Horse_amp_amp_Hound__06_February_2018
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time I have — and being incredibly organised,”<br />
adds Sharon, who has received “invaluable”<br />
training and support from the Mark Todd<br />
Bridging The Gap initiative. “I plan the season<br />
in advance, as most of our competitions now<br />
involve weekdays, and I particularly enjoy<br />
residential c<strong>amp</strong>s as I can totally immerse<br />
myself in horses.<br />
“My current boss went to the World<br />
Ch<strong>amp</strong>ionships to do kickboxing, so he<br />
understands the pressures of training.”<br />
THESE early-morning activities are not<br />
unusual. By 5.30am, Emily Green is on<br />
a horse at a Surrey livery yard — and<br />
she’s not alone.<br />
“There’ll be a few of us riding at that time,<br />
so there’s always someone to hack out with or<br />
to cast an eye over me in the school,” she says.<br />
“I’m lucky to have super-flexible trainers who<br />
are willing to get up early to teach.”<br />
Emily’s day gathers pace as she drives<br />
through rush-hour traffic back home to Parsons<br />
Green in west London, before commuting<br />
by tube for a further hour. After four years<br />
as a corporate lawyer in the city, finishing<br />
somewhere between 10pm and midnight<br />
every night, she soon starts a new job as a legal<br />
counsel with HSBC in Canary Wharf — with<br />
the prospect of slightly more sensible hours.<br />
Why does she put herself through this<br />
punishing regime?<br />
“<strong>Horse</strong>s are my therapy before sitting in<br />
an office all day,” she says. “I didn’t start riding<br />
until I was at law school then bought my first<br />
horse shortly before taking on my first job as<br />
a solicitor. It’s what motivates me and keeps<br />
me sane, paying for the horses and planning<br />
the next competition.”<br />
Emily evented her Irish gelding Beg To<br />
Differ up to BE90. While he steps down<br />
to do some unaffiliated dressage, she has<br />
just taken a share in Sarah Gledhill’s<br />
thoroughbred mare, Queen B.<br />
The mind boggles at how she will fit<br />
another horse into her day.<br />
“It’s all planned minute by minute,” she<br />
explains. “The challenge is never the getting<br />
out of bed, because I want to do it, but<br />
balancing each horse’s exercise routine. It’s in<br />
the diary that they’ll hack and school so many<br />
times each week, otherwise it’s too easy to say,<br />
‘I’ll just lunge today’.<br />
“It’s all about efficiency,” she adds. “I know,<br />
for ex<strong>amp</strong>le, that I need 12 minutes between<br />
arriving at the yard and getting on a horse,<br />
and I have my warm-up time programmed<br />
on my phone. I don’t particularly love the<br />
fact that there’s no fussing, but fitting things<br />
in is a fine art.”<br />
Emily’s secret weapon is a “buddy system”<br />
(see box, p34), a network of contacts she can<br />
text in times of need.<br />
“Every couple of months, you panic and<br />
realise you can’t do it all,” she says. “But<br />
having a hobby is important, otherwise it can<br />
become all about work.”<br />
CORA KWIATKOWSKI, a divisional<br />
director at Bristol-based architectural<br />
practice Stride Treglown, rides<br />
mornings or evenings — sometimes both.<br />
“I plan a week ahead to make time, treating<br />
each riding session like a meeting,” says<br />
Cora, who has a retired showjumper, a mini<br />
Shetland and the loan of dressage horse<br />
Cool Customer III (Troy). “It can be tempting<br />
not to bother after a 12-hour day but I commit<br />
to ride, whatever the weather.”<br />
Cora makes work calls as she drives to the<br />
office after morning stables, using the shower<br />
facilities there to freshen up.<br />
“It’s important not to go in smelling of<br />
horses,” she says, recommending a good pair<br />
of gloves for every yard job. “My time-saving<br />
advice is not to chat — people at the yard know<br />
that I’m running about in the mornings.<br />
“I’m not usually home before 9pm, when<br />
I have something to eat and the day is over,”<br />
adds Cora. “I’ll occasionally go out and meet<br />
friends, or visit an art exhibition or the theatre.<br />
It’s like a normal life, but scaled down.”<br />
This relentless routine is a choice, she says,<br />
and benefits both work and performance.<br />
“You want to be at the top of your game<br />
when you go out and compete, so I schedule<br />
shows early and they serve as a target,” explains<br />
Cora, who recently rode her first prix st georges<br />
test. “My job doesn’t suffer, as I put in long<br />
hours to get it done, and I’m more focused on