Mapping Meaning, the Journal (Issue No. 1)
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The Breath Camera:<br />
a prototype for<br />
anticapitalist photography<br />
Trudi Lynn Smith<br />
Left | Figure 1<br />
2016 Burned Landscape,<br />
Oregon Desert Trail BLM<br />
Lands, USA (with Krista<br />
Caballero). Photographic<br />
documentation.<br />
I am an artist and anthropologist with an<br />
interdisciplinary PhD from University of<br />
Victoria, Canada. Over <strong>the</strong> past 15 years I have<br />
explored relationships between photography as<br />
object, image and event, through installation,<br />
performance, and in academic research and<br />
writing. My artistic and academic practices<br />
are platforms to address <strong>the</strong> significance<br />
of photography by breaking it down to its<br />
fundamental properties in order to propose new<br />
forms of collectivity. My work considers <strong>the</strong> way<br />
that places like National Parks are maintained<br />
through photography; <strong>the</strong> relationships between<br />
archives and photography; and <strong>the</strong> structure<br />
of artworlds as a complex of people, funding,<br />
studios and materials. My writing and photoessay<br />
work has been published in journals such<br />
as Cultural Anthropology, Visual Anthropology<br />
and Imaginations <strong>Journal</strong>. My artworks have<br />
been installed in place-specific locations across<br />
<strong>No</strong>rth America and in venues such as Open Space<br />
Gallery, The Sou<strong>the</strong>rn Alberta Art Gallery, and<br />
Arts Incubator. I am currently artist-in-residence<br />
in <strong>the</strong> Making Culture Lab at SFU investigating <strong>the</strong><br />
role of <strong>the</strong> anarchival materiality within archives.<br />
trudilynnsmith.com<br />
<strong>Issue</strong> N o 1<br />
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