little olive oil and salt, divide cheese among bread pieces, and<br />
top with leek condiment, herbs and greens. The leek condiment can be<br />
stored in the fridge for 5 to 8 days, and can be spooned over everything<br />
from fried eggs to grilled steak or fish.<br />
Leek Bagna Caoda with Long Pepper<br />
SEATTLE / mbar<br />
Jason Stratton<br />
SERVES 4<br />
2 tablespoons unsalted butter<br />
¼ cup extra-virgin olive oil<br />
20 oil-cured anchovy fillets<br />
(such as Agostino Recca),<br />
drained of oil<br />
8 cloves garlic, very thinly sliced<br />
1 Burrata or your favorite<br />
cheese<br />
1 loaf of your favorite rustic<br />
bread, such as ciabatta<br />
Picked herbs and greens to<br />
garnish (mint, dill, arugula and<br />
mustard greens recommended)<br />
4 leeks, whites cut into small<br />
dice and rinsed well<br />
1 cup cream<br />
1 teaspoon ground long pepper<br />
Lemon juice to taste (optional)<br />
Heat the butter and olive oil in a heavy-bottomed non-reactive pot over<br />
medium heat. Add anchovies and garlic and cook until anchovies begin<br />
to break apart and garlic just starts to get a little color. Lower heat and<br />
cook slowly, stirring every 5 minutes or so with a wooden spoon until<br />
the anchovies completely break down into a paste and reach a deep<br />
brown. Add leeks and continue to cook until the leeks are tender. Add<br />
cream and continue to cook until the volume reduces by two-thirds.<br />
Season with the long pepper and lemon if desired. Use immediately or<br />
cool down for future use. Reheat over very low heat, adding a teaspoon<br />
of water or cream if it threatens to break.<br />
26 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Summer<br />
is right around the corner<br />
FREE Travel Guide cascadeloop.com
home + design<br />
Perfect Harmony<br />
Two Seattle designers rework<br />
dysfunctional kitchens to sing<br />
with their surroundings<br />
written by Melissa Dalton<br />
Seattle: An Inviting Loft Makeover<br />
WITH ITS CONCRETE floors, airy open spaces and<br />
galvanized steel decking on the ceiling, this Capitol<br />
Hill apartment embodied chic, pared-back loft living.<br />
Unfortunately, its kitchen was equally bare bones.<br />
“These lofts were very raw,” said architect Thomas<br />
Schaer of the units in the 2001 building. “The original<br />
concept was an industrial chef’s kitchen.” As such,<br />
everything was out in the open, from the plumbing<br />
pipes beneath the commercial sink basin to the pots<br />
and pans stacked under a stainless-steel prep table.<br />
A Sears cabinet with a butcher-block top possessed<br />
the only closed drawers. “It was pretty hard to work<br />
with that kitchen,” Schaer said.<br />
Nearby, the loft’s front door spilled unceremoniously into the<br />
home, providing no natural spots for hanging coats, putting<br />
on shoes or throwing down keys. An empty zone beneath the<br />
stairs became a dumping ground for bikes, backpacks and even<br />
bulky kitchen items that couldn’t find a home. In 2014, Schaer,<br />
principal of Seattle’s SHED Architecture & Design, paired up<br />
with contractor Dolan Built for a targeted renovation.<br />
The revamp started with a smart spatial tweak that fixes both<br />
the kitchen and the entry—a 4-foot extension of the kitchen<br />
wall. Not only does the subtle addition increase culinary<br />
capacity, but the back side of the new wall defines the entryway<br />
and forms a niche for a built-in bench with shoe storage. A<br />
custom wall-hanging cabinet beneath the stairs is a prettier<br />
catchall, with the wall space below it cleverly protected with<br />
metal. “The steel plate is intended as a spot where you can park<br />
your bike without damaging the wall,” Schaer said.<br />
For materials, he chose a palette that complements the loft’s<br />
existing industrial mix and adds subtle texture. “One of the first<br />
ideas that we came up with was the concrete bricks,” he said.<br />
“We thought, because we have this concrete floor, we can just<br />
build brick right on the floor. If it was a house with a wood floor,<br />
you wouldn’t do that.” That brick now lines the backsplash,<br />
frames up the island and supports the entry bench.<br />
One countertop, composed of glimmering ¼-inch<br />
bead-blasted stainless-steel plate, references the<br />
beams overhead, and has the added benefit of being<br />
28 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
home + design<br />
Mark Woods<br />
The Capitol Hill loft’s kitchen got an upgrade<br />
with concrete bricks and more storage.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 29
Haris Kenjar<br />
“pretty indestructible,” Schaer said. Zebrawood with a pronounced<br />
grain pattern flows across the flat-front cabinetry and island<br />
worktop. “That element strategically adds warmth and material<br />
depth to what is otherwise a pretty cold space,” Schaer said.<br />
The new island accommodates seating and additional storage,<br />
but it’s the under-the-counter microwave there that infuses a little<br />
quirk into the new space. It wasn’t possible to drill new electrical<br />
connections through the concrete floor, so the appliance is<br />
powered vis-a-vis a curly pigtail cord that stretches all the way to<br />
the ceiling. Like everything else that came with the renovation, the<br />
treatment fits the loft’s overall vibe. “In the end it was an easy way<br />
to solve a functional problem,” Schaer said of the cord. “Now that<br />
it’s there, it’s a cool element.”<br />
Woodinville: A New Family Hub<br />
In this Woodinville house built in 1986, the impetus for<br />
remodeling the kitchen wasn’t just its cramped work triangle and<br />
dated finishes. The homeowners were equally motivated to tackle<br />
an adjacent room—a large sunken family room everyone in the<br />
household had abandoned. The room’s awkward layout, cold stone<br />
floor and lack of natural light made it uniformly unwelcoming. “All<br />
the way in the back of the house, separated by columns and a step<br />
was this sunken family room,” said Heidi Caillier, a Seattle-based<br />
interior designer in charge of the home’s 2017 overhaul. “They<br />
never used it, just because it felt so disconnected from the rest of<br />
the house.”<br />
Caillier’s design plan was a bold redress: to flip the first-floor<br />
layout and swap the kitchen into the unused space. Now, a more<br />
generous eat-in kitchen segues into a relaxed dining area and<br />
cozy family room. “They really wanted something that was more<br />
open, a joined area that felt like it all flowed,” Caillier said. Such<br />
an approach was not without its challenges, from reconfiguring<br />
windows, relocating plumbing and raising the floor, to devising an<br />
efficient floor plan. “It was tricky trying to figure out the layout,”<br />
Caillier said. “No matter what we did with it, it was still going to<br />
have an L-shape that you can’t really change without changing other<br />
significant parts of the house.” Her solution was to incorporate a<br />
butler’s pantry and eating nook along one wall, ensuring that every<br />
inch of previously wasted space is put to good use.<br />
Now, the 450-square-foot kitchen is grounded by a 10-foot-long<br />
island packed with storage on both sides, its warm brown-black<br />
color silhouetted against white perimeter cabinets. “We knew that<br />
it was going to be the anchor of the room and where everyone<br />
would gather,” Caillier said of the island. A snowy Caesarstone<br />
counter climbs up the backsplash for a seamless look. Brass cabinet<br />
hardware and lighting punctuate the cool color palette while wood<br />
accents, including dark-stained oak floors, a sliding wood door<br />
on the pantry and floating bench, offer understated texture that<br />
mingles well with the traditional elements. Painted shiplap wraps<br />
the breakfast nook, keeping it light and bright. “I just wanted it to<br />
feel a little bit cozy and textural, while working with the rest of the<br />
space,” Caillier said.<br />
Caillier juxtaposed playful personality suitable to a family with<br />
young kids via a few more stylish steps. “It’s a big kitchen, so I felt<br />
like we needed to mix the finishes up a little bit to make it layered<br />
and interesting,” she said. The cement tile backsplash at a drinks<br />
station lends a hit of contemporary pattern. Woven pendant lights<br />
skew whimsical, the pattern giving off a fun glow at night. “I love<br />
the kitchen nook; it’s probably my favorite part,” Caillier said. “I like<br />
that it brings down the seriousness a little bit.” Even better is how<br />
her redesign has transformed the household’s former dead zones<br />
into family destinations, revitalizing the home in the process. Said<br />
Caillier: “It’s changed the way they use their house.”<br />
30 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
home + design<br />
FROM LEFT Interior designer Heidi Caillier<br />
moved the kitchen to an underused room<br />
in the house. The breakfast nook has<br />
painted shiplap and a wooden bench.<br />
Haris Kenjar<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 31
home + design<br />
DIY: Unite the Kitchen with the Rest of the House<br />
OPEN-CONCEPT FLOOR PLANS have become extremely popular over the years, and the kitchen is always at the center.<br />
We asked Schaer and Caillier their tricks for seamlessly incorporating the kitchen with the adjoining living spaces.<br />
1<br />
2<br />
REPEAT MATERIALS<br />
“Material connection is really important,” Schaer<br />
said. This is why he used Zebrawood for both the<br />
entry cabinet and main kitchen area in the Capitol<br />
Hill loft. “It makes it feel like it wasn’t just a random<br />
kitchen plugged into the living room,” he said. “It<br />
feels like part of a suite of moves.” Caillier agreed.<br />
“All of the materials have to work together,” she<br />
said. For instance, she chose furnishings with the<br />
same wood tones across the different spaces, such<br />
as the kitchen counter stools, the dining room<br />
table and a credenza in the family room.<br />
KEEP COLORS CONSISTENT<br />
Seeing too many colors at once can make the<br />
final scheme look choppy. “We painted everything<br />
the same color and I think that’s really important,”<br />
Caillier said. “There are some starts and stops<br />
that could have facilitated using different paint<br />
colors, but we really wanted it to feel like one big<br />
open space.”<br />
CREATE SUBTLE LAYERS WITH CONTRAST<br />
Subtle contrast draws the eye through the space.<br />
In Woodinville, Caillier positioned four curvy<br />
walnut stools (the Cherner barstool from Design<br />
Within Reach) against the dark backdrop of<br />
the island cabinetry to pleasing effect. A large<br />
blank wall in the loft had the owner wanting to<br />
incorporate a unique decorative touch. A local<br />
interior designer, Brian Paquette, suggested<br />
wallpaper printed with a Japanese kimono pattern.<br />
The design was photocopied onto 11x17 printer<br />
paper and then carefully pasted in place for<br />
a layered look that contrasts nicely with the<br />
kitchen’s crisp lines and unites the open room.<br />
32 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
home + design<br />
Beautiful Utility from Washington Makers<br />
Girl Meets Dirt is an Orcas Island “farmette” dedicated to<br />
spreading the sweetness of heritage preserves. The Orcas<br />
Madrona Wood Serving Board, available in the online shop and<br />
made by artisans at Orcas Workshop, is composed of wood from<br />
the island with an organic live-edge shape, perfect for<br />
showcasing your next fruit and cheese spread.<br />
girlmeetsdirt.com<br />
The online shop Goose Creek Mercantile,<br />
curated by the West Seattle-based Holly Johnston,<br />
specializes in “natural goods for the modern home,”<br />
all with a Pacific Northwest sensibility. We like the<br />
oversized Cherry spoon, made in Woodinville, for<br />
its modern take on a good old kitchen standby.<br />
goosecreekmercantile.com<br />
Sur La Table<br />
The handmade knives from celebrated Bellingham master<br />
bladesmith Bob Kramer are the prized possession of many<br />
chefs—just ask Anthony Bourdain. Kramer’s creations are<br />
primarily available by auction and lottery, meaning years-long<br />
waitlists. Luckily for impatient home cooks, he teamed up with<br />
Zwilling J.A. Henckels to produce this line of carbon steel blades<br />
fashioned after the ones that come from his workshop.<br />
surlatable.com<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 33
mind + body<br />
Just Getting Started<br />
Skier Breezy Johnson competed at the<br />
Winter Olympics, and is ready for more<br />
written by Lauren Kramer<br />
U.S. Ski & Snowboard<br />
34 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
mind + body<br />
Breezy Johnson<br />
U.S. Olympic Skier<br />
Age: 22<br />
Born: Jackson, Wyoming<br />
Residence: Victor, Idaho, and Bellingham, Washington<br />
Breezy Johnson cruises downhilll during the 2017 U.S. Alpine Ski Team training<br />
camp in Chile.<br />
WHEN BREEZY JOHNSON got the call saying she’d been<br />
selected to be one of the U.S. alpine skiers in the <strong>2018</strong> Winter<br />
Olympics in PyeongChang, the 22-year-old was breathless with<br />
excitement. A fierce competitor since her childhood days, this<br />
was the ultimate test of her skill, pairing her with the world’s<br />
finest alpine skiers.<br />
“I was always super serious about ski racing, and for as long<br />
as I can remember I wanted to be an Olympian ski racer,” she<br />
said. “I remember competing at one race when I was super<br />
young, and where they gave ribbons to everyone who competed.<br />
I immediately threw mine out because I wasn’t interested in<br />
something given just for competing. I wanted something I had<br />
to earn.”<br />
Johnson’s father, Greg Johnson, was her first ski instructor and<br />
coach and she quickly took a shine to the sport. “My brother and<br />
I were pains in the butt to any resort we were at,” she recalled.<br />
“We were better skiers than our instructors even as kids, so we’d<br />
ditch them and rip around the mountain on our own. But what<br />
influenced me to stick with the sport is that I’m always looking<br />
for a challenge, and skiing was the most challenging thing I ever<br />
did, which made it the most rewarding.”<br />
Accustomed to skiing at speeds of up to 85 mph, Johnson said<br />
what scares her is less the actual speed and more the relative<br />
speed of “things coming at you. I always say that alpine speed<br />
skiing is about hearing that little instinctual voice tell you to slow<br />
down and then going faster anyway. It’s so thrilling to see how far<br />
you can push the limits. And every time you decide not to listen<br />
to your instincts and you go faster, you feel a little bit like you’re<br />
defying death itself.”<br />
A member of the U.S. Ski Team since 2014, Johnson has been<br />
in training for several years, tackling glacial slopes in Europe and<br />
snowy peaks in New Zealand, Chile and across the U.S. She’s<br />
determined to come home with a gold medal. In PyeongChang,<br />
she finished fourteenth in Super G and seventh in the downhill,<br />
just 1.12 seconds behind the gold medal winner. “We know that<br />
we are all good,” she said of her seven fellow athletes on the team.<br />
“The only thing we can do is ski our best. If I can’t win, then<br />
having one of my teammates win is the next best thing.”<br />
U.S. Ski Team<br />
WORKOUT<br />
SUMMER TRAINING<br />
Monday: 45-minute jog followed by 2.5 hours strength training, lunch<br />
then 1.5 hours core workout<br />
Tuesday: 30-minute jog, 1.5 hours coordination (soccer ball work,<br />
slackline, trampoline), lunch then 1.5 hours sprint workout<br />
Wednesday: 3 hours strength (more power-based), afternoon off<br />
Thursday: 30-minute jog, medium-intensity cardio workout, then<br />
2-hour core workout<br />
Friday: 2.5 hours strength, then 1-hour coordination workout (speed<br />
ladder, possibly rollerblading), maybe a 1-hour fun game in evening<br />
with friends<br />
Saturday: 3-5 hour hike, bike, run or swim<br />
Sunday: Off<br />
WINTER TRAINING<br />
Monday: Off<br />
Tuesday: 3 hours ski training, 1-hour game in afternoon (volleyball,<br />
tennis, tennoccer)<br />
Wednesday: Off<br />
Thursday: Training run (on hill for 4 hours with two 30-minute<br />
warmup bodyweight workouts with squats, jumps, lunges etc.),<br />
30-minute core workout in afternoon<br />
Friday: Training run (on hill for 4 hours with two 30-minute warmup<br />
bodyweight workouts with squats, jumps, lunges etc.), 1-hour<br />
coordination and power workout (stair jumps, skips, speed ladder)<br />
Saturday: Race Downhill (on hill for 5 hours with two 30-minute<br />
warmup bodyweight workouts with squats, jumps, lunges etc.),<br />
30-minute recovery spin in afternoon<br />
Sunday: Race Super G (on hill for 5 hours with two 30-minute warmup<br />
bodyweight workouts with squats, jumps, lunges etc.), 1-2 hour weight<br />
workout in afternoon<br />
NUTRITION:<br />
• All sources of proteins (eggs, meat, salmon, dairy, tofu)<br />
• Berries, tomatoes, cherries<br />
• 4-5 cups veggies<br />
• 4-5 cups whole wheat grains<br />
• 1 sea salt caramel prior to races<br />
INSPIRATIONS:<br />
• “Your body is firing at 100 percent when you’re skiing, and your mind<br />
is also working at 100 percent. That combination of using your mind<br />
and body makes me feel more alive than anything else.”<br />
• “My amazing U.S. Ski Team teammates, who know so much and have<br />
shared their knowledge and experience with me, even though at times<br />
like Olympics and World Championships we have to compete against<br />
each other. We are constantly bouncing ideas back and forth and I<br />
honestly can’t say if I would be as good as I am today without them.”<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 35
artist in residence<br />
Tackling<br />
Misconceptions<br />
Filmmaker takes on social issues<br />
written by Viki Eierdam<br />
36 <strong>1889</strong> WASHINGTONS’S MAGAZINE FEBRUARY APRIL | MAY | MARCH <strong>2018</strong> 2017
artist in residence<br />
IT’S BEEN SAID that overnight success can take years to achieve. Seattle filmmaker Derek Armstrong<br />
McNeill can attest to that. After three decades pursuing related yet fragmented interests, the<br />
common denominators of his life finally revealed his gift of storytelling.<br />
When McNeill began concentrating on the growing homelessness in his city, clarity hit him and<br />
he knew he could present the human side of the issue with The Road to Nickelsville.<br />
“A moment was happening in Seattle that would later<br />
be seen as a pivotal point, and I felt there was a story<br />
that needed to be told,” McNeill said. “I wanted to craft<br />
something more than a sleepy documentary but add<br />
subtext that operated on different emotional layers.”<br />
McNeill joined the United States Air Force straight<br />
out of high school and spent the next eight years as<br />
a photographer. For the better part of his Air Force<br />
career he shot, printed and processed film. After his<br />
service, he worked as a wedding and<br />
portrait photographer, freelanced for<br />
a newspaper, earned an advertising<br />
degree from the University of Alaska<br />
with a minor in design and even<br />
created Windows ads for Microsoft.<br />
He’d wanted to pursue filmmaking<br />
since he was a child, but McNeill was<br />
unable to afford film school so he tried<br />
to find satisfaction in photography. In<br />
2000, he was inspired by the opening<br />
title sequence of the HBO series<br />
Six Feet Under. He discovered the<br />
company responsible for it, Digital<br />
Kitchen, was in Seattle and took a<br />
motion design class it offered. McNeill<br />
then had a front-row seat to the<br />
making of the True Blood title sequence and his path in<br />
filmmaking became more grounded.<br />
McNeill began to feel the stirrings to go out on his own<br />
in 2013, and a couple years later he decided to tackle the<br />
topic of the controversial Seattle homeless encampment<br />
known as Nickelsville. To date, his documentary, The<br />
Road to Nickelsville, has earned multiple awards and<br />
nominations from the film community.<br />
Through a series of intimate interviews, McNeill<br />
breaks down misconception after misconception<br />
without taking a political or social side or offering a<br />
solution to the homelessness problem. He allows the<br />
“cast” to tell their own stories in words, through facial<br />
expressions and a very personal look into their day-today<br />
lives.<br />
Compassion and empathy are the premier<br />
instruments in any effective storyteller’s toolbox, and<br />
McNeill employs both deftly as he seeks to deliver a<br />
familiar concept to his audience and let them digest<br />
it anew.<br />
“I didn’t want it to be a finger-wagging exercise. I<br />
wanted people to stop and think and question their<br />
assumptions. I wanted to create a neutral look. It’s a very<br />
emotional and personal look, but I didn’t have a strong<br />
agenda that you must feel sorry for these people, and I<br />
also didn’t say, ‘These people are lazy,’” McNeill said. “I<br />
think art in its truest form works best when it holds a<br />
mirror up to the viewer and causes them to stop and<br />
think about their own humanity.”<br />
It is his nuanced stylings that have<br />
garnered critical acclaim for The<br />
Road to Nickelsville, including winner<br />
at the International Independent<br />
Film Awards for Title/Credit Design,<br />
Editing, Cinematography, Directing<br />
and Documentary Short Film. He<br />
was one of four finalists—out of 1,300<br />
submissions—for Best International<br />
Documentary at the Fabrique Du<br />
Cinema Awards held in Rome last<br />
December and judged by American<br />
representative, Willem DeFoe.<br />
“Fabrique is a symbol to me that it<br />
(the film) is doing well and touching<br />
people,” McNeill said.<br />
His next venture, Appleseeds,<br />
explores another complex human issue—the secret to<br />
true happiness. Similar in style to The Road to Nickelsville,<br />
McNeill pastes together a collection of interviews with<br />
men and women ages 65 to 85. Commissioned by a<br />
friend designing an installation on aging, Appleseeds goes<br />
beyond the premise of how to find hope and happiness<br />
through adverse life moments and, organically, delves<br />
into the cultural issue of elder worth.<br />
One interviewee mimics the way he’s treated by<br />
saying, “Oh, he’s old. He must be retarded.”<br />
While that may sound harsh, it is a reality that the<br />
elderly face and, just like The Road to Nickelsville,<br />
Appleseeds promises to challenge cultural assumptions,<br />
open the eyes of the audience who choose to see the film<br />
and, possibly, start a conversation. It also offers hope.<br />
“So, you take everything you’ve been through in life<br />
and, if you’re fortunate enough to live ‘til you’re older,<br />
how can you not be beautiful? It has nothing to do with<br />
your gender or the color of your skin. How can we not be<br />
beautiful?” another interviewee asks proudly.<br />
FEBRUARY APRIL | MARCH | MAY <strong>2018</strong> 2017 <strong>1889</strong> WASHINGTON’S MAGAZINE 37
STARTUP 40<br />
WHAT’S GOING UP 42<br />
WHAT I’M WORKING ON 44<br />
MY WORKSPACE 46<br />
GAME CHANGER 48<br />
pg. 44<br />
Mona Ghandi wants buildings to adapt to our moods.
golf, dine, explore<br />
PULLMAN, WA<br />
Rob Perry<br />
Birch & Barley PalousePics.com Majestic Nature<br />
Home of Washington State University<br />
and so much more<br />
pullmanchamber.com 509.334.3565
startup<br />
Trash to Treasure<br />
Appliance Depot reduces waste and trains<br />
employees to re-enter the workforce<br />
written by Lauren Kramer<br />
40 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
startup<br />
“[Our trainees] get a sense of ownership in the business<br />
and a sense of community from their coworkers. That<br />
feeling of support and investment goes a long way toward<br />
building confidence and we see huge transformations in<br />
our trainees’ demeanor, communication skills and selfesteem<br />
in their time with us.”<br />
—Dallas Betz<br />
ReUse Works<br />
SUSTAINABILITY IS A BUZZWORD these days,<br />
but when Appliance Depot started in 2005 it was one<br />
of the early pioneers of the movement. The goal of<br />
the Bellingham-based nonprofit is to convert trash to<br />
treasure by refurbishing old appliances or, when that’s<br />
not possible, to strip their reusable parts and put<br />
them back to work. Refurbished appliances are resold<br />
at a fraction of the cost of new ones. The sales team,<br />
funneled from social service agencies, consists of<br />
folks who have experienced significant life challenges<br />
and need new, basic skills and experience to re-enter<br />
the workforce.<br />
“Our program is unique in that it was created<br />
with the aim of using trainees as primary workers,”<br />
explained Dallas Betz, executive director at ReUse<br />
Works, the nonprofit that operates Appliance Depot.<br />
“Trainees work at a variety of tasks and progress<br />
quickly. Moreover, they get a sense of ownership in<br />
the business and a sense of community from their<br />
coworkers. That feeling of support and investment<br />
goes a long way toward building confidence, and we<br />
see huge transformations in our trainees’ demeanor,<br />
communication skills and self-esteem in their time<br />
with us.”<br />
Most of the 450 trainees who have worked at<br />
Appliance Depot have arrived with little or no work<br />
history—or nothing recent. The team of seven full-time<br />
staff helps train for soft skills like customer service,<br />
and trainees usually leave with a good reference and<br />
recent work history they can take to their next jobs.<br />
To date, Appliance Depot has kept 50,000 appliances<br />
out of the waste stream and sold 13,000 refurbished<br />
appliances, generating $3.5 million in sales. “Our planet<br />
has limited resources that are rapidly diminishing, so<br />
we need to extend the life of those goods that already<br />
exist,” Betz said. While recycling is a good idea, the<br />
first option should be re-use because that “allows us to<br />
maintain the embedded energy in each machine and<br />
keeping our money circulating locally,” he explained.<br />
Up to 25 percent of the appliances Appliance<br />
Depot receives can be reconditioned. The rest are<br />
stripped for parts and then recycled for scrap metal.<br />
Salvageable appliances are repaired in the nonprofit’s<br />
2,000-square-foot shop and sold in the showroom<br />
at 802 Marine Drive. Surplus revenue is set aside for<br />
unforeseen, unpredictable expenses, like the new box<br />
truck that was needed after the old one’s transmission<br />
failed recently.<br />
For most of us, when we need a new appliance we<br />
go out and buy it. We don’t think about the energy<br />
that goes into creating that machine, from resource<br />
extraction to manufacturing and transportation.<br />
“Every appliance we refurbish means that one less<br />
needs to be manufactured,” Betz said.<br />
Betz doesn’t put much stock in the touted energy<br />
efficiencies of new appliances, either. “When you look<br />
deeper, they’re made of flimsy materials and typically<br />
last less than ten years,” he said. “When we see them<br />
here at Appliance Depot, they are rarely worth<br />
repairing. We need to shift our thinking to designing<br />
and manufacturing that is not only energy efficient<br />
in use, but has a long lifespan and can be repaired.<br />
Planned obsolescence is not a sustainable practice.”<br />
As consumers we have to stop perceiving broken<br />
items as trash, he said, especially when it comes to<br />
appliances. “When we take people’s broken appliances<br />
and give them new life, we’re offering purchasers<br />
something that’s affordable, reliable and guaranteed<br />
by us. That appliance also enables us to provide job<br />
training services to low-income residents, so we<br />
regard it as treasure.”<br />
Collecting old appliances is one of Appliance Depot’s<br />
challenges, but the nonprofit is grateful to have secured<br />
a partnership with Home Depot in Bellingham. “Some<br />
of their take-backs are set aside for us and we so<br />
appreciate these donations,” Betz said. “We hope that<br />
Home Depot’s model of community support opens<br />
doors to other retailers doing the same.”<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 41
what’s going up?<br />
Everything Old<br />
Is New Again<br />
Classic architecture meets upscale hotel<br />
properties around Washington<br />
written by Sheila G. Miller<br />
WALLA WALLA<br />
Visitors to Walla Walla will have a four-star hotel<br />
to look forward to when the Penrose Walla Walla<br />
opens in 2019. The project, overseen by Stephen Day<br />
Architecture, will transform the National Registerlisted<br />
Odd Fellows building and a large addition on<br />
Mill Creek near Whitman College into a hotel with<br />
132 rooms, event spaces, a music venue, a penthouse<br />
swimming pool and rooftop terraces.<br />
PORT TOWNSEND<br />
Another Stephen Day Architecture project<br />
expected to transform a historic area is the waterfront<br />
redevelopment in Port Townsend. The project will<br />
update the 1890 Hastings Building and add a new<br />
building near the pier that will have a hotel, restaurant<br />
and ferry terminal. The project will also replace the<br />
pier, which has been damaged over the years in a<br />
series of storms. Day said the project is slated to be<br />
finished in 2020.<br />
The Penrose Walla Walla will<br />
open in 2019 with 132 rooms.<br />
42 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Find Wonder. Everywhere You Look.<br />
Spring in the San Juan Islands is always new. Clear mornings and lingering sunsets.<br />
And always the magic of orca whales in the sparkling waters they call home. Come to<br />
the islands for your spring break getaway and be wonder-fi lled.<br />
INSPIRATION FOR THE SENSES<br />
VisitSanJuans.com<br />
Lopez Island • Orcas Island • San Juan Island / Friday Harbor<br />
SJIVB_<strong>2018</strong>_<strong>1889</strong>WashMag_HalfPage_final.indd 1<br />
2/20/18 8:51 AM<br />
D I S C O V<br />
E R<br />
M UKI L T E O<br />
Lighthouse Park<br />
www.discovermukilteo.org<br />
Whidbey Island Ferry Japanese Gulch Trails Harbour Pointe Golf Course Paine Field Aerospace Museums
what i’m working on<br />
Mona Ghandi, a WSU professor,<br />
recently won a Vilcek Prize for<br />
Creative Promise.<br />
What I’m Working On<br />
What Has Your House<br />
Done for You Lately?<br />
Mona Ghandi is working across disciplines<br />
to make architecture more adaptive<br />
interview by Sheila G. Miller<br />
WHAT IF YOUR apartment could change the lighting, window size<br />
or wall configuration depending on your mood? Mona Ghandi<br />
wants to make that a reality.<br />
Ghandi was born in Iran and earned her bachelor’s and master’s<br />
degrees in architecture from Tehran University. In 2012, she earned<br />
another master’s degree from the University of California, Berkeley,<br />
and is now an associate professor of architecture and design at<br />
Washington State University. Most recently she received a Vilcek<br />
Prize for Creative Promise, which is given to young immigrants who<br />
are showing signs of being high achievers in fields like biomedical<br />
science and the arts.<br />
Her focus is in computational design and compassionate<br />
spaces—more on that later. In a word, she wants buildings to<br />
change depending on what their users need. The building,<br />
she believes, should be more of a living organism that can<br />
adapt as necessary, especially for people who might need<br />
a little extra help making their environment work for them.<br />
44 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
what i’m working on<br />
In layman’s terms, what is<br />
computational design?<br />
Computational design looks at how<br />
we design a building. Rather than just<br />
being involved in the geometry and<br />
shape of the place and the building,<br />
we can encode a set of instructions<br />
and let that generate a design.<br />
Computational design is a change of<br />
medium, from geometry to logic. We<br />
use coding, computer language, to<br />
enhance a space.<br />
I believe computational design can<br />
provide diverse aspirations—artistic<br />
expression, efficiency, a scientific<br />
approach in the design. It can also<br />
help to optimize the building practice<br />
based on its parameters. It can help<br />
you evaluate before you start building,<br />
so it prevents mistakes and saves<br />
a lot of money. And it helps in the<br />
sustainability approach—you can<br />
analyze and simulate the environment<br />
and make an informed decision before<br />
you start building.<br />
You speak a lot about building<br />
compassionate spaces. What does<br />
that mean and how does it manifest<br />
itself in your work?<br />
This is truly my motivator. I am<br />
interested in the idea of how we<br />
can make a building concerned with<br />
healing—both the user and society’s<br />
well-being. So, the strategy changes<br />
from a rigid architectural structure to a<br />
transformable structure that takes into<br />
account an individual’s emotions and<br />
feelings. This combines architecture,<br />
computer science, materials science,<br />
robotics and psychology.<br />
It’s the idea that spaces can have<br />
empathy, that they can heal and<br />
empower the user by understanding<br />
and accommodating the user’s needs.<br />
That can happen with a chance in the<br />
shape of the building’s environment,<br />
for example. Whatever the user wants,<br />
the building will act accordingly and it<br />
will make the user feel better.<br />
How does that work, exactly?<br />
The building would be able to<br />
make changes based on user<br />
Ghandi is focused on creating spaces that adapt to users’ needs.<br />
behavior. Currently we are gathering<br />
neurological and biofeedback data,<br />
things like heart rates, brain waves,<br />
blood pressure, electromagnetic<br />
charges in the body, to create smart<br />
data. The idea is, ‘How can the<br />
synapses in the brain trigger changes<br />
in the building?’ <strong>May</strong>be we can make<br />
the user and the building into a single<br />
entity and dissolve the boundaries.<br />
We are collecting that data and then<br />
finding materials that can respond in<br />
kind, so that structure needs to be<br />
kinetic and transformable and be able<br />
to perform some configuration—<br />
moving back and forth, opening<br />
and closing.<br />
It seems like this work would<br />
be perfect to assist people with<br />
disabilities.<br />
That’s the whole purpose—to move<br />
toward democratizing buildings. My<br />
research tries to provide access to<br />
underrepresented people who have<br />
always been limited to the final design<br />
of a building environment without<br />
taking into account their preferences<br />
or needs. This works for two groups<br />
of people—those with disabilities<br />
like a spinal cord injury who cannot<br />
move, those who are not disabled but<br />
are having a hard time taking care of<br />
some stuff becuase of their ages, and<br />
then some are disabled mentally—<br />
they can’t communicate or express<br />
feelings and emotions. What we’re<br />
trying to do is give them more control<br />
over their environment.<br />
And how does that work?<br />
We collect data from the user. For<br />
those with physical disabilities, the<br />
user would have the opportunity to<br />
control the structure just by looking at<br />
it. So you move your head, or your eye,<br />
and they can open or close a window<br />
that way. They can change the size<br />
or location of the window, a wall can<br />
transform to offer a desk or to offer a<br />
table or shelves, and when needed it<br />
will go back to the neutral wall.<br />
The other group we gather is<br />
emotional data—the building can<br />
guess your mood or feeling by your<br />
tone of voice, your heart rate, your<br />
body temperature and make changes<br />
accordingly. And then these changes<br />
in the space could be used as a<br />
communicative tool for parents or<br />
others, and the building could be used<br />
to change or improve your mood.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 45
my workspace<br />
CoMotion Labs, based at the University of<br />
Washington, is dedicated to the high-tech<br />
startup community. Members can be from<br />
anywhere in the state. The lab’s mission is<br />
to expand the economic, societal impact of<br />
the community and help innovators make<br />
the biggest impact with their discoveries.<br />
There are three CoMotion Labs around the<br />
University of Washington campus area.<br />
The group also operates a virtual space in<br />
Spokane. Each lab has an industry cluster as<br />
its focus—one offers a focus on health care<br />
and biotech engineering, others virtual reality<br />
and augmented reality, and IT, software and<br />
artificial intelligence development.<br />
Associate director Elizabeth Scallon<br />
runs the labs and also does much of<br />
the legwork surrounding partnerships,<br />
strategic vision and identifying new<br />
startups for CoMotion to work with.<br />
Scallon has a graduate degree in global<br />
business and previously worked for<br />
a small biotech company called<br />
VLST that grew from an accelerator<br />
and in turn incubated more biotech<br />
companies in the area.<br />
My Workspace<br />
Start It Up<br />
CoMotion Labs is a high-tech startup’s best friend<br />
written by Sheila G. Miller<br />
46 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
my workspace<br />
Conrado Tapado<br />
The space first opened in 2012. By 2013, twelve<br />
startups were being developed through the labs.<br />
Today there are about ninety-five in the program.<br />
“We provide space and a learning network and<br />
services to help the startup community in that<br />
early phase,” Scallon said. “We help them as<br />
they go on their journey to scale up.” Two of<br />
the more successful startups to come out of<br />
CoMotion Labs include Turi, a machine learning<br />
company that was acquired by Apple for about<br />
$200 million, and Vicis, which has developed<br />
technology in athletes’ helmets that can reduce<br />
concussions by absorbing the impact. Or take<br />
M3 Biotechnology, which has a technology in<br />
phase-one clinical trials for the treatment of<br />
Alzheimer’s. That technology was developed at<br />
Washington State University and the startup<br />
was incubated at CoMotion Labs.<br />
Matt Hagen<br />
More than half the people developing<br />
startups through CoMotion Labs are<br />
from outside UW. “What I think is great<br />
about that is, we have these startups<br />
throughout the entire community and<br />
they hire UW interns or grads to be part<br />
of their startup full time, and then the<br />
startup also has opportunities to join<br />
in with different professors on campus<br />
and to develop capstone projects for<br />
which students can apply.”<br />
The group also operates a maker space available<br />
to the public, who can borrow a tool or participate<br />
in workshops. There are education and training<br />
programs free and open to the public, as well as<br />
available through live-streaming on YouTube.<br />
“It’s great, because when you have a mission of<br />
economic development you can take a broad view<br />
rather than a very singular view,” Scallon said.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 47
game changer<br />
“Even though we<br />
make fiction for a<br />
living, the truth is<br />
really important.”<br />
—Shanna Germain<br />
Acceptance, Inclusion and Truth<br />
No Thank You, Evil, a children’s game created by Monte Cook<br />
Games, is used by schools to help children confront issues.<br />
Monte Cook Games is creating positive<br />
change through core values<br />
written by Gina Williams<br />
FROM THEIR CREATIVE PERCH in the wild garden that is<br />
northern Washington, Monte Cook and Shanna Germain are busy<br />
creating new worlds and changing the real world—for the better.<br />
The duo founded Monte Cook Games in 2012 with business<br />
partner Charles Ryan, who is based in Kansas City, Kansas. The<br />
company develops and produces some of today’s most innovative<br />
tabletop roleplaying games<br />
From the beginning, Germain said, they built core values<br />
into their company that put diversity, inclusivity and truth at the<br />
forefront of their business practices, employee relations and product<br />
development.<br />
“We started the company as human beings and we included those<br />
core values into company structure because they are our own core<br />
values as human beings,” Germain said. “At some point we realized<br />
we wanted to put those on the page.”<br />
“In our products, in the events we support, and in the gaming<br />
spaces we strive to create, we welcome people from all walks of<br />
life, all genders and orientations, all religions and cultures, and all<br />
ethnicities,” the company’s values credo states in part. “Although<br />
fantasy is our business, we recognize that we can’t be good stewards<br />
of that business if we make decisions based on fantasy. Our<br />
employees, our families, our Kickstarter backers, our fans, and our<br />
future all depend on vision and aspiration built upon a foundation<br />
of fact.”<br />
How do the company’s stated values reveal themselves<br />
in products?<br />
“We do a lot of art that reflects diversity. And we are very<br />
careful with language,” Germain said. “Our games give players<br />
tools to encourage individuality without shame, and we create<br />
characters in our novels that are gay, gender-neutral and people<br />
of color, for example.”<br />
Traditionally, she said, the world of tabletop roleplaying games<br />
and electronic games was a white male place. That’s changing,<br />
Germain added, but when there’s change, there can be pushback.<br />
That’s not an issue for Monte Cook Games. Both Germain and<br />
Cook said they welcome the challenges.<br />
The company also produced No Thank You, Evil, a wildly<br />
successful children’s game that is also popular with general<br />
audiences and is used by schools and organizations like Kirklandbased<br />
“Game To Grow” to help children work through grief and<br />
other difficult issues.<br />
“We are all searching for safe havens,” Germain said, adding<br />
that more and more people from all walks of life who never felt<br />
comfortable entering the gaming world—and especially roleplaying<br />
games—are emboldened to join the ranks and love the experience.<br />
“And we’re seeing such diversity at game conventions and in<br />
other arenas,” she said. “That’s positive growth.”<br />
As for what’s next, Germain, an award-winning writer, is<br />
working on a game-related novel that will come out next year.<br />
Cook, also a writer and well-known creator and game designer,<br />
said the company is finalizing production of a new tabletop game<br />
called Invisible Sun, expected out in <strong>May</strong>, that he described as<br />
surreal fantasy, filled with magic and wonder that focuses on<br />
personal change and growth.<br />
“Most of all, it’s a game about escaping the real world for a short<br />
while and enjoying experiences in a very different realm,” Cook<br />
said. “And I think we can all enjoy a little escape right now.”<br />
48 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
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14 SHOWROOMS THROUGHOUT WASHINGTON<br />
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Lynnwood<br />
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Spokane Valley<br />
North Spokane
Kevin Scott/Olson Kundig<br />
Outward<br />
Bound<br />
THREE HOMES DESIGNED TO GET AWAY FROM IT ALL<br />
written by Melissa Dalton<br />
FROM ISLAND BEACHES to rainforests to mountain meadows,<br />
this state has a lot to lure us outside the city limits. Step inside<br />
three houses that offer a stylish respite from urban life.<br />
50 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Kevin Scott/Olson Kundig<br />
Benjamin Benschneider<br />
Longbranch<br />
THE STORIED FOREST CABIN<br />
OF AN ESTEEMED ARCHITECT<br />
Kevin Scott/Olson Kundig<br />
AT LEFT Windows in the Olson cabin blur the boundary of<br />
inside and out.<br />
CLOCKWISE FROM BOTTOM LEFT Walls at the cabin<br />
feature plywood and recycled boards. The modern building<br />
started as a cabin in 1912. Two guest rooms were added in a<br />
recent remodel.<br />
JIM OLSON’S ARCHITECTURAL training began in the woods. In 1966,<br />
the architect founded the Seattle-based Olson Kundig, a firm that has since<br />
expanded and is long respected for its contributions to modern Pacific<br />
Northwest architecture (updating the Space Needle is a recent commission). But<br />
Olson grew up tramping through the forest that surrounds his family’s waterside<br />
cottage on the South Puget Sound. “There, I started noticing things, like the verticality<br />
of the fir trees or the curve of the madrone trees—how the straight line of one plays off<br />
the curve of the other,” Olson said. Such observations proved to have lasting impact.<br />
“The things from this place that I noticed as a child are still playing out in my work as<br />
an architect today,” Olson said.<br />
His grandparents, both avid hikers, built their getaway in 1912, when the only<br />
access to the land was via ferry from Tacoma and a rowboat. Years later, in 1959,<br />
Olson’s father gave the first-year architecture student $500 and a request to build<br />
a bunkhouse to accommodate overflow guests. Olson erected a 14x14-foot cabin<br />
elevated on stilts in the forested hillside. “That was the start of my philosophy as<br />
an architect in doing things that are not about themselves but are about creating an<br />
experience for the people inhabiting them,” Olson said. “In this case, it was about<br />
being in nature.”<br />
Unfortunately, his grandparents’ cottage was destroyed by fire in the next year.<br />
Olson’s tiny bunkhouse then underwent a series of remodels over the ensuing<br />
decades. In 1981, a bedroom and bathroom were added as separate units linked by<br />
outdoor catwalks. In 2003, a roof was incorporated to “knit all the rooms together.” In<br />
2014, the cabin received a revamped principle suite and two guest rooms. “First it was<br />
a bunkhouse for friends, then an experimental retreat for a young couple and family,<br />
and now it’s a quiet place for contemplation and creative work,” Olson said.<br />
Throughout the renovations, Olson never lost sight of the home’s original intent: to<br />
bring its occupants closer to nature. Now, copious windows blur the boundaries<br />
between inside and out. Light walls “sheathed in plywood and recycled boards”<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 51
“I started noticing things, like the verticality of the fir trees or the<br />
curve of the madrone trees—how the straight line of one plays off<br />
the curve of the other. The things from this place that I noticed as a<br />
child are still playing out in my work as an architect today.”<br />
— JIM OLSON<br />
evoke fir bark and the nearby<br />
beach’s driftwood. A private<br />
deck off the principle suite<br />
produces a treehouse effect. “You<br />
feel as though you are sitting in the<br />
trees with the birds and squirrels at<br />
eye level,” Olson said.<br />
With every remodel, the<br />
previous structure was carefully<br />
integrated with the new, instead<br />
of demolished. Old walls visibly<br />
connect with new walls. Exterior<br />
decks skirt mature trees, with one<br />
canopy extending through the<br />
roof. In this way, the cabin acts<br />
as a chronicle of Olson’s creative<br />
practice over the decades, as<br />
well as a testament to his family’s<br />
history in such a beautiful, natural<br />
spot. “You can see and feel all<br />
those layers of history,” he said.<br />
“Each iteration of the cabin marks<br />
a point of evolution not only<br />
in my personal life, but in my<br />
architectural career.”<br />
Get the<br />
Look<br />
East Cascades<br />
A CENTURY-OLD BARN RETROFITTED<br />
INTO A CITY ESCAPE<br />
ABOUT A DECADE AGO, a Seattle couple fell in love with a dilapidated<br />
barn on a few hundred acres in the eastern foothills of the Cascade<br />
Mountains and decided to transform it into their city escape. Upon seeing<br />
the barn, Matt King of the Mercer Island-based King Construction knew he was<br />
looking at a challenge. “The structure was over a hundred years old and looked<br />
like it would blow over in a windstorm,” he said. The building’s age was both a<br />
burden and a blessing. Having sat unused for more than thirty years, the barn was<br />
uninhabitable as it stood, but that vintage personality was just what the new owners<br />
sought to preserve. “It was interesting because it was in such a state of disrepair, but<br />
the owners were so excited about turning it into a house,” King said. The question<br />
became, how to retain the building’s appeal and make it structurally sound and<br />
livable? King joined up with MW Works Architecture and Nelleen Berlin Interior<br />
Design to discover the answers.<br />
Reuse became a key component to the project, starting with the exterior shell. All<br />
of the framing material—including the siding, studs, floorboards and joists—was<br />
stripped off and saved, leaving the roof and some of the skeleton intact. Then the<br />
team installed a new foundation, framework, insulation and drywall. The salvaged<br />
wood was then reapplied to the interior walls, “so when you’re inside the space,<br />
everything you see is authentic,” King said.<br />
That recycling ethos continues throughout the interior’s design. “Basically, the<br />
story behind it was, ‘What if a farmer came across this barn and wanted to turn it<br />
into a house?’” King said. “How would he go about doing that? By using raw,<br />
natural materials that were laying around the farm.” To that end, a cattle-milking<br />
1 Outdoor grilling is a summer must. The<br />
fire pits from Hotspot, located in Twisp,<br />
let you assemble s’mores in utilitarian<br />
style. The steel-footed basins come in a<br />
range of sizes, from the 24-inch round<br />
Chico model to the super-sized Jefe, which<br />
clocks in at 48 inches. Marshmallows not<br />
included.<br />
hotspotfirepits.com<br />
2 The Seattle-based painter and potter<br />
Jose Melchor is influenced by Japanese<br />
and Korean ceramic traditions when<br />
shaping his mugs and tea ware on<br />
the wheel. His one-of-a-kind creations<br />
embrace drips and imperfections in the<br />
glaze, for a finish that’s both elegant and<br />
eye-catching.<br />
etsy.me/2FTksxg<br />
3 Whether you’re after a classic farm<br />
table, an elegant Stickley spindle chair, or<br />
a pie safe, The Shaker Craftsman has<br />
you covered. The family-run woodworking<br />
studio in Yakima uses a variety of<br />
wood species to make all of its custom<br />
furnishings by hand, right down to the<br />
dovetails on drawers.<br />
theshakercraftsman.com<br />
52 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Wood salvaged from the framing material<br />
was reapplied to interior walls, giving the<br />
barn an authentic feel.<br />
Tim Bies<br />
1<br />
2<br />
3<br />
4 After spending fifteen years working as a freelance<br />
designer, Jonathan Baker moved 3,000 miles to<br />
Twisp and set up eqpd (pronounced “equipped”), a<br />
reusable bag company. The product line, designed<br />
and manufactured at TwispWorks, features durable<br />
and streamlined bags that will “live long and carry<br />
lots.” We like the hardy Log Tote, which is fashioned<br />
from coated fabric with a tear strength of 90 pounds.<br />
eqpdgear.com<br />
4<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 53
“Basically, the<br />
story behind it was,<br />
‘What if a farmer<br />
came across this<br />
barn and wanted<br />
to turn it into a<br />
house?’ How would<br />
he go about doing<br />
that? By using raw,<br />
natural materials<br />
that were laying<br />
around the farm.”<br />
— MATT KING<br />
CLOCKWISE, FROM TOP LEFT The revamped barn,<br />
nestled in the Cascade foothills. A feature wall<br />
incorporates old apple crates found around the<br />
property. The fireplace was made from steel drums.<br />
station was taken apart and reassembled to create the framework for a<br />
mudroom. The old meat locker door now provides entry to the wine cellar. A<br />
hog-wire chandelier dangles from a track previously used to move hay, and a feature<br />
wall is comprised of a mélange of apple crates once stacked in the barn or found in<br />
the meadow.<br />
New materials were carefully inserted into the mix so as to flow well with the old.<br />
The former hayloft opening was glassed in. Wood stair stringers and treads were<br />
sprayed with a mixture of water, vinegar, steel wool and rusty nails, for instant patina.<br />
A local fabricator constructed fireplaces from steel drums, and they’re affixed with<br />
hardware that came off an abandoned tractor.<br />
Striking just the right balance between old and new was integral to fulfilling the<br />
homeowners’ vision—and you need only look up to see the team’s success. At the<br />
ceiling, there are glimpses of the original galvanized steel roof and shingles. That’s<br />
because a key decision was to blanket that roof with a new layer of Cor-ten steel, so<br />
as to keep the building’s distinctive silhouette—and character—intact. Said King:<br />
“There was no other way to create the feeling of that old barn.”<br />
Photos by Tim Bies<br />
54 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
TACOMA: CLEVER URBAN INFILL<br />
A few years ago, Cady Chintis and John Wolters decided<br />
to build the type of housing they had often looked for<br />
but rarely found in their hometown of Tacoma. When<br />
searching for a rental, the co-founders of WC Studio,<br />
an architecture agency, discovered a problem of scale,<br />
popularly termed the “missing middle,” Chintis said.<br />
“There are not that many options that are somewhere<br />
in between a single-family home or a large apartment<br />
building.” So in 2015, they designed and built a modern<br />
take on a fourplex. The result, dubbed the Prospect, is<br />
located on a typical 25x100-foot lot between an alley and<br />
a street in a mixed-use center. Early on, the architects<br />
realized that constructing a single building would block<br />
the sunlight to the neighbor’s south-facing windows,<br />
so they split the plex into two structures with a shared<br />
courtyard nestled in-between. Each building houses a<br />
ground-floor studio with a two-bedroom apartment<br />
above. A mix of off-the-shelf and custom materials, such<br />
as IKEA kitchen cabinets and bespoke light fixtures, make<br />
for sleek and uncluttered interiors, while the communal<br />
greenspace encourages people to come together.<br />
Kelly Nowels<br />
Washington<br />
Rising<br />
SUPERIOR URBAN<br />
HOUSING ACROSS<br />
THE STATE<br />
SPOKANE: CHIC LOFTS IN A<br />
HISTORIC DOWNTOWN BUILDING<br />
HDG Architecture has been reinventing a 1905 brick building<br />
in downtown Spokane’s theater district, one square foot at a<br />
time. Starting in 2012, the firm tackled the first floor, eventually<br />
replacing a defunct restaurant and old shoe store with two new<br />
restaurant destinations, Fire Artisan Pizza and Nudo, respectively.<br />
In 2016, it was the second floor’s turn. It had been fitfully<br />
remodeled over the years and previously housed a dance studio.<br />
Upon walking through the space, architects Armando Hurtado<br />
and Josh Hissong saw past the layers of dropped ceilings<br />
and uninspired finishes to envision four chic loft apartments,<br />
called the Mystery Lofts. In short order, the space was gutted<br />
and the historical building’s inherent charm revealed. “We<br />
left as much of the original structure as exposed as possible,”<br />
Hissong said. The resulting units now possess brick walls with<br />
a whitewash finish, crosshatch trusses that soar overhead,<br />
and restored 10-foot-high arched windows. Thanks to interior<br />
designer Hannah Mackin, those features mesh with a simple,<br />
contemporary palette, like Silestone counters and flat-front<br />
cabinets, to capture that elusive, sought-after urban loft vibe.<br />
Tony Roslund Photography<br />
SEATTLE: THE CITY’S FIRST<br />
PASSIVE HOUSE TOWNHOMES<br />
Clad in a mix of reclaimed wood, charcoal Shou Sugi Ban cedar<br />
and painted cement board, from the outside the View Haus<br />
5 townhomes could pass for just the usual stylish Seattle<br />
housing. But upon closer inspection, this Madison Park<br />
development boasts some serious green building cred. In 2014,<br />
View Haus 5 became the city’s first townhomes designed and<br />
built to Passive House standards. Buildings constructed to the<br />
Passive House paradigm provide peak energy efficiency, relying<br />
on features like airtight construction, copious insulation, uberefficient<br />
doors and windows and advanced mechanical systems<br />
to deliver major savings. The challenge behind View Haus<br />
5, which was helmed by b9 Architects and pioneering green<br />
builder Cascade Built, was achieving those goals on a steep and<br />
narrow city lot. The team succeeded and then repeated the<br />
effort, combining modern design with Passive House principles<br />
in an even bigger project in 2016: a cluster of ten townhomes,<br />
called SolHaus, in the Capitol Hill neighborhood.<br />
Aaron Leitz Photography
Will Austin<br />
56 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Photos by Will Austin<br />
Orcas Island<br />
AN ARCHITECT CREATES AN ELEGANT<br />
RETREAT FOR HIS MOM<br />
W<br />
HEN MARIE GLADWISH was 17 years old and living on the east coast,<br />
she took a summer cruise to tour the San Juan Islands. Upon arriving at<br />
Orcas Island for the first time, she had a surprising and heady reaction,<br />
despite having never seen the place before. “I got very welled up and felt like I was<br />
coming home,” she said. She decided she would someday live on the island. Decades<br />
later, she made good on that promise.<br />
Gladwish bought 7 acres on the island in the late ’90s while still living on the east<br />
coast, where she worked as a graphic designer. With retirement approaching, she<br />
partnered up with her son, the Seattle-based architect Gary Gladwish, to design and<br />
build a home that would connect her to the spectacular location that so struck her as<br />
an adolescent. “She didn’t want the house to be an imposition on the site,” Gary said.<br />
“She wanted to have a roof over her in nature, almost like she’s outside all the time.”<br />
His answering design is a seamless union between the home and its natural setting.<br />
To start, Gary kept the exterior form simple, essentially merging two boxes into<br />
an L-shape. The long walkway to the front door borders a yard that Gladwish<br />
landscaped with moss-covered rocks, burgeoning ferns and a small pond. “A<br />
relaxed, Zen-feeling comes over me,” she said of the approach to the entry. Through<br />
a 10-foot-tall pivoting glass door, one immediately glimpses an indoor moss garden<br />
lit by a skylight above. Beyond the garden, a floor-to-ceiling window beckons the eye<br />
back outside to tall trees silhouetted against the distant water. “I didn’t want to just<br />
enter into a room since the view and the landscape is so important there,” Gary said.<br />
“I wanted it to be a gentle transition from the outside to the inside.”<br />
Nature’s presence continues to be felt in every room. “The landscape flows through<br />
the house,” Gary said. In a bedroom, a horizontal band of windows frames Gladwish’s<br />
rock garden in the front. In the kitchen, a single glass door acts as a lens zooming<br />
in on the nearby tree trunks and underbrush. In the living room, retractable glass<br />
panels wrap a corner of the house to convey panoramic views. When the doors are<br />
pulled open in fine weather, the living room virtually becomes an outdoor pavilion.<br />
“I feel as though I can just soar off into the view,” Gladwish said.<br />
The limited-materials palette never detracts from the house’s main purpose. On<br />
the exterior, Cor-ten steel and reclaimed wood, two of Gladwish’s favorite materials,<br />
are more textural than showy. Inside, simple white walls, exposed steel and acidetched<br />
concrete floors create the perfect backdrop to appreciate the house’s various<br />
perspectives of the island’s beauty. From the micro to macro, moss gardens to<br />
soaring vistas, the effect is both relaxing and exhilarating for Marie. “Mom giggles<br />
every time she goes home,” Gary said. “She loves it.”<br />
CLOCKWISE FROM TOP The living room features<br />
retractable glass panels. The home is a simple<br />
L shape. In the kitchen, simple white walls and<br />
exposed steel keep the focus on nature.<br />
AT LEFT An indoor moss garden is lit by a skylight.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 57
THE DEATH<br />
SUSTA<br />
58 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
OF<br />
An emerging regenerative ethic is<br />
taking on more and staying net positive<br />
written by Kevin Max<br />
INABILITY<br />
illustrated by Allison Bye<br />
SUSTAINABILITY IS DEAD.<br />
German philosopher Friedrich Nietzsche led us out of the Age of<br />
Enlightenment, with the declaration in his philosophical novel Thus<br />
Spoke Zarathustra, “God is dead.” Emerging voices in architecture and<br />
design today are trumpeting a new execution—Sustainability is Dead.<br />
A nascent movement called “regenerative design” is pushing a higher standard<br />
and becoming an ideal that could save the world from itself.<br />
Cork floors? No-VOC paint? Reclaimed<br />
barn wood? No longer is the act of doing less<br />
environmental harm good enough. As earthlings<br />
overseeing global environmental degradation, we<br />
may be too far gone for that. Regenerative design<br />
demands that each building project actually<br />
improve the environment and, perhaps, even<br />
boost human well-being, a more elusive goal.<br />
When the concept of sustainable development<br />
first surfaced in earnest, it came from a<br />
Norwegian woman. In 1987, the Brundtland<br />
Commission released its watershed report,<br />
Our Common Future, to the United Nations.<br />
Led by the former longstanding Norwegian<br />
prime minister, Gro Harlem Brundtland, the<br />
commission defined sustainable development<br />
as that which meets the needs of the present<br />
without compromising the needs of future<br />
generations. That notion would see minor<br />
facelifts over the next generation, but largely<br />
stayed intact over the years.<br />
Regenerative development goes beyond this<br />
lesser standard of not compromising the needs<br />
of future generations. Its goal is the ambitious<br />
task of improving the prospects for future<br />
generations, making net positive gains.<br />
Phaedra Svec is the director of regenerative<br />
design at Seattle’s McLennan Design. She grew<br />
up in rural Iowa, where her family restored a<br />
barren farm plot to health. “It was there that<br />
I first understood if you invite life to barren<br />
places, it will always show up (a regenerative<br />
concept),” Svec said. “We participated<br />
with our place, took responsibility for<br />
its health, and it allowed us to thrive<br />
there (another regenerative concept).”<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 59
CLOCKWISE, FROM LEFT Heron Hall, on Bainbridge<br />
Island, is a 3,200-square-foot solar-powered building.<br />
It features rammed-earth walls. The University of<br />
British Columbia’s Center for Interactive Research on<br />
Sustainability (CIRS) includes a living wall, which helps<br />
shade the building. Solar water-heating cylinders at CIRS.<br />
The Brundtland concept of sustainability,<br />
Svec said, fails because humans are not good<br />
at predicting the needs of future generations.<br />
“Sustainability is about surviving, not<br />
thriving,” she said. “So, how do we inspire<br />
our communities to act in their own best<br />
interest and in service to life if they are in<br />
survival mode? I believe regenerative design<br />
is an approach which heals our community<br />
trauma and harnesses the best of our<br />
creative energy to allow us to leap, skip and<br />
catapult to quality-of-life solutions that<br />
restore, repair and invite life to thrive before<br />
our very eyes.”<br />
Regenerative design is a comprehensive<br />
plan that aspires for positive outcomes<br />
across social, economic and ecological<br />
systems, rolled together. “Regenerative<br />
design is not a style or a building or a thing<br />
at all,” according to Svec. Rather, she said,<br />
it’s a mindset that asks, “What can we do to<br />
make something better, more vital than the<br />
state we find it in from the outset?”<br />
Foremost among regenerative design’s<br />
pieces is human and wildlife well-being. Can<br />
it be improved by the act of development?<br />
Given the significant amount of time people<br />
spend indoors today, an ongoing connection<br />
to nature is crucial for ongoing health in a<br />
regenerative environment.<br />
Next are the systems involved—from water<br />
quality to wastewater management, energy<br />
generation and pollution remediation. In<br />
a house built under today’s green building<br />
ethic, we will find solar arrays for hot water<br />
heat, passive solar for light and ambient<br />
heat, low-flush toilets to reduce water use<br />
and sustainably harvested materials to avert<br />
bad forestry practices. We’ve created a nice<br />
home for ourselves, but not made the world<br />
a net better place for our effort.<br />
The regenerative portfolio of options<br />
goes beyond these with human experience<br />
research, rain capture for complete<br />
water use, composting toilets, carbon<br />
sequestration, living walls and roofs, and net<br />
positive energy production per project.<br />
Daniel Banko<br />
60 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Don Erhardt Don Erhardt Emily Hagopian<br />
“Sustainability is about surviving, not thriving. So, how do<br />
we inspire our communities to act in their own best interest<br />
and in service to life if they are in survival mode? I believe<br />
regenerative design is an approach which heals our community<br />
trauma and harnesses the best of our creative energy to allow<br />
us to leap, skip and catapult to quality-of-life solutions that<br />
restore, repair and invite life to thrive before our very eyes.”<br />
—Phaedra Svec<br />
WITHIN MCLENNAN Design’s<br />
portfolio are a number of<br />
examples of the state of<br />
regenerative projects today.<br />
Take, for example, the home<br />
of McLennan Design founder Jason<br />
McLennan. Heron Hall on Bainbridge<br />
Island is a 3,200-square-foot solar-powered<br />
building with rammed-earth walls and the<br />
area’s first certified composting toilets.<br />
This project has earned a Living Building<br />
Certification, meaning it has to create more<br />
energy than it uses; harvest, use and treat<br />
all water it uses, and salvage and re-use<br />
materials destined for landfills.<br />
The house is a beacon of regenerative<br />
design on a small scale. For the new<br />
development ethic to succeed, however,<br />
the bigger community of municipalities,<br />
commercial builders and universities must<br />
also be engaged.<br />
Another McLennan project that goes<br />
deeper into human wellbeing is that of<br />
the Warriors’ Ascent project, a retreat<br />
for active-duty military, veterans and first<br />
responders who suffer from post-traumatic<br />
stress disorder. Through design and holistic<br />
medicine, this prospective healing center<br />
on 116 acres in Kansas City, Missouri,<br />
intermingles research, design, architecture<br />
and nature in a program that aims to help<br />
people strengthen themselves and their ties<br />
to family and community.<br />
One test piece from the University of<br />
British Columbia brings together many of<br />
the elements of regenerative design in a<br />
commercial building that houses its Center<br />
for Interactive Research on Sustainability<br />
(CIRS). A concept led by Dr. John<br />
Robinson, then the executive director of the<br />
sustainability initiative at UBC, CIRS is the<br />
collegiate benchmark for a living laboratory<br />
of regenerative design.<br />
The concept was born in 1999, when he<br />
was talking to colleagues at the institute,<br />
recalled Robinson, now presidential adviser<br />
on the environment, climate change and<br />
sustainability at University of Toronto. “We<br />
talked about doing all of this research but<br />
not putting it into practice. So we said, ‘Why<br />
don’t we build a building at the frontier<br />
of sustainability? Well, because faculty<br />
don’t build buildings.’” Robinson and his<br />
colleagues, nonetheless, raised about $25<br />
million before the university contributed its<br />
first dollar, Robinson said.<br />
This project would be designed to move<br />
beyond net-zero energy use to net-positive<br />
energy creation and the more nebulous<br />
net-positive human health. “It was always<br />
inevitable that it would happen—it was<br />
just a small circle who knew that at the<br />
start,” Robinson said with a laugh. “It just<br />
wasn’t exciting enough to be net zero. We<br />
were trying to create something that was<br />
net positive.”<br />
The group of architects, designers,<br />
engineers and sustainability practitioners<br />
threw everything on the table and<br />
researched and analyzed each aspect of the<br />
building—from water reclamation<br />
to human behavior. “We ended up<br />
with ten goals and 150 strategies,”<br />
Robinson said. “We all agreed that<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 61
62 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong><br />
UNIVERSITY OF BRITISH COLUMBIA’S<br />
CENTER FOR INTERACTIVE RESEARCH<br />
ON SUSTAINABILITY (CIRS)
the basic principles were three—this had to be smart<br />
[cost-conscious], green [net positive] and humane.”<br />
The four-story, 61,000-square-foot frame of the<br />
CIRS building is largely composed of Canadian timber,<br />
including from Western Beetle-infested stands. The<br />
building’s water demand is offset by captured rain<br />
water. CIRS can purify up to 2,300 liters of water per<br />
day and accounts for 600 tons of sequestered carbon.<br />
Its 275-megawatt solar array supplies excess power.<br />
(For measure, one megawatt can power more than 500<br />
residential homes for a year.)<br />
Robinson noted that while many of the building’s<br />
objectives were met, it fell short in two categories—<br />
water quality and energy production goals.<br />
Nonetheless, CIRS is a living laboratory where<br />
theses are tested and rejected or embraced for future<br />
development. The result is a tome of research and<br />
practice from which tomorrow’s regenerative leaders<br />
will emerge at the university. “From a living lab point<br />
of view, we learned a ton that we now use in different<br />
projects,” Robinson said.<br />
WHY IS THE regenerative movement<br />
getting its legs now? One argument is that<br />
climate change is making us all lobsters in<br />
a pot whose temperature (and urgency)<br />
is slowly rising. We are increasingly<br />
witnessing the effects of environmental degradation<br />
and global warming. NASA and NOAA reported that<br />
seventeen of the eighteen warmest years in the 136-<br />
year history of that recorded data have all occurred<br />
since 2001, with the exception of 1998. Sustaining this<br />
is equivalent to locking in heightened greenhouse gas<br />
levels and long-term failure.<br />
It’s also no coincidence that a New York Times<br />
bestseller in 2017 was Drawdown: The Most<br />
Comprehensive Plan Ever Proposed to Reverse Global<br />
Warming. This book, edited by environmentalist Paul<br />
Hawken, examines 100 ways we can reverse manmade<br />
greenhouse gas levels and restore the natural order<br />
of things.<br />
While success is a piecemeal story in this<br />
movement, ultimately its edges have to overlap global<br />
boundaries in one defense shield. In South Africa at<br />
University of Pretoria’s department of agriculture,<br />
Professor Chrisna du Plessis is seeding regenerative<br />
sustainability. She got involved in this field because<br />
she was an optimist with a good imagination. “I could<br />
see the world was taking a direction that would lead us<br />
off an evolutionary cliff if we we did not dramatically<br />
change our values and practices,” du Plessis said. “And<br />
watching the global ‘us’ continue to hurtle down this<br />
path at a growing pace certainly leads to moments of<br />
Martin Dee Don Erhardt<br />
existential despair. However, I chose to do something<br />
about it in whatever way I could, so you could say I<br />
chose the path of hope.”<br />
In the late 1990s, du Plessis began writing articles,<br />
speaking at conferences and producing books on<br />
the subject. In her latest book, Designing for Hope:<br />
Pathways to Regenerative Sustainability, du Plessis<br />
offers a hopeful perspective that uses science and<br />
optimism to refute doom-sayers.<br />
“It is true that the longer we stay on the current<br />
path, the fewer the available options that would lead to<br />
a positive outcome,” du Plessis noted. “But as thinkers<br />
like Paul Hawken, [Belgian technologist] Michel<br />
Bauwens and [self-described ‘de-growth activist’]<br />
Charles Eisenstein point out—we have everything we<br />
need to choose a different path. What is holding us<br />
back is our fear of change, our own path dependency.”<br />
Regenerative sustainability is a lofty goal, but is it<br />
achievable? “I think it is,” Robinson said. “I think it’s<br />
happening now.”<br />
MORE ONLINE<br />
Watch The Regenerates, a documentary produced by<br />
Chrisna du Plessis: vimeo.com/phlogiston/theregenerates<br />
FROM TOP The<br />
CIRS building is a<br />
living laboratory of<br />
regenerative design.<br />
Dr. John Robinson<br />
led the push to build<br />
the facility.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 63
HIGHER GROUND<br />
photography by Cameron Zegers<br />
STEP INTO WASHINGTON’S temperate rainforest.<br />
TreeHouse Point, in Fall City, is only a half hour<br />
from Seattle, but it couldn’t feel farther away from<br />
the hustle and bustle of city life. The bed-andbreakfast<br />
property, with six hand-hewn tree houses<br />
and a small lodge, is the brain child of Pete Nelson.<br />
Nelson purchased the property in 2005, after nearly<br />
a lifetime of building tree houses. Since building<br />
his first tree house on the site, Temple of the Blue<br />
Moon, he’s added five more. And he’s also started<br />
a company, Nelson Tree House and Supply, which<br />
offers workshops and sells the tools and units<br />
necessary to build your own at home.<br />
Temple of the Blue Moon was Nelson’s first project<br />
on the site, and is accessed by a suspension bridge.<br />
64 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 65
FROM LEFT The Burl, the most recently built tree house on<br />
the site, curls around a huge fir tree. Trillium is a two-story<br />
tree house, 16 feet up in the air in a cedar tree.<br />
66 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
LEFT Bonbibi has a covered deck that allows you to sit among the<br />
trees even in bad weather.<br />
AT RIGHT 1) A sign directs visitors to each of the tree houses on the<br />
property. 2) As the newest tree house, The Burl is the only one to offer<br />
indoor plumbing. 3) Nest has a large deck allowing views of the river.<br />
4) Upper Pond is the largest tree house on the property, with a ship’s<br />
ladder access and room for up to four people to sleep over.<br />
68 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
1 2<br />
4<br />
3<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 69
TRAVEL SPOTLIGHT 72<br />
ADVENTURE 74<br />
LODGING 76<br />
TRIP PLANNER 78<br />
NORTHWEST DESTINATION 82<br />
pg. 74<br />
Racers and spectators prepare for the sea kayak<br />
section of Ski to Sea.
travel spotlight<br />
Travel Spotlight<br />
How Does Your<br />
Garden Grow?<br />
Ohme Gardens in Wenatchee<br />
brings the green<br />
written by Sheila G. Miller<br />
WHEN HERMAN AND RUTH OHME<br />
bought 40 acres of land in Wenatchee in<br />
1929, they planned an orchard. But one<br />
section of the land was so beautiful, with<br />
its view of the Cascade Mountains and<br />
the Columbia River, that the pair set to<br />
building a private garden.<br />
It was a massive project—transplanting<br />
trees, hauling buckets of water and<br />
stone to the site, and turning the area<br />
into a lush, green landscape. The Ohmes<br />
planned the gardens to be a private<br />
family spot, but eventually opened it to<br />
the public.<br />
Today, the 9-acre property is owned<br />
and managed by Chelan County, and<br />
Ohme Gardens lives on. It’s filled with<br />
green spots perfect for photo ops and<br />
breathtaking scenery—look for the<br />
Hobbit Bench and the Sylvan Pool, or get<br />
off the beaten path with a walk to two<br />
other pools or Enchantment Falls.<br />
A popular wedding site, the park is<br />
open seven days a week from <strong>April</strong> 15 to<br />
October 15. Adults enter for $8, kids 5<br />
and under are free and 6 to 17 are $4.<br />
72 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Gigantic Roller Coasters W w Monster Water Slides<br />
THE NORTHWEST’S LARGEST<br />
THEME PARK<br />
Silverwood has over 70 rides, slides,<br />
award-winning shows & attractions. Bring<br />
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memories are an every day occurrence.<br />
THIS PLACE IS FUN!<br />
Experience world-class coasters, hairraising<br />
attractions, pint-sized adventure<br />
and dazzling entertainment for all.<br />
WAVES OF FUN MAKE<br />
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Splash into 21-acres of massive slides,<br />
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& the never-ending lazy river.<br />
FOR THE VERY BEST TICKET DEALS<br />
& VACATION PACKAGES VISIT US ONLINE<br />
SILVERWOODTHEMEPARK.COM
adventure<br />
Ski to Sea begins with a<br />
4-mile cross-country ski.<br />
Adventure<br />
RACE DAY: SKI TO SEA<br />
Feeling the rush from Baker to Bellingham<br />
written by Corinne Whiting<br />
TALK TO FOLKS in Bellingham about the annual Ski to Sea event and<br />
the excitement is palpable. Dubbed the original adventure race, this<br />
team relay from the Mt. Baker Ski Area to Bellingham Bay comes<br />
steeped in history (it had its first run in 1973) and enveloped in beauty.<br />
With a stunning course that winds<br />
through Washington’s Whatcom County,<br />
the much-anticipated gathering happens<br />
annually on the Sunday of Memorial Day<br />
weekend. It draws racers, spectators and<br />
tourists from around the globe—and<br />
culminates in a massive party. “Ski to Sea<br />
is a truly iconic Northwest event,” race<br />
director Anna Rankin said. “This <strong>May</strong><br />
will be our forty-sixth year!”<br />
The race has traditionally featured<br />
teams of eight competing in seven<br />
different sports: cross-country ski,<br />
downhill ski/snowboard, running, road<br />
bike, canoe (two paddlers), cyclocross<br />
bike and sea kayak. Beginning this year,<br />
racers can participate in up to three legs<br />
(for one team or multiple teams). Teams<br />
now consist of a minimum of three<br />
racers and a maximum of eight.<br />
The 96-mile course breaks down<br />
like this—a 4-mile cross-country ski<br />
starts the course, followed by a 2.5-<br />
mile downhill ski or snowboard. After<br />
an 8-mile run, racers complete a 42-<br />
mile bike leg. The fifth leg is a twoperson,<br />
18.5-mile canoe trip, followed<br />
by a 14-mile cyclocross bike leg and<br />
finishing with a 5-mile sea<br />
kayak journey.<br />
Bellingham resident Fred<br />
Schacht has participated six<br />
TIPS FOR SPECTATORS<br />
The course runs through the towns<br />
of Glacier, Maple Falls, Kendall, Everson,<br />
Lynden and Ferndale, finishing in Bellingham’s<br />
beautiful Marine Park. Here,<br />
enthusiastic spectators wait on the beach<br />
and along the finish-line chute; the festive<br />
gathering features the Boundary Bay<br />
beer garden plus local food vendors and<br />
sponsor booths.<br />
Attendees will find giveaways, a photo<br />
booth and merchandise for sale. “By 2<br />
p.m., the Beer Garden is full and stays<br />
that way until we close at 7 p.m.,” race<br />
director Anna Rankin said. During a 5 p.m.<br />
awards ceremony, the top three teams in<br />
each division receive plaques. Tip: to avoid<br />
parking woes, take public transportation or<br />
ride your bike. A separate festival enlivens<br />
the town of Fairhaven (eight to ten blocks<br />
from the finish line).<br />
TWO OTHER SPOTS FOR SPECTATING:<br />
Zuanich Park, where the cyclocross to<br />
kayak hand-off takes place, and Hovander<br />
Park (technically in Ferndale), where the<br />
canoe team comes in and the cyclocross<br />
biker completes a few obstacles before<br />
riding to Bellingham. Parking can be difficult<br />
at Zuanich, yet remains plentiful<br />
at Hovander.<br />
74 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
adventure<br />
FROM LEFT The race begins with a 4-mile cross-country ski. A maximum of eight people can be on each team. The 5-mile sea kayak finishes the race in Bellingham.<br />
The 96-mile course breaks down like this—a 4-mile cross-country ski<br />
starts the course, followed by a 2.5-mile downhill ski or snowboard.<br />
After an 8-mile run, racers complete a 42-mile bike leg. The fifth leg<br />
is a two-person, 18.5-mile canoe trip, followed by a 14-mile cyclocross<br />
bike leg and finishing with a 5-mile sea kayak journey.<br />
times, always as a runner. “The race is cool for a lot of reasons,”<br />
he explained, “but the team concept is a big one. Add to that<br />
the fact that the participants will range from super-novice and<br />
weekenders to Olympic-caliber athletes.”<br />
Schacht said the sign-up process is fairly straightforward—<br />
the team captain goes online to register team members and pay<br />
the fee. (The registration system, built in-house and tailor-made<br />
for the race, proves easy for captains and racers to navigate.)<br />
“Preparation for race day can be significant or absolutely nothing,<br />
as some people jump on a team at the last minute to cover for<br />
someone who became injured,” Schacht said. “With that said, lots<br />
of team participants take the event and the training process very<br />
seriously. They know they are not going to finish anywhere at the<br />
top of the stack, but they want to perform their best regardless.”<br />
“Many people train for months to beat their personal best or<br />
another team or simply just to finish (a goal for all teams),” Rankin<br />
said. ”All of the legs are pretty lengthy. I never recommend that<br />
people do the race without any training, but it does happen.”<br />
Schacht believes the event showcases what many residents find<br />
so special about their region: the natural beauty and its accessibility,<br />
the adventurous lifestyle and commitment to personal fitness.<br />
“Regardless of how you do,” he said, “the hard work ends and you<br />
go somewhere to celebrate with your teammates and families, tell<br />
your war stories, drink some beer.”<br />
FEBRUARY | MARCH <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 75
ACCOMMODATIONS<br />
Guest rooms are arranged in clusters of six to ten<br />
rooms, each a short walk from the other buildings<br />
on the property. The rooms feature log furniture<br />
and cozy robes, with several configurations<br />
(including alcoves and lofts for little ones), as well<br />
as pet-friendly options. Two stand-alone cabins<br />
provide great options for a large group (The<br />
Rookery’s bunkroom can accommodate up to<br />
eight) or a romantic getaway (The Eyrie features a<br />
private whirlpool tub and sleeps two).<br />
Lodging<br />
Sleeping Lady<br />
written by Cara Strickland<br />
SLEEPING LADY IS NAMED for the mountain profile just<br />
above Leavenworth. She looks pretty relaxed, and chances<br />
are as a guest, you will be, too. The resort is nestled into the<br />
trees and offers cozy and rustic accommodations suitable for<br />
families, groups and romantic getaways. Although you’re close<br />
enough to explore Leavenworth’s city center, the natural beauty<br />
on all sides might give you the space for a true retreat.<br />
7375 ICICLE ROAD<br />
LEAVENWORTH<br />
sleepinglady.com<br />
CLOCKWISE FROM TOP LEFT Sleeping Lady has<br />
a hot pool outdoors. Some rooms have alcoves for<br />
kids to tuck into. The Kingfisher Restaurant offers<br />
a locally sourced breakfast buffet.<br />
DINING<br />
Most resort reservations include breakfast,<br />
dinner or both at the onsite Kingfisher<br />
Restaurant—be sure to check out the Chihuly<br />
sculpture on your way in. The chef serves a<br />
locally sourced buffet sure to tickle everyone’s<br />
taste buds. At the entrance to the resort, you’ll<br />
find O’Grady’s serving breakfast, lunch and<br />
dinner, as well as espresso and snacks. If you’re in<br />
search of a nightcap, check out The Grotto in the<br />
evenings for beer and wine around the fire circle.<br />
AMENITIES<br />
Also on-site, you’ll find a full-service spa, dry<br />
sauna, fitness room and play barn featuring<br />
a pool table, board games and table tennis.<br />
Venture outdoors and take a dip in the natural<br />
rock-lined swimming pool and hot pool, wander<br />
through the organic garden, take a self-guided<br />
art walk, or challenge your friends to volleyball,<br />
badminton or horseshoes.<br />
76 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
trip planner<br />
Tracy Ellen Beard Tracy Ellen Beard<br />
Tracy Ellen Beard<br />
Andrew Wiese<br />
Port Townsend<br />
Witness the resurgence of a Victorian seaport<br />
written by Tracy Ellen Beard<br />
IN THE LATE 1800s, city fathers poured their hopes, dreams, sweat and tears into building Port<br />
Townsend, once the second-busiest seaport on the West Coast. Constructed at the northeasternmost<br />
point of the Olympic Peninsula and along the Strait of Juan de Fuca, this city sat poised for growth in<br />
anticipation of the arrival of the Pacific Coast Railroad.<br />
Alas, to quote the insightful words of Robert Burns,<br />
“The best-laid plans of mice and men often go awry.”<br />
Misfortune came upon the city—railroad planners<br />
bypassed Port Townsend in favor of a route on the east<br />
side of Puget Sound, and the city’s economy floundered.<br />
No longer are the streets filled with a parade of top hats,<br />
corsets and petticoats. The lingering aroma of fish does<br />
not permeate the air, nor do people line the docks waiting<br />
to purchase wares from afar. The harbor that once teemed<br />
with seafaring traffic is now peppered with an assortment<br />
of recreational vessels.<br />
Today, the charming Victorian seaport thrives on<br />
tourism. The city has outstanding dining options,<br />
luxurious B&Bs and a booming art scene. Historic<br />
buildings and unique shops create a delightful ambience<br />
from days gone by.<br />
CLOCKWISE FROM TOP LEFT Port Townsend sits on the Port Townsend Bay. Finistère’s chef’s tasting menu is for adventurous appetites only. The seaport has a Victorian feel.<br />
Port Townsend Vineyards has a tasting room with locally made wines.<br />
78 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
trip planner<br />
Day<br />
PIZZA • BOOKSTORES • ARTS<br />
On your way to Port Townsend, make a quick stop in the small<br />
town of Chimacum, where farms supply quality ingredients<br />
to the local communities and beyond. Visit Finnriver Farm &<br />
Cidery for a delicious tasting of farm-crafted hard ciders and<br />
dessert wines. On Friday or Saturday, stay long enough to enjoy<br />
a woodfired pizza and live music.<br />
If you missed pizza at Finnriver, pick up a quick slice in<br />
downtown Port Townsend at Waterfront Pizza. Employees<br />
constantly refill the pizza rack with a variety of flavored pies.<br />
Beware, locals love this tiny place and you may have to wait for<br />
the slice of your choice.<br />
Walk along Water Street and peruse the art galleries, quaint<br />
boutiques and Victorian shops while you treat yourself to a<br />
decadent chocolate or a scoop of ice cream from Elevated Ice<br />
Cream Co. & Candy Shop. Stroll into one of the city’s four<br />
bookstores offering readers an opportunity to escape to new<br />
worlds, live out a fantasy, or even improve their writing skills.<br />
Step back in time as you gaze upon the historic buildings, or<br />
enter the Jefferson Museum of Art and History to learn more<br />
about the seaport’s past.<br />
Maritime activities continue to influence the city. Poke<br />
around the Northwest Maritime Center and Wooden Boat<br />
Foundation near the marina. Here you will learn about the long<br />
history of the Wooden Boat Festival, and nautical enthusiasts<br />
can sign up for programs teaching world-class boatbuilding and<br />
maritime skills.<br />
Art abounds in Port Townsend, and the city’s calendar is<br />
filled with music festivals, writers’ workshops, art walks and<br />
year-round theater featuring plays, poetry and prose. Locals<br />
and visitors enjoy the Film Festival, which showcases all types<br />
The Northwest Maritime Center and Wooden<br />
Boat Foundation celebrate all things nautical.<br />
of films, including free outdoor movies on the weekends<br />
during September.<br />
Admiralty Distillers is open on Saturdays or by appointment.<br />
Jake Soule, the owner, will share his story while you taste his<br />
distilled creations.<br />
Take part in the longtime tradition of afternoon tea at Pippa’s<br />
Real Tea. Select a flavor you find appealing, then choose one<br />
of Pippa’s delectable treats as an accompaniment. Try a slice of<br />
cake or a traditional scone, but be sure to order Pippa’s authentic<br />
clotted cream—it is simply divine.<br />
For dinner, try Finistère. Owners Scott Ross and chef Deborah<br />
Taylor devised a menu with small and large plates. Diners with<br />
adventurous appetites should order the multi-course chef’s<br />
tasting menu. The potato leek soup is delicious and soothing,<br />
and the gnocchi with pork shoulder ragu and shaved Parmesan<br />
will leave you convinced that you’ve been transported to a<br />
trattoria in Italy.<br />
Next up, head to Cellar Door, the city’s subterranean<br />
cocktail lounge and restaurant, or Sirens Pub for some fun<br />
after dark. Sirens’ upstairs seating offers views of the water,<br />
and the main floor features a fireplace to warm you on cold<br />
nights. Both venues highlight live music from local musicians<br />
on the weekends.<br />
Finally, it’s time to sleep in luxury. Snuggle into silky soft<br />
sheets and lay your head on pillows suited for royalty at the<br />
Ravenscroft Inn. Hidden in a residential neighborhood, this<br />
bed and breakfast is the perfect place for a relaxing<br />
getaway. Read a book in the library, cuddle up with a<br />
blanket by the fire in the great room or simply unwind<br />
in the comfort of your lavish guest room.<br />
APRIL | MAY <strong>2018</strong> <strong>1889</strong> WASHINGTON’S MAGAZINE 79
Tracy Ellen Beard<br />
Day<br />
MARKETS • FERRY RIDES • HISTORIC HOMES<br />
FROM LEFT Port Townsend’s Saturday Market appeals to all ages.<br />
The Ravenscroft Inn is tucked into a residential area.<br />
PORT TOWNSEND, WASHINGTON<br />
EAT<br />
Finestère<br />
restaurantfinistere.com<br />
Fountain Café<br />
www.fountaincafept.com<br />
Silverwater Café<br />
silverwatercafe.com<br />
Taps at the Guardhouse<br />
facebook.com/<br />
TapsFortWorden<br />
STAY<br />
Ravenscroft Inn<br />
ravenscroftinn.com<br />
Bliss Vista Cottage<br />
at Fort Worden<br />
fortworden.org<br />
PLAY<br />
Jefferson Museum<br />
of Art and History<br />
jchsmuseum.org<br />
Northwest Maritime<br />
Center and Wooden Boat<br />
Foundation<br />
nwmaritime.org<br />
Port Townsend<br />
Farmers Market<br />
jcfmarkets.org/saturday<br />
Breakfast at the inn changes frequently,<br />
but guests can always count on locally made<br />
granola or muesli, fresh fruit, yogurt and a<br />
pastry. A hot breakfast follows with offerings<br />
such as frittata or fluffy lemon ricotta<br />
pancakes with blueberries.<br />
On Saturdays, walk a few blocks to the Port<br />
Townsend Saturday Market. Local farmers<br />
and purveyors line the blockaded streets with<br />
fresh produce and tasty morsels for patrons<br />
to relish. For lunch, assemble a picnic from<br />
the market, or get a bite at the Silverwater<br />
Café downtown.<br />
Outdoor activities abound in the area, so<br />
explore the local waters by renting a kayak,<br />
rowboat, or longboat. Ride the ferry or take<br />
one of the numerous tours available near<br />
the marina. For land discoveries, enjoy one<br />
of the local trails on foot or by bike. For<br />
a diversified city walk, begin by strolling<br />
through Chetzemoka Park. Make a right at<br />
the beach and wander alongside the water<br />
down to the marina. Revel in the water’s<br />
beauty and appreciate the variety of boats,<br />
then cross back to the street and meander<br />
up the hill and admire the historic homes on<br />
your way back to the park.<br />
After exploring the outdoors, check into<br />
one of the newly renovated cottages or a<br />
historic vacation rental on Officers Row at Fort<br />
Worden State Park. The Bliss Vista Cottage<br />
sits on a hill overlooking the water with views<br />
of passing ships for your entertainment. For<br />
a drink or appetizer before dinner, stop over<br />
at Taps at the Guardhouse. If a member of<br />
your party misbehaves, put them behind bars<br />
in the old jail cell.<br />
Dine at a longtime favorite restaurant,<br />
Fountain Café. Owner Nickolas Yates uses<br />
locally sourced ingredients in his Northwest<br />
cuisine. Choose a delicious menu item like<br />
the chicken and linguini, or branch out and<br />
order one of the specials—the lamb shank<br />
is perfect.<br />
Cellar Door<br />
cellardoorpt.com<br />
Sirens<br />
sirenspub.com<br />
Day<br />
SCENIC DRIVES • LAVENDER FARMS • HEARTY BREAKFAST<br />
Wake before sunrise and make a hot<br />
beverage in the cottage kitchen, then get<br />
comfortable on the porch and gaze over<br />
the water as the sun peeks from beyond<br />
the horizon.<br />
Blue Moose Café is an unpretentious<br />
eatery with delicious, hearty breakfast<br />
items. Stop at Port Townsend Vineyards and<br />
sample locally produced wines, or extend<br />
your trip and delight in a scenic drive along<br />
the Strait of Juan de Fuca toward Sequim.<br />
Spend the afternoon visiting fragrant<br />
lavender farms, then dine at Nourish or<br />
Alder Wood Bistro where ingredients are<br />
sourced from nearby farms.<br />
80 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
Explore DELICIOUS Destinations • EnjoyOlympicPeninsula.com • 360-437-0120<br />
The Heart of the Olympics from Sea-to-Summit & Canal-to-Coast
northwest destination<br />
The Old Mill District features<br />
walking trails, fine dining and<br />
plenty of shopping.<br />
Bend in Spring<br />
The smart traveler’s guide<br />
to Bend in its best season<br />
written by Kevin Max<br />
MANY PEOPLE IN the Pacific Northwest know Bend as a twoseason<br />
town in summer and winter. Cue the crusty with the<br />
cliché, “The only two seasons in Bend are winter and July.”<br />
Spring, however, makes a fresh and compelling argument all<br />
its own.<br />
Let’s face it—summer in Bend has become a mild variation of<br />
Fools Rush In, a story of momentary attraction leading to cultural<br />
imbalances. The Deschutes River becomes a floating carnival,<br />
strewn with medium-rare performers, three dogs to every<br />
campground up the road, past-prime adults stretching their<br />
heads with prescribed Stitch Fix beanies to fit in at the breweries.<br />
Driving takes the amorphous shape of motorized wandering<br />
without the inconvenience of turn signals. Summer rules.<br />
Before all of that, truly, spring is Bend at its finest.<br />
I wouldn’t wager if I were going to be skiing on late corn snow<br />
or road biking on dry pavement in <strong>May</strong> or even June in Bend,<br />
but I’d bet that, either way, the sun would frame it in a golden<br />
array. Frankly, it doesn’t matter. It turns out that, in the longstanding<br />
Pole Pedal Paddle, or PPP, you can do both in the spring<br />
at different elevations.<br />
No event better sums up the opportunities and the weather in<br />
Bend in spring than the 42-year-old PPP, in which participants<br />
start with downhill and Nordic ski legs at Mt. Bachelor above<br />
6,000 feet and in snow, before jumping on a bike and flying 22<br />
miles down to 3,400 feet in town to finish with a run, paddle and a<br />
sprint into the Les Schwab Amphitheater, where craft beer, music<br />
and war stories meld and top finishers pick up the coveted coffee<br />
mug trophy. “Did you mug?” is on everyone’s tongue.<br />
In mid-<strong>May</strong>, the PPP marks the shedding of a layer of fleece for<br />
Bendites, a local Groundhog Day.<br />
While many locals are pulling on Spandex and saddling up<br />
mountain and road bikes, anglers are gearing up for the most<br />
spectacular events of the year—the mayfly and salmonfly hatches.<br />
Drift-boat rodeos float past the wader-clad anglers in one of<br />
Central Oregon’s high rituals. In late March and the beginning<br />
of <strong>April</strong>, rainbow trout surface for the brown mayflies. Flyfishermen<br />
and women trim their lines ahead of the first nibbles.<br />
Then in <strong>May</strong>, salmonflies, or stoneflies, drip from the banks and<br />
trees of the Lower Deschutes in a decadent affair of redsides castand-catch<br />
fishing. If you need new gear, local beta and flies that<br />
match the hatch, head to Fly & Field Outfitters in Bend.<br />
Random and remote encounters can put events like this in new<br />
perspective. Almost fifteen years ago, while I was in a small tavern<br />
in rural Vermont, a surgeon from Boston on the next stool asked<br />
me if I had ever heard of the salmonfly hatch on the Deschutes<br />
River, while he studied the surface of his beer, perhaps for riffles.<br />
“One day,” he said, pitifully. “One day.”<br />
Spring matters when it comes to golf, tee times and greens fees.<br />
Among its other charms, Bend is a place where serious golfers<br />
can keep busy for months without doubling back on the same<br />
course. Tee times and greens fees are more reasonable at the top<br />
spots. Resort courses at Tetherow, Brasada and Pronghorn are<br />
masterpieces of architecture and beauty. The David McLay Kidddesigned<br />
Tetherow course brings challenging Scottish links-style<br />
play to Bend, finishing at the resort bar and restaurant, both<br />
destinations in themselves. A little farther flung in the eastern<br />
flanks of Bend are the Brasada and Pronghorn resorts.<br />
Pronghorn brings together two titans of the sport in<br />
Jack Nicklaus and Tom Fazio courses. Brasada’s comely<br />
features lead with a Peter Jacobsen-designed golf<br />
82 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
northwest destination<br />
BEND, OREGON<br />
EAT<br />
Newport Market<br />
newportavemarket.com<br />
Greg’s Grill<br />
gregsgrill.com<br />
Strictly Organic<br />
strictlyorganic.com<br />
Worthy Brewing<br />
worthybrewing.com<br />
STAY<br />
Tetherow<br />
tetherow.com<br />
Pronghorn<br />
pronghornresort.com<br />
Kathleen Nyberg<br />
CLOCKWISE<br />
FROM LEFT<br />
High Desert<br />
Museum will<br />
keep kids (and<br />
adults) occupied<br />
for hours.<br />
Brasada Ranch<br />
is one of several<br />
top-notch<br />
golfing spots<br />
in the region.<br />
Take a dip in the<br />
soaking pools at<br />
McMenamins.<br />
Brasada<br />
brasada.com<br />
McMenamins Old St. Francis<br />
School<br />
mcmenamins.com<br />
Oxford Hotel<br />
oxfordhotelbend.com<br />
Riverhouse on the Deschutes<br />
riverhouse.com<br />
PLAY<br />
Pole Pedal Paddle<br />
pppbend.com<br />
Mt. Bachelor<br />
mtbachelor.com<br />
Les Schwab Amphitheater<br />
bendconcerts.com<br />
Fly & Field Outfitters<br />
flyandfield.com<br />
High Desert Museum<br />
highdesertmuseum.org<br />
Old Mill District<br />
oldmilldistrict.com<br />
Athletic Club of Bend<br />
athleticclubofbend.com<br />
Dudley’s Bookshop Café<br />
dudleysbookshopcafe.com<br />
Volcanic Theatre Pub<br />
volcanictheatrepub.com<br />
Crater Lake Spirits<br />
craterlakespirits.com<br />
Oregon Spirit Distillers<br />
oregonspiritdistillers.com<br />
course and comfort food at one of its restaurants,<br />
the Ranch House. All of these resorts broaden their<br />
appeal with full day spas.<br />
For hikers and trail runners, there is no better<br />
time to be in Bend. The benefits of spring are on<br />
display along trails at lower elevations. The scent of<br />
desert juniper infuses a canvas of sensuous violet<br />
lupine, garish orange of Indian Paintbrush and<br />
inconspicuous pink bells of blossoming manzanita.<br />
What’s missing from this picture is the crowd.<br />
Hikers head east of town to Oregon’s Badlands<br />
Wilderness, where centuries-old juniper trees<br />
twist in an artful display. Bring water as you head<br />
into 30,000 acres of well-marked trails.<br />
Shevlin Park on Bend’s southwest side is another<br />
charmer. Out Shevlin Drive to the trailhead<br />
parking on the left begins a serene stroll along<br />
Tumalo Creek. Hikers and trail runners can pick<br />
off 5-mile or 7-mile loops, even easy out and backs<br />
of varying lengths. Footbridges and a covered<br />
bridge cross the creek at different points. Bring a<br />
picnic lunch from Newport Market and set up at<br />
one of the riverside picnic tables. The farther out<br />
you go, the better the experience.<br />
If you have little ones with you who desperately<br />
need stimulation without epic hikes, hit the High<br />
Desert Museum, where live interactions with<br />
wildlife are a child’s storybook thrill. Bobcats,<br />
otters and birds of prey will keep the kids engaged<br />
until they get pulled into chores on the museum’s<br />
Miller Family Ranch. It’s a parent’s wonder to<br />
witness the specter of honest pioneer-era work on<br />
their offspring’s young modern faces.<br />
For one of the most beautiful and navigable<br />
strolls, head over to the Old Mill District and<br />
loop a paved section of the ambling Deschutes<br />
River. This is particularly good for families with<br />
small children, infants in strollers and people who<br />
prefer flat, even ground underfoot. On this hike,<br />
you are never far from creature comfort. Strictly<br />
Organic Coffee makes a compelling cup. REI’s<br />
signature store in the old mill brick building is<br />
a must. Greg’s Grill offers a full dinner menu, a<br />
hopping happy hour and al fresco dining next to<br />
an outdoor fire pit.<br />
Not long ago, a Belgian ale was considered<br />
culture. Led by innovative programming at<br />
downtown’s Tower Theatre, the culture scene is<br />
vastly improving. From intimate concerts such<br />
as Jethro Tull and Madeleine Peyroux to film<br />
festivals and visiting speakers, Tower Theatre is the<br />
intellectual campus of Bend. The local music scene<br />
plays out across town at places like the Athletic<br />
Club of Bend, Volcanic Theatre, McMenamins<br />
Old St. Francis School, Worthy Brewing and the<br />
Domino Room. First-rate jazz can be found at<br />
the Oxford Hotel, Joe’s Music and now at the<br />
Riverhouse on North Highway 97.<br />
Perhaps because of an increasing feeling that<br />
global forces are beyond our control, coziness is<br />
making a huge comeback. This time it’s happening<br />
in places like the new Crater Lake Spirits tasting<br />
room for vodka, gin and whiskey; and Oregon<br />
Spirit Distillers; as well as over in the Old Mill at Va<br />
Piano and Naked Winery tasting rooms.<br />
No place better epitomizes coziness as Dudley’s<br />
Bookshop Café on Minnesota Avenue downtown.<br />
I have seen people wearing their own slippers<br />
while curled on an upstairs couch engrossed in a<br />
book. Did she bring her own afghan? Culture, any<br />
facet of it, begins on page one and is limited only by<br />
the number of pages turned.<br />
84 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
NEW EXHIBIT<br />
Open <strong>April</strong> 28 through September 3<br />
59800 South Highway 97, Bend, Oregon 97702<br />
541-382-4754 | www.highdesertmuseum.org<br />
Smithsonian Affiliate<br />
Made possible by<br />
Shopping at our locally and employee owned store is a<br />
one-of-a-kind, delicious experience, has been since 1991!<br />
Our expert employees are ready to help with everything,<br />
from tonight’s dinner to tomorrow’s picnic. So, before<br />
heading to the trails or a back-deck soiree, pick up specially<br />
curated artisan cheese along with the finest touches<br />
like jams, various nuts and olives, fantastic produce, crackers<br />
and crostini, savory salami, and cured meats. Cheers!<br />
Real food, real fun, real Bend.<br />
541.382.3940 • newportavemarket.com
<strong>1889</strong> MAPPED<br />
The points of interest below are culled from<br />
stories and events in this edition of <strong>1889</strong>.<br />
Oroville<br />
Forks<br />
Friday Harbor<br />
Port Angeles Coupeville<br />
Port<br />
Townsend<br />
Bellingham<br />
Mount Vernon<br />
Lakewood<br />
Marysville<br />
Everett<br />
Okanogan<br />
Republic<br />
Colville<br />
Newport<br />
Aberdeen<br />
South<br />
Bend<br />
Shelton<br />
Montesano<br />
Port Orchard<br />
Cathlamet<br />
Longview<br />
Olympia<br />
Chehalis<br />
Kelso<br />
Seattle<br />
Bellevue<br />
Renton<br />
Kent<br />
Federal Way<br />
Tacoma<br />
Ellensburg<br />
Yakima<br />
Waterville<br />
Wenatchee<br />
Ephrata<br />
Prosser<br />
Richland<br />
Wilbur<br />
Pasco<br />
Kennewick<br />
Ritzville<br />
Dayton<br />
Walla<br />
Walla<br />
Davenport<br />
Spokane<br />
Colfax<br />
Pomeroy<br />
Asotin<br />
Vancouver<br />
Stevenson<br />
Goldendale<br />
Live<br />
Think<br />
Explore<br />
18<br />
Super Deli Mart<br />
40<br />
Appliance Depot<br />
72<br />
Ohme Gardens<br />
20<br />
White House<br />
42<br />
The Penrose<br />
74<br />
Mt. Baker Ski Area<br />
22<br />
Nash’s Organic Produce<br />
44<br />
WSU School of Design<br />
76<br />
Sleeping Lady<br />
33<br />
Girl Meets Dirt<br />
46<br />
CoMotion Labs<br />
78<br />
Northwest Maritime Center<br />
34<br />
Western Washington University<br />
48<br />
Monte Cook Games<br />
82<br />
Bend, Oregon<br />
86 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
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Until Next Time<br />
Waiting for the Rebirth<br />
written by Kate Hudson | illustrated by Allison Bye<br />
I REMEMBER the moment I first laid eyes on Spokane.<br />
The city was a stranger and I was just a kid in Converse.<br />
A freshly minted 18-year-old, I was heading to Gonzaga<br />
University for my freshman year. It was 1993, Kurt<br />
Cobain was an icon, and I felt like I was on the brink of<br />
an awakening.<br />
I chose Gonzaga and Spokane sight unseen. I never<br />
made the trek to check out the campus or the city before I<br />
arrived. I simply liked the way it looked in photos. I loved<br />
the idea of a Jesuit education far enough away from my<br />
strict upbringing in Alaska, yet close enough to still feel<br />
safe. Something about Spokane beckoned. I could feel it.<br />
Descending out of the clouds on that unusually hot<br />
August day, I saw before me prodigious basalt thrusting<br />
out of prairies scrubbed by eons of wind. The sky was<br />
blue, the sun blistering the concrete of the runway.<br />
Apprehension and expectation churned, but I had a<br />
feeling about this place. It wasn’t until we drove east on<br />
I-90 that the city unfurled before me in the late afternoon<br />
light. My breath caught.<br />
Old brick buildings, mixed with new, filled the<br />
downtown landscape. An air of neglect hung thick, but<br />
I was still smitten, still intrigued. This city had a story to<br />
tell, it had been something once, it had an energy as strong<br />
and thundering as the falls roaring through Riverfront<br />
Park. I could hear the whispers of history in the old<br />
buildings, many boarded up, as I walked the downtown<br />
streets looking around. I liked seeing what it had been and<br />
imagining what it could be. I liked the bones of this place.<br />
It was an old beauty showing signs of age, underrated and<br />
continually dismissed by bigger Pacific Northwest cities,<br />
but this place had potential.<br />
I made a point of sticking around Spokane once I<br />
graduated. I liked that feeling of being a part of something<br />
on the brink of greatness, and I wanted to see how the story<br />
played out. I wanted to be part of the story. This city had<br />
long felt on the verge of breaking through, experiencing an<br />
awakening of its own.<br />
Unlike the cataclysmic glacial floods that shaped the<br />
natural landscape, Spokane’s rebirth has taken a slower<br />
pace, and I’ve stuck it out. It was well worth the wait. You<br />
can feel the hum of energy as forward-thinking visionaries<br />
have stepped up and saved historic buildings. People have<br />
been willing to take a risk and invest in Spokane. Inspired,<br />
adventurous menus are now a mainstay in restaurants.<br />
Gone are the boarded-up windows. Sun glints off shiny<br />
glass where wineries, craft breweries and bustling shops do<br />
business. The arts and music scene thrive. Residents and<br />
visitors alike share in the dividends of all the investment.<br />
Twenty-five years later, Spokane’s story is part of my<br />
story. I’m proud to call this place home and I invite you to<br />
come experience it for yourself.<br />
This city is wide awake.<br />
88 <strong>1889</strong> WASHINGTON’S MAGAZINE APRIL | MAY <strong>2018</strong>
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