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Get Out! GAY Magazine – Issue 362 – April 11, 2018

Featuring content from the hottest gay and gay-friendly spots in New York, each (free!) issue of Get Out! highlights the bars, nightclubs, restaurants, spas and other businesses throughout NYC’s metropolitan area that the city’s gay population is interested in.

BY WILLIAM COOKE CAZWELL

BY WILLIAM COOKE CAZWELL & PEPPERMINT The Duo Discuss Brilliant New Track ‘Blend,’ Staying Socially Conscious and Inspiration in the Age of the ‘Accidental President’ Not since RuPaul herself teamed up with Elton John has there been as inspired a pairing as rap impresario Cazwell and “RuPaul’s Drag Race” (and now Broadway) diva Peppermint. Their new EP “Blend” mixes social consciousness with good old fashioned great music, and in today’s climate, it is more important than ever. I caught up with Peppermint and Cazwell recently to talk about the release of this very personal music, why constant evolution is always necessary and working with someone with whom you admire, both professionally and personally. Cazwell, you and Peppermint together with an entire EP is a treat for all of your fans. Tell me about “Blend,” the first single. Cazwell: “Blend” is the first single off of the duet EP that Peppermint and I have done together. The song is a contemporary pop song, and when I wrote and produced it with Craig C and Peppermint, we really wanted to make a trans anthem. I thought that would be very fitting for her, since she was the first out trans contestant on “RuPaul’s Drag Race.” I have known Pep a long time, since even before her transition, and wanted to make it a powerful anthem for her. Cazwell, to be honest you are probably the only person that would be able to weave “Paris Is Burning” legend Dorian Corey into a contemporary pop song, really. Cazwell: [laughs] I’m glad you caught that!

Peppermint, your music is different now than it was pre-“Drag Race,” before the world got to know the legend that Peppermint is! How do you see your music as changing? Peppermint: Well, you know, I’m always gonna be a New York City queen! I think my music changes with my musical tastes and with the times, and also the tools that are available to me. My first single came out in 2007, and my album “Servin It Up” came out in 2009, which Cazwell was on, and then “Hardcore Glamour” came out in 2009. Most of those songs were a mixture of music from my past, like ‘90s hip hop and house coupled with a dance electronic stuff that was happening at that time. It’s not any different from now, but the music sounds different these days—kind of post Azealia Banks and other artists, my style has definitely been influenced. This project has been penned by Cazwell, so I am hoping that most of the heavy influences come from his tastes that go with mine. We definitely make a great couple. Cazwell, why do you think you and Peppermint make such a dream team? Cazwell: I think Peppermint is easy to get along with. I don’t really know anyone who has a problem with her. I think I am the difficult one. Personally, any time I have written or worked with anyone, be it Peppermint or Amanda Lepore, I love working with my friends more than anything. You know how you have that one person in your life, and you are so proud of them that they are embarrassed by it? That is Peppermint for me. It’s a great opportunity for me to take my love for her and turn it into music! Peppermint: We gravitated towards each other really early on, before we had any music together. We performed and worked together in the club scene years ago. I remind him of this from time to time, but when he was still living in Boston, before he moved to New York City, he came down and did a guest spot at one of the clubs I worked at at the time, which is when we first met and hit it off. That was more than 10 years ago, and I won’t go any further. [laughs] Peppermint, “Drag Race” girls put out a large amount of music, but your music is smart and crafted well, truly setting it apart. Why do you think your music is able to stand on its own? Peppermint: I think with some girls from “Drag Race,” some queens who are fabulous queens realize, “Oh my God, we need something to do,” so they suddenly make a song. That is how a lot of the drag music comes to be—it is just out of necessity. Not that they don’t have true passion for it, I just think it comes as an afterthought. My dream has always been to be a musician, a singer and a performer, and that is before drag. I have been working on this way before “Drag Race.” Many people don’t know this, but I was the first drag queen to have a video playing on Logo. Music has always been a part of the equation for me, whether I was going to be on “Drag Race” or not. I am always thinking what my next album is going to be and what I am gonna say. I think that informs the quality of the music as well. With “Drag Race” being such a launching pad, do you think you will be able to stand on your own without the shadow of “Drag Race”? A number of your sisters have been able to do that so far. Peppermint: I definitely hope so. I talk to people that I just met, and they are surprised to learn things about me that they learned within the capsule of “Drag Race.” They, for instance, think that I came out on “Drag Race” or something like that, not realizing that I have done so many things prior to the show. A lot of people have that association, and I have no shame in that; it’s a great platform. I don’t think I’ll ever really want to disassociate myself with that, but I think in a few months people may be able to try it out. As opposed to saying “Peppermint, star of ‘RuPaul’s Drag Race,’” they will be able to say “Peppermint, star of Broadway’s Head Over Heels.”

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