Viva Brighton Issue #67 September 2018
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CONTENTS<br />
...............................<br />
Bits & bobs.<br />
10-27. The ever-elusive Batman breaks<br />
cover; Alexandra Loske unveils the<br />
refurbished saloon at the Royal Pavilion,<br />
and glass-animal man Bill Axcell is on the<br />
buses. Elsewhere, JJ Waller photographs a<br />
rocket in an unlikely place; Joe Decie does<br />
some old skool home-schooling; we have a<br />
pint (and a game of Space Invaders) at The<br />
World’s End; discover an honest guide to<br />
fatherhood; avoid a punch-up with a drunken<br />
octopus, and much more besides.<br />
My <strong>Brighton</strong>.<br />
28-29. Artistic Director of Same Sky, John<br />
Varah, on building creative communities.<br />
31<br />
Photo © James Winspear<br />
Photo by Malin Johansson<br />
Photography.<br />
31-37. James Winspear photographs makers<br />
and their spaces.<br />
55<br />
Columns.<br />
39-43. Lizzie Enfield is (unintentionally) off<br />
grid; John Helmer revels in relief, and Amy<br />
Holtz is incomprehensible.<br />
On this month.<br />
45-59. Ben Bailey rounds up the <strong>Brighton</strong><br />
gig scene; we head out of town for AL<br />
Kennedy at the Small Wonder short story<br />
festival; meet the woman over fifty behind<br />
the Women Over Fifty Film Festival, and<br />
a family who built a charity out of a crisis.<br />
There’s a rockstar lutenist at the Lapwing<br />
Festival; Augusto Corrieri contemplates<br />
what becomes of an empty theatre at<br />
ACCA; José González, forever on the road,<br />
stops off at the Dome; choreographer<br />
Andrea Walker explores transgender experience<br />
through dance and hip hop at The<br />
Old Market, and there’s a chance for kids to<br />
get creative backstage at the Theatre Royal.<br />
....7 ....
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