3 months ago

BassPlayer 2017-02

BassPlayer 2017-02


B BASSNOTES that highlight Glenn Hughes’ left-hand vibrato, one of the greatest contributions to the world of rock bass. With his roaming, upper-register excursions, Hughes wrings every last drop of emotion from the neck of his instrument, elevating this record into the realm of essential listening. —Freddy Villano Bonobo Migration [Ninja Tune] Electronic trip-hop guru Simon Green’s sixth album combines atmospheric currents with entrancing rhythms to create a moving album that is somehow even more cathartic than 2012’s The North Borders. While Green (a.k.a. Bonobo) often creates beautiful walls of synth bass under strings, vocals, and choral samples, his beloved Music Man StingRay provides the foundation on many tracks, including the deep swells on “No Reason” and the constant runs of “Figures.” —Jon D’Auria The Rolling Stones Blue & Lonesome [Polydor] The Stones most successfully return to their inspirational roots with this set of mainly Chicago blues covers, cut in three days in the U.K., with Don Was producing. Down below, Darryl Jones runs the stylistic and sonic gamut, from minimalist, upright-sounding parts on “Just Your Fool” and “Commit a Crime” (even laying off the one on the latter) to a more modern, electric bass tone on “All of Your Love.” Toss in his syncopated pattern on Willie Dixon’s “Just Like I Treat You,” and Jones once again earns his supreme-sideman status. —Chris Jisi Wakrat Wakrat [Earache] With a storied history of lighting himself on fire, getting waterboarded, and breaking bones during music-video shoots, Tim Commerford has finally created an album that is an aural representation of the self-inflicted violence he has endured. His latest trio’s debut is a brutal beatdown of vicious tones, blistering bass lines, and Commerford’s aggressive and politically driven vocals. On a relentless album that never lets up, Timmy C proves that he has even more rage now than ever before. —Jon D’Auria Dot Hacker N3 [ORG Music] Jonathan Hischke has always taken a bold approach to writing: He never shies away from welcoming the weird and putting the bass at the forefront. On Dot Hacker’s newest album, Hischke takes this mentality to the next level. His usually heavily effected tone is more focused on gain-fueled grittiness, contrasting the brash guitar playing of the Red Hot Chili Peppers’ Josh Klinghoffer. For a proper Hischke crash course, dive into the bass-centric tracks “C Section,” Forgot to Smile,” and “Apt Mess.” —Jon D’Auria BP 16 / february2017

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