Catalogue Chamos Art Gala
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<strong>Catalogue</strong>
gala committee<br />
Mariana Cárdenas<br />
Antonio D’Apuzzo<br />
Valentina Delgado<br />
María Inés Gómez<br />
Miguel Gómez<br />
Anne Farkas<br />
Adriana Mendoza<br />
Graciela Muci<br />
Dana Noya<br />
Mario Palencia<br />
Mary Pérez<br />
Samantha Reyes<br />
María Antonieta Rodríguez<br />
Tamara Rodríguez<br />
Mariana Siblesz<br />
Iberia Torres<br />
Paola Wycke<br />
collaborators and other donors<br />
Carolina Briceño<br />
Colección Sammy Sayago<br />
Cruz-Diez <strong>Art</strong> Foundation<br />
Maddox <strong>Art</strong>s<br />
Rafael and Graciela Muci<br />
Gabriela Rodríguez<br />
Gabi Torres<br />
graphic design<br />
Patricia Álvarez<br />
London, April 2018<br />
None of this could have been possible without the contributions of the artists who donated their work.
This year, chamos - In Aid of the Children of Venezuela is focusing its<br />
fundraising efforts via the <strong>Art</strong> <strong>Gala</strong> 2018. Thank you for being a part of it!<br />
We have pulled together a list of known artists as well as emerging talent,<br />
with different approaches to art and with a broad spectrum of media. We<br />
hope that you enjoy the evening while helping chamos contribute to the<br />
development and social transformation of Venezuelan children.<br />
chamos is a non-profit registered charity managed by a group of<br />
volunteers with strong ties to Venezuela. We support education and<br />
community development programs through trusted local NGOs. In the<br />
past few years, some of the projects chamos has supported range from<br />
providing infrastructure and technical equipment for a children’s hospital,<br />
to sponsoring a program that brings together young people from local<br />
communities through participatory design to transform public spaces.<br />
There are many more projects and you can learn more about chamos and<br />
what we do via our website:<br />
www.chamos.org.uk
4<br />
<strong>Art</strong>ists<br />
Daniel<br />
Acuña<br />
Acuña’s work is set between<br />
Western and far‐Eastern<br />
philosophies and feeds<br />
from the friction that<br />
emerges from their most<br />
irreconcilable differences.<br />
He approaches drawing<br />
as scenery for reflection<br />
upon death and change,<br />
while dealing with the<br />
disturbances that arise<br />
from both resistance and<br />
acceptance of such terrifying<br />
yet beautiful phenomena.<br />
Enriqueta<br />
Ahrensburg<br />
Enriqueta Ahrensburg<br />
was born in Paris and<br />
lived in Venezuela. At<br />
16 she returned to Paris<br />
and studied at the Port<br />
Royal Academy. She<br />
graduated in Fine <strong>Art</strong>s<br />
at the Armando Reverón<br />
University. Ahrensburg won<br />
the prestigious “<strong>Art</strong>uro<br />
Michelena” award. She<br />
has exhibited many times<br />
around the world. Her<br />
paintings show a mastery<br />
of colour and light. She<br />
currently works in London.<br />
Nani<br />
Cárdenas<br />
Cárdenas graduated<br />
Valedictorian from the<br />
School of <strong>Art</strong>s at PUCP in<br />
1993 with the award for<br />
best sculpture. She studied<br />
drawing and sculpture in<br />
the workshop of Cristina<br />
Gálvez (1986‐1987). Her<br />
latest individual exhibits<br />
include: Jardín Nocturno in<br />
CEDE Galería (Lima, 2017);<br />
Cartografías del Naufragio in<br />
the SLMQG and Cartografías<br />
del Naufragio II in Cecilia<br />
González Galería (Lima,<br />
2015), Picnic en Wire Messe<br />
(Düsseldorf, 2010). She has<br />
also participated in several<br />
collectives and national and<br />
international art fairs in<br />
Lima, Santiago de Chile, NYC,<br />
Bogota, and La Paz, among<br />
others. She has published:<br />
Nubes (2011), Picnic (2010),<br />
Cuaderno de dibujo (2009)<br />
and Cromoterapia (2008).<br />
Gloria<br />
Ceballos<br />
Gloria Ceballos lives and<br />
works in London, UK. She<br />
has an MA Printmaking from<br />
the Royal College of <strong>Art</strong>,<br />
London, a BA (Honours) in<br />
Visual <strong>Art</strong>s from Camberwell<br />
College of <strong>Art</strong>s, London and<br />
a BA in Interior Design from<br />
IADE University, Madrid.<br />
Gloria has been the <strong>Art</strong>ist in<br />
Residence at North London<br />
Collegiate School, London;<br />
Atelierhaus Beisinghoff,<br />
Germany and Valdel<strong>Art</strong>e,<br />
Centre for <strong>Art</strong> & Nature,<br />
Spain, among others. She<br />
was finalist for Sustain RCA<br />
award, Royal College of <strong>Art</strong>,<br />
London and was shortlisted<br />
for the IX competition “Gran<br />
Canaria de Series de Obra<br />
Gráfica” in 2013.<br />
www.gloriaceballos.com<br />
www.nanicardenas.com
5<br />
Saint Clair<br />
Cemin<br />
Saint Clair Cemin was<br />
born in Brazil in 1951. He<br />
lives and works between<br />
New York City and Beijing.<br />
His work encompasses<br />
multiple styles, approaches,<br />
and materials, from neosurrealism<br />
to furniture to<br />
toys in popular culture to<br />
the history of sculpture.<br />
Some of his works are on<br />
permanent exhibitions<br />
at important institutions<br />
such as the Museum of<br />
Contemporary <strong>Art</strong> in Los<br />
Angeles.<br />
Carlos<br />
Cruz‐Diez<br />
Carlos Cruz-Diez, one of the fathers of kinetic art, has spent<br />
his life as a passionate painter. He was born in Caracas,<br />
Venezuela in 1923, and at 17 he enrolled at the School of<br />
Fine <strong>Art</strong>, Caracas. As an academic painter Cruz‐Diez was<br />
very successful but he wanted to change his trajectory and<br />
chose the relatively unexplored path of colour as his focus.<br />
In 1955 he moved to Europe (Barcelona and Paris, mainly)<br />
where artists were creating the kinetic art movement. 1961<br />
signalled his arrival to the European stage when he took<br />
part in ‘Bewogen Beweging’, the first major exhibition on<br />
kinetic art, at the Stedelijk Museum in Amsterdam, and his<br />
first solo exhibition in Paris was at the Galerie Kerchache<br />
in 1965. Gradually Cruz‐Diez developed his discourse; that<br />
of colour in space, devoid of form. His canvases reflect the<br />
ever-changing, ephemeral and mobile nature of colour<br />
with the use of lines, as the most efficient tool; devoid of<br />
symbolism and leaving only colour without anecdote. Over<br />
a period of almost seven decades of research, refinement<br />
and discovery, Cruz-Diez has never strayed from his<br />
original discourse. He is still amazed with life, passionate<br />
about his work and has a childlike enthusiasm that is<br />
utterly contagious. To date Cruz‐Diez has featured in 1,180<br />
collective exhibitions, 286 solo exhibitions, has constructed<br />
142 architectural works, received 70 awards, created<br />
65 ephemeral events and has works on display in the<br />
permanent collection of 62 museums. All of which happens<br />
on a global scale - some 18 countries and counting.<br />
Luigi<br />
Cuchillo<br />
Luigi Cuchillo was born in<br />
1984 in Caracas, Venezuela<br />
and lives in Madrid, Spain<br />
where he explores identity<br />
through collage, sculpture,<br />
writing, painting and design.<br />
Cuchillo believes that words<br />
are like knives and that we<br />
are constantly throwing<br />
knives at each other to<br />
communicate. Some are dull<br />
and bounce off. Others are<br />
sharp and cut deep into our<br />
souls. Some, we can never<br />
remove. Cuchillo paints<br />
knives to communicate his<br />
feelings. He believes that<br />
South Americans are well<br />
represented by knives as in<br />
the South people live closer<br />
lives. If you want to attack<br />
someone with a knife you<br />
need to be close to them.<br />
@luigi.cuchillo<br />
www.luigicuchillo.com
6<br />
<strong>Art</strong>ists<br />
Katherine<br />
di Turi<br />
Katherine Di Turi was born in<br />
Caracas, Venezuela. She is a<br />
London‐based artist whose<br />
work deals with the position<br />
of analogical photography in<br />
a digital era. Di Turi received<br />
an MFA in Fine <strong>Art</strong> Media<br />
from the Slade School of<br />
Fine <strong>Art</strong>, London, and a BA<br />
in Fine <strong>Art</strong> from the Instituto<br />
Armando Reverón, Caracas.<br />
Cristina<br />
Escobar<br />
Cristina was born<br />
in Ecuador. This land, its<br />
culture, flavours and colours,<br />
captivated her attention<br />
and inspired the artist to<br />
pursue her artistic career.<br />
She received her MA in<br />
<strong>Art</strong>s with a Graphic Design<br />
major at Simmons College in<br />
Boston. She moved back to<br />
Ecuador where she worked<br />
as <strong>Art</strong> Director in DeMaruri<br />
Publicidad. The Asociación<br />
Ecuatoriana de Publicidad<br />
granted her eleven Condor<br />
Awards for her outstanding<br />
work as a designer. In 1998<br />
she moved to the USA<br />
and resumed her painting<br />
studies. Cristina resides in<br />
Florida and participates with<br />
Studio 1156. She has taken<br />
part in many solo and group<br />
exhibits through the USA<br />
and South America.<br />
Diana<br />
Espín<br />
Diana Espin is a self‐taught<br />
photographer and currently<br />
a student at Roberto<br />
Mata’s Photography Studio<br />
in Florida. Her work is<br />
not limited to just one<br />
form or expression. She<br />
views photography as an<br />
interminable language which<br />
powers her experimental<br />
work. Her work is very liberal<br />
and related to personal<br />
experiences: documentary,<br />
landscape, grand scale<br />
panoramic images, as well<br />
as some work with portraits<br />
and fine arts. She considers<br />
herself an eternal student,<br />
always ready to work in<br />
collaborations or volunteer<br />
her camera in any creative<br />
endeavour where it could be<br />
of use. Her images attempt<br />
to transmit sensations and<br />
feelings to those who look at<br />
them carefully, transmitting<br />
her own experience in the<br />
process.<br />
Guillermo<br />
Felizola<br />
Guillermo Felizola was<br />
born in Venezuela. He is<br />
one of the most renown<br />
photographers in the<br />
country and is recognised<br />
for being one of the most<br />
talented and original of<br />
the moment. He is at his<br />
happiest when through his<br />
lens he can capture the<br />
beauty of Caracas, where he<br />
resides.
7<br />
Renata<br />
Fernández<br />
Renata Fernández was born<br />
in Caracas, Venezuela and<br />
lives and works in London,<br />
UK. She studied Fine <strong>Art</strong>s at<br />
the Instituto Universitario<br />
de Estudios Superiores de<br />
<strong>Art</strong>es Plásticas Armando<br />
Reverón, as well as studying<br />
Drama and Set Design and<br />
Media Studies. Fernández<br />
has received several awards,<br />
such as 2nd Award Atkinson<br />
Gallery Summer Exhibition<br />
(2001) and the Órden José<br />
Félix Rivas, Third Class, for<br />
artistic accomplishments<br />
as an emerging Venezuelan<br />
artist (1993). She has had<br />
solo and group exhibitions<br />
in Venezuela, London, and<br />
Spain among others.<br />
Carolina<br />
Fernández<br />
del Dago<br />
Carolina Fernandez del Dago<br />
is a Bogotá based visual<br />
artist and filmmaker (The<br />
School of The <strong>Art</strong> Institute of<br />
Chicago BFA/BAVCS - 2014)<br />
mixing themes of social<br />
critique with multimedia<br />
installations. Her work<br />
spans a variety of mediums<br />
and lies at the intersection<br />
of deep engagement<br />
with process, kitsch, and<br />
commentary.<br />
Justine<br />
Formentelli<br />
Justine Formentelli was<br />
born in Paris in 1973. She<br />
spent her childhood in the<br />
Caribbean, the island of<br />
Reunion and Morocco, where<br />
the strong light and vibrant<br />
colours have remained an<br />
enduring influence in her<br />
paintings. She completed<br />
her BA in illustration at<br />
the Atlanta College of <strong>Art</strong>s,<br />
USA (1998). She has been<br />
painting and exhibiting in<br />
the USA and Europe ever<br />
since. Her nomadic life<br />
has led her to investigate<br />
the meaning of home and<br />
the transitory nature of<br />
existence. She is currently<br />
studying for an MA in fine<br />
<strong>Art</strong>s at The City and Guilds of<br />
London School of <strong>Art</strong>s.<br />
www.justine-formentelli.com<br />
Jason<br />
<strong>Gala</strong>rraga<br />
<strong>Gala</strong>rraga was born in<br />
Caracas, Venezuela in 1950.<br />
He studied at the Instituto<br />
de Diseño - Fundación<br />
Neumann and at the Escuela<br />
de <strong>Art</strong>es Plásticas (Caracas).<br />
He also did a course in<br />
Applied Graphic <strong>Art</strong>s at<br />
CEAGRAF, Universidad de<br />
Costa Rica. His work has<br />
been part of solo exhibits<br />
in Venezuela, Colombia,<br />
Chile, Panama, USA, Mexico,<br />
and France. <strong>Gala</strong>rraga has<br />
received numerous awards,<br />
including the “Mención<br />
Unica” at the lll Bienal<br />
Internacional de <strong>Art</strong>e<br />
Contemporáneo ULA (2010)<br />
and the “Antonio Edmundo<br />
Monsanto” Award at the<br />
LXV Salón <strong>Art</strong>uro Michelena<br />
(2010).
8<br />
ARTworks<br />
01<br />
03<br />
02<br />
01<br />
Daniel Acuña<br />
No. 38 from the Cloud-spotting and<br />
Other Aimless Endeavors II series<br />
(2018)<br />
–<br />
27 x 27 cm<br />
Erased charcoal dust on paper<br />
Original<br />
02<br />
Nani Cárdenas<br />
El Otro Novio<br />
(2015)<br />
–<br />
60 x 44 cm<br />
Embroidery and mixed media<br />
[framed in acrylic box]<br />
Orginal<br />
03<br />
Enriqueta Ahrensburg<br />
Spring<br />
(2017)<br />
–<br />
50 x 80 cm<br />
Acrylic paint on canvas<br />
Original
9<br />
04<br />
05<br />
04<br />
Carlos Cruz-Diez<br />
Sitges<br />
(2014)<br />
–<br />
100 x 25 cm<br />
Lithograph<br />
Series 1/75<br />
Signed by artist<br />
05<br />
Carlos Cruz-Diez<br />
Color Aditivo 3x<br />
(2011)<br />
–<br />
33 x 48.5 cm<br />
Lithograph<br />
Series 1/75<br />
Signed by <strong>Art</strong>ist
10 ARTworks<br />
07<br />
06<br />
08<br />
06<br />
Luigi Cuchillo<br />
Cómanse a Besos esta Noche<br />
(2017)<br />
–<br />
70 x 35 cm<br />
Print on aluminium<br />
Original<br />
07<br />
Gloria Ceballos<br />
Hiliada<br />
(2008)<br />
–<br />
56 x 38 cm<br />
Embroidery and mixed media<br />
Monotype<br />
Original<br />
08<br />
Saint Clair Cemin<br />
Untitled - 4<br />
(1980)<br />
–<br />
38 x 47 cm<br />
Aquatint Etching<br />
Series 3/75
11<br />
09<br />
10 11<br />
09<br />
Guillermo Felizola<br />
Serie Libertador<br />
(2017)<br />
–<br />
[Set of 2]<br />
30 x 30cm [each]<br />
Photography<br />
Original<br />
10<br />
Cristina Escobar<br />
Heliconias<br />
(2013)<br />
–<br />
155 x 126 cm<br />
Oil on canvas<br />
Original<br />
11<br />
Katherine Di Turi<br />
Abstract Photogram #38<br />
(2018)<br />
–<br />
17.5 x 12.5 cm<br />
Photogram on RC Ilford Paper<br />
Original
12 ARTworks<br />
13<br />
12<br />
14<br />
12<br />
Renata Fernández<br />
Deck Chairs<br />
(2016)<br />
–<br />
44 x 61 cm<br />
Series Varied Edition<br />
Intervened Matted Print<br />
Series 1/2<br />
13<br />
Carolina Fernández del Dago<br />
Lasso<br />
(2016)<br />
–<br />
20 x 24 cm<br />
Collage<br />
Series 2/100<br />
14<br />
Justine Formentelli<br />
Untitled<br />
(2015)<br />
–<br />
30 x 40 cm<br />
Acrylic and collage<br />
Original
13<br />
15<br />
17<br />
16<br />
15<br />
Jason <strong>Gala</strong>rraga<br />
Juegos y Letras<br />
(2008)<br />
–<br />
38 x 59 cm<br />
Acrylic paint and crayons on wood<br />
Original<br />
16<br />
María Gamundí<br />
Goddess of the Water<br />
(2016)<br />
–<br />
30 x 30 cm<br />
High relief original model in<br />
terracotta on wooden frame<br />
17<br />
María Gamundí<br />
Zulay<br />
(1993)<br />
–<br />
53 x 38 cm<br />
Serigraphy<br />
Series 3/45
14 <strong>Art</strong>ists<br />
María<br />
Gamundí<br />
Maria Gamundí was born in<br />
1952 in Caracas, Venezuela.<br />
She studied at Pratt Institute<br />
of New York and the<br />
Scuola del Libro of Urbino.<br />
She lives and works in<br />
Pietrasanta. Since 1973 she<br />
has held important personal<br />
exhibitions in Italy, Europe,<br />
the United States and<br />
Latin America. Her female<br />
nudes exude a sculptural<br />
force exalted by her deep<br />
knowledge of anatomy and<br />
materials, as well as an<br />
instinctive “joie de vivre”<br />
which well represents her<br />
strong Latin American roots.<br />
Gabriela Elena<br />
García<br />
García was born in Boston,<br />
Massachusetts in 1982 and<br />
currently lives and works<br />
in Florida, USA. She began<br />
her photographic studies in<br />
2009 at the Roberto Mata<br />
Photography Workshop and<br />
her exhibition career in 2011.<br />
In 2014, she held her first<br />
solo exhibition, “Caracas<br />
Fragmentada”, at the tresy3<br />
Gallery in Caracas. She<br />
has been awarded: Third<br />
place in video festival Sin<br />
Mordaza, 2012 and third<br />
place in the competition Una<br />
fotoxdíax28dias, Roberto Mata<br />
Taller de Fotografía, 2011.<br />
Juan<br />
Gerstl<br />
Born in Caracas in 1985,<br />
Gerstl showed signs of<br />
intellectual creativity from<br />
an early age. As a child, he<br />
was drawn to symmetry,<br />
order and movement<br />
focusing on turning his<br />
creativity into tangible<br />
aesthetic. Both his art-dealer<br />
mother and his natureloving<br />
father encouraged<br />
him to express his ideas in<br />
different ways. Today, still<br />
‘haunted’ by form, volume<br />
and symmetry, Gerstl<br />
stresses the importance of<br />
harmony in each piece and<br />
seeks integration between<br />
the piece and the viewer.<br />
“My creative path stands<br />
between a peaceful dream<br />
and a mathematical reality<br />
born as an optical illusion<br />
of the viewer that I call<br />
Geometric Poetry”.<br />
www.juangerstl.com.<br />
Jaime<br />
Gili<br />
Jaime Gili (born 1972,<br />
Caracas) is a London-based<br />
artist. Throughout his career,<br />
Gili has developed the<br />
universal abstract language<br />
of the mid-20th Century<br />
into contemporary painting.<br />
More specifically, his work<br />
has been contextualised as<br />
a revision of Latin American<br />
abstraction, especially<br />
the Venezuelan optical<br />
and kinetic work of artists<br />
such as Carlos Cruz-Diez<br />
and Alejandro Otero, with<br />
an input from popular art<br />
and London’s energy. Gili<br />
received his MA in painting<br />
from the Royal College of<br />
<strong>Art</strong> (1998), after studying<br />
in Caracas and Barcelona.<br />
He completed a PhD at the<br />
University of Barcelona<br />
(2001) with a thesis on<br />
“Repetition and Serial art<br />
since the 1960’s”.
15<br />
Peter<br />
Griffin<br />
Peter Griffin was born in 1947<br />
in Wakefield, Yorkshire. He<br />
lives and works in London.<br />
He has a MFA in Fine <strong>Art</strong><br />
(Distinction) from Slade<br />
School of Fine <strong>Art</strong>, London<br />
(1979) and studied at the<br />
San Francisco <strong>Art</strong> Institute,<br />
Fulbright Grant (1977).<br />
He received the Wingate<br />
Fellowship for Humanities<br />
in the <strong>Art</strong>s award (1992),<br />
the Rome Scholarship in<br />
Painting (1979) and the<br />
Anstruther Purchase Award<br />
(1977). His work has been<br />
part of solo and collective<br />
exhibits around the world<br />
and is part of the collections<br />
in several museums,<br />
including The Royal College<br />
of <strong>Art</strong> (London).<br />
Pablo<br />
Griss<br />
Pablo Griss was born in 1971<br />
in Caracas, Venezuela. He<br />
graduated from Columbia<br />
University School of Visual<br />
<strong>Art</strong>s (1996) in New York,<br />
where he lived and worked.<br />
He currently works from<br />
his studios in Berlin and<br />
Panama City where he has<br />
resided since 2008. Pablo<br />
has participated in several<br />
group and solo exhibitions<br />
in the USA, Europe and Latin<br />
America. Griss’s work was<br />
featured in the book “100<br />
Painters of Tomorrow”.<br />
www.pablogrissintervention.com<br />
Itálica<br />
Anticuario<br />
ITALICA is currently the most<br />
exclusive representative<br />
of Asian <strong>Art</strong> in Spain. Mani<br />
de Rato and her daughter<br />
Ángela de la Rosa Rato,<br />
alongside a team of<br />
professionals, are the faces<br />
behind the gallery. Ángela<br />
specialised in Asian <strong>Art</strong><br />
at the British Museum in<br />
London, focusing on India,<br />
China and South East<br />
Asia. Itálica participates in<br />
fairs and auctions, both in<br />
Spain and internationally.<br />
In September 2012, Itálica<br />
moved back into the same<br />
gallery space where it all<br />
began in 1970, in Calle Jorge<br />
Juan 31, Madrid. The gallery<br />
has been reformed and<br />
continues to offer unique<br />
pieces of painting, sculpture<br />
and furniture.<br />
www.anticuarioitalica.com<br />
María Fernanda<br />
Lairet<br />
Born in Caracas, Venezuela,<br />
Lairet studied Graphic<br />
Design at the Instituto de<br />
Diseño de Caracas (1987).<br />
Throughout her career as<br />
an artist she has dabbled<br />
in graphic design, drawing,<br />
photography, and painting,<br />
disciplines in which she<br />
works without boundaries<br />
and combines to produce<br />
surprising pieces. During<br />
the 80’s Lairet began her<br />
artistic work, with pieces<br />
framed within abstract<br />
expressionism and paintings<br />
strongly dominated by<br />
gestures. Lairet’s current<br />
work is more reflexive<br />
and conceptual, by which<br />
she studies currency from<br />
different denominations<br />
and nationalities and where<br />
she seeps through aspects<br />
of politics, economy and<br />
society.<br />
www.mariafernandalairet.com
16 <strong>Art</strong>ists<br />
Andrés<br />
Landino<br />
My love for portrait photography started in the early<br />
eighties under the direction of Antonieta Muñoz. My<br />
first portrait commission came a couple of years later<br />
and I decided to embark on portraits as a career. During<br />
my studies in Journalism at the Universidad Central de<br />
Venezuela, analogue photography bewitched me and<br />
widened my senses taking my creativity to other levels. I<br />
sought to capture and display the essence of whom and<br />
what I was photographing. With time, I learned the use<br />
and magic of light, giving more depth and meaning to my<br />
work. I am currently based in London.<br />
Marianne<br />
Lerbs<br />
Lerbs grew up in Caracas,<br />
Venezuela and lives in<br />
Florida, USA. Her mother<br />
was a renowned art critic<br />
and her father encouraged<br />
her to pursue her art calling.<br />
With them she travelled<br />
all throughout Europe,<br />
South America and North<br />
America, visiting museums<br />
and galleries. Marianne<br />
graduated as graphic<br />
designer from the Instituto<br />
de Diseño Neumann. She<br />
has a long list of solo shows,<br />
art residences and public art<br />
commissions and has won<br />
several awards, including<br />
“Most Advanced <strong>Art</strong>ist of<br />
Show” by Henry Flood Jr.<br />
director of Jacksonville<br />
Museum of Contemporary<br />
<strong>Art</strong>; and the inclusion in the<br />
“Encyclopaedia of Living<br />
<strong>Art</strong>ists”, among other awards.<br />
Enrique<br />
Lobo<br />
Enrique Lobo was born<br />
in Mérida, Venezuela in<br />
1958. He graduated as an<br />
Architect from the University<br />
of Los Andes (1985) and,<br />
between 1991 and 1994,<br />
he studied engraving at<br />
L’Espace Croix‐Baragnon<br />
in Toulouse, France. He<br />
currently lives in Palmira,<br />
Venezuela and works in<br />
different artistic expressions,<br />
such as painting, drawing,<br />
engraving, and sculpture.<br />
He has exhibited his work in<br />
galleries, museums, centres<br />
and art fairs nationally and<br />
internationally.<br />
www.mariannelerbs.com
17<br />
Anamaría<br />
López<br />
López was born in Cumaná,<br />
Venezuela and lived in Spain<br />
as a child, where she spent<br />
most of her time visiting<br />
museums and galleries with<br />
her father, which inspired<br />
her to paint. She is passionate<br />
about nature and<br />
works with unconventional<br />
tools and different textures,<br />
dimensions and colours that<br />
contribute to her contemporary<br />
abstract designs. Each<br />
work is bold and shows her<br />
emotion, with colours overlapping<br />
into one another.<br />
She encourages viewers by<br />
taking them into a world of<br />
ethereal beauty, where they<br />
can search their own meaning<br />
and make discoveries<br />
along the way.<br />
Rocío<br />
Magasrevi<br />
Magasrevi was born in<br />
Caracas, Venezuela in 1973. In<br />
1997 she did her first studies<br />
in drawing at the studio of<br />
José Gelhder and in 1999 she<br />
began to explore painting<br />
with oils and acrylic. In 2003,<br />
after perfecting her oil paint<br />
technique, she founded her<br />
studio, together with other<br />
fellow artists, joined art<br />
collective exhibits and began<br />
selling her work. From 2009<br />
to 2014 Magasrevy studied<br />
under artist Enrique Etievan.<br />
Her work is part of private<br />
collections in Venezuela,<br />
USA, Panama and Spain. She<br />
currently works in her studio<br />
in Caracas.<br />
Cipriano<br />
Martínez<br />
Martínez was born in 1965 in<br />
Caracas, Venezuela. He has<br />
an MA from Chelsea College<br />
of <strong>Art</strong>s & Design, London<br />
(1999) as well as an MA from<br />
UPEL, Caracas (1998) and a<br />
Degree in <strong>Art</strong>s from Instituto<br />
Armando Reverón, Caracas<br />
(1996). He studied Civil Engineering<br />
at the UCV, Caracas<br />
(1989). He received a Special<br />
Mention of the Jury at the<br />
Mendoza Award 2003, Caracas<br />
and a Special Distinction<br />
at the “II Bienal Nacional del<br />
Paisaje” Museo de <strong>Art</strong>e Contemporáneo<br />
Mario Abreu,<br />
Maracay, Venezuela (1998).<br />
Martínez’s work has been in<br />
solo and group exhibits in<br />
Venezuela, UK, Spain, and<br />
Colombia.<br />
Juan<br />
Mateus<br />
Juan Mateus is a London<br />
based Colombian artist who<br />
works with photography,<br />
mixed media and found<br />
objects. He currently studies<br />
Fine <strong>Art</strong>s at Central Saint<br />
Martins (UAL).<br />
Look at #me is a comment<br />
on narcissism and our<br />
obsession with the way in<br />
which we portray ourselves<br />
and create online social<br />
media personas, which<br />
do not always necessarily<br />
represent reality.<br />
juanmateus.com
18 ARTworks<br />
18<br />
20<br />
19<br />
18<br />
Gabriela Elena García<br />
Unexpected Inner Side<br />
(2015)<br />
–<br />
[Set of 2]<br />
#07 Series 2/6<br />
#30 Series 3/6<br />
24 x 25 cm (each)<br />
Archival Pigment print on<br />
Hahnemuhle photo rag,<br />
bright white 310 gsm<br />
19<br />
Juan Gerstl<br />
Mercedes<br />
–<br />
200 x 200 cms<br />
Geometric cartography.<br />
Intervened print on paper<br />
Original<br />
20<br />
Itálica Anticuario<br />
God Vishnu<br />
(XIX Century Original)<br />
–<br />
15 cm H<br />
Bronze Sculpture<br />
India
19<br />
21<br />
22<br />
23<br />
21<br />
Peter Griffin<br />
Heart<br />
(2007)<br />
–<br />
76 x 58cm<br />
Carburundum Etching<br />
Edition 5/12<br />
Original<br />
22<br />
Jaime Gili<br />
A200 Gio<br />
(2010)<br />
–<br />
70 x 70 cm<br />
Original silkscreen print on<br />
350gsm Magnani litho paper<br />
Series 1/200<br />
23<br />
Pablo Griss<br />
Brooding Sky<br />
–<br />
60 x 50 cm<br />
Acrylic on linen<br />
2018<br />
Original
20 ARTworks<br />
24<br />
25<br />
24<br />
Andrés Landino<br />
Jesus Soto - Behind the scenes<br />
(1998)<br />
–<br />
[Set of 3]<br />
14 x 19 cm<br />
14 x 19 cm<br />
19 x 28 cm<br />
Photography on paper<br />
25<br />
María Fernanda Lairet<br />
Queen Elizabeth II<br />
(2013)<br />
–<br />
30 x 30 cm<br />
Photo print and praise<br />
glass impression<br />
Original
21<br />
27<br />
26<br />
28<br />
26<br />
Marianne Lerbs<br />
Doggo<br />
(2010)<br />
–<br />
82 x 102 cm<br />
Acrylic paint on canvas.<br />
Original<br />
27<br />
Enrique Lobo<br />
Mi Bici Mágica<br />
(2018)<br />
–<br />
50 x 50 cm<br />
Mixed technique on canvas<br />
Original<br />
28<br />
Anamaría López<br />
Remanso<br />
(2017)<br />
–<br />
64 x 140 cm<br />
Acrylic paint on Canvas<br />
Original
22 ARTworks<br />
29<br />
31<br />
30<br />
29<br />
Rocío Magasrevi<br />
Trazando<br />
(2018)<br />
–<br />
25 x 25 cm<br />
Oil on canvas<br />
Original<br />
30<br />
Juan Mateus<br />
Look at #me<br />
(2015)<br />
–<br />
62 x 53 cm<br />
Acrylic and correction<br />
fluid on found object<br />
Original<br />
31<br />
Cipriano Martínez<br />
Apuntes para la Destrucción<br />
(2014)<br />
–<br />
56 x 76.5 cm<br />
Silkscreen on Fabriano paper<br />
Original
23<br />
32<br />
33<br />
32<br />
Gabriela Medina<br />
Urban Fridha<br />
(2017)<br />
–<br />
20 x 30 cm<br />
Digital Collage<br />
Series 1/20<br />
33<br />
Gabriela Medina<br />
Salado<br />
(2017)<br />
–<br />
[Set of 2]<br />
20 x 30 cm (each)<br />
Digital Collage<br />
Series 1/20
24 <strong>Art</strong>ists<br />
Roberto<br />
Matta<br />
Roberto Matta (Chile<br />
1911‐2002) “… was an international<br />
figure whose<br />
worldview represented<br />
a synthesis of European,<br />
American, and Latin American<br />
cultures. As a member<br />
of the Surrealist movement<br />
and an early mentor to<br />
several Abstract Expressionists,<br />
Matta broke with both<br />
groups to pursue a highly<br />
personal artistic vision.<br />
His mature work blended<br />
abstraction, figuration, and<br />
multi‐dimensional spaces<br />
into complex, cosmic landscapes.<br />
Matta’s long and<br />
prolific career was defined<br />
by a strong social conscience<br />
and an intense exploration<br />
of his internal and<br />
external worlds”. (Modern<br />
<strong>Art</strong> Insight)<br />
Gabriela<br />
Medina<br />
Gabriela Medina is a creative<br />
photographer specialized<br />
in international corporate<br />
image. Freelance since 1982,<br />
she has worked directly for<br />
top clients and the best<br />
advertising agencies all<br />
over the world. Living in<br />
Paris since 2011, she is now<br />
capturing the essence of the<br />
“City of Light”, through the<br />
emotions of its inhabitants.<br />
Taking time to compile and<br />
edit her extended image<br />
bank, Gabriela is aiming for<br />
a more personal work. In<br />
2014 she received the Gold<br />
Medal of Professional Merit<br />
by the “Foro Europa 2011” in<br />
Madrid.<br />
gabrielamedinaart.com<br />
Manuel<br />
Mérida<br />
Mérida is a Venezuelan<br />
contemporary painter and<br />
sculptor born in 1939, based<br />
in Paris. Mérida studied<br />
painting and sculpture<br />
at the Escuela de <strong>Art</strong>es<br />
Plásticas <strong>Art</strong>uro Michelena<br />
under the tutelage of<br />
Braulio Salazar and Claudio<br />
Mimo. From 1968 to 1973 he<br />
lived in Europe, where he<br />
befriended Carlos Cruz‐Diez<br />
and collaborated in his<br />
studio for two years. Back in<br />
Venezuela in 1973 he began<br />
to integrate concepts of<br />
space and movement into<br />
his work. His artistic work<br />
develops alongside his work<br />
as a set decorator for movies<br />
and television, where he<br />
has collaborated with Luis<br />
Armando Roche, Néstor<br />
Rodríguez Lamelas and Max<br />
Douy. Mérida’s work is part<br />
of the permanent collections<br />
of several museums around<br />
the world.<br />
Patricia<br />
Michelangeli<br />
Patricia was born in Caracas<br />
in 1977. She studied art in<br />
the School of Visual <strong>Art</strong>s<br />
Cristobal Rojas in Caracas.<br />
She is recognisable for<br />
her vividly coloured style<br />
in abstract art. She has<br />
exhibited her work in<br />
Caracas, Maturin and Miami.
25<br />
Rodolfo<br />
Minunboc<br />
Rodolfo Minumboc was a<br />
Venezuelan painter and<br />
sculptor (1933‐1988). He lived<br />
in Rome from 1963, where<br />
he studied architecture<br />
and art history. His work is<br />
known for a predominance<br />
of white with bursts of<br />
silver, gold and grey, which<br />
induce sculptoric sensations,<br />
with somewhat kinetic and<br />
spatial influences.<br />
Gustavo<br />
Muci<br />
My artistic work does not<br />
pursue definition, location,<br />
or concept. It pursues liberty<br />
through the conjugation<br />
and ludic exploration of<br />
colour, shapes, textures,<br />
lines and dots as mediums<br />
for the expression of the<br />
most intimate emotions and<br />
sensations. It is nurtured<br />
by the sea, marine life, the<br />
sky, clouds, space and the<br />
movement that exists in<br />
each of them. It intends to<br />
be the result of the union<br />
between the mind and the<br />
soul, which fly and express<br />
themselves together, so the<br />
creative spirit can flow as<br />
it wishes, opening the way<br />
for the enjoyment of life<br />
- of existence in freedom,<br />
freedom that is captured in<br />
each canvas, in each creative<br />
event.<br />
www.muci.com/galería<br />
Isabela<br />
Muci<br />
From an early age I dove<br />
headlong into a variety of<br />
artistic pursuits in order<br />
to free myself from my<br />
surroundings. My journey<br />
began with painting and<br />
progressed to pottery,<br />
music, and sculpture<br />
before returning to my true<br />
passion: painting. I feel<br />
the need for an intimate<br />
dialog with my work in order<br />
to bring about personal<br />
transformation through the<br />
creative process, which is<br />
an aesthetic exploration of<br />
recycled and often earthy<br />
foundations layered with<br />
hints of classical figure<br />
drawings. This layering<br />
process is achieved with a<br />
playful painting approach<br />
and it is my personal way of<br />
searching for beauty in the<br />
imperfect, impermanent, and<br />
incomplete.<br />
Leonardo<br />
Nierman<br />
Leonardo Nierman is a<br />
Mexican artist born in 1932<br />
and mostly known for his<br />
painting and sculpture. His<br />
work is abstract but still<br />
with discernible images<br />
from nature such as birds,<br />
water, lightning and more.<br />
His paintings are in pure<br />
colours while his sculptures<br />
are generally of metal, often<br />
silver-toned. Nierman has<br />
had exhibitions in Mexico<br />
and abroad and over sixty<br />
recognitions of his work, half<br />
of which are from outside<br />
Mexico.
26 <strong>Art</strong>ists<br />
Ángel Roberto<br />
Núñez<br />
I may say that I “inherited” my interest in art from my<br />
daughter Cristina. My education was always scientific and<br />
not humanistic; however, at my 64 years of age I have<br />
lived lots of experiences that have taken me to the most<br />
beautiful places where it would be impossible to keep the<br />
visual sensibility silent. I have now found an activity that<br />
allows me to share with my daughter, where she represents<br />
experience and I represent adolescence. There is no greater<br />
inspiration than disobeying her advice and doing mischief<br />
endorsed by the arbitrariness that characterizes creativity. I<br />
do not know what gives me more pleasure, finishing an art<br />
project or sharing the studio with my daughter.<br />
Alejandro<br />
O’Daly<br />
As a hobbyist in art, I try to<br />
do things that I enjoy. I seek<br />
to create and turn feelings,<br />
emotions, memories or<br />
what I see in the agitated<br />
day to day of any person<br />
into an artwork. I love to<br />
think of different ways to<br />
express myself through art,<br />
therefore I don’t follow any<br />
specific technique although<br />
I try to use my Civil Engineer<br />
background. I have had for<br />
years the basic need to<br />
create and in this moment<br />
of my life, after many years<br />
designing in my head, I have<br />
found the time to express<br />
myself.<br />
Pablo<br />
O’Higgins<br />
Pablo (Paul) O’Higgins was<br />
born in Salt Lake City, Utah.<br />
In 1924 he left for Mexico<br />
where he became Rivera’s<br />
assistant on the murals<br />
at the National School of<br />
Agriculture in Chapingo and<br />
at the Ministry of Education<br />
in Mexico City. O’Higgins<br />
painted his first mural in<br />
1933 at the Emiliano Zapata<br />
School. Throughout his<br />
career he continued to paint<br />
murals on public buildings<br />
in both Mexico and the<br />
United States. His most<br />
notable work is probably the<br />
pre-Hispanic themed mural<br />
at the National Anthropology<br />
Museum in Mexico City<br />
(1963‐4).
27<br />
Esther<br />
Ojeda<br />
Esther is a Venezuelan artist<br />
who lives and works in Paris<br />
since 1968. In both canvas<br />
and painting on silk, Ojeda<br />
has integrated her search<br />
of colour and abstraction<br />
to leave a range of sweet<br />
textures, caressed by the<br />
delicacy and the acquired<br />
perfection through the<br />
<strong>Art</strong>uro Michelena Plastic <strong>Art</strong>s<br />
School, l’Ecole du Louvre<br />
and the Atelier Technique<br />
Kniasseff of Paris, where the<br />
master Kniasseff taught her<br />
about decoration on silk<br />
and the manufacture of inks,<br />
which she ably produces and<br />
captures.<br />
www.estherojeda.net<br />
Armando<br />
Pérez<br />
Armando was born in<br />
Venezuela in 1936 and<br />
moved to Paris, France<br />
with his family in 1968.<br />
Armando travels frequently<br />
to Venezuela where he has<br />
made a name for himself as<br />
a world class muralist and<br />
a beloved artist in galleries<br />
and museums. Armando’s<br />
symbolism tendencies have<br />
brought him notoriety in the<br />
art world as an expert in his<br />
field.<br />
www.atelierarmando.com<br />
Luz<br />
Pérez Ojeda<br />
Luz was born in Venezuela<br />
in 1966 and lives in France<br />
since 1968. Both her parents<br />
are Venezuelan artists from<br />
whom she learnt the art<br />
of painting. Luz worked for<br />
over 10 years as assistant<br />
to kinetic master Carlos<br />
Cruz-Diez and with Del Arco,<br />
fine art serigraphy printers,<br />
in Paris. She works with<br />
mixed media: paint, collages,<br />
digital photography, using<br />
her own photographs and<br />
paintings, as well as doing<br />
collaborative work with<br />
other photographers. She<br />
is represented by Galerie<br />
Montmartre Paris.<br />
www.luzperezojeda.net<br />
Ernesto<br />
Pesce<br />
Pesce is an Argentinian<br />
plastic artist and teacher. His<br />
extensive career is mirrored<br />
in the presence of his work<br />
in numerous museums and<br />
collections across three<br />
continents. His monumental<br />
murals embellish public<br />
spaces in Argentina and<br />
Germany. Pesce has been<br />
awarded with important<br />
national and international<br />
prizes such as the Great<br />
National Prizes of Drawing<br />
(1977) and Engraving (1980)<br />
and the Prize of Engraving<br />
“Manuel Belgrano” (1981), the<br />
highest recognition granted<br />
by the City of Buenos Aires.
28 ARTworks<br />
34 35<br />
36<br />
34<br />
Roberto Matta<br />
Homo Flux (Octravi)<br />
(1974-1975)<br />
–<br />
61 x 81 cm<br />
Lithograph 200<br />
35<br />
Manuel Mérida<br />
Cercle Rouge Terre Cuite<br />
(2015)<br />
–<br />
60 cm Diam<br />
Painted wood, sand, glass<br />
Original<br />
36<br />
Patricia Michelangeli<br />
Me Habitas, Te Arropo<br />
(2018)<br />
–<br />
40 x 50cm<br />
Acrylic on canvas<br />
Original
29<br />
37<br />
39<br />
38<br />
37<br />
Leonardo Nierman<br />
Untitled<br />
(ca. 1970)<br />
–<br />
60 x 43 cm<br />
Watercolour<br />
38<br />
Rodolfo Minunboc<br />
Armonia II<br />
–<br />
50 x 40 cm<br />
Oil painting on canvas<br />
Original<br />
39<br />
Gustavo Muci<br />
The Flower of Life 4 - Gaia<br />
(2017)<br />
–<br />
46 x 61 cm<br />
Acrylic paint over Acrylic<br />
Gesso Primed Sheet<br />
Original
30 ARTworks<br />
40<br />
41<br />
40<br />
Ángel Roberto Núñez<br />
Untitled<br />
–<br />
30 x 30 x 10 cm<br />
Acrylic and oil<br />
41<br />
Ángel Roberto Núñez<br />
Untitled<br />
–<br />
30 x 30 x 10 cm<br />
Acrylic and oil
31<br />
44<br />
42<br />
43<br />
42<br />
Alejandro O’Daly<br />
Untitled<br />
(2018)<br />
–<br />
50 x 50 cm<br />
Digital Print<br />
Original<br />
43<br />
Alejandro O’Daly<br />
Ávila Tricolor<br />
(2018)<br />
–<br />
17 x 60 cm<br />
Digital Print<br />
Original<br />
44<br />
Esther Ojeda<br />
Bibliotecas<br />
(2016)<br />
–<br />
30 x 21 cm<br />
Acrylic paint, mixed media<br />
on Arches paper<br />
Original
32 ARTworks<br />
45<br />
46<br />
47<br />
45<br />
Luz Pérez Ojeda<br />
Dancing Liberty<br />
(2016)<br />
–<br />
21 x 30 cm<br />
Animation Lenticular Print<br />
Series 1/8<br />
46<br />
Pablo O’Higgins<br />
The Market<br />
(1934)<br />
–<br />
32 x 38 cm<br />
Lithograph Original<br />
Edition of 300<br />
47<br />
Armando Pérez<br />
Profils<br />
(2017)<br />
–<br />
40 x 50 cm<br />
Acrylic paint on canvas<br />
Original
33<br />
49<br />
48<br />
50<br />
48<br />
Ernesto Pesce<br />
Buscando al Arquitecto de<br />
la Catedral de Chartres en el<br />
Laberinto del Universo<br />
(2017)<br />
–<br />
50 x 70 cm<br />
Técnica mixta sobre papel<br />
Serie LABERINTOS<br />
49<br />
Daniela Quilici<br />
Oliva 1<br />
(2011)<br />
–<br />
41 x 32 cm<br />
Acrylic and pencil on paper<br />
Original<br />
50<br />
Lucía Pizzani<br />
Orchids #A32<br />
(2012)<br />
–<br />
30 x 40 cm<br />
Inkjet pigment print on cotton paper<br />
Series 1/20
34 <strong>Art</strong>ists<br />
Lucía<br />
Pizzani<br />
Pizzani was born in<br />
Caracas, Venezuela, where<br />
studied Communications<br />
(Audiovisual) at the<br />
Universidad Católica Andrés<br />
Bello. She has a Diploma<br />
in Conservation Biology<br />
from Columbia University<br />
and an MA from Chelsea<br />
College of <strong>Art</strong>s in London.<br />
Pizzani has received several<br />
awards, including: Hotshoe/<br />
Photofusion Magazine 2014,<br />
Award to Best Emerging<br />
<strong>Art</strong>ist from the AICA-<br />
Venezuela Asociación<br />
Internacional de Críticos de<br />
<strong>Art</strong>e, 2013, First Prize in the<br />
XII Premio Eugenio Mendoza<br />
2013, and Second Prize in the<br />
IX Salón CANTV de Jóvenes<br />
<strong>Art</strong>istas FIA 2006.<br />
Daniela<br />
Quilici<br />
Quilici was born in Paris,<br />
France in 1982. She spent<br />
her childhood and part of<br />
her youth in Venezuela. She<br />
returned to Paris in 1999 and<br />
studied graphic design at<br />
Sornas and Creapole. In 2000<br />
she travelled to Morocco as<br />
an assistant photographer.<br />
She obtained her Masters<br />
from the Fine <strong>Art</strong>s’s School<br />
in Paris 2006. At that time<br />
she made her second solo<br />
exhibition. She obtained<br />
her degree in sculpture and<br />
drawing from the Fine <strong>Art</strong>s<br />
National School (2009). In<br />
2013 part of her work enters<br />
in the collection of the<br />
Cabinet of Prints drawing of<br />
Valencia, Venezuela. Daniela<br />
has exhibited in different<br />
cities such as Buenos Aires,<br />
Caracas, London and Paris.<br />
Manuel<br />
Quintana<br />
Castillo<br />
Manuel Quintana Castillo<br />
was a Venezuelan painter<br />
(1928‐2016). He studied art<br />
at the Escuela de <strong>Art</strong>es<br />
Plásticas in Caracas. Since<br />
then he developed into<br />
one of the greatest artists<br />
in the history of Venezuela.<br />
He taught at the Escuela de<br />
<strong>Art</strong>es Plásticas, as well as in<br />
the School of Architecture<br />
and Urbanism of the UCV. He<br />
received numerous awards<br />
during his life, including the<br />
National Award of Visual <strong>Art</strong>s<br />
(1973), the <strong>Art</strong>uro Michelena<br />
Award (1978), the Armando<br />
Reverón Award by the<br />
Venezuelan Association of<br />
Visual <strong>Art</strong>ists (1996).<br />
Iván<br />
Rojas<br />
Rojas was born in Venezuela<br />
in 1965. He has studied art,<br />
drawing, painting, design<br />
and sculpture in Venezuela<br />
and Mexico. He graduated<br />
in Graphic Design in 1990<br />
from the Instituto de Diseño<br />
de Caracas, Venezuela.<br />
Rojas has developed wide<br />
experience during the last<br />
two decades, during which<br />
he has had numerous<br />
exhibits in Venezuela,<br />
Mexico, USA, Cuba, Spain,<br />
England, Switzerland, and<br />
Dominican Republic. His<br />
work forms part of private<br />
collections around the world<br />
as well as important public<br />
collections, such as: Museo<br />
de <strong>Art</strong>e Contemporáneo de<br />
Caracas Sofía Imber, Museo<br />
de <strong>Art</strong>e Coro, Museo Mario<br />
Abreu, Museo Francisco<br />
Narváez, Museo Nueva<br />
Cádiz, and Museo de <strong>Art</strong>e<br />
Latinoamericano de Los<br />
Angeles.
35<br />
Abraham<br />
Rosales<br />
Abraham Rosales was born<br />
in Caracas in 1993, where<br />
he spent his childhood in<br />
clothing factories. From<br />
a very young age, fabric,<br />
sewing and serigraphy were<br />
elements that stimulated<br />
him and nowadays those<br />
elements are developed<br />
in his artwork. Abraham<br />
studied graphic design in<br />
Caracas (Nueva Esparta<br />
University) and serigraphy in<br />
New York (SVA). He has been<br />
part of 9 collective and 3<br />
individual exhibitions.<br />
Adriana<br />
Rosell<br />
Adriana Rosell is a<br />
Venezuelan artist. She<br />
resides in Bogotá, Colombia<br />
since 1999, where she made<br />
her studies in plastic arts<br />
at the Universidad de Los<br />
Andes. Her creative work<br />
has been developed in a<br />
mix between drawing and<br />
painting, applied in subjects<br />
from illustration to research<br />
of territories, landscapes<br />
and minerals.<br />
Andrea<br />
Santolaya<br />
Santolaya was born in<br />
Madrid in 1982. She earned<br />
her MFA from the School<br />
of Visual <strong>Art</strong>s in NYC where<br />
she also worked for Manolo<br />
Valdés photographing<br />
his monumental<br />
sculptures. Previously, she<br />
photographed the Making<br />
of the film “The Honour<br />
of the Wronged” by artist<br />
Carlos García‐Alix. She<br />
has published the Making<br />
of “Looking for Felipe<br />
Sandoval”, “Manolo Valdés.<br />
Sixteen Sculptures in New<br />
York”, “Around” and “Manolo<br />
Valdés. Botanical Garden in<br />
New York”. This last book<br />
earned the 1st Prize for<br />
best art publication 2014 by<br />
the Ministry of Culture and<br />
Sports in Spain. Andrea has<br />
exhibited in Spain, Italy, the<br />
United States and Venezuela<br />
www.andreasantolaya.com<br />
Clara<br />
Toro<br />
Clara is a Colombian artist,<br />
living in Miami, that began<br />
her career as an industrial<br />
designer. She studied<br />
photography while in<br />
college and has pursued<br />
this interest, while working<br />
on other projects. The past<br />
two years she has dedicated<br />
her time to travel and do<br />
documentary photography.<br />
The photography donated<br />
to this project is part of a<br />
series made in India during<br />
the summer of 2017 in<br />
which the main interest was<br />
to depict loneliness in a<br />
country that is well known,<br />
in part, for the crowded<br />
spaces.
36 ARTworks<br />
51<br />
Photography set 1:<br />
a<br />
c<br />
b<br />
51 Photography set 1:<br />
a] Diana Espín<br />
Out There - The Longest Sunset<br />
(2016)<br />
–<br />
22 x 28 cm<br />
Digital photography printed<br />
by the author on Pro Matte<br />
photo paper with archive<br />
Cannon original pigments<br />
Series 1/25<br />
b] Clara Toro<br />
Verano en India - Presencia<br />
(2017)<br />
–<br />
22 x 28 cm<br />
Digital photography printed by<br />
the author on Pro Premium Matte<br />
photo paperwith archive pigments<br />
Series 1/8<br />
c] Pedro Wazzan<br />
Kukkenan<br />
(2014)<br />
–<br />
22 x 28 cm<br />
Digital photography printed<br />
by the author on Pro Luster<br />
photo paper with archive<br />
Cannon Original pigments<br />
Author Copy
37<br />
52<br />
Photography set 2<br />
a<br />
b<br />
52 Photography set 2:<br />
a] Isabela Muci<br />
Venecia - Los Trapos Sucios<br />
se Lavan en Casa<br />
(2017)<br />
–<br />
22 x 28 cm<br />
Digital photography printed by<br />
the author on Pro Platiunum<br />
photo paper with archive prints<br />
Series 1/8<br />
b] Andrea Santolaya<br />
Reina Mariana - Valdés on Broadway<br />
(2012)<br />
–<br />
28 x 36 cm<br />
Silver-bromide gelatin<br />
on barium paper<br />
Series 1/9 + 2 P.A.
38 ARTworks<br />
53<br />
54<br />
53<br />
Manuel Quintana Castillo<br />
Estudio de Figura en<br />
Espacio Fragmentario<br />
–<br />
56 x 43 cm<br />
Giclée on velvet bright white 100%<br />
cotton 310 gr paper, PH neutral<br />
Series 78/200<br />
54<br />
Iván Rojas<br />
Untitled<br />
(1996)<br />
–<br />
[Set of 3]<br />
22 x 30 cm [each]<br />
Pastel on paper<br />
Original
39<br />
55<br />
57<br />
56<br />
55<br />
Abraham Rosales<br />
Huella 001<br />
(2018)<br />
–<br />
27 x 27 cm<br />
Layers of fabric on canvas<br />
Mixed media<br />
Original<br />
56<br />
Antonio Seguí<br />
Untitled I<br />
(1996)<br />
–<br />
77.5 x 70 cm<br />
Silkscreen<br />
Edition 91/150<br />
57<br />
Adriana Rosell<br />
Montaña de Oro<br />
(2018)<br />
–<br />
24.5 x 21.5 cm<br />
Pencil and gold lacquer<br />
Original
40 <strong>Art</strong>ists<br />
Antonio<br />
Seguí<br />
Antonio Seguí is a<br />
contemporary Argentine<br />
painter and illustrator<br />
whose vivid, often satirical<br />
works focus on the people<br />
and vistas of modern<br />
urban life. Influenced by<br />
the Cubists and Modernist<br />
artists like Diego Rivera,<br />
his work is represented in<br />
the permanent collections<br />
of the Musée National<br />
d’<strong>Art</strong> Moderne in Paris, the<br />
Museum of Modern <strong>Art</strong> and<br />
the Solomon R. Guggenheim<br />
Museum in New York,<br />
the Hirshhorn Museum<br />
and Sculpture Garden in<br />
Washington, D.C. and the<br />
Centre Georges Pompidou,<br />
in Paris.<br />
Anne<br />
Shingleton<br />
Shingleton is one of those<br />
rare artists who is equally<br />
comfortable whether she is<br />
creating with a paintbrush,<br />
etching a copper plate, or<br />
using her bare hands on<br />
a lump of clay. She has<br />
a degree in Zoology and<br />
approaches her work with<br />
a scientist’s analytical eye.<br />
In 1980 Anne moved to Italy<br />
to study under the famous<br />
Nerina Simi in Florence. This<br />
gave her 2 years of classical<br />
atelier training in drawing<br />
and painting, a precious,<br />
knowledge and skill base<br />
for her further figurative<br />
work with animals. Anne<br />
has had solo and collective<br />
exhibitions regularly in the<br />
UK and Italy.<br />
www.anneshingleton.com<br />
Valentino<br />
Sibadón<br />
Sibadón was born in<br />
Peru in 1984. He studied<br />
at the Escuela Nacional<br />
de Bellas <strong>Art</strong>es in Peru<br />
(2003‐2007), specialising in<br />
painting. He has a degree<br />
in Graphic Design form<br />
the Instituto Peruano de<br />
<strong>Art</strong>e y Diseño (2008). In<br />
2011 he was awarded 3rd<br />
prize at the Golden Grafitti<br />
contest organised by<br />
Minera Hochschild and in<br />
2016 he was finalist in the<br />
VIII Concurso Nacional de<br />
Pintura organised by the<br />
Museo del Banco Central de<br />
Reserva del Peru. During May<br />
2018 he will be taking part<br />
in the Residencia <strong>Art</strong>ística<br />
Panal 361 in Buenos Aires,<br />
which will end with a solo<br />
exhibition.<br />
www.valentinosibadon.com<br />
Emilia<br />
Sunyer<br />
For more than fifteen<br />
years I have been painting<br />
almost exclusively in black<br />
and white, in medium to<br />
large formats using acrylic<br />
paints. I use a completely<br />
unique original technique<br />
developed over many years<br />
where I attach acrylic to<br />
canvas in skins to build<br />
up depth and texture<br />
behind the visible surface<br />
in a “negative” process to<br />
classical painting. In this<br />
practice, brushwork is<br />
rendered invisible giving<br />
the paintings a reflective,<br />
synthetic material surface.<br />
I take my cues from nature,<br />
religion, popular culture,<br />
literature as well as from<br />
painting and art history.
41<br />
Emma<br />
Thistleton<br />
Emma is a British artist &<br />
illustrator, based in London.<br />
After her degree in Graphic<br />
Design she worked for<br />
some pretty big names in<br />
branding and advertising,<br />
then following eight years in<br />
the industry she re‐trained<br />
as a massage therapist and<br />
still practises today. Emma<br />
knew she had to return to<br />
her creative ‘must’. After<br />
some refreshing short<br />
courses at Putney School of<br />
<strong>Art</strong> and Central St Martins,<br />
she had her first solo show<br />
in November 2015 and hasn’t<br />
looked back.<br />
www.emmathistleton.co.uk<br />
Vieri<br />
Tomaselli<br />
Vieri Tomaselli started his<br />
career at the age of 18 in<br />
Milan. From the early 70’s<br />
to the mid 90’s his work<br />
has spanned from fashion<br />
photography, to architecture,<br />
interiors and industrial, for<br />
fashion brands, corporations<br />
and individuals. From 200<br />
onwards and with the advent<br />
of digital photography, he<br />
has taken care of teaching,<br />
instructing and coaching<br />
other photographers.<br />
Tomaselli also runs his<br />
own painting workshop. On<br />
the artistic side, Vieri has<br />
exhibited his work widely in<br />
Europe and the Americas.<br />
He has also printed several<br />
books. He lives and works in<br />
Miami, Florida.<br />
Iberia<br />
Torres<br />
Abelaira<br />
Iberia Torres Abelaira is a<br />
Chilean photographer and<br />
sociologist. During the past<br />
15 years she has dedicated<br />
herself mainly to document,<br />
in text and photographs,<br />
cultural aspects of the<br />
Araucanía Region in<br />
southern Chile. She has<br />
exhibited her work on<br />
numerous occasions both in<br />
Chile and the UK. She is also<br />
co-author of the first Guide<br />
of Religious Tourism in Chile<br />
and author of the books<br />
“Pucón‐Chile: Así era mi<br />
pueblo 1883-1969” (now in its<br />
2 nd edition) and “ÍCONOS: El<br />
<strong>Art</strong>e de Fray Francisco Valdés<br />
Subercaseaux”.<br />
Carlos<br />
Vallenilla<br />
Carlos Vallenilla was born<br />
in Barquisimeto, Venezuela<br />
in 1973. From a very early<br />
age he was interested in<br />
art, and after graduating<br />
with a degree in Marketing<br />
and Advertising he began a<br />
journey through the design<br />
world. His constant search<br />
for integrating his work<br />
with volumes, colour, and<br />
movement, enabled him to<br />
begin to capture them on<br />
canvas and wood. By 2014 he<br />
ventured abroad, starting in<br />
the USA. This international<br />
scope has resulted in<br />
invitations to participate in<br />
events of greater projection<br />
and scale both in America<br />
and Europe.
42 ARTworks<br />
58<br />
59 60<br />
58<br />
Anne Shingleton<br />
We Are Not Amused<br />
(2018)<br />
–<br />
18 x 30 cm<br />
Framed Monoprint (Monotype)<br />
Original<br />
59<br />
Valentino Sibadón<br />
Oro Nocturno<br />
(2015)<br />
–<br />
70 x 50 cm<br />
Spray paint on Holographic<br />
golden Cardboard<br />
Original<br />
60<br />
Valentino Sibadón<br />
Juego Fresco<br />
(2015)<br />
–<br />
70 x 44 cm<br />
Spray paint on Holographic<br />
silver Cardboard<br />
Original
43<br />
61<br />
62<br />
61<br />
Emilia Sunyer<br />
Series Sketches of<br />
Venezuelan Hospitals<br />
(2017)<br />
–<br />
29 x 29 cm<br />
Charcoal on paper<br />
Original<br />
62<br />
Emma Thistleton<br />
Untitled<br />
(2016)<br />
–<br />
19 x 27 cm<br />
Limited Edition Print<br />
Series 6/20
44 ARTworks<br />
63<br />
Vieri Tomaselli (Photography set 1):<br />
64<br />
Vieri Tomaselli (Photography set 2):<br />
63<br />
Vieri Tomaselli (Photography set 1):<br />
64<br />
Vieri Tomaselli (Photography set 2):<br />
Tuscany<br />
(2016)<br />
–<br />
28 x 43 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print<br />
Venice<br />
(2015)<br />
–<br />
28 x 43 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print<br />
Miami<br />
(2014)<br />
–<br />
43 x 28 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print<br />
Modena<br />
(2015)<br />
–<br />
43 x 28 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print
45<br />
65<br />
Vieri Tomaselli (Photography set 3):<br />
65<br />
Vieri Tomaselli (Photography set 3):<br />
Toronto<br />
(2007)<br />
–<br />
28 x 43 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print<br />
New York<br />
(2014)<br />
–<br />
28 x 43 cm<br />
Photograph printed on Canson Rag<br />
Photographique 100% Cotton Paper<br />
Archival Print
46 <strong>Art</strong>ists<br />
Tony<br />
Vázquez-Figueroa<br />
Vazquez‐Figueroa was born in 1980 in Caracas, Venezuela.<br />
He received his BFA from Emerson College Massachusetts,<br />
USA (1992). He continued his art studies in 1997 -<br />
Escuela de <strong>Art</strong>e San Alejandro, Habana, Cuba, New York<br />
Studio (scholarship) and Slade School of Painting in<br />
London. He received the Rozas‐Botran Foundation Latin<br />
American Award (2015) and, the First Prize of the 63rd<br />
All Florida Exhibition Boca Raton Museum of <strong>Art</strong> (2014).<br />
Vazquez‐Figueroa uses materials such as bitumen, crude<br />
oil, glass, eraser clay, photographs, advertising, among<br />
others, and manipulates them using the strategy of<br />
“additive‐subtraction”. He has been greatly influenced by<br />
Rauschenberg’s Erased De Kooning, which he considers one<br />
of the most radical acts of art of the 20th century.<br />
Piers<br />
Veness<br />
Piers Veness (UK) is a<br />
painter who lives and<br />
works in London. Using<br />
hard-edged abstraction,<br />
Veness investigates visual<br />
depth through form and<br />
colour. He received an MA in<br />
Scenography from the Slade<br />
School of Fine <strong>Art</strong>, London,<br />
and a BA in Fine <strong>Art</strong> and<br />
Theatre at University College<br />
Northampton.<br />
Augusto<br />
Villalba<br />
Born 1961 and based in the<br />
UK, Villalba has an in MA<br />
Fine <strong>Art</strong> Research (Fine <strong>Art</strong>,<br />
Theory, Practice & Education)<br />
from Chelsea College of<br />
<strong>Art</strong> & Design (2000), a<br />
BA (Honours) in Fine <strong>Art</strong><br />
Painting from Armando<br />
Reveron Higher Institute,<br />
Caracas, Venezuela (1996).<br />
He also studied printmaking<br />
and graphic design. His<br />
work is represented at<br />
National Gallery of <strong>Art</strong><br />
(Caracas, Venezuela) and<br />
the Collection Patricia<br />
Phelps de Cisneros (Caracas,<br />
Venezuela).
47<br />
Anabella<br />
Vivas<br />
Anabella was born in<br />
Caracas - Venezuela in 1987<br />
and is currently established<br />
between Milan and Madrid.<br />
She often plays with<br />
the balance of conceptmaterials‐technique.<br />
By<br />
constantly examining<br />
materials and objects<br />
around her, she creates<br />
products from a fresh new<br />
perspective, recurrently<br />
highlighting different<br />
aspects of her products in a<br />
unique way and giving them<br />
a fresh “twist”. “My goal is to<br />
create products combining<br />
industry and craft, that not<br />
only answer your needs but<br />
also fuel your imagination.<br />
When boundaries between<br />
design and art fade away,<br />
potential for magic occurs”.<br />
Pedro<br />
Wazzan<br />
Pedro Wazzan was born in Caracas, Venezuela. He has<br />
been teaching photography for over 13 years at Roberto<br />
Mata’s Photography Studio, his alman MAter. His social<br />
photographs have gone around the globe and he has<br />
been the recipient of several Ascenso awards in the area<br />
of documentary videos and landscape photography.<br />
Wazzan has been part of documentaries (Churum, hijos<br />
del Sol, Guerreras). He was founding director and partner<br />
in the enterprise AlAgua Cinema and is the director of the<br />
audiovisual department of Camp La Llanada USA. Wazzan<br />
has his studio at the Bakehouse <strong>Art</strong> Complex in Miami,<br />
where he currently lives.<br />
www.pedrowazzan.com
48 ARTworks<br />
66<br />
67<br />
68<br />
66<br />
Iberia Torres Abelaira<br />
Cruces<br />
(2010)<br />
–<br />
[Set of 2]<br />
50 x 50 cm (each)<br />
Photographies printed<br />
on digital paper<br />
Original<br />
67<br />
Carlos Vallenilla<br />
Cubes on Canvas<br />
–<br />
20 x 24 x 20<br />
Mixed Media<br />
Acrylic paint on Wood<br />
Original<br />
68<br />
Tony Vázquez-Figueroa<br />
Red<br />
(2014)<br />
–<br />
44 x 36 cm<br />
Collage<br />
Archival print
49<br />
70<br />
71<br />
69<br />
69<br />
Piers Veness<br />
Black and Green #12<br />
(2014)<br />
–<br />
20 x 14.5 cm<br />
Acrylic paint on canvas board<br />
Original<br />
70<br />
Augusto Villalba<br />
Orange<br />
(2017)<br />
–<br />
20 x 15 cm<br />
Acrylic and oil on paper / board<br />
Original<br />
71<br />
Anabella Vivas<br />
Botany<br />
–<br />
24 x 18 x 18<br />
Brass and Marble<br />
Oxidation and Etching<br />
Original
50 Author Index<br />
Daniel Acuña<br />
Enriqueta Ahrensburg<br />
Nani Cárdenas<br />
page<br />
4<br />
Gloria Ceballos<br />
Saint Clair Cemin<br />
Carlos Cruz‐Diez<br />
Luigi Cuchillo<br />
page<br />
5<br />
Katherine di Turi<br />
Cristina Escobar<br />
Diana Espín<br />
page<br />
6<br />
Guillermo Felizola<br />
Renata Fernández<br />
Carolina Fernández del Dago<br />
Justine Formentelli<br />
page<br />
7<br />
Jason <strong>Gala</strong>rraga<br />
María Gamundí<br />
Gabriela Elena García<br />
Juan Gerstl<br />
page<br />
14<br />
Jaime Gili<br />
Peter Griffin<br />
Pablo Griss<br />
Itálica Anticuario<br />
page<br />
15<br />
María Fernanda Lairet<br />
Andrés Landino<br />
Marianne Lerbs<br />
Enrique Lobo<br />
page<br />
16<br />
Anamaría López<br />
Rocío Magasrevi<br />
Cipriano Martínez<br />
page<br />
17<br />
Juan Mateus<br />
Roberto Matta<br />
Gabriela Medina<br />
Manuel Mérida<br />
page<br />
24<br />
Patricia Michelangeli
51<br />
Rodolfo Minunboc<br />
Gustavo Muci<br />
Isabela Muci<br />
page<br />
25<br />
Leonardo Nierman<br />
Ángel Roberto Núñez<br />
Alejandro O’Daly<br />
Pablo O’Higgins<br />
page<br />
26<br />
Esther Ojeda<br />
Armando Pérez<br />
Luz Pérez Ojeda<br />
page<br />
27<br />
Ernesto Pesce<br />
Lucía Pizzani<br />
Daniela Quilici<br />
Manuel Quintana Castillo<br />
page<br />
34<br />
Iván Rojas<br />
Abraham Rosales<br />
Adriana Rosell<br />
Andrea Santolaya<br />
page<br />
35<br />
Clara Toro<br />
Antonio Seguí<br />
Anne Shingleton<br />
Valentino Sibadón<br />
page<br />
40<br />
Emilia Sunyer<br />
Emma Thistleton<br />
Vieri Tomaselli<br />
Iberia Torres Abelaira<br />
page<br />
41<br />
Carlos Vallenilla<br />
Tony Vázquez-Figueroa<br />
Piers Veness<br />
Augusto Villalba<br />
Anabella Vivas<br />
Pedro Wazzan<br />
page<br />
46<br />
page<br />
47
52 <strong>Art</strong>works Index<br />
01 Daniel Acuña / No. 38 from the Cloud-spotting and Other Aimless Endeavors II series<br />
02 Nani Cárdenas / El Otro Novio<br />
03 Enriqueta Ahrensburg / Spring<br />
04 Carlos Cruz-Diez / Sitges page<br />
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05 Carlos Cruz-Diez / Color Aditivo 3x<br />
06 Luigi Cuchillo / Cómanse a Besos esta Noche<br />
07 Gloria Ceballos / Hiliada<br />
08 Saint Clair Cemin / Untitled - 4<br />
09 Guillermo Felizola / Serie Libertador<br />
10 Cristina Escobar / Heliconias<br />
11 Katherine Di Turi / Abstract Photogram #38<br />
12 Renata Fernández / Deck Chairs<br />
13 Carolina Fernández del Dago / Lasso<br />
14 Justine Formentelli / Untitled<br />
15 Jason <strong>Gala</strong>rraga / Juegos y Letras<br />
16 María Gamundí / Goddess of the Water<br />
17 María Gamundí / Zulay<br />
18 Gabriela Elena García / Unexpected Inner Side<br />
19 Juan Gerstl / Mercedes<br />
20 Itálica Anticuario / God Vishnu<br />
21 Peter Griffin / Heart<br />
22 Jaime Gili / A200 Gio<br />
23 Pablo Griss / Brooding Sky<br />
24 Andrés Landino / Jesus Soto - Behind the scenes [set of 3] page<br />
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25 María Fernanda Lairet / Queen Elizabeth II<br />
26 Marianne Lerbs / Doggo<br />
27 Enrique Lobo / Mi Bici Mágica<br />
28 Anamaría López / Remanso<br />
29 Rocío Magasrevi / Trazando<br />
30 Juan Mateus / Look at #me<br />
31 Cipriano Martínez / Apuntes para la Destrucción<br />
32 Gabriela Medina / Urban Fridha page<br />
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33 Gabriela Medina / Salado [set of 2]<br />
34 Roberto Matta / Homo Flux (Octravi)<br />
35 Manuel Mérida / Cercle Rouge Terre Cuite<br />
36 Patricia Michelangeli / Me Habitas, Te Arropo<br />
37 Leonardo Nierman / Untitled<br />
38 Rodolfo Minunboc / Armonia II<br />
39 Gustavo Muci / The Flower of Life 4 - Gaia<br />
40 Ángel Roberto Núñez / Untitled page<br />
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41 Ángel Roberto Núñez / Untitled<br />
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42 Alejandro O’Daly / Untitled<br />
43 Alejandro O’Daly / Ávila Tricolor<br />
44 Esther Ojeda / Bibliotecas<br />
45 Luz Pérez Ojeda / Dancing Liberty<br />
46 Pablo O’Higgins / The Market<br />
47 Armando Pérez / Profils<br />
48<br />
Ernesto Pesce / Buscando al Arquitecto de la Catedral<br />
de Chartres en el Laberinto del Universo<br />
49 Daniela Quilici / Oliva 1<br />
50 Lucía Pizzani / Orchids #A32<br />
51 Photography [set 1]:<br />
Diana Espín / Out There - The Longest Sunset<br />
Clara Toro / Verano en India - Presencia<br />
Pedro Wazzan / Kukkenan<br />
52 Photography [set 2]:<br />
Isabela Muci / Venecia - Los Trapos Sucios se Lavan en Casa<br />
Andrea Santolaya / Reina Mariana - Valdés on Broadway<br />
53 Manuel Quintana Castillo / Estudio de Figura en Espacio Fragmentario page<br />
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54 Iván Rojas / Untitled<br />
55 Abraham Rosales / Huella 001<br />
56 Antonio Seguí / Untitled I<br />
57 Adriana Rosell / Montaña de Oro<br />
58 Anne Shingleton / We Are Not Amused<br />
59 Valentino Sibadón / Oro Nocturno<br />
60 Valentino Sibadón / Juego Fresco<br />
61 Emilia Sunyer / Series Sketches of Venezuelan Hospitals page<br />
62 Emma Thistleton / Untitled<br />
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63 Vieri Tomaselli [set 1]:<br />
Vieri Tomaselli / Tuscany<br />
Vieri Tomaselli / Venice<br />
64 Vieri Tomaselli [set 2]:<br />
Vieri Tomaselli / Miami<br />
Vieri Tomaselli / Modena<br />
65 Vieri Tomaselli [set 3]:<br />
Vieri Tomaselli / Toronto<br />
Vieri Tomaselli / New York<br />
66 Iberia Torres Abelaira / Cruces [set of 2]<br />
67 Carlos Vallenilla / Cubes on Canvas<br />
68 Tony Vázquez-Figueroa / Red<br />
69 Piers Veness / Black and Green #12<br />
70 Augusto Villalba / Orange<br />
71 Anabella Vivas / Botany<br />
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