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Teaching Playwriting in Schools - Center Stage

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A Note to Teachers<br />

Introduction<br />

This handbook has been designed to help you br<strong>in</strong>g playwrit<strong>in</strong>g <strong>in</strong>to your classroom. It is our<br />

hope that these exercises, worksheets, evaluations, and suggestions can help you <strong>in</strong> teach<strong>in</strong>g<br />

playwrit<strong>in</strong>g as a part of your curriculum.<br />

In addition to provid<strong>in</strong>g you with the <strong>in</strong>formation to teach playwrit<strong>in</strong>g, we also hope to give<br />

students the opportunity to see their work produced and staged here at CENTERSTAGE. Each spr<strong>in</strong>g<br />

we sponsor the Young Playwright’s Festival, which encourages students <strong>in</strong> grades 1 through 12 to<br />

submit their orig<strong>in</strong>al plays. Selected plays will be honored with staged read<strong>in</strong>gs that will be produced<br />

by CENTERSTAGE, while some others receive playwrit<strong>in</strong>g workshops with a professional playwright.<br />

This year marks the 20 th anniversary of the Young Playwrights Festival, and <strong>in</strong> hopes of mak<strong>in</strong>g this<br />

year bigger and better we want to encourage as many students as possible to submit their work.<br />

Please use the <strong>in</strong>formation with<strong>in</strong> these pages freely. Alter them to fit your <strong>in</strong>dividual needs.<br />

Much of the handbook is designed to help with the completion and revision of plays written by<br />

students. Students should be encouraged to be creative and experimental, to discover their own voice<br />

and express it <strong>in</strong> new and challeng<strong>in</strong>g ways. To emphasize that theater is to be experienced, not<br />

simply read, students can act out their own scenes from their develop<strong>in</strong>g scripts. The follow<strong>in</strong>g words<br />

of wisdom will help nurture your students’ creative process.<br />

Good playwrit<strong>in</strong>g may come from very humble beg<strong>in</strong>n<strong>in</strong>gs.<br />

• Student scenes, even <strong>in</strong> their first draft, are an achievement.<br />

• The best th<strong>in</strong>g you can do for student writers is give them the opportunity to write without<br />

censure; to write “anyth<strong>in</strong>g” she or he would like a character to say or do. Eventually, some<br />

guidel<strong>in</strong>es will be drawn, but <strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g try to <strong>in</strong>fluence or edit as little as possible.<br />

• Revision is important and necessary. It takes time, make sure to plan ahead.<br />

Playwrights benefit greatly from hear<strong>in</strong>g their work read aloud.<br />

• This is a very important step <strong>in</strong> understand<strong>in</strong>g how the play and its several elements work.<br />

• Theater is a “live” experience. We encourage you to set some time aside for br<strong>in</strong>g<strong>in</strong>g their<br />

plays to life, whether it is just a read<strong>in</strong>g or if it is fully staged.<br />

Rem<strong>in</strong>d the students that, <strong>in</strong> the end, it’s their play.<br />

• Stress the importance of giv<strong>in</strong>g, receiv<strong>in</strong>g, and process<strong>in</strong>g constructive criticism.<br />

• Theater is a collaboration.<br />

• If they do not want to make suggested changes, it is their choice.<br />

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