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Catalogue Chamos Art Gala

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<strong>Catalogue</strong>


gala committee<br />

Mariana Cárdenas<br />

Antonio D’Apuzzo<br />

Valentina Delgado<br />

María Inés Gómez<br />

Miguel Gómez<br />

Anne Farkas<br />

Adriana Mendoza<br />

Graciela Muci<br />

Dana Noya<br />

Mario Palencia<br />

Mary Pérez<br />

Samantha Reyes<br />

María Antonieta Rodríguez<br />

Tamara Rodríguez<br />

Mariana Siblesz<br />

Iberia Torres<br />

Paola Wycke<br />

collaborators and other donors<br />

Carolina Briceño<br />

Colección Sammy Sayago<br />

Cruz-Diez <strong>Art</strong> Foundation<br />

Maddox <strong>Art</strong>s<br />

Rafael and Graciela Muci<br />

Gabriela Rodríguez<br />

Gabi Torres<br />

graphic design<br />

Patricia Álvarez<br />

London, April 2018<br />

None of this could have been possible without the contributions of the artists who donated their work.


This year, chamos - In Aid of the Children of Venezuela is focusing its<br />

fundraising efforts via the <strong>Art</strong> <strong>Gala</strong> 2018. Thank you for being a part of it!<br />

We have pulled together a list of known artists as well as emerging talent,<br />

with different approaches to art and with a broad spectrum of media. We<br />

hope that you enjoy the evening while helping chamos contribute to the<br />

development and social transformation of Venezuelan children.<br />

chamos is a non-profit registered charity managed by a group of<br />

volunteers with strong ties to Venezuela. We support education and<br />

community development programs through trusted local NGOs. In the<br />

past few years, some of the projects chamos has supported range from<br />

providing infrastructure and technical equipment for a children’s hospital,<br />

to sponsoring a program that brings together young people from local<br />

communities through participatory design to transform public spaces.<br />

There are many more projects and you can learn more about chamos and<br />

what we do via our website:<br />

www.chamos.org.uk


4<br />

<strong>Art</strong>ists<br />

Daniel<br />

Acuña<br />

Acuña’s work is set between<br />

Western and far‐Eastern<br />

philosophies and feeds<br />

from the friction that<br />

emerges from their most<br />

irreconcilable differences.<br />

He approaches drawing<br />

as scenery for reflection<br />

upon death and change,<br />

while dealing with the<br />

disturbances that arise<br />

from both resistance and<br />

acceptance of such terrifying<br />

yet beautiful phenomena.<br />

Enriqueta<br />

Ahrensburg<br />

Enriqueta Ahrensburg<br />

was born in Paris and<br />

lived in Venezuela. At<br />

16 she returned to Paris<br />

and studied at the Port<br />

Royal Academy. She<br />

graduated in Fine <strong>Art</strong>s<br />

at the Armando Reverón<br />

University. Ahrensburg won<br />

the prestigious “<strong>Art</strong>uro<br />

Michelena” award. She<br />

has exhibited many times<br />

around the world. Her<br />

paintings show a mastery<br />

of colour and light. She<br />

currently works in London.<br />

Nani<br />

Cárdenas<br />

Cárdenas graduated<br />

Valedictorian from the<br />

School of <strong>Art</strong>s at PUCP in<br />

1993 with the award for<br />

best sculpture. She studied<br />

drawing and sculpture in<br />

the workshop of Cristina<br />

Gálvez (1986‐1987). Her<br />

latest individual exhibits<br />

include: Jardín Nocturno in<br />

CEDE Galería (Lima, 2017);<br />

Cartografías del Naufragio in<br />

the SLMQG and Cartografías<br />

del Naufragio II in Cecilia<br />

González Galería (Lima,<br />

2015), Picnic en Wire Messe<br />

(Düsseldorf, 2010). She has<br />

also participated in several<br />

collectives and national and<br />

international art fairs in<br />

Lima, Santiago de Chile, NYC,<br />

Bogota, and La Paz, among<br />

others. She has published:<br />

Nubes (2011), Picnic (2010),<br />

Cuaderno de dibujo (2009)<br />

and Cromoterapia (2008).<br />

Gloria<br />

Ceballos<br />

Gloria Ceballos lives and<br />

works in London, UK. She<br />

has an MA Printmaking from<br />

the Royal College of <strong>Art</strong>,<br />

London, a BA (Honours) in<br />

Visual <strong>Art</strong>s from Camberwell<br />

College of <strong>Art</strong>s, London and<br />

a BA in Interior Design from<br />

IADE University, Madrid.<br />

Gloria has been the <strong>Art</strong>ist in<br />

Residence at North London<br />

Collegiate School, London;<br />

Atelierhaus Beisinghoff,<br />

Germany and Valdel<strong>Art</strong>e,<br />

Centre for <strong>Art</strong> & Nature,<br />

Spain, among others. She<br />

was finalist for Sustain RCA<br />

award, Royal College of <strong>Art</strong>,<br />

London and was shortlisted<br />

for the IX competition “Gran<br />

Canaria de Series de Obra<br />

Gráfica” in 2013.<br />

www.gloriaceballos.com<br />

www.nanicardenas.com


5<br />

Saint Clair<br />

Cemin<br />

Saint Clair Cemin was<br />

born in Brazil in 1951. He<br />

lives and works between<br />

New York City and Beijing.<br />

His work encompasses<br />

multiple styles, approaches,<br />

and materials, from neosurrealism<br />

to furniture to<br />

toys in popular culture to<br />

the history of sculpture.<br />

Some of his works are on<br />

permanent exhibitions<br />

at important institutions<br />

such as the Museum of<br />

Contemporary <strong>Art</strong> in Los<br />

Angeles.<br />

Carlos<br />

Cruz‐Diez<br />

Carlos Cruz-Diez, one of the fathers of kinetic art, has spent<br />

his life as a passionate painter. He was born in Caracas,<br />

Venezuela in 1923, and at 17 he enrolled at the School of<br />

Fine <strong>Art</strong>, Caracas. As an academic painter Cruz‐Diez was<br />

very successful but he wanted to change his trajectory and<br />

chose the relatively unexplored path of colour as his focus.<br />

In 1955 he moved to Europe (Barcelona and Paris, mainly)<br />

where artists were creating the kinetic art movement. 1961<br />

signalled his arrival to the European stage when he took<br />

part in ‘Bewogen Beweging’, the first major exhibition on<br />

kinetic art, at the Stedelijk Museum in Amsterdam, and his<br />

first solo exhibition in Paris was at the Galerie Kerchache<br />

in 1965. Gradually Cruz‐Diez developed his discourse; that<br />

of colour in space, devoid of form. His canvases reflect the<br />

ever-changing, ephemeral and mobile nature of colour<br />

with the use of lines, as the most efficient tool; devoid of<br />

symbolism and leaving only colour without anecdote. Over<br />

a period of almost seven decades of research, refinement<br />

and discovery, Cruz-Diez has never strayed from his<br />

original discourse. He is still amazed with life, passionate<br />

about his work and has a childlike enthusiasm that is<br />

utterly contagious. To date Cruz‐Diez has featured in 1,180<br />

collective exhibitions, 286 solo exhibitions, has constructed<br />

142 architectural works, received 70 awards, created<br />

65 ephemeral events and has works on display in the<br />

permanent collection of 62 museums. All of which happens<br />

on a global scale - some 18 countries and counting.<br />

Luigi<br />

Cuchillo<br />

Luigi Cuchillo was born in<br />

1984 in Caracas, Venezuela<br />

and lives in Madrid, Spain<br />

where he explores identity<br />

through collage, sculpture,<br />

writing, painting and design.<br />

Cuchillo believes that words<br />

are like knives and that we<br />

are constantly throwing<br />

knives at each other to<br />

communicate. Some are dull<br />

and bounce off. Others are<br />

sharp and cut deep into our<br />

souls. Some, we can never<br />

remove. Cuchillo paints<br />

knives to communicate his<br />

feelings. He believes that<br />

South Americans are well<br />

represented by knives as in<br />

the South people live closer<br />

lives. If you want to attack<br />

someone with a knife you<br />

need to be close to them.<br />

@luigi.cuchillo<br />

www.luigicuchillo.com


6<br />

<strong>Art</strong>ists<br />

Katherine<br />

di Turi<br />

Katherine Di Turi was born in<br />

Caracas, Venezuela. She is a<br />

London‐based artist whose<br />

work deals with the position<br />

of analogical photography in<br />

a digital era. Di Turi received<br />

an MFA in Fine <strong>Art</strong> Media<br />

from the Slade School of<br />

Fine <strong>Art</strong>, London, and a BA<br />

in Fine <strong>Art</strong> from the Instituto<br />

Armando Reverón, Caracas.<br />

Cristina<br />

Escobar<br />

Cristina was born<br />

in Ecuador. This land, its<br />

culture, flavours and colours,<br />

captivated her attention<br />

and inspired the artist to<br />

pursue her artistic career.<br />

She received her MA in<br />

<strong>Art</strong>s with a Graphic Design<br />

major at Simmons College in<br />

Boston. She moved back to<br />

Ecuador where she worked<br />

as <strong>Art</strong> Director in DeMaruri<br />

Publicidad. The Asociación<br />

Ecuatoriana de Publicidad<br />

granted her eleven Condor<br />

Awards for her outstanding<br />

work as a designer. In 1998<br />

she moved to the USA<br />

and resumed her painting<br />

studies. Cristina resides in<br />

Florida and participates with<br />

Studio 1156. She has taken<br />

part in many solo and group<br />

exhibits through the USA<br />

and South America.<br />

Diana<br />

Espín<br />

Diana Espin is a self‐taught<br />

photographer and currently<br />

a student at Roberto<br />

Mata’s Photography Studio<br />

in Florida. Her work is<br />

not limited to just one<br />

form or expression. She<br />

views photography as an<br />

interminable language which<br />

powers her experimental<br />

work. Her work is very liberal<br />

and related to personal<br />

experiences: documentary,<br />

landscape, grand scale<br />

panoramic images, as well<br />

as some work with portraits<br />

and fine arts. She considers<br />

herself an eternal student,<br />

always ready to work in<br />

collaborations or volunteer<br />

her camera in any creative<br />

endeavour where it could be<br />

of use. Her images attempt<br />

to transmit sensations and<br />

feelings to those who look at<br />

them carefully, transmitting<br />

her own experience in the<br />

process.<br />

Guillermo<br />

Felizola<br />

Guillermo Felizola was<br />

born in Venezuela. He is<br />

one of the most renown<br />

photographers in the<br />

country and is recognised<br />

for being one of the most<br />

talented and original of<br />

the moment. He is at his<br />

happiest when through his<br />

lens he can capture the<br />

beauty of Caracas, where he<br />

resides.


7<br />

Renata<br />

Fernández<br />

Renata Fernández was born<br />

in Caracas, Venezuela and<br />

lives and works in London,<br />

UK. She studied Fine <strong>Art</strong>s at<br />

the Instituto Universitario<br />

de Estudios Superiores de<br />

<strong>Art</strong>es Plásticas Armando<br />

Reverón, as well as studying<br />

Drama and Set Design and<br />

Media Studies. Fernández<br />

has received several awards,<br />

such as 2nd Award Atkinson<br />

Gallery Summer Exhibition<br />

(2001) and the Órden José<br />

Félix Rivas, Third Class, for<br />

artistic accomplishments<br />

as an emerging Venezuelan<br />

artist (1993). She has had<br />

solo and group exhibitions<br />

in Venezuela, London, and<br />

Spain among others.<br />

Carolina<br />

Fernández<br />

del Dago<br />

Carolina Fernandez del Dago<br />

is a Bogotá based visual<br />

artist and filmmaker (The<br />

School of The <strong>Art</strong> Institute of<br />

Chicago BFA/BAVCS - 2014)<br />

mixing themes of social<br />

critique with multimedia<br />

installations. Her work<br />

spans a variety of mediums<br />

and lies at the intersection<br />

of deep engagement<br />

with process, kitsch, and<br />

commentary.<br />

Justine<br />

Formentelli<br />

Justine Formentelli was<br />

born in Paris in 1973. She<br />

spent her childhood in the<br />

Caribbean, the island of<br />

Reunion and Morocco, where<br />

the strong light and vibrant<br />

colours have remained an<br />

enduring influence in her<br />

paintings. She completed<br />

her BA in illustration at<br />

the Atlanta College of <strong>Art</strong>s,<br />

USA (1998). She has been<br />

painting and exhibiting in<br />

the USA and Europe ever<br />

since. Her nomadic life<br />

has led her to investigate<br />

the meaning of home and<br />

the transitory nature of<br />

existence. She is currently<br />

studying for an MA in fine<br />

<strong>Art</strong>s at The City and Guilds of<br />

London School of <strong>Art</strong>s.<br />

www.justine-formentelli.com<br />

Jason<br />

<strong>Gala</strong>rraga<br />

<strong>Gala</strong>rraga was born in<br />

Caracas, Venezuela in 1950.<br />

He studied at the Instituto<br />

de Diseño - Fundación<br />

Neumann and at the Escuela<br />

de <strong>Art</strong>es Plásticas (Caracas).<br />

He also did a course in<br />

Applied Graphic <strong>Art</strong>s at<br />

CEAGRAF, Universidad de<br />

Costa Rica. His work has<br />

been part of solo exhibits<br />

in Venezuela, Colombia,<br />

Chile, Panama, USA, Mexico,<br />

and France. <strong>Gala</strong>rraga has<br />

received numerous awards,<br />

including the “Mención<br />

Unica” at the lll Bienal<br />

Internacional de <strong>Art</strong>e<br />

Contemporáneo ULA (2010)<br />

and the “Antonio Edmundo<br />

Monsanto” Award at the<br />

LXV Salón <strong>Art</strong>uro Michelena<br />

(2010).


8<br />

ARTworks<br />

01<br />

03<br />

02<br />

01<br />

Daniel Acuña<br />

No. 38 from the Cloud-spotting and<br />

Other Aimless Endeavors II series<br />

(2018)<br />

–<br />

27 x 27 cm<br />

Erased charcoal dust on paper<br />

Original<br />

02<br />

Nani Cárdenas<br />

El Otro Novio<br />

(2015)<br />

–<br />

60 x 44 cm<br />

Embroidery and mixed media<br />

[framed in acrylic box]<br />

Orginal<br />

03<br />

Enriqueta Ahrensburg<br />

Spring<br />

(2017)<br />

–<br />

50 x 80 cm<br />

Acrylic paint on canvas<br />

Original


9<br />

04<br />

05<br />

04<br />

Carlos Cruz-Diez<br />

Sitges<br />

(2014)<br />

–<br />

100 x 25 cm<br />

Lithograph<br />

Series 1/75<br />

Signed by artist<br />

05<br />

Carlos Cruz-Diez<br />

Color Aditivo 3x<br />

(2011)<br />

–<br />

33 x 48.5 cm<br />

Lithograph<br />

Series 1/75<br />

Signed by <strong>Art</strong>ist


10 ARTworks<br />

07<br />

06<br />

08<br />

06<br />

Luigi Cuchillo<br />

Cómanse a Besos esta Noche<br />

(2017)<br />

–<br />

70 x 35 cm<br />

Print on aluminium<br />

Original<br />

07<br />

Gloria Ceballos<br />

Hiliada<br />

(2008)<br />

–<br />

56 x 38 cm<br />

Embroidery and mixed media<br />

Monotype<br />

Original<br />

08<br />

Saint Clair Cemin<br />

Untitled - 4<br />

(1980)<br />

–<br />

38 x 47 cm<br />

Aquatint Etching<br />

Series 3/75


11<br />

09<br />

10 11<br />

09<br />

Guillermo Felizola<br />

Serie Libertador<br />

(2017)<br />

–<br />

[Set of 2]<br />

30 x 30cm [each]<br />

Photography<br />

Original<br />

10<br />

Cristina Escobar<br />

Heliconias<br />

(2013)<br />

–<br />

155 x 126 cm<br />

Oil on canvas<br />

Original<br />

11<br />

Katherine Di Turi<br />

Abstract Photogram #38<br />

(2018)<br />

–<br />

17.5 x 12.5 cm<br />

Photogram on RC Ilford Paper<br />

Original


12 ARTworks<br />

13<br />

12<br />

14<br />

12<br />

Renata Fernández<br />

Deck Chairs<br />

(2016)<br />

–<br />

44 x 61 cm<br />

Series Varied Edition<br />

Intervened Matted Print<br />

Series 1/2<br />

13<br />

Carolina Fernández del Dago<br />

Lasso<br />

(2016)<br />

–<br />

20 x 24 cm<br />

Collage<br />

Series 2/100<br />

14<br />

Justine Formentelli<br />

Untitled<br />

(2015)<br />

–<br />

30 x 40 cm<br />

Acrylic and collage<br />

Original


13<br />

15<br />

17<br />

16<br />

15<br />

Jason <strong>Gala</strong>rraga<br />

Juegos y Letras<br />

(2008)<br />

–<br />

38 x 59 cm<br />

Acrylic paint and crayons on wood<br />

Original<br />

16<br />

María Gamundí<br />

Goddess of the Water<br />

(2016)<br />

–<br />

30 x 30 cm<br />

High relief original model in<br />

terracotta on wooden frame<br />

17<br />

María Gamundí<br />

Zulay<br />

(1993)<br />

–<br />

53 x 38 cm<br />

Serigraphy<br />

Series 3/45


14 <strong>Art</strong>ists<br />

María<br />

Gamundí<br />

Maria Gamundí was born in<br />

1952 in Caracas, Venezuela.<br />

She studied at Pratt Institute<br />

of New York and the<br />

Scuola del Libro of Urbino.<br />

She lives and works in<br />

Pietrasanta. Since 1973 she<br />

has held important personal<br />

exhibitions in Italy, Europe,<br />

the United States and<br />

Latin America. Her female<br />

nudes exude a sculptural<br />

force exalted by her deep<br />

knowledge of anatomy and<br />

materials, as well as an<br />

instinctive “joie de vivre”<br />

which well represents her<br />

strong Latin American roots.<br />

Gabriela Elena<br />

García<br />

García was born in Boston,<br />

Massachusetts in 1982 and<br />

currently lives and works<br />

in Florida, USA. She began<br />

her photographic studies in<br />

2009 at the Roberto Mata<br />

Photography Workshop and<br />

her exhibition career in 2011.<br />

In 2014, she held her first<br />

solo exhibition, “Caracas<br />

Fragmentada”, at the tresy3<br />

Gallery in Caracas. She<br />

has been awarded: Third<br />

place in video festival Sin<br />

Mordaza, 2012 and third<br />

place in the competition Una<br />

fotoxdíax28dias, Roberto Mata<br />

Taller de Fotografía, 2011.<br />

Juan<br />

Gerstl<br />

Born in Caracas in 1985,<br />

Gerstl showed signs of<br />

intellectual creativity from<br />

an early age. As a child, he<br />

was drawn to symmetry,<br />

order and movement<br />

focusing on turning his<br />

creativity into tangible<br />

aesthetic. Both his art-dealer<br />

mother and his natureloving<br />

father encouraged<br />

him to express his ideas in<br />

different ways. Today, still<br />

‘haunted’ by form, volume<br />

and symmetry, Gerstl<br />

stresses the importance of<br />

harmony in each piece and<br />

seeks integration between<br />

the piece and the viewer.<br />

“My creative path stands<br />

between a peaceful dream<br />

and a mathematical reality<br />

born as an optical illusion<br />

of the viewer that I call<br />

Geometric Poetry”.<br />

www.juangerstl.com.<br />

Jaime<br />

Gili<br />

Jaime Gili (born 1972,<br />

Caracas) is a London-based<br />

artist. Throughout his career,<br />

Gili has developed the<br />

universal abstract language<br />

of the mid-20th Century<br />

into contemporary painting.<br />

More specifically, his work<br />

has been contextualised as<br />

a revision of Latin American<br />

abstraction, especially<br />

the Venezuelan optical<br />

and kinetic work of artists<br />

such as Carlos Cruz-Diez<br />

and Alejandro Otero, with<br />

an input from popular art<br />

and London’s energy. Gili<br />

received his MA in painting<br />

from the Royal College of<br />

<strong>Art</strong> (1998), after studying<br />

in Caracas and Barcelona.<br />

He completed a PhD at the<br />

University of Barcelona<br />

(2001) with a thesis on<br />

“Repetition and Serial art<br />

since the 1960’s”.


15<br />

Peter<br />

Griffin<br />

Peter Griffin was born in 1947<br />

in Wakefield, Yorkshire. He<br />

lives and works in London.<br />

He has a MFA in Fine <strong>Art</strong><br />

(Distinction) from Slade<br />

School of Fine <strong>Art</strong>, London<br />

(1979) and studied at the<br />

San Francisco <strong>Art</strong> Institute,<br />

Fulbright Grant (1977).<br />

He received the Wingate<br />

Fellowship for Humanities<br />

in the <strong>Art</strong>s award (1992),<br />

the Rome Scholarship in<br />

Painting (1979) and the<br />

Anstruther Purchase Award<br />

(1977). His work has been<br />

part of solo and collective<br />

exhibits around the world<br />

and is part of the collections<br />

in several museums,<br />

including The Royal College<br />

of <strong>Art</strong> (London).<br />

Pablo<br />

Griss<br />

Pablo Griss was born in 1971<br />

in Caracas, Venezuela. He<br />

graduated from Columbia<br />

University School of Visual<br />

<strong>Art</strong>s (1996) in New York,<br />

where he lived and worked.<br />

He currently works from<br />

his studios in Berlin and<br />

Panama City where he has<br />

resided since 2008. Pablo<br />

has participated in several<br />

group and solo exhibitions<br />

in the USA, Europe and Latin<br />

America. Griss’s work was<br />

featured in the book “100<br />

Painters of Tomorrow”.<br />

www.pablogrissintervention.com<br />

Itálica<br />

Anticuario<br />

ITALICA is currently the most<br />

exclusive representative<br />

of Asian <strong>Art</strong> in Spain. Mani<br />

de Rato and her daughter<br />

Ángela de la Rosa Rato,<br />

alongside a team of<br />

professionals, are the faces<br />

behind the gallery. Ángela<br />

specialised in Asian <strong>Art</strong><br />

at the British Museum in<br />

London, focusing on India,<br />

China and South East<br />

Asia. Itálica participates in<br />

fairs and auctions, both in<br />

Spain and internationally.<br />

In September 2012, Itálica<br />

moved back into the same<br />

gallery space where it all<br />

began in 1970, in Calle Jorge<br />

Juan 31, Madrid. The gallery<br />

has been reformed and<br />

continues to offer unique<br />

pieces of painting, sculpture<br />

and furniture.<br />

www.anticuarioitalica.com<br />

María Fernanda<br />

Lairet<br />

Born in Caracas, Venezuela,<br />

Lairet studied Graphic<br />

Design at the Instituto de<br />

Diseño de Caracas (1987).<br />

Throughout her career as<br />

an artist she has dabbled<br />

in graphic design, drawing,<br />

photography, and painting,<br />

disciplines in which she<br />

works without boundaries<br />

and combines to produce<br />

surprising pieces. During<br />

the 80’s Lairet began her<br />

artistic work, with pieces<br />

framed within abstract<br />

expressionism and paintings<br />

strongly dominated by<br />

gestures. Lairet’s current<br />

work is more reflexive<br />

and conceptual, by which<br />

she studies currency from<br />

different denominations<br />

and nationalities and where<br />

she seeps through aspects<br />

of politics, economy and<br />

society.<br />

www.mariafernandalairet.com


16 <strong>Art</strong>ists<br />

Andrés<br />

Landino<br />

My love for portrait photography started in the early<br />

eighties under the direction of Antonieta Muñoz. My<br />

first portrait commission came a couple of years later<br />

and I decided to embark on portraits as a career. During<br />

my studies in Journalism at the Universidad Central de<br />

Venezuela, analogue photography bewitched me and<br />

widened my senses taking my creativity to other levels. I<br />

sought to capture and display the essence of whom and<br />

what I was photographing. With time, I learned the use<br />

and magic of light, giving more depth and meaning to my<br />

work. I am currently based in London.<br />

Marianne<br />

Lerbs<br />

Lerbs grew up in Caracas,<br />

Venezuela and lives in<br />

Florida, USA. Her mother<br />

was a renowned art critic<br />

and her father encouraged<br />

her to pursue her art calling.<br />

With them she travelled<br />

all throughout Europe,<br />

South America and North<br />

America, visiting museums<br />

and galleries. Marianne<br />

graduated as graphic<br />

designer from the Instituto<br />

de Diseño Neumann. She<br />

has a long list of solo shows,<br />

art residences and public art<br />

commissions and has won<br />

several awards, including<br />

“Most Advanced <strong>Art</strong>ist of<br />

Show” by Henry Flood Jr.<br />

director of Jacksonville<br />

Museum of Contemporary<br />

<strong>Art</strong>; and the inclusion in the<br />

“Encyclopaedia of Living<br />

<strong>Art</strong>ists”, among other awards.<br />

Enrique<br />

Lobo<br />

Enrique Lobo was born<br />

in Mérida, Venezuela in<br />

1958. He graduated as an<br />

Architect from the University<br />

of Los Andes (1985) and,<br />

between 1991 and 1994,<br />

he studied engraving at<br />

L’Espace Croix‐Baragnon<br />

in Toulouse, France. He<br />

currently lives in Palmira,<br />

Venezuela and works in<br />

different artistic expressions,<br />

such as painting, drawing,<br />

engraving, and sculpture.<br />

He has exhibited his work in<br />

galleries, museums, centres<br />

and art fairs nationally and<br />

internationally.<br />

www.mariannelerbs.com


17<br />

Anamaría<br />

López<br />

López was born in Cumaná,<br />

Venezuela and lived in Spain<br />

as a child, where she spent<br />

most of her time visiting<br />

museums and galleries with<br />

her father, which inspired<br />

her to paint. She is passionate<br />

about nature and<br />

works with unconventional<br />

tools and different textures,<br />

dimensions and colours that<br />

contribute to her contemporary<br />

abstract designs. Each<br />

work is bold and shows her<br />

emotion, with colours overlapping<br />

into one another.<br />

She encourages viewers by<br />

taking them into a world of<br />

ethereal beauty, where they<br />

can search their own meaning<br />

and make discoveries<br />

along the way.<br />

Rocío<br />

Magasrevi<br />

Magasrevi was born in<br />

Caracas, Venezuela in 1973. In<br />

1997 she did her first studies<br />

in drawing at the studio of<br />

José Gelhder and in 1999 she<br />

began to explore painting<br />

with oils and acrylic. In 2003,<br />

after perfecting her oil paint<br />

technique, she founded her<br />

studio, together with other<br />

fellow artists, joined art<br />

collective exhibits and began<br />

selling her work. From 2009<br />

to 2014 Magasrevy studied<br />

under artist Enrique Etievan.<br />

Her work is part of private<br />

collections in Venezuela,<br />

USA, Panama and Spain. She<br />

currently works in her studio<br />

in Caracas.<br />

Cipriano<br />

Martínez<br />

Martínez was born in 1965 in<br />

Caracas, Venezuela. He has<br />

an MA from Chelsea College<br />

of <strong>Art</strong>s & Design, London<br />

(1999) as well as an MA from<br />

UPEL, Caracas (1998) and a<br />

Degree in <strong>Art</strong>s from Instituto<br />

Armando Reverón, Caracas<br />

(1996). He studied Civil Engineering<br />

at the UCV, Caracas<br />

(1989). He received a Special<br />

Mention of the Jury at the<br />

Mendoza Award 2003, Caracas<br />

and a Special Distinction<br />

at the “II Bienal Nacional del<br />

Paisaje” Museo de <strong>Art</strong>e Contemporáneo<br />

Mario Abreu,<br />

Maracay, Venezuela (1998).<br />

Martínez’s work has been in<br />

solo and group exhibits in<br />

Venezuela, UK, Spain, and<br />

Colombia.<br />

Juan<br />

Mateus<br />

Juan Mateus is a London<br />

based Colombian artist who<br />

works with photography,<br />

mixed media and found<br />

objects. He currently studies<br />

Fine <strong>Art</strong>s at Central Saint<br />

Martins (UAL).<br />

Look at #me is a comment<br />

on narcissism and our<br />

obsession with the way in<br />

which we portray ourselves<br />

and create online social<br />

media personas, which<br />

do not always necessarily<br />

represent reality.<br />

juanmateus.com


18 ARTworks<br />

18<br />

20<br />

19<br />

18<br />

Gabriela Elena García<br />

Unexpected Inner Side<br />

(2015)<br />

–<br />

[Set of 2]<br />

#07 Series 2/6<br />

#30 Series 3/6<br />

24 x 25 cm (each)<br />

Archival Pigment print on<br />

Hahnemuhle photo rag,<br />

bright white 310 gsm<br />

19<br />

Juan Gerstl<br />

Mercedes<br />

–<br />

200 x 200 cms<br />

Geometric cartography.<br />

Intervened print on paper<br />

Original<br />

20<br />

Itálica Anticuario<br />

God Vishnu<br />

(XIX Century Original)<br />

–<br />

15 cm H<br />

Bronze Sculpture<br />

India


19<br />

21<br />

22<br />

23<br />

21<br />

Peter Griffin<br />

Heart<br />

(2007)<br />

–<br />

76 x 58cm<br />

Carburundum Etching<br />

Edition 5/12<br />

Original<br />

22<br />

Jaime Gili<br />

A200 Gio<br />

(2010)<br />

–<br />

70 x 70 cm<br />

Original silkscreen print on<br />

350gsm Magnani litho paper<br />

Series 1/200<br />

23<br />

Pablo Griss<br />

Brooding Sky<br />

–<br />

60 x 50 cm<br />

Acrylic on linen<br />

2018<br />

Original


20 ARTworks<br />

24<br />

25<br />

24<br />

Andrés Landino<br />

Jesus Soto - Behind the scenes<br />

(1998)<br />

–<br />

[Set of 3]<br />

14 x 19 cm<br />

14 x 19 cm<br />

19 x 28 cm<br />

Photography on paper<br />

25<br />

María Fernanda Lairet<br />

Queen Elizabeth II<br />

(2013)<br />

–<br />

30 x 30 cm<br />

Photo print and praise<br />

glass impression<br />

Original


21<br />

27<br />

26<br />

28<br />

26<br />

Marianne Lerbs<br />

Doggo<br />

(2010)<br />

–<br />

82 x 102 cm<br />

Acrylic paint on canvas.<br />

Original<br />

27<br />

Enrique Lobo<br />

Mi Bici Mágica<br />

(2018)<br />

–<br />

50 x 50 cm<br />

Mixed technique on canvas<br />

Original<br />

28<br />

Anamaría López<br />

Remanso<br />

(2017)<br />

–<br />

64 x 140 cm<br />

Acrylic paint on Canvas<br />

Original


22 ARTworks<br />

29<br />

31<br />

30<br />

29<br />

Rocío Magasrevi<br />

Trazando<br />

(2018)<br />

–<br />

25 x 25 cm<br />

Oil on canvas<br />

Original<br />

30<br />

Juan Mateus<br />

Look at #me<br />

(2015)<br />

–<br />

62 x 53 cm<br />

Acrylic and correction<br />

fluid on found object<br />

Original<br />

31<br />

Cipriano Martínez<br />

Apuntes para la Destrucción<br />

(2014)<br />

–<br />

56 x 76.5 cm<br />

Silkscreen on Fabriano paper<br />

Original


23<br />

32<br />

33<br />

32<br />

Gabriela Medina<br />

Urban Fridha<br />

(2017)<br />

–<br />

20 x 30 cm<br />

Digital Collage<br />

Series 1/20<br />

33<br />

Gabriela Medina<br />

Salado<br />

(2017)<br />

–<br />

[Set of 2]<br />

20 x 30 cm (each)<br />

Digital Collage<br />

Series 1/20


24 <strong>Art</strong>ists<br />

Roberto<br />

Matta<br />

Roberto Matta (Chile<br />

1911‐2002) “… was an international<br />

figure whose<br />

worldview represented<br />

a synthesis of European,<br />

American, and Latin American<br />

cultures. As a member<br />

of the Surrealist movement<br />

and an early mentor to<br />

several Abstract Expressionists,<br />

Matta broke with both<br />

groups to pursue a highly<br />

personal artistic vision.<br />

His mature work blended<br />

abstraction, figuration, and<br />

multi‐dimensional spaces<br />

into complex, cosmic landscapes.<br />

Matta’s long and<br />

prolific career was defined<br />

by a strong social conscience<br />

and an intense exploration<br />

of his internal and<br />

external worlds”. (Modern<br />

<strong>Art</strong> Insight)<br />

Gabriela<br />

Medina<br />

Gabriela Medina is a creative<br />

photographer specialized<br />

in international corporate<br />

image. Freelance since 1982,<br />

she has worked directly for<br />

top clients and the best<br />

advertising agencies all<br />

over the world. Living in<br />

Paris since 2011, she is now<br />

capturing the essence of the<br />

“City of Light”, through the<br />

emotions of its inhabitants.<br />

Taking time to compile and<br />

edit her extended image<br />

bank, Gabriela is aiming for<br />

a more personal work. In<br />

2014 she received the Gold<br />

Medal of Professional Merit<br />

by the “Foro Europa 2011” in<br />

Madrid.<br />

gabrielamedinaart.com<br />

Manuel<br />

Mérida<br />

Mérida is a Venezuelan<br />

contemporary painter and<br />

sculptor born in 1939, based<br />

in Paris. Mérida studied<br />

painting and sculpture<br />

at the Escuela de <strong>Art</strong>es<br />

Plásticas <strong>Art</strong>uro Michelena<br />

under the tutelage of<br />

Braulio Salazar and Claudio<br />

Mimo. From 1968 to 1973 he<br />

lived in Europe, where he<br />

befriended Carlos Cruz‐Diez<br />

and collaborated in his<br />

studio for two years. Back in<br />

Venezuela in 1973 he began<br />

to integrate concepts of<br />

space and movement into<br />

his work. His artistic work<br />

develops alongside his work<br />

as a set decorator for movies<br />

and television, where he<br />

has collaborated with Luis<br />

Armando Roche, Néstor<br />

Rodríguez Lamelas and Max<br />

Douy. Mérida’s work is part<br />

of the permanent collections<br />

of several museums around<br />

the world.<br />

Patricia<br />

Michelangeli<br />

Patricia was born in Caracas<br />

in 1977. She studied art in<br />

the School of Visual <strong>Art</strong>s<br />

Cristobal Rojas in Caracas.<br />

She is recognisable for<br />

her vividly coloured style<br />

in abstract art. She has<br />

exhibited her work in<br />

Caracas, Maturin and Miami.


25<br />

Rodolfo<br />

Minunboc<br />

Rodolfo Minumboc was a<br />

Venezuelan painter and<br />

sculptor (1933‐1988). He lived<br />

in Rome from 1963, where<br />

he studied architecture<br />

and art history. His work is<br />

known for a predominance<br />

of white with bursts of<br />

silver, gold and grey, which<br />

induce sculptoric sensations,<br />

with somewhat kinetic and<br />

spatial influences.<br />

Gustavo<br />

Muci<br />

My artistic work does not<br />

pursue definition, location,<br />

or concept. It pursues liberty<br />

through the conjugation<br />

and ludic exploration of<br />

colour, shapes, textures,<br />

lines and dots as mediums<br />

for the expression of the<br />

most intimate emotions and<br />

sensations. It is nurtured<br />

by the sea, marine life, the<br />

sky, clouds, space and the<br />

movement that exists in<br />

each of them. It intends to<br />

be the result of the union<br />

between the mind and the<br />

soul, which fly and express<br />

themselves together, so the<br />

creative spirit can flow as<br />

it wishes, opening the way<br />

for the enjoyment of life<br />

- of existence in freedom,<br />

freedom that is captured in<br />

each canvas, in each creative<br />

event.<br />

www.muci.com/galería<br />

Isabela<br />

Muci<br />

From an early age I dove<br />

headlong into a variety of<br />

artistic pursuits in order<br />

to free myself from my<br />

surroundings. My journey<br />

began with painting and<br />

progressed to pottery,<br />

music, and sculpture<br />

before returning to my true<br />

passion: painting. I feel<br />

the need for an intimate<br />

dialog with my work in order<br />

to bring about personal<br />

transformation through the<br />

creative process, which is<br />

an aesthetic exploration of<br />

recycled and often earthy<br />

foundations layered with<br />

hints of classical figure<br />

drawings. This layering<br />

process is achieved with a<br />

playful painting approach<br />

and it is my personal way of<br />

searching for beauty in the<br />

imperfect, impermanent, and<br />

incomplete.<br />

Leonardo<br />

Nierman<br />

Leonardo Nierman is a<br />

Mexican artist born in 1932<br />

and mostly known for his<br />

painting and sculpture. His<br />

work is abstract but still<br />

with discernible images<br />

from nature such as birds,<br />

water, lightning and more.<br />

His paintings are in pure<br />

colours while his sculptures<br />

are generally of metal, often<br />

silver-toned. Nierman has<br />

had exhibitions in Mexico<br />

and abroad and over sixty<br />

recognitions of his work, half<br />

of which are from outside<br />

Mexico.


26 <strong>Art</strong>ists<br />

Ángel Roberto<br />

Núñez<br />

I may say that I “inherited” my interest in art from my<br />

daughter Cristina. My education was always scientific and<br />

not humanistic; however, at my 64 years of age I have<br />

lived lots of experiences that have taken me to the most<br />

beautiful places where it would be impossible to keep the<br />

visual sensibility silent. I have now found an activity that<br />

allows me to share with my daughter, where she represents<br />

experience and I represent adolescence. There is no greater<br />

inspiration than disobeying her advice and doing mischief<br />

endorsed by the arbitrariness that characterizes creativity. I<br />

do not know what gives me more pleasure, finishing an art<br />

project or sharing the studio with my daughter.<br />

Alejandro<br />

O’Daly<br />

As a hobbyist in art, I try to<br />

do things that I enjoy. I seek<br />

to create and turn feelings,<br />

emotions, memories or<br />

what I see in the agitated<br />

day to day of any person<br />

into an artwork. I love to<br />

think of different ways to<br />

express myself through art,<br />

therefore I don’t follow any<br />

specific technique although<br />

I try to use my Civil Engineer<br />

background. I have had for<br />

years the basic need to<br />

create and in this moment<br />

of my life, after many years<br />

designing in my head, I have<br />

found the time to express<br />

myself.<br />

Pablo<br />

O’Higgins<br />

Pablo (Paul) O’Higgins was<br />

born in Salt Lake City, Utah.<br />

In 1924 he left for Mexico<br />

where he became Rivera’s<br />

assistant on the murals<br />

at the National School of<br />

Agriculture in Chapingo and<br />

at the Ministry of Education<br />

in Mexico City. O’Higgins<br />

painted his first mural in<br />

1933 at the Emiliano Zapata<br />

School. Throughout his<br />

career he continued to paint<br />

murals on public buildings<br />

in both Mexico and the<br />

United States. His most<br />

notable work is probably the<br />

pre-Hispanic themed mural<br />

at the National Anthropology<br />

Museum in Mexico City<br />

(1963‐4).


27<br />

Esther<br />

Ojeda<br />

Esther is a Venezuelan artist<br />

who lives and works in Paris<br />

since 1968. In both canvas<br />

and painting on silk, Ojeda<br />

has integrated her search<br />

of colour and abstraction<br />

to leave a range of sweet<br />

textures, caressed by the<br />

delicacy and the acquired<br />

perfection through the<br />

<strong>Art</strong>uro Michelena Plastic <strong>Art</strong>s<br />

School, l’Ecole du Louvre<br />

and the Atelier Technique<br />

Kniasseff of Paris, where the<br />

master Kniasseff taught her<br />

about decoration on silk<br />

and the manufacture of inks,<br />

which she ably produces and<br />

captures.<br />

www.estherojeda.net<br />

Armando<br />

Pérez<br />

Armando was born in<br />

Venezuela in 1936 and<br />

moved to Paris, France<br />

with his family in 1968.<br />

Armando travels frequently<br />

to Venezuela where he has<br />

made a name for himself as<br />

a world class muralist and<br />

a beloved artist in galleries<br />

and museums. Armando’s<br />

symbolism tendencies have<br />

brought him notoriety in the<br />

art world as an expert in his<br />

field.<br />

www.atelierarmando.com<br />

Luz<br />

Pérez Ojeda<br />

Luz was born in Venezuela<br />

in 1966 and lives in France<br />

since 1968. Both her parents<br />

are Venezuelan artists from<br />

whom she learnt the art<br />

of painting. Luz worked for<br />

over 10 years as assistant<br />

to kinetic master Carlos<br />

Cruz-Diez and with Del Arco,<br />

fine art serigraphy printers,<br />

in Paris. She works with<br />

mixed media: paint, collages,<br />

digital photography, using<br />

her own photographs and<br />

paintings, as well as doing<br />

collaborative work with<br />

other photographers. She<br />

is represented by Galerie<br />

Montmartre Paris.<br />

www.luzperezojeda.net<br />

Ernesto<br />

Pesce<br />

Pesce is an Argentinian<br />

plastic artist and teacher. His<br />

extensive career is mirrored<br />

in the presence of his work<br />

in numerous museums and<br />

collections across three<br />

continents. His monumental<br />

murals embellish public<br />

spaces in Argentina and<br />

Germany. Pesce has been<br />

awarded with important<br />

national and international<br />

prizes such as the Great<br />

National Prizes of Drawing<br />

(1977) and Engraving (1980)<br />

and the Prize of Engraving<br />

“Manuel Belgrano” (1981), the<br />

highest recognition granted<br />

by the City of Buenos Aires.


28 ARTworks<br />

34 35<br />

36<br />

34<br />

Roberto Matta<br />

Homo Flux (Octravi)<br />

(1974-1975)<br />

–<br />

61 x 81 cm<br />

Lithograph 200<br />

35<br />

Manuel Mérida<br />

Cercle Rouge Terre Cuite<br />

(2015)<br />

–<br />

60 cm Diam<br />

Painted wood, sand, glass<br />

Original<br />

36<br />

Patricia Michelangeli<br />

Me Habitas, Te Arropo<br />

(2018)<br />

–<br />

40 x 50cm<br />

Acrylic on canvas<br />

Original


29<br />

37<br />

39<br />

38<br />

37<br />

Leonardo Nierman<br />

Untitled<br />

(ca. 1970)<br />

–<br />

60 x 43 cm<br />

Watercolour<br />

38<br />

Rodolfo Minunboc<br />

Armonia II<br />

–<br />

50 x 40 cm<br />

Oil painting on canvas<br />

Original<br />

39<br />

Gustavo Muci<br />

The Flower of Life 4 - Gaia<br />

(2017)<br />

–<br />

46 x 61 cm<br />

Acrylic paint over Acrylic<br />

Gesso Primed Sheet<br />

Original


30 ARTworks<br />

40<br />

41<br />

40<br />

Ángel Roberto Núñez<br />

Untitled<br />

–<br />

30 x 30 x 10 cm<br />

Acrylic and oil<br />

41<br />

Ángel Roberto Núñez<br />

Untitled<br />

–<br />

30 x 30 x 10 cm<br />

Acrylic and oil


31<br />

44<br />

42<br />

43<br />

42<br />

Alejandro O’Daly<br />

Untitled<br />

(2018)<br />

–<br />

50 x 50 cm<br />

Digital Print<br />

Original<br />

43<br />

Alejandro O’Daly<br />

Ávila Tricolor<br />

(2018)<br />

–<br />

17 x 60 cm<br />

Digital Print<br />

Original<br />

44<br />

Esther Ojeda<br />

Bibliotecas<br />

(2016)<br />

–<br />

30 x 21 cm<br />

Acrylic paint, mixed media<br />

on Arches paper<br />

Original


32 ARTworks<br />

45<br />

46<br />

47<br />

45<br />

Luz Pérez Ojeda<br />

Dancing Liberty<br />

(2016)<br />

–<br />

21 x 30 cm<br />

Animation Lenticular Print<br />

Series 1/8<br />

46<br />

Pablo O’Higgins<br />

The Market<br />

(1934)<br />

–<br />

32 x 38 cm<br />

Lithograph Original<br />

Edition of 300<br />

47<br />

Armando Pérez<br />

Profils<br />

(2017)<br />

–<br />

40 x 50 cm<br />

Acrylic paint on canvas<br />

Original


33<br />

49<br />

48<br />

50<br />

48<br />

Ernesto Pesce<br />

Buscando al Arquitecto de<br />

la Catedral de Chartres en el<br />

Laberinto del Universo<br />

(2017)<br />

–<br />

50 x 70 cm<br />

Técnica mixta sobre papel<br />

Serie LABERINTOS<br />

49<br />

Daniela Quilici<br />

Oliva 1<br />

(2011)<br />

–<br />

41 x 32 cm<br />

Acrylic and pencil on paper<br />

Original<br />

50<br />

Lucía Pizzani<br />

Orchids #A32<br />

(2012)<br />

–<br />

30 x 40 cm<br />

Inkjet pigment print on cotton paper<br />

Series 1/20


34 <strong>Art</strong>ists<br />

Lucía<br />

Pizzani<br />

Pizzani was born in<br />

Caracas, Venezuela, where<br />

studied Communications<br />

(Audiovisual) at the<br />

Universidad Católica Andrés<br />

Bello. She has a Diploma<br />

in Conservation Biology<br />

from Columbia University<br />

and an MA from Chelsea<br />

College of <strong>Art</strong>s in London.<br />

Pizzani has received several<br />

awards, including: Hotshoe/<br />

Photofusion Magazine 2014,<br />

Award to Best Emerging<br />

<strong>Art</strong>ist from the AICA-<br />

Venezuela Asociación<br />

Internacional de Críticos de<br />

<strong>Art</strong>e, 2013, First Prize in the<br />

XII Premio Eugenio Mendoza<br />

2013, and Second Prize in the<br />

IX Salón CANTV de Jóvenes<br />

<strong>Art</strong>istas FIA 2006.<br />

Daniela<br />

Quilici<br />

Quilici was born in Paris,<br />

France in 1982. She spent<br />

her childhood and part of<br />

her youth in Venezuela. She<br />

returned to Paris in 1999 and<br />

studied graphic design at<br />

Sornas and Creapole. In 2000<br />

she travelled to Morocco as<br />

an assistant photographer.<br />

She obtained her Masters<br />

from the Fine <strong>Art</strong>s’s School<br />

in Paris 2006. At that time<br />

she made her second solo<br />

exhibition. She obtained<br />

her degree in sculpture and<br />

drawing from the Fine <strong>Art</strong>s<br />

National School (2009). In<br />

2013 part of her work enters<br />

in the collection of the<br />

Cabinet of Prints drawing of<br />

Valencia, Venezuela. Daniela<br />

has exhibited in different<br />

cities such as Buenos Aires,<br />

Caracas, London and Paris.<br />

Manuel<br />

Quintana<br />

Castillo<br />

Manuel Quintana Castillo<br />

was a Venezuelan painter<br />

(1928‐2016). He studied art<br />

at the Escuela de <strong>Art</strong>es<br />

Plásticas in Caracas. Since<br />

then he developed into<br />

one of the greatest artists<br />

in the history of Venezuela.<br />

He taught at the Escuela de<br />

<strong>Art</strong>es Plásticas, as well as in<br />

the School of Architecture<br />

and Urbanism of the UCV. He<br />

received numerous awards<br />

during his life, including the<br />

National Award of Visual <strong>Art</strong>s<br />

(1973), the <strong>Art</strong>uro Michelena<br />

Award (1978), the Armando<br />

Reverón Award by the<br />

Venezuelan Association of<br />

Visual <strong>Art</strong>ists (1996).<br />

Iván<br />

Rojas<br />

Rojas was born in Venezuela<br />

in 1965. He has studied art,<br />

drawing, painting, design<br />

and sculpture in Venezuela<br />

and Mexico. He graduated<br />

in Graphic Design in 1990<br />

from the Instituto de Diseño<br />

de Caracas, Venezuela.<br />

Rojas has developed wide<br />

experience during the last<br />

two decades, during which<br />

he has had numerous<br />

exhibits in Venezuela,<br />

Mexico, USA, Cuba, Spain,<br />

England, Switzerland, and<br />

Dominican Republic. His<br />

work forms part of private<br />

collections around the world<br />

as well as important public<br />

collections, such as: Museo<br />

de <strong>Art</strong>e Contemporáneo de<br />

Caracas Sofía Imber, Museo<br />

de <strong>Art</strong>e Coro, Museo Mario<br />

Abreu, Museo Francisco<br />

Narváez, Museo Nueva<br />

Cádiz, and Museo de <strong>Art</strong>e<br />

Latinoamericano de Los<br />

Angeles.


35<br />

Abraham<br />

Rosales<br />

Abraham Rosales was born<br />

in Caracas in 1993, where<br />

he spent his childhood in<br />

clothing factories. From<br />

a very young age, fabric,<br />

sewing and serigraphy were<br />

elements that stimulated<br />

him and nowadays those<br />

elements are developed<br />

in his artwork. Abraham<br />

studied graphic design in<br />

Caracas (Nueva Esparta<br />

University) and serigraphy in<br />

New York (SVA). He has been<br />

part of 9 collective and 3<br />

individual exhibitions.<br />

Adriana<br />

Rosell<br />

Adriana Rosell is a<br />

Venezuelan artist. She<br />

resides in Bogotá, Colombia<br />

since 1999, where she made<br />

her studies in plastic arts<br />

at the Universidad de Los<br />

Andes. Her creative work<br />

has been developed in a<br />

mix between drawing and<br />

painting, applied in subjects<br />

from illustration to research<br />

of territories, landscapes<br />

and minerals.<br />

Andrea<br />

Santolaya<br />

Santolaya was born in<br />

Madrid in 1982. She earned<br />

her MFA from the School<br />

of Visual <strong>Art</strong>s in NYC where<br />

she also worked for Manolo<br />

Valdés photographing<br />

his monumental<br />

sculptures. Previously, she<br />

photographed the Making<br />

of the film “The Honour<br />

of the Wronged” by artist<br />

Carlos García‐Alix. She<br />

has published the Making<br />

of “Looking for Felipe<br />

Sandoval”, “Manolo Valdés.<br />

Sixteen Sculptures in New<br />

York”, “Around” and “Manolo<br />

Valdés. Botanical Garden in<br />

New York”. This last book<br />

earned the 1st Prize for<br />

best art publication 2014 by<br />

the Ministry of Culture and<br />

Sports in Spain. Andrea has<br />

exhibited in Spain, Italy, the<br />

United States and Venezuela<br />

www.andreasantolaya.com<br />

Clara<br />

Toro<br />

Clara is a Colombian artist,<br />

living in Miami, that began<br />

her career as an industrial<br />

designer. She studied<br />

photography while in<br />

college and has pursued<br />

this interest, while working<br />

on other projects. The past<br />

two years she has dedicated<br />

her time to travel and do<br />

documentary photography.<br />

The photography donated<br />

to this project is part of a<br />

series made in India during<br />

the summer of 2017 in<br />

which the main interest was<br />

to depict loneliness in a<br />

country that is well known,<br />

in part, for the crowded<br />

spaces.


36 ARTworks<br />

51<br />

Photography set 1:<br />

a<br />

c<br />

b<br />

51 Photography set 1:<br />

a] Diana Espín<br />

Out There - The Longest Sunset<br />

(2016)<br />

–<br />

22 x 28 cm<br />

Digital photography printed<br />

by the author on Pro Matte<br />

photo paper with archive<br />

Cannon original pigments<br />

Series 1/25<br />

b] Clara Toro<br />

Verano en India - Presencia<br />

(2017)<br />

–<br />

22 x 28 cm<br />

Digital photography printed by<br />

the author on Pro Premium Matte<br />

photo paperwith archive pigments<br />

Series 1/8<br />

c] Pedro Wazzan<br />

Kukkenan<br />

(2014)<br />

–<br />

22 x 28 cm<br />

Digital photography printed<br />

by the author on Pro Luster<br />

photo paper with archive<br />

Cannon Original pigments<br />

Author Copy


37<br />

52<br />

Photography set 2<br />

a<br />

b<br />

52 Photography set 2:<br />

a] Isabela Muci<br />

Venecia - Los Trapos Sucios<br />

se Lavan en Casa<br />

(2017)<br />

–<br />

22 x 28 cm<br />

Digital photography printed by<br />

the author on Pro Platiunum<br />

photo paper with archive prints<br />

Series 1/8<br />

b] Andrea Santolaya<br />

Reina Mariana - Valdés on Broadway<br />

(2012)<br />

–<br />

28 x 36 cm<br />

Silver-bromide gelatin<br />

on barium paper<br />

Series 1/9 + 2 P.A.


38 ARTworks<br />

53<br />

54<br />

53<br />

Manuel Quintana Castillo<br />

Estudio de Figura en<br />

Espacio Fragmentario<br />

–<br />

56 x 43 cm<br />

Giclée on velvet bright white 100%<br />

cotton 310 gr paper, PH neutral<br />

Series 78/200<br />

54<br />

Iván Rojas<br />

Untitled<br />

(1996)<br />

–<br />

[Set of 3]<br />

22 x 30 cm [each]<br />

Pastel on paper<br />

Original


39<br />

55<br />

57<br />

56<br />

55<br />

Abraham Rosales<br />

Huella 001<br />

(2018)<br />

–<br />

27 x 27 cm<br />

Layers of fabric on canvas<br />

Mixed media<br />

Original<br />

56<br />

Antonio Seguí<br />

Untitled I<br />

(1996)<br />

–<br />

77.5 x 70 cm<br />

Silkscreen<br />

Edition 91/150<br />

57<br />

Adriana Rosell<br />

Montaña de Oro<br />

(2018)<br />

–<br />

24.5 x 21.5 cm<br />

Pencil and gold lacquer<br />

Original


40 <strong>Art</strong>ists<br />

Antonio<br />

Seguí<br />

Antonio Seguí is a<br />

contemporary Argentine<br />

painter and illustrator<br />

whose vivid, often satirical<br />

works focus on the people<br />

and vistas of modern<br />

urban life. Influenced by<br />

the Cubists and Modernist<br />

artists like Diego Rivera,<br />

his work is represented in<br />

the permanent collections<br />

of the Musée National<br />

d’<strong>Art</strong> Moderne in Paris, the<br />

Museum of Modern <strong>Art</strong> and<br />

the Solomon R. Guggenheim<br />

Museum in New York,<br />

the Hirshhorn Museum<br />

and Sculpture Garden in<br />

Washington, D.C. and the<br />

Centre Georges Pompidou,<br />

in Paris.<br />

Anne<br />

Shingleton<br />

Shingleton is one of those<br />

rare artists who is equally<br />

comfortable whether she is<br />

creating with a paintbrush,<br />

etching a copper plate, or<br />

using her bare hands on<br />

a lump of clay. She has<br />

a degree in Zoology and<br />

approaches her work with<br />

a scientist’s analytical eye.<br />

In 1980 Anne moved to Italy<br />

to study under the famous<br />

Nerina Simi in Florence. This<br />

gave her 2 years of classical<br />

atelier training in drawing<br />

and painting, a precious,<br />

knowledge and skill base<br />

for her further figurative<br />

work with animals. Anne<br />

has had solo and collective<br />

exhibitions regularly in the<br />

UK and Italy.<br />

www.anneshingleton.com<br />

Valentino<br />

Sibadón<br />

Sibadón was born in<br />

Peru in 1984. He studied<br />

at the Escuela Nacional<br />

de Bellas <strong>Art</strong>es in Peru<br />

(2003‐2007), specialising in<br />

painting. He has a degree<br />

in Graphic Design form<br />

the Instituto Peruano de<br />

<strong>Art</strong>e y Diseño (2008). In<br />

2011 he was awarded 3rd<br />

prize at the Golden Grafitti<br />

contest organised by<br />

Minera Hochschild and in<br />

2016 he was finalist in the<br />

VIII Concurso Nacional de<br />

Pintura organised by the<br />

Museo del Banco Central de<br />

Reserva del Peru. During May<br />

2018 he will be taking part<br />

in the Residencia <strong>Art</strong>ística<br />

Panal 361 in Buenos Aires,<br />

which will end with a solo<br />

exhibition.<br />

www.valentinosibadon.com<br />

Emilia<br />

Sunyer<br />

For more than fifteen<br />

years I have been painting<br />

almost exclusively in black<br />

and white, in medium to<br />

large formats using acrylic<br />

paints. I use a completely<br />

unique original technique<br />

developed over many years<br />

where I attach acrylic to<br />

canvas in skins to build<br />

up depth and texture<br />

behind the visible surface<br />

in a “negative” process to<br />

classical painting. In this<br />

practice, brushwork is<br />

rendered invisible giving<br />

the paintings a reflective,<br />

synthetic material surface.<br />

I take my cues from nature,<br />

religion, popular culture,<br />

literature as well as from<br />

painting and art history.


41<br />

Emma<br />

Thistleton<br />

Emma is a British artist &<br />

illustrator, based in London.<br />

After her degree in Graphic<br />

Design she worked for<br />

some pretty big names in<br />

branding and advertising,<br />

then following eight years in<br />

the industry she re‐trained<br />

as a massage therapist and<br />

still practises today. Emma<br />

knew she had to return to<br />

her creative ‘must’. After<br />

some refreshing short<br />

courses at Putney School of<br />

<strong>Art</strong> and Central St Martins,<br />

she had her first solo show<br />

in November 2015 and hasn’t<br />

looked back.<br />

www.emmathistleton.co.uk<br />

Vieri<br />

Tomaselli<br />

Vieri Tomaselli started his<br />

career at the age of 18 in<br />

Milan. From the early 70’s<br />

to the mid 90’s his work<br />

has spanned from fashion<br />

photography, to architecture,<br />

interiors and industrial, for<br />

fashion brands, corporations<br />

and individuals. From 200<br />

onwards and with the advent<br />

of digital photography, he<br />

has taken care of teaching,<br />

instructing and coaching<br />

other photographers.<br />

Tomaselli also runs his<br />

own painting workshop. On<br />

the artistic side, Vieri has<br />

exhibited his work widely in<br />

Europe and the Americas.<br />

He has also printed several<br />

books. He lives and works in<br />

Miami, Florida.<br />

Iberia<br />

Torres<br />

Abelaira<br />

Iberia Torres Abelaira is a<br />

Chilean photographer and<br />

sociologist. During the past<br />

15 years she has dedicated<br />

herself mainly to document,<br />

in text and photographs,<br />

cultural aspects of the<br />

Araucanía Region in<br />

southern Chile. She has<br />

exhibited her work on<br />

numerous occasions both in<br />

Chile and the UK. She is also<br />

co-author of the first Guide<br />

of Religious Tourism in Chile<br />

and author of the books<br />

“Pucón‐Chile: Así era mi<br />

pueblo 1883-1969” (now in its<br />

2 nd edition) and “ÍCONOS: El<br />

<strong>Art</strong>e de Fray Francisco Valdés<br />

Subercaseaux”.<br />

Carlos<br />

Vallenilla<br />

Carlos Vallenilla was born<br />

in Barquisimeto, Venezuela<br />

in 1973. From a very early<br />

age he was interested in<br />

art, and after graduating<br />

with a degree in Marketing<br />

and Advertising he began a<br />

journey through the design<br />

world. His constant search<br />

for integrating his work<br />

with volumes, colour, and<br />

movement, enabled him to<br />

begin to capture them on<br />

canvas and wood. By 2014 he<br />

ventured abroad, starting in<br />

the USA. This international<br />

scope has resulted in<br />

invitations to participate in<br />

events of greater projection<br />

and scale both in America<br />

and Europe.


42 ARTworks<br />

58<br />

59 60<br />

58<br />

Anne Shingleton<br />

We Are Not Amused<br />

(2018)<br />

–<br />

18 x 30 cm<br />

Framed Monoprint (Monotype)<br />

Original<br />

59<br />

Valentino Sibadón<br />

Oro Nocturno<br />

(2015)<br />

–<br />

70 x 50 cm<br />

Spray paint on Holographic<br />

golden Cardboard<br />

Original<br />

60<br />

Valentino Sibadón<br />

Juego Fresco<br />

(2015)<br />

–<br />

70 x 44 cm<br />

Spray paint on Holographic<br />

silver Cardboard<br />

Original


43<br />

61<br />

62<br />

61<br />

Emilia Sunyer<br />

Series Sketches of<br />

Venezuelan Hospitals<br />

(2017)<br />

–<br />

29 x 29 cm<br />

Charcoal on paper<br />

Original<br />

62<br />

Emma Thistleton<br />

Untitled<br />

(2016)<br />

–<br />

19 x 27 cm<br />

Limited Edition Print<br />

Series 6/20


44 ARTworks<br />

63<br />

Vieri Tomaselli (Photography set 1):<br />

64<br />

Vieri Tomaselli (Photography set 2):<br />

63<br />

Vieri Tomaselli (Photography set 1):<br />

64<br />

Vieri Tomaselli (Photography set 2):<br />

Tuscany<br />

(2016)<br />

–<br />

28 x 43 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print<br />

Venice<br />

(2015)<br />

–<br />

28 x 43 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print<br />

Miami<br />

(2014)<br />

–<br />

43 x 28 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print<br />

Modena<br />

(2015)<br />

–<br />

43 x 28 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print


45<br />

65<br />

Vieri Tomaselli (Photography set 3):<br />

65<br />

Vieri Tomaselli (Photography set 3):<br />

Toronto<br />

(2007)<br />

–<br />

28 x 43 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print<br />

New York<br />

(2014)<br />

–<br />

28 x 43 cm<br />

Photograph printed on Canson Rag<br />

Photographique 100% Cotton Paper<br />

Archival Print


46 <strong>Art</strong>ists<br />

Tony<br />

Vázquez-Figueroa<br />

Vazquez‐Figueroa was born in 1980 in Caracas, Venezuela.<br />

He received his BFA from Emerson College Massachusetts,<br />

USA (1992). He continued his art studies in 1997 -<br />

Escuela de <strong>Art</strong>e San Alejandro, Habana, Cuba, New York<br />

Studio (scholarship) and Slade School of Painting in<br />

London. He received the Rozas‐Botran Foundation Latin<br />

American Award (2015) and, the First Prize of the 63rd<br />

All Florida Exhibition Boca Raton Museum of <strong>Art</strong> (2014).<br />

Vazquez‐Figueroa uses materials such as bitumen, crude<br />

oil, glass, eraser clay, photographs, advertising, among<br />

others, and manipulates them using the strategy of<br />

“additive‐subtraction”. He has been greatly influenced by<br />

Rauschenberg’s Erased De Kooning, which he considers one<br />

of the most radical acts of art of the 20th century.<br />

Piers<br />

Veness<br />

Piers Veness (UK) is a<br />

painter who lives and<br />

works in London. Using<br />

hard-edged abstraction,<br />

Veness investigates visual<br />

depth through form and<br />

colour. He received an MA in<br />

Scenography from the Slade<br />

School of Fine <strong>Art</strong>, London,<br />

and a BA in Fine <strong>Art</strong> and<br />

Theatre at University College<br />

Northampton.<br />

Augusto<br />

Villalba<br />

Born 1961 and based in the<br />

UK, Villalba has an in MA<br />

Fine <strong>Art</strong> Research (Fine <strong>Art</strong>,<br />

Theory, Practice & Education)<br />

from Chelsea College of<br />

<strong>Art</strong> & Design (2000), a<br />

BA (Honours) in Fine <strong>Art</strong><br />

Painting from Armando<br />

Reveron Higher Institute,<br />

Caracas, Venezuela (1996).<br />

He also studied printmaking<br />

and graphic design. His<br />

work is represented at<br />

National Gallery of <strong>Art</strong><br />

(Caracas, Venezuela) and<br />

the Collection Patricia<br />

Phelps de Cisneros (Caracas,<br />

Venezuela).


47<br />

Anabella<br />

Vivas<br />

Anabella was born in<br />

Caracas - Venezuela in 1987<br />

and is currently established<br />

between Milan and Madrid.<br />

She often plays with<br />

the balance of conceptmaterials‐technique.<br />

By<br />

constantly examining<br />

materials and objects<br />

around her, she creates<br />

products from a fresh new<br />

perspective, recurrently<br />

highlighting different<br />

aspects of her products in a<br />

unique way and giving them<br />

a fresh “twist”. “My goal is to<br />

create products combining<br />

industry and craft, that not<br />

only answer your needs but<br />

also fuel your imagination.<br />

When boundaries between<br />

design and art fade away,<br />

potential for magic occurs”.<br />

Pedro<br />

Wazzan<br />

Pedro Wazzan was born in Caracas, Venezuela. He has<br />

been teaching photography for over 13 years at Roberto<br />

Mata’s Photography Studio, his alman MAter. His social<br />

photographs have gone around the globe and he has<br />

been the recipient of several Ascenso awards in the area<br />

of documentary videos and landscape photography.<br />

Wazzan has been part of documentaries (Churum, hijos<br />

del Sol, Guerreras). He was founding director and partner<br />

in the enterprise AlAgua Cinema and is the director of the<br />

audiovisual department of Camp La Llanada USA. Wazzan<br />

has his studio at the Bakehouse <strong>Art</strong> Complex in Miami,<br />

where he currently lives.<br />

www.pedrowazzan.com


48 ARTworks<br />

66<br />

67<br />

68<br />

66<br />

Iberia Torres Abelaira<br />

Cruces<br />

(2010)<br />

–<br />

[Set of 2]<br />

50 x 50 cm (each)<br />

Photographies printed<br />

on digital paper<br />

Original<br />

67<br />

Carlos Vallenilla<br />

Cubes on Canvas<br />

–<br />

20 x 24 x 20<br />

Mixed Media<br />

Acrylic paint on Wood<br />

Original<br />

68<br />

Tony Vázquez-Figueroa<br />

Red<br />

(2014)<br />

–<br />

44 x 36 cm<br />

Collage<br />

Archival print


49<br />

70<br />

71<br />

69<br />

69<br />

Piers Veness<br />

Black and Green #12<br />

(2014)<br />

–<br />

20 x 14.5 cm<br />

Acrylic paint on canvas board<br />

Original<br />

70<br />

Augusto Villalba<br />

Orange<br />

(2017)<br />

–<br />

20 x 15 cm<br />

Acrylic and oil on paper / board<br />

Original<br />

71<br />

Anabella Vivas<br />

Botany<br />

–<br />

24 x 18 x 18<br />

Brass and Marble<br />

Oxidation and Etching<br />

Original


50 Author Index<br />

Daniel Acuña<br />

Enriqueta Ahrensburg<br />

Nani Cárdenas<br />

page<br />

4<br />

Gloria Ceballos<br />

Saint Clair Cemin<br />

Carlos Cruz‐Diez<br />

Luigi Cuchillo<br />

page<br />

5<br />

Katherine di Turi<br />

Cristina Escobar<br />

Diana Espín<br />

page<br />

6<br />

Guillermo Felizola<br />

Renata Fernández<br />

Carolina Fernández del Dago<br />

Justine Formentelli<br />

page<br />

7<br />

Jason <strong>Gala</strong>rraga<br />

María Gamundí<br />

Gabriela Elena García<br />

Juan Gerstl<br />

page<br />

14<br />

Jaime Gili<br />

Peter Griffin<br />

Pablo Griss<br />

Itálica Anticuario<br />

page<br />

15<br />

María Fernanda Lairet<br />

Andrés Landino<br />

Marianne Lerbs<br />

Enrique Lobo<br />

page<br />

16<br />

Anamaría López<br />

Rocío Magasrevi<br />

Cipriano Martínez<br />

page<br />

17<br />

Juan Mateus<br />

Roberto Matta<br />

Gabriela Medina<br />

Manuel Mérida<br />

page<br />

24<br />

Patricia Michelangeli


51<br />

Rodolfo Minunboc<br />

Gustavo Muci<br />

Isabela Muci<br />

page<br />

25<br />

Leonardo Nierman<br />

Ángel Roberto Núñez<br />

Alejandro O’Daly<br />

Pablo O’Higgins<br />

page<br />

26<br />

Esther Ojeda<br />

Armando Pérez<br />

Luz Pérez Ojeda<br />

page<br />

27<br />

Ernesto Pesce<br />

Lucía Pizzani<br />

Daniela Quilici<br />

Manuel Quintana Castillo<br />

page<br />

34<br />

Iván Rojas<br />

Abraham Rosales<br />

Adriana Rosell<br />

Andrea Santolaya<br />

page<br />

35<br />

Clara Toro<br />

Antonio Seguí<br />

Anne Shingleton<br />

Valentino Sibadón<br />

page<br />

40<br />

Emilia Sunyer<br />

Emma Thistleton<br />

Vieri Tomaselli<br />

Iberia Torres Abelaira<br />

page<br />

41<br />

Carlos Vallenilla<br />

Tony Vázquez-Figueroa<br />

Piers Veness<br />

Augusto Villalba<br />

Anabella Vivas<br />

Pedro Wazzan<br />

page<br />

46<br />

page<br />

47


52 <strong>Art</strong>works Index<br />

01 Daniel Acuña / No. 38 from the Cloud-spotting and Other Aimless Endeavors II series<br />

02 Nani Cárdenas / El Otro Novio<br />

03 Enriqueta Ahrensburg / Spring<br />

04 Carlos Cruz-Diez / Sitges page<br />

9<br />

05 Carlos Cruz-Diez / Color Aditivo 3x<br />

06 Luigi Cuchillo / Cómanse a Besos esta Noche<br />

07 Gloria Ceballos / Hiliada<br />

08 Saint Clair Cemin / Untitled - 4<br />

09 Guillermo Felizola / Serie Libertador<br />

10 Cristina Escobar / Heliconias<br />

11 Katherine Di Turi / Abstract Photogram #38<br />

12 Renata Fernández / Deck Chairs<br />

13 Carolina Fernández del Dago / Lasso<br />

14 Justine Formentelli / Untitled<br />

15 Jason <strong>Gala</strong>rraga / Juegos y Letras<br />

16 María Gamundí / Goddess of the Water<br />

17 María Gamundí / Zulay<br />

18 Gabriela Elena García / Unexpected Inner Side<br />

19 Juan Gerstl / Mercedes<br />

20 Itálica Anticuario / God Vishnu<br />

21 Peter Griffin / Heart<br />

22 Jaime Gili / A200 Gio<br />

23 Pablo Griss / Brooding Sky<br />

24 Andrés Landino / Jesus Soto - Behind the scenes [set of 3] page<br />

20<br />

25 María Fernanda Lairet / Queen Elizabeth II<br />

26 Marianne Lerbs / Doggo<br />

27 Enrique Lobo / Mi Bici Mágica<br />

28 Anamaría López / Remanso<br />

29 Rocío Magasrevi / Trazando<br />

30 Juan Mateus / Look at #me<br />

31 Cipriano Martínez / Apuntes para la Destrucción<br />

32 Gabriela Medina / Urban Fridha page<br />

23<br />

33 Gabriela Medina / Salado [set of 2]<br />

34 Roberto Matta / Homo Flux (Octravi)<br />

35 Manuel Mérida / Cercle Rouge Terre Cuite<br />

36 Patricia Michelangeli / Me Habitas, Te Arropo<br />

37 Leonardo Nierman / Untitled<br />

38 Rodolfo Minunboc / Armonia II<br />

39 Gustavo Muci / The Flower of Life 4 - Gaia<br />

40 Ángel Roberto Núñez / Untitled page<br />

30<br />

41 Ángel Roberto Núñez / Untitled<br />

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53<br />

42 Alejandro O’Daly / Untitled<br />

43 Alejandro O’Daly / Ávila Tricolor<br />

44 Esther Ojeda / Bibliotecas<br />

45 Luz Pérez Ojeda / Dancing Liberty<br />

46 Pablo O’Higgins / The Market<br />

47 Armando Pérez / Profils<br />

48<br />

Ernesto Pesce / Buscando al Arquitecto de la Catedral<br />

de Chartres en el Laberinto del Universo<br />

49 Daniela Quilici / Oliva 1<br />

50 Lucía Pizzani / Orchids #A32<br />

51 Photography [set 1]:<br />

Diana Espín / Out There - The Longest Sunset<br />

Clara Toro / Verano en India - Presencia<br />

Pedro Wazzan / Kukkenan<br />

52 Photography [set 2]:<br />

Isabela Muci / Venecia - Los Trapos Sucios se Lavan en Casa<br />

Andrea Santolaya / Reina Mariana - Valdés on Broadway<br />

53 Manuel Quintana Castillo / Estudio de Figura en Espacio Fragmentario page<br />

38<br />

54 Iván Rojas / Untitled<br />

55 Abraham Rosales / Huella 001<br />

56 Antonio Seguí / Untitled I<br />

57 Adriana Rosell / Montaña de Oro<br />

58 Anne Shingleton / We Are Not Amused<br />

59 Valentino Sibadón / Oro Nocturno<br />

60 Valentino Sibadón / Juego Fresco<br />

61 Emilia Sunyer / Series Sketches of Venezuelan Hospitals page<br />

62 Emma Thistleton / Untitled<br />

43<br />

63 Vieri Tomaselli [set 1]:<br />

Vieri Tomaselli / Tuscany<br />

Vieri Tomaselli / Venice<br />

64 Vieri Tomaselli [set 2]:<br />

Vieri Tomaselli / Miami<br />

Vieri Tomaselli / Modena<br />

65 Vieri Tomaselli [set 3]:<br />

Vieri Tomaselli / Toronto<br />

Vieri Tomaselli / New York<br />

66 Iberia Torres Abelaira / Cruces [set of 2]<br />

67 Carlos Vallenilla / Cubes on Canvas<br />

68 Tony Vázquez-Figueroa / Red<br />

69 Piers Veness / Black and Green #12<br />

70 Augusto Villalba / Orange<br />

71 Anabella Vivas / Botany<br />

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