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BassPlayer 2017-03

BassPlayer 2017-03

WOODSHED LINK FACE TECH

WOODSHED LINK FACE TECH PLAY LEARN W variation in bars 5 and 6. It’s not wrong to alter the line—but modern standards would demand a more consistent approach on a song like this. Example 3 is similar to one of the full choruses played without stops at the end of the song. Ex. 3 7 F7 1 0 3 0 1 Unfortunately, my best efforts did not solve the mystery of the “Money” bass player, but the search for truth always has its own reward. As we look ahead at more of Tamla/Motown’s early output, we will hear more from Jamerson and 0 3 0 1 0 3 0 1 0 3 0 1 F7 C7 Bb7 F7 1 0 3 0 1 0 3 0 3 6 7 5 7 1 0 3 0 examine the developments in his playing. The effect of Jamerson’s gift on Motown, and the whole of popular music, cannot be overstated. In the realm of R&B Gold, Jamerson had the Midas touch. BP Bb7 1 0 3 0 0 3 0 1 1 0 3 0 0 3 0 54 bassplayer.com / march2017

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