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Diplomatic World_nummer 56.

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Ausstellungsansicht Gabriele Münter. Malen ohne Umschweife im Kunstbau, 2017<br />

Foto: Simone Gänsheimer, Ernst Jank, Städtische Galerie im Lenbachhaus und Kunstbau München<br />

What induced Münter to unlock her “basement of<br />

millions” — as it was later called — was an encounter with<br />

Hans Konrad Roethel (1909–1982), then the director of<br />

the Städtische Galerie im Lenbachhaus, Munich from<br />

1957 on. In 1957, Gabriele Münter marked her own<br />

eightieth birthday by making an unparalleled gift of large<br />

parts of this same collection to the Lenbachhaus, thus<br />

transforming it over night into a world-class museum.<br />

The Lenbachhaus has now the world’s largest collection<br />

of art of the “Blue Rider”. It includes extensive holdings<br />

of outstanding works by the leading “Blue Rider” artists<br />

— first and foremost, Kandinsky and Münter, but also<br />

Alexej Jawlensky, Marianne von Werefkin, Franz Marc and<br />

August Macke.<br />

The exhibition is organized by the Gabriele Münter- und<br />

Johannes Eichner-Stiftung and the Städtische Galerie<br />

im Lenbachhaus und Kunstbau München in cooperation<br />

with the Louisiana Museum of Modern Art, Humlebæk<br />

and the Museum Ludwig, Cologne. The curators are<br />

Isabelle Jansen — Curator and Chief Executive of the<br />

Gabriele Münter- und Johannes Eichner-Stiftung — and<br />

Matthias Mühling — Director of the Städtische Galerie<br />

im Lenbachhaus und Kunstbau München. An exhibition<br />

catalogue is published by Prestel Verlag.<br />

GABRIELE MÜNTER.<br />

PAINTING TO THE POINT<br />

Städtische Galerie im Lenbachhaus und<br />

Kunstbau München, Munich, Germany<br />

October 31, 2017 to April 8, 2018<br />

Louisiana Museum of Modern Art,<br />

Humlebæk, Denmark<br />

May 3 to August 19, 2018<br />

Museum Ludwig, Cologne, Germany<br />

September 15, 2018 to January 13, 2019<br />

159

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