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2018-06-29

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June <strong>29</strong> - July 5, <strong>2018</strong> | Orlando Advocate 7<br />

Lifestyle<br />

Inspiration<br />

Sheku Kanneh-Mason<br />

Reviewed by Brenda Nelson-Strauss<br />

Sometimes it takes a royal<br />

wedding to bring musical talents<br />

to light. Such is the case with<br />

cellist Sheku Kanneh-Mason.<br />

Though the London-born musician<br />

was already a celebrity in<br />

the UK, the rest of the world<br />

took notice during his televised<br />

performance at the wedding<br />

of Prince Harry and Meghan<br />

Markle on May 19. Now his<br />

debut album is topping the<br />

charts and fans can’t seem to<br />

get enough.<br />

The 19-year-old cellist plays<br />

like Yo-Yo Ma and cites the late<br />

Jacqueline du Pré as an early<br />

influence. After winning the<br />

BBC Young Musician Award<br />

in 2016, Kanneh-Mason was<br />

signed to the prestigious Decca<br />

Classics label. Inspiration,<br />

released earlier this year, proves<br />

his mastery through a mix of<br />

the classics and arrangements<br />

of popular songs.<br />

Kanneh-Mason opens the<br />

album with an arrangement<br />

of the Hebrew song “Evening<br />

of Roses” (aka “Erev Shel<br />

Shoshanim”), then segues into<br />

the frequently performed chestnut<br />

“The Swan,” from Carnival<br />

of the Animals.” Next is “Song<br />

of the Birds” arranged by another<br />

cello great, Pablo Casals.<br />

All three are accompanied by<br />

the CBSO cello section.<br />

The full City of Birmingham<br />

Symphony Orchestra, under the<br />

direction of Lithuanian conductor<br />

Mirga Gražinytė-Tyla,<br />

comes on board for Shostakovich.<br />

First, a beautiful rendition<br />

of his “Nocturne” from The<br />

Gadfly Suite, followed by Cello<br />

Concerto No. 1, which Kanneh-<br />

Mason performs brilliantly.<br />

One would expect no less since<br />

it was his performance of this<br />

work at the BBC competition<br />

that clinched his award.<br />

The album concludes with<br />

four additional arrangements<br />

that demonstrate Kanneh-Mason’s<br />

beautifu tone and musical<br />

maturity: “Les larmes de<br />

Jacqueline” from Offenbach’s<br />

cello suite Harmonies des Bois,<br />

Op. 76; Casal’s arrangement<br />

of Sardana; and two popular<br />

favorites—Bob Marley’s “No<br />

Woman, No Cry” and Leonard<br />

Cohen’s “Hallelujah.” The<br />

latter, arranged for strings,<br />

includes assistance from three<br />

other young musicians—violinist<br />

Didier Osindero, violist<br />

Alinka Rowe and cellist Yong<br />

Jun Lee.<br />

None of the above were<br />

performed during the royal<br />

wedding, which included Après<br />

un Rêve by Gabriel Fauré,<br />

Sicilienne by Maria Theresia<br />

von Paradis and Schubert’s<br />

Ave Maria, but for those who<br />

want more of Kanneh-Mason,<br />

the wedding performance is<br />

available on video. He will also<br />

be touring throughout Europe<br />

this summer and fall, with three<br />

performances scheduled in<br />

Seattle in October. No doubt he<br />

will be filling those seats!

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