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MARSET_Catalog_-_2018-19_EN-ES

  • Page 3 and 4: catalogue catálogo 18/19
  • Page 5 and 6: Design is that which adds value to
  • Page 7: Dipping Light
  • Page 18: Soho
  • Page 22: Nº 8
  • Page 26: Scantling
  • Page 35: Mercer
  • Page 38 and 39: TXL
  • Page 41: Pu-erh
  • Page 44 and 45: 136 Atlas 76 Discocó 54 Djembé 68
  • Page 47 and 48: Pendant Suspensión
  • Page 49 and 50: Vetra — Joan Gaspar, 2018 47
  • Page 51 and 52: Matte-finish blown glass shade with
  • Page 53 and 54:

    Santorini — Sputnik Studio, 2018

  • Page 55 and 56:

    Blown, pressed glass diffuser attac

  • Page 57 and 58:

    Djembé — Joan Gaspar, 2017 55

  • Page 59 and 60:

    Black electrical cord · Cable elé

  • Page 61 and 62:

    Djembé — Joan Gaspar, 2017 59

  • Page 63 and 64:

    Jaima — Joan Gaspar, 2017 61

  • Page 65 and 66:

    Shade made of textilene with the in

  • Page 67 and 68:

    Piola How does one design a light t

  • Page 69 and 70:

    Laminated band made of PVC and poly

  • Page 71 and 72:

    Ginger — Joan Gaspar, 2016 69

  • Page 73 and 74:

    Ginger 32 Ginger 42 Ginger 60 200cm

  • Page 75 and 76:

    Ginger — Joan Gaspar, 2016 73

  • Page 77 and 78:

    Ginger — Joan Gaspar, 2016 75

  • Page 79 and 80:

    Discocó — Christophe Mathieu, 20

  • Page 81 and 82:

    Discocó — Christophe Mathieu, 20

  • Page 83 and 84:

    Discocó — Christophe Mathieu, 20

  • Page 85 and 86:

    Discocó — Christophe Mathieu, 20

  • Page 87 and 88:

    Tam Tam — Fabien Dumas, 2011 85

  • Page 89 and 90:

    Tam Tam — Fabien Dumas, 2011 87

  • Page 91 and 92:

    Tam Tam — Fabien Dumas, 2011 89

  • Page 93 and 94:

    Pu-erh The distinction of the new P

  • Page 95 and 96:

    Pu-erh — Xavier Mañosa, 2017 93

  • Page 97 and 98:

    Pu-erh — Xavier Mañosa, 2017 95

  • Page 99 and 100:

    Pleat Box — Xavier Mañosa & Mash

  • Page 101 and 102:

    Ceramic diffuser with the inner par

  • Page 103 and 104:

    Pleat Box — Xavier Mañosa & Mash

  • Page 105 and 106:

    Pleat Box — Xavier Mañosa & Mash

  • Page 107 and 108:

    Scotch Club — Xavier Mañosa & Ma

  • Page 109 and 110:

    Scotch Club — Xavier Mañosa & Ma

  • Page 111 and 112:

    Scotch Club — Xavier Mañosa & Ma

  • Page 113 and 114:

    Soho — Joan Gaspar, 2010 111

  • Page 115 and 116:

    Shade in rotary moulded polyethylen

  • Page 117 and 118:

    Soho — Joan Gaspar, 2010 115

  • Page 119 and 120:

    Maranga — Christophe Mathieu, 201

  • Page 121 and 122:

    Mercer — Joan Gaspar & Javier M.

  • Page 123 and 124:

    Mercer — Joan Gaspar & Javier M.

  • Page 125 and 126:

    Hazy Day — Uli Budde, 2014 123

  • Page 127 and 128:

    From certain vantage points, the do

  • Page 129 and 130:

    Nenúfar — Joan Gaspar, 2013 127

  • Page 131 and 132:

    For mounted canopy installation Whe

  • Page 133 and 134:

    Nenúfar — Joan Gaspar, 2013 131

  • Page 135 and 136:

    Nenúfar — Joan Gaspar, 2013 133

  • Page 137 and 138:

    Nolita — Joan Gaspar, 2008 135

  • Page 139 and 140:

    Atlas — Joan Gaspar, 2000 137

  • Page 141:

    Neón de Luz — Joan Gaspar, 2004

  • Page 144 and 145:

    Vetra At first glance, Vetra could

  • Page 146 and 147:

    144 Floor · Pie

  • Page 148 and 149:

    High Line Visually, the High Line i

  • Page 150 and 151:

    148 Floor · Pie

  • Page 152 and 153:

    Copérnica With no more than finger

  • Page 154 and 155:

    152 Floor · Pie

  • Page 156 and 157:

    154 Floor · Pie

  • Page 158 and 159:

    156 Floor · Pie

  • Page 160 and 161:

    Jaima Through the language of texti

  • Page 162 and 163:

    The use of tailored cloth allows fo

  • Page 164 and 165:

    Shade made of textilene with the in

  • Page 166 and 167:

    Theia The Greek goddess Theia - mot

  • Page 168 and 169:

    166 Floor · Pie

  • Page 170 and 171:

    168 Floor · Pie

  • Page 172 and 173:

    170 Floor · Pie

  • Page 174 and 175:

    Ginger Wood is a great ally of cozy

  • Page 176 and 177:

    Pressed wood diffuser of 4 mm in na

  • Page 178 and 179:

    176 Floor · Pie

  • Page 180 and 181:

    Tam Tam The colorful, sonorous Tam

  • Page 182 and 183:

    Metal structure lacquered in black.

  • Page 184 and 185:

    Cala Everybody likes a warm, comfor

  • Page 186 and 187:

    Varnished oak structure. White poly

  • Page 188 and 189:

    Funiculí Funiculí is a new editio

  • Page 190 and 191:

    188 Floor · Pie

  • Page 192 and 193:

    Funiculí is a new edition of a lam

  • Page 194 and 195:

    192 Floor · Pie

  • Page 196 and 197:

    Polo The fluidity of its movements

  • Page 198 and 199:

    Scantling A combination of basic ge

  • Page 200 and 201:

    Lacquered iron stem and base. Solid

  • Page 202 and 203:

    Maranga Maranga is the name of an i

  • Page 204 and 205:

    A shade made up of 32 polycarbonate

  • Page 207 and 208:

    Table Sobremesa

  • Page 209 and 210:

    Dipping Light — Jordi Canudas, 20

  • Page 211 and 212:

    Brilliant white blown glass globe w

  • Page 213 and 214:

    Dipping Light — Jordi Canudas, 20

  • Page 215 and 216:

    Dipping Light — Jordi Canudas, 20

  • Page 217 and 218:

    Vetra — Joan Gaspar, 2018 215

  • Page 219 and 220:

    Vetra — Joan Gaspar, 2018 217

  • Page 221 and 222:

    Copérnica — Ramírez i Carrillo,

  • Page 223 and 224:

    Structure in satin nickel or graphi

  • Page 225 and 226:

    Copérnica — Ramírez i Carrillo,

  • Page 227 and 228:

    Theia — Mathias Hahn, 2016 225

  • Page 229 and 230:

    Base and stem in lacquered iron. Di

  • Page 231 and 232:

    Theia — Mathias Hahn, 2016 229

  • Page 233 and 234:

    Theia — Mathias Hahn, 2016 231

  • Page 235 and 236:

    Funiculí - Lluís Porqueras, 1979

  • Page 237 and 238:

    Base and stem in lacquered iron. Sh

  • Page 239 and 240:

    Funiculí - Lluís Porqueras, 1979

  • Page 241 and 242:

    Ginger — Joan Gaspar, 2014 239

  • Page 243 and 244:

    Ginger — Joan Gaspar, 2014 241

  • Page 245 and 246:

    Polo — Joan Gaspar, 2012 243

  • Page 247 and 248:

    Polo — Joan Gaspar, 2012 245

  • Page 249 and 250:

    Scantling — Mathias Hahn, 2010 24

  • Page 251 and 252:

    Scantling — Mathias Hahn, 2010 24

  • Page 253 and 254:

    Mercer — Joan Gaspar & Javier M.

  • Page 255 and 256:

    Mercer — Joan Gaspar & Javier M.

  • Page 257 and 258:

    Nolita — Joan Gaspar, 2008 255

  • Page 259:

    Maranga — Christophe Mathieu, 201

  • Page 262 and 263:

    Bicoca The Bicoca is born with the

  • Page 264 and 265:

    262 Portable · Portátil

  • Page 266 and 267:

    264 Portable · Portátil

  • Page 268 and 269:

    266 Portable · Portátil

  • Page 270 and 271:

    268 Portable · Portátil

  • Page 272 and 273:

    Ginger Wood is a great ally of cozy

  • Page 274 and 275:

    272 Portable · Portátil

  • Page 276 and 277:

    274 Portable · Portátil

  • Page 278 and 279:

    FollowMe The FollowMe broke molds a

  • Page 280 and 281:

    Rocking opal diffuser and white mat

  • Page 282 and 283:

    280 Portable · Portátil

  • Page 284 and 285:

    282 Portable · Portátil

  • Page 286 and 287:

    284 Portable · Portátil

  • Page 289 and 290:

    Wall Pared

  • Page 291 and 292:

    Ginger — Joan Gaspar, 2015 289

  • Page 293 and 294:

    Pressed wood diffuser of 4 mm in na

  • Page 295 and 296:

    Ginger — Joan Gaspar, 2015 293

  • Page 297 and 298:

    Ginger A XL 42 24,6cm 132cm Range o

  • Page 299 and 300:

    Ginger — Joan Gaspar, 2015 297

  • Page 301 and 302:

    Concentric — Rob Zinn, 2016 299

  • Page 303 and 304:

    Overlapping concentric plates made

  • Page 305 and 306:

    Concentric — Rob Zinn, 2016 303

  • Page 307 and 308:

    Aura — Joan Gaspar, 2016 305

  • Page 309 and 310:

    Polycarbonate structure and dissipa

  • Page 311 and 312:

    Aura — Joan Gaspar, 2016 309

  • Page 313 and 314:

    Funiculí - Lluís Porqueras, 1979

  • Page 315 and 316:

    Base and stem in lacquered iron. Sh

  • Page 317 and 318:

    Funiculí - Lluís Porqueras, 1979

  • Page 319 and 320:

    Funiculí - Lluís Porqueras, 1979

  • Page 321 and 322:

    Scantling — Mathias Hahn, 2010 31

  • Page 323 and 324:

    Nº 8 — Christophe Mathieu, 2016

  • Page 325 and 326:

    Plate made of lacquered black metal

  • Page 327 and 328:

    Ledtube — Daniel López, 2009 325

  • Page 329 and 330:

    The newest version of Ledtube build

  • Page 331 and 332:

    Ledtube — Daniel López, 2009 329

  • Page 333 and 334:

    Ledtube — Daniel López, 2009 331

  • Page 335 and 336:

    Ledcompass — Joan Gaspar, 2012 33

  • Page 337 and 338:

    Nolita — Joan Gaspar, 2008 335

  • Page 339 and 340:

    Polo — Joan Gaspar, 2013 337

  • Page 341 and 342:

    Tam Tam — Fabien Dumas, 2012 339

  • Page 343 and 344:

    Tam Tam — Fabien Dumas, 2012 341

  • Page 345 and 346:

    Discocó — Christophe Mathieu, 20

  • Page 347 and 348:

    Scotch Club — Xavier Mañosa & Ma

  • Page 349 and 350:

    Scotch Club — Xavier Mañosa & Ma

  • Page 351 and 352:

    Chromed iron wall bracket. Textile

  • Page 353 and 354:

    Manhattan — Joan Gaspar, 2005 351

  • Page 355:

    Neón de Luz — Joan Gaspar, 2004

  • Page 358 and 359:

    356 Ceiling · Techo

  • Page 360 and 361:

    Shade made of bi-injected rotary mo

  • Page 362 and 363:

    Double compositions Composiciones d

  • Page 364 and 365:

    362 Ceiling · Techo

  • Page 366 and 367:

    364 Ceiling · Techo

  • Page 368 and 369:

    Lacquered iron structure in white o

  • Page 370 and 371:

    368 Ceiling · Techo

  • Page 372 and 373:

    Ginger Wood is a great ally of cozy

  • Page 374 and 375:

    Pressed wood diffuser of 4 mm in na

  • Page 376 and 377:

    Soho Soho is presented as a stateme

  • Page 378 and 379:

    Plaff-On! The informal tone of its

  • Page 380 and 381:

    Ring made of lacquered aluminium wh

  • Page 382 and 383:

    Polo The Polo collection has been e

  • Page 384 and 385:

    Discocó An exuberant fixture even

  • Page 386 and 387:

    Maranga Maranga is the name of an i

  • Page 388 and 389:

    Mercer The ceiling version of the M

  • Page 390 and 391:

    Scotch Club The warmth of the fixtu

  • Page 392 and 393:

    Atlas Atlas transforms a common bul

  • Page 394 and 395:

    392 Ceiling · Techo

  • Page 397 and 398:

    Outdoor Exterior

  • Page 399 and 400:

    Jaima — Joan Gaspar, 2017 397

  • Page 401 and 402:

    Jaima — Joan Gaspar, 2017 399

  • Page 403 and 404:

    Range of positions · Variedad de p

  • Page 405 and 406:

    Jaima — Joan Gaspar, 2017 403

  • Page 407 and 408:

    Jaima — Joan Gaspar, 2017 405

  • Page 409 and 410:

    Santorini — Sputnik Studio, 2014

  • Page 411 and 412:

    Santorini — Sputnik Studio, 2014

  • Page 413 and 414:

    Santorini — Sputnik Studio, 2014

  • Page 415 and 416:

    Santorini — Sputnik Studio, 2014

  • Page 417 and 418:

    Soho — Joan Gaspar, 2010 415

  • Page 419 and 420:

    Shade in rotary moulded polyethylen

  • Page 421 and 422:

    Soho — Joan Gaspar, 2010 419

  • Page 423 and 424:

    Soho — Joan Gaspar, 2010 421

  • Page 425 and 426:

    Cala — Joan Gaspar, 2012 423

  • Page 427 and 428:

    Cala — Joan Gaspar, 2012 425

  • Page 429 and 430:

    Cala — Joan Gaspar, 2012 427

  • Page 431 and 432:

    TXL — Joan Gaspar, 2007 429

  • Page 433 and 434:

    TXL — Joan Gaspar, 2007 431

  • Page 435 and 436:

    Lab — Francesc Rifé, 2012 433

  • Page 437 and 438:

    Lab — Francesc Rifé, 2012 435

  • Page 440 and 441:

    438 Credits Wall · Pared Créditos