The Art of

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NO COMPROMISES 1 The Art of FAMILY 2 DANCE HALL SERIES 32 NO 70 SATURATION PAINTINGS 6 WAR SERIES 14 LOVE SERIES 38 ALTERED PORTRAITS 42 HARD WRITINGS 80 ADIEU AMERIQUE 84 CAMPS 20 STAR OF DAVID 44 SCULPTURES 106 DISMEMBERED WOMEN 25 PIN-UPS 56 ESSAYS 113
Page 4 and 5: 2 FAMILY Portrait Of My Mother Befo
Page 6 and 7: 4 FAMILY Untitled, 1945-49 Pastel a
Page 8 and 9: 6 SATURATION PAINTINGS Untitled, 19
Page 10 and 11: 8 SATURATION PAINTINGS
Page 12 and 13: 10
Page 14 and 15: 12 SATURATION PAINTINGS Untitled, 1
Page 16 and 17: 14 WAR SERIES War Series 107, 1946
Page 18 and 19: 16 WAR SERIES War Series 36, 1946 C
Page 20 and 21: 18 WAR SERIES War Series 26, 1946 I
Page 22 and 23: 20 CAMPS Flatcar, Assemblage, 1945,
Page 24 and 25: 22 CAMPS Saturation Painting (Buche
Page 26 and 27: 24 Here in New York, Friedl it ain
Page 28 and 29: 26 DISMEMBERED WOMEN Untitled, 1951
Page 30 and 31: 28 DISMEMBERED WOMEN
Page 32 and 33: 30 DISMEMBERED WOMEN Untitled, 1955
Page 34 and 35: 32 DANCE HALL SERIES Untitled (Two
Page 36 and 37: 34 DANCE HALL SERIES Three Women, 1
Page 38 and 39: 36 We are the artists who ran art b
Page 40 and 41: 38 LOVE SERIES Love Series: Bound O
Page 42 and 43: 40 LOVE SERIES Love Series: Bound A
Page 44 and 45: 42 ALTERED PORTRAITS Altered Photos
Page 46 and 47: 44 STAR OF DAVID Untitled, 1960-69
Page 48 and 49: 46 STAR OF DAVID Untitled, 1982 Ass
Page 50 and 51: 48 STAR OF DAVID Untitled, undated
Page 52 and 53:
50 STAR OF DAVID Cement Star Of Dav
Page 54 and 55:
52 STAR OF DAVID Untitled, 1970-79
Page 56 and 57:
54 STAR OF DAVID Untitled, 1970-75
Page 58 and 59:
56 PIN-UPS Untitled, 1963 Collage:
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58 The people are guilty of only on
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60 PIN-UPS Untitled, undated Collag
Page 64 and 65:
62 PIN-UPS
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64 PIN-UPS Altered Photo (Shame!),
Page 68 and 69:
66 PIN-UPS Large Pinup #4, 1960-70
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68 PIN-UPS Quench Your Thirst, 1962
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70 NO Untitled, 1965-75 Oil on unst
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72 NO Untitled, undated Oil on canv
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74 NO # 6 ‘NO’ (With Split Head
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76 NO Tammie, 1960-70 Collage: Oil
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78 NO Untitled (Sold Out), 1963 Sil
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80 HARD WRITINGS Hard Writings (Loa
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82 HARD WRITINGS Anti-Pop Stencil,
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84 ADIEU AMERIQUE Oswald, 1963 Coll
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86 ADIEU AMERIQUE Adieu Amerique, 1
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88 ADIEU AMERIQUE Untitled, 1960-70
Page 92 and 93:
90 ADIEU AMERIQUE Liberty or Lice,
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92 ADIEU AMERIQUE The artist must p
Page 96 and 97:
94 ADIEU AMERIQUE Untitled, 1960-70
Page 98 and 99:
96 ADIEU AMERIQUE Lumumba…Is…De
Page 100 and 101:
98 ADIEU AMERIQUE Oh, Mama Liberté
Page 102 and 103:
100 ADIEU AMERIQUE
Page 104 and 105:
102 ADIEU AMERIQUE A Jew Is Dead, 1
Page 106 and 107:
104 ADIEU AMERIQUE
Page 108 and 109:
106 SCULPTURES Ax Series #6, 1970-7
Page 110 and 111:
108 SCULPTURES Untitled, 1978-80 Tw
Page 112 and 113:
110 SCULPTURES Ax Series #1, 1970-7
Page 114 and 115:
112 SCULPTURES Clay Head, Squashed,
Page 116 and 117:
114 CILLY KUGELMANN “I would have
Page 118 and 119:
116 01 REINHILD DETTMER-FINKE in co
Page 120 and 121:
118 VOLKHARD KNIGGE “Art really e
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120 camp and the Stutthof and Buche
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122 03 Translated from BORIS LURIE
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124 possibility of a transcending i
Page 128 and 129:
126 TAL STERNGAST Shock Treatment:
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128 way power is erotically charged
Page 132 and 133:
130 07 BENJAMIN H. D. BUCHLOH Andy
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132 10 SIMON TAYLOR “The Excremen
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134 14 In his book about Francis Ba
Page 138 and 139:
136 GERTRUD KOCH Boris Lurie’s NO
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138 good chance of asserting itself
Page 142 and 143:
140 04 BORIS LURIE “Violence with
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142 08 Ibid. failed.” 08 And thus
Page 146 and 147:
144 MIRJAM WENZEL From Display to L
Page 148 and 149:
146 04 INGA SCHWEDE in a flyer for
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148 07 Translated from BARNOUW Ansi
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150 11 SILKE WENK “Rhetoriken der
Page 154 and 155:
152 Gerhard Richter, Atlas (photogr
Page 156 and 157:
154 MATTHIAS REICHELT “We have mo
Page 158 and 159:
156 06 DETTMER-FINKE, REICHELT SHOA
Page 160 and 161:
158 riet Wood), Michelle Stuart, an
Page 162 and 163:
160 EIKO GRIMBERG A Failed Portrait
Page 164 and 165:
162 EIKO GRIMBERG
Page 166 and 167:
164 Whereas the principle of maximu
Page 168 and 169:
166 ichelt’s documentary film, to
Page 170 and 171:
168 00 NAME Text
Page 172 and 173:
170 ANHANG
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172 Knives In Cement, 1970-79 Two m
Page 176 and 177:
174 War Series 34, 1946 Pencil on p
Page 178:
176 NO COMPROMISES The Art of An ex
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