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3 months ago

6 Steps To A Radio-Ready Song

6 Steps To A Radio-Ready Song

RecordingRevolution.com

RecordingRevolution.com STEP 2: Arrangement & Production Of all 6 steps in the song creation process, this is the most commonly skipped or rushed through. And yet in many ways it’s the most fun and most helpful of them all as it has major implications on the remaining 4 steps. If you can get this step right your song has the most potential to be liked by the most people. What are we talking about? We’re talking about the arrangement of your song. The flow, the layout of instrumentation. This also includes any and all production decisions as it relates to beats, loops, and virtual instruments. Let me ask you a question. If you were to hear your song on the radio, would you want to change the station after the first verse and chorus? Be honest. Most songs are super repetitive from a songwriting standpoint. And like I mentioned above, that’s OK. What’s NOT OK is a simple repetitive song that has a boring arrangement. One in which every verse sounds the same and every chorus sounds the same. Think about it - with most popular music, after you’ve heard the first verse and chorus (the hook) you pretty much know the entire song. So why keep listening? On most great radio-ready songs, the arrangement is so interesting and always changing that you DO want to keep listening. How do they do it? By strategically introducing new and different elements to the song as it progresses. Here are some common examples of elements YOU can introduce into YOUR songs to keep the arrangement/production interesting: ● Vocal harmonies ● Vocal effects (telephone vocal, distortion vocal, etc) ● Percussion (shakers/tambourines) ● Synths/strings/pads ● Doubled (or tripled) vocals ● Doubled guitar parts ● Half-time feel or tempo changes

RecordingRevolution.com Also keep in mind that great songs with killer arrangements don’t just add elements to the song, they strategically take things away to keep you listening. Some examples include: ● Dropping out all instruments except vocals and drums ● Cutting out everything but the vocal and one guitar/piano ● Removing the bass guitar/synth for a verse The goal of a good arrangement is to take the listener on a journey and keep them engaged and excited every step of the way. You do this by introducing (and removing) different elements from section to section, from first note to last beat. No two parts of your song should be exactly the same. Listeners’ attention spans are becoming shorter and shorter and they will “move on” if the song doesn’t progress. Personally, creating a great arrangement of my own songs creates a tension. I want to feature all the cool guitar parts, vocal harmonies, and drum break downs - but I can’t do it all at once. I have to force myself to save some elements for later in the song, trusting that the surprise and wait will be worth it. If you can take your well written song and systematically walk through each section (intro, verse, chorus, verse 2...) and ask yourself this question, you’ll be fine - “What is new or different about this section?” Once you can confidently say each moment of your song is fresh, engaging, and different (even in a small way) you’re ready to begin Step 3. Arranging Challenge: I want to see how good your ears are (and how much you’ve been paying attention to Step 2). Take a listen to this real life demo of a song and then the final “real” recording. How many different arrangement elements can you notice? Write them each down.

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