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Sacred and Secular Works<br />
Pachelbel, Johann<br />
(1653–1706)<br />
Christ lag in Todesbanden /<br />
Christ lay in grim death’s prison<br />
(Ger/Eng). Easter Cantata for<br />
soloists (SATB), choir (SATB),<br />
strings, bassoon and bc<br />
Ed. H. H. Eggebrecht<br />
BA 2875 ° Score<br />
BA 2875-91 <strong>Choral</strong> score<br />
Magnificat anima mea (Lat)<br />
Motet for mixed choir (SATB)<br />
and bc<br />
Ed. H. H. Eggebrecht<br />
BA 2877 Singing score<br />
Nun danket alle Gott / Now<br />
thank we all our God (Ger/Eng)<br />
Motet for mixed choir<br />
(SATB+SATB) and bc<br />
Ed. H. H. Eggebrecht<br />
BA 2873 Singing score,<br />
playing score<br />
Pergolesi, Giovanni Battista<br />
(1710–1736)<br />
Vespro della Beata Vergine /<br />
Vespers (Lat)<br />
A reconstruction. Eds. M. Bruno,<br />
E. Higginbottom, R. Ross<br />
Piano reduction by M. Bruno<br />
BA 7675-90 • V.s.<br />
Pergolesi, Giovanni Battista<br />
(1710–1736)<br />
Mass in F major<br />
“Missa Romana” (Lat)<br />
Urtext / Eds. M. Bruno, C. Ritchie<br />
Piano reduction by M. Bruno<br />
BA 8958-90 ° V.s.<br />
This Urtext edition presents<br />
the work for the first time in<br />
the four-choir version that<br />
Pergolesi wrote for a<br />
performance in Rome.<br />
Choirs III and IV are reproduced<br />
in smaller type and are added<br />
to the version for double choir<br />
in order to intensify the overall<br />
sound.<br />
This allows the work to be<br />
performed not only with two<br />
choirs but also in the delightful<br />
enlarged version for four choirs.<br />
“For this luminous showpiece,<br />
it would be hard to<br />
imagine a better edition.”<br />
(Organists’ Review)<br />
Puccini, Giacomo<br />
(1858–1924)<br />
NEW <strong>2019</strong><br />
Messa a 4 voci (Lat)<br />
Urtext / Ed. H. Schellevis<br />
Piano reduction by the editor<br />
BA 8965-90 ° V.s.<br />
BA 8965-91 <strong>Choral</strong> score<br />
In preparation<br />
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