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JAVA July:Aug 2018

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Phoenix Art Museum’s Contemporary Forum<br />

awarded Matt Magee the prestigious<br />

Arlene and Morton Scult Artist Award<br />

last year. The artist has spent the last<br />

year creating a new body of work to exhibit in the<br />

Marshall and Handler gallery space on the lower<br />

level of the Phoenix Art Museum.<br />

Magee takes a minimalist approach to his<br />

multidisciplinary work as a visual artist. His<br />

expansive practice includes painting, printmaking,<br />

photography and 3D sculptures made from found<br />

materials. This exhibition, showing through<br />

November 4, offers a variety of oil paintings,<br />

sculptures and found objects. The work utilizes bold<br />

color and formalism, with nods to Op Art and hardedge<br />

painting.<br />

Magee has been collecting found objects for decades<br />

that speak to his curiosity, and he reimagines them to<br />

help form his visual language. Some of the materials<br />

were found over 20 years ago, such as colorful<br />

detergent bottles that Magee has cut into various<br />

shapes and strung into sculptural forms. As you<br />

walk down the staircase into the gallery, the largest<br />

sculpture, titled “Purple Rain,” cascades down the<br />

wall. The pop of color from the various hues of purple<br />

and the simplicity in form resemble a familiar midcentury<br />

aesthetic.<br />

Several smaller sculptures utilize colorful repurposed<br />

plastic throughout the space, offering a vibrancy of<br />

color. Also included are several paintings that seem<br />

to use a Morse code–like symbolic language. This<br />

author’s favorite pieces are inspired by Op Art and<br />

were rendered in multiple layers of oil paint. Each<br />

piece subtly reveals the artist’s hand, up close, and<br />

allows the eyes to create movement with the line<br />

patterns from a distance.<br />

Magee’s work as a whole comes together to explore<br />

his visual language, and yet each piece tells its<br />

own story. Reverence is shown to other artists<br />

who worked and exhibited in New York City during<br />

the ’60s, such as Agnes Martin, Bridget Riley and<br />

Sol LeWitt. Magee has always gravitated toward<br />

creative people and explored his own creativity.<br />

He studied at Trinity University in San Antonio,<br />

focusing on art history. Magee earned his MFA<br />

from Pratt Institute in NYC, where he focused<br />

on nontraditional media and processes. During<br />

his undergraduate studies, he interned for two<br />

summers at Guggenheim Museum in New York; his<br />

last summer in school was spent interning for the<br />

Guggenheim in Venice, Italy.<br />

Magee went on to work as an art handler and as<br />

the chief photo archivist for the seminal artist<br />

Robert Rauschenberg for over 18 years. This<br />

<strong>JAVA</strong> 9<br />

MAGAZINE

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