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EDITOR’S SCRATCHING POST: CATATONICALLY SPEAKING<br />
This issue's cover features several artworks by the late great artist Louise <strong>Bourge</strong>ois.<br />
Those artworks speak to me for obvious reasons, but also, her surname just happens to<br />
echo a theme that Clock<strong>wise</strong> <strong>Cat</strong> so vociferously rebels against - the bourgeoisie.<br />
Interestingly enough, over time the word bourgeois has come to signify something rather<br />
different than what it used to indicate. It used to refer to the middle class, but has<br />
inexplicably evolved toward encompassing allusions to affluence.<br />
Clock<strong>wise</strong> <strong>Cat</strong>, of course, is a champion not just of the middle class, but of the poor and<br />
indigent. We rail rowdily against the wretched economic oppressors that would stratify<br />
society into a class crass system, leaving some so destitute they must slumber in the<br />
sewage-strewn streets, stewing in their own urine and feces.<br />
The editor may partake in bourgeois activities from time to time - gourmet dining,<br />
anyone? - but we find this modern-day tilt toward luxury everything (from condos to<br />
dental spas - I mean, what in the FUCK is that?) abhorrent in the face of so much misery.<br />
So we dedicate this issue to a wonderful stalwart woman whose art covered the gamut<br />
from sculpture and painting to printmaking, and whose themes emanated a feisty feminist<br />
flavor. But we also dedicate it to those, who, like antifa, fight against the forces of<br />
fascism that, like giant arachnids, terrorize us all, culturally, mentally, and financially<br />
bankrupting us.