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Inspiring Women Summer 2018

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Bogotá: A Writer’s Advice – Complete the Book<br />

VICTORIA KELLAWAY<br />

American <strong>Women</strong>’s Club of Bogotá, Colombia<br />

From: Kent, England<br />

Lives: Bogotá, Colombia<br />

I became a newspaper reporter at the age of<br />

twenty-one. Most of my work involved despair. I<br />

was the journalist who appeared in the<br />

aftermath of horror, be it a single death or<br />

thousands, asking those involved to share their<br />

suffering. I believe that work is important, it gives<br />

people a voice and it holds others accountable,<br />

but it did take its toll. At twenty-seven I was ready<br />

to escape and I chose the Galapagos Islands. It<br />

was the most remote, fascinating place I could<br />

imagine and an inspired decision. Three months<br />

later, I was refreshed and keen to explore more of South America. I arrived in Bogotá,<br />

Colombia, and found it irresistible. I decided to stay a while to study Spanish, dance salsa and<br />

figure out what I wanted to do with my life. A few months became a year, and a freelance<br />

writing career, and my first book was published four years later. I met my husband, Carlos, the<br />

year the book came out. Sometimes I don’t know whether I chose Bogotá, or it chose me.<br />

I was lucky enough to have a mother who read to me as a child and I still remember how proud<br />

I felt when my parents first let me choose a book to read alone. But my relationship with reading<br />

was not idyllic. A teacher confiscated one novel when I was ten, and my mother was called<br />

into the school to explain. “She must have taken it from the bookshelf,” she said. “What are we<br />

supposed to do, tell a child not to read?” I developed some anti-social tendencies, and often<br />

had books confiscated so I would participate in family gatherings. And yet, I never understood<br />

the relationship between writers and books. The only job I could imagine that allowed a person<br />

t o w r i t e w a s<br />

newspaper reporting<br />

and that’s why I chose<br />

it. It wasn’t until I was<br />

nearly thirty that I<br />

realised I could write<br />

books too.<br />

Since then I have cowritten<br />

a satire on<br />

Colombian culture,<br />

called Colombia a<br />

Comedy of Errors and I<br />

have co-edited two<br />

essay collections, Was<br />

Gabo an Irishman?<br />

(Tales from Gabriel<br />

García Márquez’s<br />

40

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