9 months ago


Welcome to the summer

Welcome to the summer issue of Art & Museum Magazine. This publication is a supplement of Family Office Magazine, the only dedicated Family Office publication with a readership of over 46,000 comprising some of the wealthiest people in the world and their advisors. Many have a keen interest in the arts, some are connoisseurs and other are investors. Many people do not understand the role of a Family Office. This is traditionally a private wealth management office that handles the investments, governance and legal regulation for a wealthy family, typically those with over £100m+ assets. Art & Museum is distributed with Family Office Magazine and will also appear at many of the largest finance, banking and Family Office Events around the World. Media Kit. - We recently formed several strategic partnerships with organisations including The British Art Fair and Russian Art Week. Prior to this we have attended and covered many other international art fairs and exhibitions for our other publications. We are very receptive to new ideas for stories and editorials. We understand that one person’s art is another person’s poison, and this is one of the many ideas we will explore in the upcoming issues of ‘Art & Museum’. 12

INTERVIEW WITH JACK ARMSTRONG submitted by DEREK CULLEY printed in Family Office magazine ART & MUSEUM summer 2017 edition. Derek Culley discovered world famous artist ‘DAMIEN HIRST’. by Derek Culley Jack Armstrong has been painting since he was five years old. After arriving in NYC in 1979,he became friends with Andy Warhol, Jean-Michel Basquiat & Keith Haring. In 1984, after turning down a solo exhibition with Castelli Gallery in NYC, Armstrong has maintained his revolutionary anti-dealer stance and has never been represented by a dealer. Between 1994 & 1997; Armstrong repurchased his early work and destroyed all paintings, vowing to create a new style for Modern / Contemporary Art. The years 1900 & 2000 witnessed Armstrong founding “cosmic Extensionalism” revolutionizing Modern / Contemporary Art. Armstrong’s use of extreme colour, texture and light with words magically appearing at different angles in the paint, allow viewers to experience the universal cosmic energy, coexisting with Armstrong’s belief In inter-planetary and multi-dimensional Extensionalism. This is the foundation of Armstrong’s revolutionary work. Armstrong’s total output to date features 100 Cosmic 13

January 2018 YHH Mag
IT Focus Mar-Apr 2018
March 2018 YHH Mag