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The Star: March 22, 2018

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2 arts/events<br />

Arts Centre<br />

Easter Market<br />

This Saturday, <strong>March</strong> 24, <strong>The</strong> Arts<br />

Centre Easter Market will showcase<br />

Christchurch’s brightest and best<br />

independent designers, artists and<br />

hand-crafted products, alongside<br />

delicious food, live music and<br />

entertainment.<br />

Taking place in the Market Square<br />

from 10am-4pm, it’s an opportunity to<br />

explore the stunning heritage setting<br />

of the Arts Centre with friends and<br />

family while you enjoy the vibrancy and<br />

creativity of the city’s talented artisans.<br />

Autumn<br />

Garden Show<br />

<strong>The</strong> Canterbury Horticultural<br />

Autumn Garden Show is being held at<br />

the Botanic Gardens outside the Visitor<br />

Centre on Friday, Saturday and Sunday<br />

April 20-<strong>22</strong>, <strong>2018</strong>.<br />

<strong>The</strong> exhibition garden by awardwinning<br />

Billygoat Landscape<br />

Architecture is to focus on gardening<br />

for the mind, body and soul and how<br />

we can utilise our own backyards to<br />

improve these key elements of our<br />

wellbeing.<br />

<strong>The</strong> garden will have five key spaces<br />

all linked together around a central<br />

garden that encompasses a large tree<br />

and sensory plants.<br />

<strong>The</strong>re will also be floral exhibits,<br />

autumnal cuisine by Jonny Schwass,<br />

children’s activities and design and<br />

entertainment by costume and fabric<br />

artist Jenny Gillies.<br />

Principal Sponsor: Terra Viva Home<br />

& Garden<br />

<strong>The</strong> first New Zealand<br />

exhibition by awardwinning<br />

British artist<br />

John Stezaker,<br />

dubbed the<br />

“master of slicing<br />

and splicing”,<br />

opens on<br />

Saturday at the<br />

Christchurch<br />

Art Gallery.<br />

AwARD-wINNINg<br />

ARtISt’S CoLLAgE<br />

tECHNIqUES<br />

feature in new<br />

exhibition<br />

John<br />

Stezaker: Lost<br />

World brings<br />

together about 40<br />

collages dating from<br />

2006 to 2016, as well<br />

as five poignant foundobject<br />

sculptures – a selection<br />

of antique mannequin hands, offering a<br />

repertoire of gestures. In addition, the<br />

film Crowd presents hundreds of film<br />

stills of crowd scenes, each for one frame<br />

only, in a bewildering blur.<br />

<strong>The</strong> gallery’s senior curator Lara<br />

Strongman says surrealist-influenced<br />

Stezaker is resolutely analogue in a digital<br />

era.<br />

“Far from being a Photoshop fan,<br />

Stezaker prefers to make collages the<br />

old-fashioned way, working with scalpel<br />

and glue, and a steady hand, to slice<br />

images and splice them together in new<br />

configurations. He works from a vast<br />

personal archive of out-of-date images,<br />

mostly old film stills, vintage actor<br />

headshots and antique postcards.<br />

“<strong>The</strong>re’s an implied violence in his<br />

cuts, through faces and eyeballs. He<br />

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dismembers images and talks about the<br />

fragments as ‘image-corpses. In his work,<br />

there’s a constant sense of the image as a<br />

body subject to trauma.”<br />

<strong>The</strong> Guardian newspaper dubbed<br />

Stezaker the “master of slicing and<br />

splicing”. He explores a range of collage<br />

techniques, placing postcards on<br />

headshots to reveal surreal fusions of<br />

landscape and features, and grafting faces<br />

to create new gender- and genre-blending<br />

characters.<br />

Known for his distinctive, often<br />

deceptively simple collages, Stezaker has<br />

been working since the 1970s, but recently<br />

gained major recognition for his work.<br />

In 2011, he had a retrospective at<br />

the Whitechapel Gallery, London,<br />

and, in 2012, won the Deutsche Börse<br />

Photography Foundation Prize, even<br />

though he does not take photographs.<br />

PUBLISHER<br />

<strong>Star</strong> Media<br />

<strong>The</strong> Christchurch <strong>Star</strong> Company Ltd<br />

PO Box 1467 Christchurch 8140<br />

Stezaker says collage is about stuff that<br />

has “lost its immediate relationship with<br />

the world” and “involves a yearning for a<br />

lost world”.<br />

“<strong>The</strong>re is something very odd, even<br />

unnerving about cutting through a<br />

photograph,” he says. “It sometimes feels<br />

like I am cutting though flesh.”<br />

Curated by Robert Leonard, Lost<br />

World tours to Christchurch Art Gallery<br />

from City Gallery Wellington. <strong>The</strong><br />

accompanying exhibition catalogue<br />

features essays by Leonard and art<br />

historian Geoffrey Batchen, and an<br />

interview with the artist by British art<br />

critic David Campany. John Stezaker is<br />

represented by <strong>The</strong> Approach, UK.<br />

John Stezaker: Lost World is on display<br />

at Christchurch Art Gallery from <strong>March</strong><br />

24 to July <strong>22</strong>, <strong>2018</strong>. Entry is free.<br />

ADvERtISINg<br />

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email: frank.greenslade@starmedia.kiwi<br />

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