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Slipstream - April 2018

The monthly newsletter of the Maverick Region of the Porsche Club of America

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The Porsche Effect: A Taste of the Petersen Museum<br />

By Michael McGrath<br />

images courtesy of Author<br />

Founded on June 11, 1994, by magazine publisher<br />

Robert E. Petersen and his wife Margie, the $40 million<br />

Petersen Automotive Museum, on Wilshire Blvd in Los<br />

Angeles, CA, is owned and operated by the Petersen<br />

Automotive Museum Foundation.<br />

diagrams of the model evolution through the years.<br />

Photographs also adorn the walls illustrating the history<br />

of the Porsche family, the leaders of the organization<br />

over time, and the evolution of the factories and<br />

special projects.<br />

In 2015, the museum underwent an extensive<br />

$125 million renovation. The building’s façade was<br />

redesigned by the architectural firm Kohn Peterson<br />

Fox, and features a stainless steel ribbon assembly<br />

made of 100 tons of 14-gauge type 304 steel in 308<br />

sections, 25 supports, and 140,000 custom stainlesssteel<br />

screws.<br />

In February <strong>2018</strong> the museum launched a new<br />

exhibit known as “The Porsche Effect.” The exhibit<br />

runs through January of 2019. This is one of the<br />

largest collections of Porsche automobiles and artifacts<br />

in one location outside of Stuttgart, Germany.<br />

It is designed to tell the story of Porsche through the<br />

years and the company’s influence on culture, as well<br />

as illustrate the passion that exists for the cars and<br />

the brand.<br />

As soon as you enter the museum you<br />

are surrounded by amazing Porsche history.<br />

I stopped in my tracks to gaze at the 904<br />

Carrera GTS and the 910 racing car. This is followed<br />

by no less than two GT1s. Then as you wander<br />

past the ticket stand you find a deep blue 918 Hybrid,<br />

a 1956 550 RS Spyder, and the one car that I stopped<br />

and stared at for a very long time admiring its beauty: a<br />

1951 Sauter Porsche 356 Roadster.<br />

Once you have your entry ticket, you are free to<br />

enter the main exhibit of 28 vehicles in the Mullin<br />

Family Grand Salon. Upon entry you are greeted by a<br />

sleek 1939 Porsche Type 64 60K10 in gloss black. The<br />

aerodynamic styling of this vehicle must have made it<br />

appear as it was from out of the future in 1939! This<br />

two seat compact coupe was conceived for a planned<br />

race from Berlin to Rome in late 1939. This smooth<br />

aerodynamic styling influenced the next model to come<br />

-- the 356. From the Type 64 you are escorted through<br />

time and the history of Porsche, as you are treated to<br />

original scale models for product development, original<br />

drawings, schematics, and other historic documents.<br />

The walls of the museum are full of interesting information<br />

about the company history, as well as full scale<br />

As you snake past the artifacts and around the perforated<br />

dividers, you are greeted by a pristine example of<br />

the 1955 356 Cabriolet, briefly referred to as the “Continental.”<br />

The Continental was conceived by influential<br />

New York importer Max Hoffman, who believed that<br />

the American market would be more likely to embrace<br />

a vehicle with an evocative name, rather than a mere<br />

number designation. Porsche was forced to re-badge the<br />

Continental when Ford informed them that they had<br />

already trademarked that name. As a result, few Continentals<br />

were produced and the name briefly changed to<br />

“European,” then back to 356.<br />

18 <strong>April</strong>

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