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May 2018

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W <strong>May</strong> 11, <strong>2018</strong> news 3<br />

burial<br />

of the<br />

warrior<br />

BY DAVIS PARKS<br />

news editor<br />

scribing the choice to use unique elements of another<br />

culture without their approval, particularly when<br />

done by a dominant culture. There is no question<br />

that Maine West, intentionally or not, has appropriated<br />

Native American culture. “The headdress that we<br />

have and the costume that we used -- all of that was<br />

made by the costumer at Maine West or bought to<br />

have the Maine West colors on it,” Haugan said.<br />

Native Tribes have always felt appropriation invites<br />

negative stereotypes. The Inter-Tribal Council<br />

of the Five Civilized Tribes unites the governments<br />

of the Cherokee, Chickasaw, Choctaw, Muscogee and<br />

Seminole Nations. On July 13, 2001, this organization<br />

publicly declared that using “American Indian<br />

as mascots is a negative means of appropriating and<br />

denigrating our cultural identity.”<br />

This was supported again on February 11, 2011.<br />

In direct response to Maine West’s mascot, the Cherokee<br />

Nation said their group, “vehemently opposes<br />

the use of Native American stereotypes in sports and<br />

sport mascots.”<br />

The recent decision to end the warrior mascot has<br />

received “a lot of support from Native Americans here<br />

and all over the place who say being a warrior is not<br />

racist; having a student dress and act like a warrior is<br />

what’s racist and offensive,” Haugan said.<br />

THE “ENDORSEMENT”<br />

THAT WASN’T<br />

So how did Maine West’s students and staff come to<br />

think the mascot was endorsed by tribal leaders?<br />

In 1993, Des Plaines resident Mary Lundgren<br />

Littlefield visited Maine West. She allegedly gave<br />

approval on behalf of the Cherokee Nation and was<br />

regarded by Maine West administrators as the Cherokee<br />

Poet Laureate.<br />

Fast forward 17 years: Littlefield was interviewed<br />

by the Chicago Tribune last month and denied such<br />

interactions. “Littlefield said she doesn’t recall expressing<br />

support for the mascot during her visit,” the<br />

Tribune reported.<br />

In 2011, the Cherokee Nation undermined Maine<br />

West’s use of Littlefield’s comments as an endorsement.<br />

A representative wrote, “The Cherokee Nation<br />

doesn’t have a Poet Laureate. Additionally, if the tribe<br />

ever does have a Poet Laureate, he/she will not have<br />

the authority to make such resolutions on behalf of<br />

the Cherokee Nation.” For those reasons, many believe<br />

Littlefield’s statement could not have constituted<br />

approval on behalf of the Cherokee Nation.<br />

HISTORY’S IMPACT<br />

Chapman explained that the Cherokee Nation<br />

would not have endorsed the<br />

warrior anyway due to its misportrayal<br />

of their culture. He<br />

60%<br />

OF STUDENTS BELIEVED<br />

THE WARRIOR MASCOT<br />

DANCE WAS<br />

HONORABLE AND<br />

RESPECTFUL*<br />

wrote, “The Cherokees do not<br />

wear blue headdresses nor did<br />

they walk barefoot.” On the<br />

surface, these details may seem<br />

inconsequential, but they have<br />

deeper implications.<br />

Understanding this means<br />

looking back a century and a<br />

half. In 1876, Ulysses S. Grant<br />

dispatched an agent to take the Ponca Chief White<br />

Eagle to an Indian Reserve. Without notice, the agent<br />

betrayed White Eagle, leaving him stranded in Oklahoma.<br />

After walking hundreds of miles back to his<br />

home in South Dakota, White Eagle sent a telegram<br />

to President Grant saying, “We were so left, and have<br />

been thirty days getting back as far as the Omahas—<br />

hungry, tired, shoeless, foot-sore and sad at heart.”<br />

Being shoeless has taken on special significance since<br />

then.<br />

The shoe-less chief that Maine West portrays<br />

unintentionally reflects this tragedy that the Native<br />

Americans endured.<br />

Moreover, the dance that the warrior performs is<br />

misused in rallying up a crowd. U.S. History teacher<br />

Charles Barney explained, “Typically, Native American<br />

dances had a religious or spiritual sentiment to<br />

them so that’s why opponents would claim you’re recreating<br />

a religious ceremony when you do a dance at<br />

halftime or where ever you may be.”<br />

Haugan personally met with two tribal leaders<br />

from the Ojibwe Tribe last month to hear their<br />

perspectives on West’s mascot. “They agree perhaps<br />

we shouldn’t be putting a student in a costume. If<br />

we’re going to do it, then we should be doing a Native<br />

American dance and it should be taught to us by<br />

Native Americans.”<br />

The dancing mascot is only one way that Maine<br />

West has appropriated Native American culture. The<br />

LEGEND<br />

Times have changed, and West is distancing<br />

itself from poorly-informed and racist<br />

choices of the past. “Willie the Warrior,” for<br />

example, was first depicted in West’s 1960<br />

LEGEND yearbook, where the cartoon<br />

made repeated appearances.<br />

THE MASCOT TRADITION ENDS<br />

school’s halls and rooms are filled with paintings and<br />

Native American artifacts. One of these artifacts is a<br />

totem pole from a Pacific Northwest tribe. The totem<br />

pole had several holes drilled through it, attaching it<br />

to the wall in spec gym.<br />

The Symons family, who own Chicago Contractor’s<br />

Supply, acquired Maine West’s totem pole during<br />

a visit to Alaska in the 1950s. The Symons family<br />

alleges that the owners were proud to display and<br />

share the totem pole. However, no details have been<br />

found citing this interaction. President of Symons<br />

Concrete Form Corp, Ray Bartholomae, donated the<br />

totem pole to his alma mater: Maine West. Bartholomae<br />

said, “I donated [it] to Maine West to continue<br />

the Symons’ cultural sharing.”<br />

At no point did Maine West consult with the<br />

tribe where the totem pole originated.<br />

MOVING FORWARD<br />

The Maine West student body has their own<br />

opinion on this matter. In a survey of 240 students,<br />

approximately 64% believe that the school’s portrayal<br />

of the mascot is respectful and honoring of Native<br />

Americans.<br />

Senior Brett Patterson portrayed the warrior from<br />

2016-<strong>2018</strong>. As the warrior, Patterson felt as though<br />

he was embodying an image of respect and dignity. “I<br />

think the actual warrior as a mascot is supposed to be<br />

symbolic and the outfit is supposed to represent those<br />

qualities,” he said.<br />

Sophomore Carol McCoy, an active member in<br />

the Saginaw Chippewa Indian Tribe of Michigan,<br />

supports her peers regarding the school mascot. “I do<br />

not believe that our mascot is in any way offensive to<br />

my culture,” she said. “Being a warrior should not be<br />

an offensive thing because being a Maine West Warrior<br />

is something that every student no matter race,<br />

gender, ethnicity, or color should be proud of. If our<br />

mascot is treated with respect, there is no problem<br />

but rather a sign of racial equality.”<br />

Even though there will be no more physical portrayal,<br />

Haugan hopes the members of Maine West<br />

will “focus on the key elements of what it means to be<br />

a warrior: leadership, integrity, responsibility, respect,<br />

and empathy.” The mascot was a complicated amalgamation<br />

of Native American culture, changing over<br />

the years, but to Maine West, the idea of the warrior<br />

has always represented those honorable traits.<br />

*From a Westerner survey of 251 students<br />

PHOTO FROM SPEC GYM MURAL

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