2018-06-29
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June <strong>29</strong> - July 5, <strong>2018</strong> | Orlando Advocate 7<br />
Lifestyle<br />
Inspiration<br />
Sheku Kanneh-Mason<br />
Reviewed by Brenda Nelson-Strauss<br />
Sometimes it takes a royal<br />
wedding to bring musical talents<br />
to light. Such is the case with<br />
cellist Sheku Kanneh-Mason.<br />
Though the London-born musician<br />
was already a celebrity in<br />
the UK, the rest of the world<br />
took notice during his televised<br />
performance at the wedding<br />
of Prince Harry and Meghan<br />
Markle on May 19. Now his<br />
debut album is topping the<br />
charts and fans can’t seem to<br />
get enough.<br />
The 19-year-old cellist plays<br />
like Yo-Yo Ma and cites the late<br />
Jacqueline du Pré as an early<br />
influence. After winning the<br />
BBC Young Musician Award<br />
in 2016, Kanneh-Mason was<br />
signed to the prestigious Decca<br />
Classics label. Inspiration,<br />
released earlier this year, proves<br />
his mastery through a mix of<br />
the classics and arrangements<br />
of popular songs.<br />
Kanneh-Mason opens the<br />
album with an arrangement<br />
of the Hebrew song “Evening<br />
of Roses” (aka “Erev Shel<br />
Shoshanim”), then segues into<br />
the frequently performed chestnut<br />
“The Swan,” from Carnival<br />
of the Animals.” Next is “Song<br />
of the Birds” arranged by another<br />
cello great, Pablo Casals.<br />
All three are accompanied by<br />
the CBSO cello section.<br />
The full City of Birmingham<br />
Symphony Orchestra, under the<br />
direction of Lithuanian conductor<br />
Mirga Gražinytė-Tyla,<br />
comes on board for Shostakovich.<br />
First, a beautiful rendition<br />
of his “Nocturne” from The<br />
Gadfly Suite, followed by Cello<br />
Concerto No. 1, which Kanneh-<br />
Mason performs brilliantly.<br />
One would expect no less since<br />
it was his performance of this<br />
work at the BBC competition<br />
that clinched his award.<br />
The album concludes with<br />
four additional arrangements<br />
that demonstrate Kanneh-Mason’s<br />
beautifu tone and musical<br />
maturity: “Les larmes de<br />
Jacqueline” from Offenbach’s<br />
cello suite Harmonies des Bois,<br />
Op. 76; Casal’s arrangement<br />
of Sardana; and two popular<br />
favorites—Bob Marley’s “No<br />
Woman, No Cry” and Leonard<br />
Cohen’s “Hallelujah.” The<br />
latter, arranged for strings,<br />
includes assistance from three<br />
other young musicians—violinist<br />
Didier Osindero, violist<br />
Alinka Rowe and cellist Yong<br />
Jun Lee.<br />
None of the above were<br />
performed during the royal<br />
wedding, which included Après<br />
un Rêve by Gabriel Fauré,<br />
Sicilienne by Maria Theresia<br />
von Paradis and Schubert’s<br />
Ave Maria, but for those who<br />
want more of Kanneh-Mason,<br />
the wedding performance is<br />
available on video. He will also<br />
be touring throughout Europe<br />
this summer and fall, with three<br />
performances scheduled in<br />
Seattle in October. No doubt he<br />
will be filling those seats!