SG MAG APR 2018 MAIN6

my writing about my art. My art is not rare because there are few things like it available on the market, but is rare
because there is nothing else on earth that is like it.
When I’m dead and when my art will sell for 1 Billion Dollars each, for Warhol Naked, The Cosmic Firebird, or the
Cosmic Harley, people that want to own a piece of the artist's soul, who created the masterpiece, will gladly
exchange money for that rare thing that can never be duplicated, the original masterpiece that is most closely
associated with the artist in question, and the pieces that will always reign supreme at auction.
These 3 art objects, will continue to define my art and my life's work, "Cosmic Extensionalism," long after I am
gone, and my triptych is written about. If I had not imagined and then created these 3 objects, I strongly feel, my
work as an artist would still be unknown, as my connection with cosmic energy, had not been completely realized,
before 2001, and my creation of Warhol Naked. In the time period of 2001-2010, every great painting including the
Cosmic Motorcycle, was produced.
The Cosmic Firebird Painting Created in 2007, my middle period of Cosmic Extensionalism, for which I later produced
2 Ballets done for film, is the culmination of everything I realized in my cosmic connection to the universal
magic in art. It is nothing like any painting, before or after, and that is what places it exactly in the same category as
Warhol Naked. Indeed there will never be anything like either one of these originals. The third and final piece of the
puzzle of my Art Triptych, symbolizing the completion of my cosmic art journey of discovery, and celebration, happened;
when the painting became alive in the lights of hundreds of photographers from around the world. The
most iconic art motorcycle in history, the "Cosmic" Harley Davidson, literally came to life on Oct. 21, 2010, In Los
Angeles. It has never been duplicated by any artist, or any corporation, and it will remain iconic as long as people
continue to value original concepts that were unique, in capturing the attention of the entire world, and not singularly
only the artistic world. I believe the bold and exotic coloring and shading of paint used in the creation of these
three individual pieces, actually become one “A Triptych”, when viewed with the Harley in the center of the other
originals. By channeling this unlimited cosmic energy into my work, and in creating cosmic extensions inside my art,
is the true foundation of cosmic extensionalism, a kind of art magic, that Warhol recognized when he said my work
was more alchemy than art, thus dubbing me, “The Last Wizard of art," in 1985. I had been experimenting with this
energy and magic my entire life until it formed into a cognitive reality late in 1999, with "The Cosmic Style of Art,"
that I am known for today.
Vincent Van Gogh painted for the last ten years of his life and died at 37 years old. His seminal paintings were done
in the last two years of his life. My work has taken over forty years to reach my peak. The best were created
between 2000-2010. Exactly ten years, like Vincent.
"These 3 pieces are the rarest in symbolic "essence," of art and artist, and each contain the meaning inside Cosmic
Extensionalism Art, 1. Imagined, 2. Defined, and 3. Created, in the 21st Century. When you see them, you will
believe in them also. This is my Triptych of Cosmic Art, and its Extensionalism into the cosmic magic, discovered in
my work, by Warhol.
Jack Armstrong, Original Artist, 2017, "All Rights Reserved."
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