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Horse_amp_amp_Hound__06_February_2018

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time I have — and being incredibly organised,”<br />

adds Sharon, who has received “invaluable”<br />

training and support from the Mark Todd<br />

Bridging The Gap initiative. “I plan the season<br />

in advance, as most of our competitions now<br />

involve weekdays, and I particularly enjoy<br />

residential c<strong>amp</strong>s as I can totally immerse<br />

myself in horses.<br />

“My current boss went to the World<br />

Ch<strong>amp</strong>ionships to do kickboxing, so he<br />

understands the pressures of training.”<br />

THESE early-morning activities are not<br />

unusual. By 5.30am, Emily Green is on<br />

a horse at a Surrey livery yard — and<br />

she’s not alone.<br />

“There’ll be a few of us riding at that time,<br />

so there’s always someone to hack out with or<br />

to cast an eye over me in the school,” she says.<br />

“I’m lucky to have super-flexible trainers who<br />

are willing to get up early to teach.”<br />

Emily’s day gathers pace as she drives<br />

through rush-hour traffic back home to Parsons<br />

Green in west London, before commuting<br />

by tube for a further hour. After four years<br />

as a corporate lawyer in the city, finishing<br />

somewhere between 10pm and midnight<br />

every night, she soon starts a new job as a legal<br />

counsel with HSBC in Canary Wharf — with<br />

the prospect of slightly more sensible hours.<br />

Why does she put herself through this<br />

punishing regime?<br />

“<strong>Horse</strong>s are my therapy before sitting in<br />

an office all day,” she says. “I didn’t start riding<br />

until I was at law school then bought my first<br />

horse shortly before taking on my first job as<br />

a solicitor. It’s what motivates me and keeps<br />

me sane, paying for the horses and planning<br />

the next competition.”<br />

Emily evented her Irish gelding Beg To<br />

Differ up to BE90. While he steps down<br />

to do some unaffiliated dressage, she has<br />

just taken a share in Sarah Gledhill’s<br />

thoroughbred mare, Queen B.<br />

The mind boggles at how she will fit<br />

another horse into her day.<br />

“It’s all planned minute by minute,” she<br />

explains. “The challenge is never the getting<br />

out of bed, because I want to do it, but<br />

balancing each horse’s exercise routine. It’s in<br />

the diary that they’ll hack and school so many<br />

times each week, otherwise it’s too easy to say,<br />

‘I’ll just lunge today’.<br />

“It’s all about efficiency,” she adds. “I know,<br />

for ex<strong>amp</strong>le, that I need 12 minutes between<br />

arriving at the yard and getting on a horse,<br />

and I have my warm-up time programmed<br />

on my phone. I don’t particularly love the<br />

fact that there’s no fussing, but fitting things<br />

in is a fine art.”<br />

Emily’s secret weapon is a “buddy system”<br />

(see box, p34), a network of contacts she can<br />

text in times of need.<br />

“Every couple of months, you panic and<br />

realise you can’t do it all,” she says. “But<br />

having a hobby is important, otherwise it can<br />

become all about work.”<br />

CORA KWIATKOWSKI, a divisional<br />

director at Bristol-based architectural<br />

practice Stride Treglown, rides<br />

mornings or evenings — sometimes both.<br />

“I plan a week ahead to make time, treating<br />

each riding session like a meeting,” says<br />

Cora, who has a retired showjumper, a mini<br />

Shetland and the loan of dressage horse<br />

Cool Customer III (Troy). “It can be tempting<br />

not to bother after a 12-hour day but I commit<br />

to ride, whatever the weather.”<br />

Cora makes work calls as she drives to the<br />

office after morning stables, using the shower<br />

facilities there to freshen up.<br />

“It’s important not to go in smelling of<br />

horses,” she says, recommending a good pair<br />

of gloves for every yard job. “My time-saving<br />

advice is not to chat — people at the yard know<br />

that I’m running about in the mornings.<br />

“I’m not usually home before 9pm, when<br />

I have something to eat and the day is over,”<br />

adds Cora. “I’ll occasionally go out and meet<br />

friends, or visit an art exhibition or the theatre.<br />

It’s like a normal life, but scaled down.”<br />

This relentless routine is a choice, she says,<br />

and benefits both work and performance.<br />

“You want to be at the top of your game<br />

when you go out and compete, so I schedule<br />

shows early and they serve as a target,” explains<br />

Cora, who recently rode her first prix st georges<br />

test. “My job doesn’t suffer, as I put in long<br />

hours to get it done, and I’m more focused on

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