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evil_dead2_script

evil_dead2_script

13Y REVERSE ACTION The

13Y REVERSE ACTION The milky eyed possessed figure of HENRIETTA jolts quickly into the frame, and shrieks in the voice of a demon! Raymond Knowby screams. He drops the microphone. 13X CLOSE SHOT - TAPE RECORDER As the microphone falls atop it. High pitched feed-back screams from the speaker. 13A CLOSE SHOT - RAYMOND Screaming in terror. 13B CLOSER - RAYMOND His fearful eyes fill the screen as the scream continues. 13C EXTREME C.U. - RAYMOND'S EYE Darting about wildly and the scream continues. DISSOLVE THRU TO: 14 INT. DARK TUNNEL - DAY - ROUNDY-ROUNDY - CAMERA MOUNTED ATOP VAN CAMERA MOVING swiftly down a dark tunnel. A light at the end growing closer. The SOUND of AIR RUSHING BY. The Delta 88 Oldsmobile comes ROARING out of the tunnel with a BLAST of AIR, and the sound of loud rock and roll music. NARRATOR (V.O.) It was one week later that a group of college students came to the cabin. 14A EXT. CABIN - NIGHT - TRACKING SHOT The Delta 88 Oldsmobile parked out front. Fog roars past the place. We faintly hear waltz music from within. The silhouette of a woman sweeps by the rear bedroom window. 14B INT. CABIN - REAR BEDROOM - NIGHT - ASH AND LINDA LINDA, an attractive college student, is waltzing in the semi darkness of the bedroom. She wears a "Michigan State University" sweatshirt. She hums melodically to the music as she moves. Around her neck is draped a delicate silver necklace. 14C MEDIUM SHOT - ASH AND LINDA A handsome young man, ASH, is playing the waltz music on an old wooden piano. Linda dances behind him. Ash is not a very good pianist, and

can only plunk out the melody with two fingers. LINDA Ash, what's that you're playing? Our song. ASH Ash begins to play faster. 14D MEDIUM SHOT - ASH AND LINDA As she picks up the tempo, spinning and laughing, until finally Ash moves to her, halting her in mid spin. 14E CLOSE SHOT - LINDA Out of breath, hair tousled across her eyes, she stares deeply into Ash's eyes. Her lips, parted, in a sensual manner. 14F CLOSE SHOT - ASH He returns her stare, lost in her beauty. He pulls her close. Ow! LINDA 14G SHE PULLS AWAY SUDDENLY And looks down to the tiny silver necklace that she wears about her neck. 14H CLOSE SHOT - NECKLACE In its center is a magnifying glass. 14I MEDIUM SHOT - LINDA AND ASH - TULIP CRANE She looks from the necklace to Ash. LINDA I really love it. I'll never take it off. They kiss and now begin to dance together, to the haunting waltz melody that sweeps up upon the soundtrack. NARRATOR (V.O.) It was in the cabin's cellar that they found the Professor's tape recorder, and the Book of the Dead. DISSOLVE THRU TO: 14J INT. CABIN MAIN ROOM - NIGHT

  • Page 1 and 2: EVIL DEAD II By Sam Raimi Scott Spi
  • Page 3 and 4: shut, reveal ing its gruesome face
  • Page 5: it undisturbed. 10 INT. CABIN MAIN
  • Page 9 and 10: falls. 22B ANGLE - ASH ON GROUND As
  • Page 11 and 12: 37 EXT. RIDGE - DAY (STUDIO) - MATT
  • Page 13 and 14: He shifts his glance from the car t
  • Page 15 and 16: 71 CLOSE SHOT - ASH Swerving the wh
  • Page 17 and 18: The CAMERA PANS down from this desk
  • Page 19 and 20: 149O OMIT 150 OMIT Annie slams the
  • Page 21 and 22: 166P PLATE FOR PREVIOUS SCENE - EXT
  • Page 23 and 24: 183 CLOSE SHOT - LINDA'S HEAD As it
  • Page 25 and 26: 187N CLOSE SHOT - ASH Agonized. NO!
  • Page 27 and 28: The reflection pulls Ash close and
  • Page 29 and 30: his head. Ash lies unmoving, but st
  • Page 31 and 32: ANNIE There must be another way in.
  • Page 33 and 34: With a note of finality, Ash slams
  • Page 35 and 36: Pointed directly at the hand. But t
  • Page 37 and 38: The wooden door behind Ash comes to
  • Page 39 and 40: 292 MEDIUM SHOT - JAKE AND ASH Jake
  • Page 41 and 42: 307 CLOSE SHOT - ANNIE - TRACKING I
  • Page 43 and 44: JAKE It's a trick. I know it. LET H
  • Page 45 and 46: 340 CLOSE SHOT - EYEBALL FLYBALL He
  • Page 47 and 48: Annie begins to cry. 347E CLOSE SHO
  • Page 49 and 50: swallows it. 359 WIDE SHOT - GROUP
  • Page 51 and 52: egins to writhe and scream in its d
  • Page 53 and 54: Jake sprays a can of air freshener
  • Page 55 and 56: 337 MEDIUM SHOT - THE GROUP ASH We'
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    RAYMOND Recite the passages. Dispel

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    431 MED. SHOT - PANNING - RIGGING E

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    One of the pages is a clear pictori

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    NO, YOU IDIOT. You'll kill us all.

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    453L EXT. CABIN - NIGHT - CLOSE SHO

  • Page 67 and 68:

    496 CLOSE SHOT - DOORKNOB Rattling

  • Page 69 and 70:

    510 - OMIT 511 Ash's evil hand sits

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    528 MED. SHOT - ASH AND ANNIE As he

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    546 ASH As he bends the chainsaw to

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    573 - OMIT 574 corners of the cella

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    He looks down with a scream. 583 CL

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    600CP PLATE FOR PREVIOUS SCENE - MI

  • Page 81 and 82:

    He looks down. 614 CLOSE SHOT - HEN

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    from the Book of the Dead. Dust fro

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    Behind Ash a living tree branch rip

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    653 OMIT 654 INT. CABIN MAIN ROOM -

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    the grandfather clock with its hand

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    687 CLOSE SHOT - GUN BARREL - UNDER

  • Page 93 and 94:

    EVIL DEAD II By Sam Raimi Scott Spi

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    A raging ocean of blood. Great wave

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    And then... NARRATOR (V.O.) The gri

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    paces the floor above him. And then

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    her 14H And looks down to the tiny

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    Ash swings the shovel, slicing off

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    35 MED. SHOT - MUD PUDDLE - ASH As

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    51 CLOSE SHOT - ASH As he nods to h

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    62P2 OMIT to turn. Ash opens his mo

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    the The As he runs toward the cabin

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    87 - OMIT 128 128A - OMIT 128C 129

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    the trunk on a hand dolly. Ed and t

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    window through the place as the cur

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    Linda's head rolls off of her neck

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    ody of Linda, charging at Ash with

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    the upon which we see the stark sha

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    The reflection tightens its hold on

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    208 CLOSE SHOT 209 MEDIUM SHOT The

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    about All stand in the bright glare

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    Sure! 225 EXT. WOODS - NIGHT with A

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    Low angle tracking shot approaching

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    266 CLOSE SHOT - ASH Horrified, he

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    and Two holes are blown into the do

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    292 MEDIUM SHOT - JAKE AND ASH Half

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    voice. I know now, that my wife has

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    No. Can't be. ANNIE 319 INT. CABIN

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    333 WIDE SHOT - MAIN ROOM of from J

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    346A - OMIT 346D 347 CLOSE SHOT - B

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    As they clutch in fear at one anoth

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    364 ANGLE FROM TRAP DOOR - POSSESSE

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    She Annie looks to the chainsaw and

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    The moon has grown larger. Fog bill

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    393I ANNIE - C.U. 393J BOBBY JOE -

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    406P PLATE FOR PREVIOUS SCENE - BLA

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    slams in into a twisted oak tree th

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    water and across the forest floor.

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    about the passages? 446 CLOSE SHOT

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    451 EXT. WOODS/CABIN - NIGHT JAKE M

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    474 EXT. CABIN - NIGHT - CLOSE SHOT

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    She waits. 495 CLOSE SHOT - THE KAN

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    As she moves towards the main room.

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    522 INT. CABIN MAIN ROOM - NIGHT (S

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    as they stand in the doorway. 532 W

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    from A tree. It gust the workshed t

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    cellar's rear door. 575C ASH - CLOS

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    in after her. 584 MEDIUM SHOT - ASH

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    600C CLOSE SHOT - POSSESSED HENRIET

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    pours Henrietta's head is sliced fr

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    623A CLOSE SHOT - VINES - INT. MAIN

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    As it races right up to the front d

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    645 ASH'S POV saliva apple The CAME

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    the is sucked down into the rift. A

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    673P2 PLATE FOR PREVIOUS SCENE (STO

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    and As he grabs at the gun from its