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end and the riff come back, which was usually me,<br />

since I had to get back to the riff double-sharp.”<br />

Samwell-Smith quit the band shortly after finishing<br />

the Yardbirds album to pursue a career as a<br />

producer, later working with such artists as Carly<br />

Simon, All About Eve, Cat Stevens, and Jethro<br />

Tull. “I was so tired of touring endlessly, always<br />

traveling for hours to a gig miles from anywhere.<br />

Making the album was a brief period of sanity<br />

for me; I think we spent five consecutive days in<br />

the studio, and I loved it. It was definitely what I<br />

wanted to do. So when we finished the album and<br />

went back on the road, I realized that I had to change my job.”<br />

In the mid ’80s, however, Paul teamed up again with Yardbirds founding<br />

members Dreja and McCarty to form Box Of Frogs, which recorded two bluesrock<br />

albums featuring a host of musical buddies, including Beck and Page. In<br />

1992, Samwell-Smith and the other Yardbirds were inaugurated into the Rock<br />

and Roll Hall of Fame. A modern incarnation of the band continues touring<br />

and recording today, helmed by McCarty.<br />

Now 73, Samwell-Smith remains musically active. “I just finished co-producing<br />

the latest Cat Stevens album, to be called The Laughing Apple, which was<br />

an amazing treat,” Paul enthuses. “He’s in such good form, reminding me of<br />

our work on our early albums together. Some things don’t change, and working<br />

with such great talent is always a joy.” BP<br />

bassplayer.com / march<strong>2017</strong> 57

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