Viva Brighton Issue #68 October 2018
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PERFORMANCE<br />
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Lemn Sissay<br />
The Art of Attachment<br />
Lemn Sissay and Charlotte Vincent at <strong>Brighton</strong> Oasis Project. Photo by Bosie Vincent<br />
Lemn Sissay has lived<br />
an extraordinary life.<br />
Born in 1967, he was<br />
fostered into a family<br />
who were told -<br />
wrongly - to treat this<br />
as an adoption. When<br />
Lemn was twelve, his<br />
foster parents placed<br />
him in a children’s<br />
home. The next five<br />
years were spent<br />
in the care system.<br />
On leaving his final children’s home he was<br />
given his birth certificate, showing the name<br />
of his mother, Yemarshet Sissay, and his true<br />
name, Lemn Sissay. He was also given a letter,<br />
written by his mother, pleading for his return.<br />
He began the search for her and finally met his<br />
birth mother when he was 21. After making his<br />
way as a poet, playwright, and writer, he is now<br />
Chancellor of Manchester University.<br />
When I was asked if I wanted to interview<br />
Lemn I didn’t hesitate. I’m a care leaver myself,<br />
and know well the toll ‘care’ can take. We speak<br />
on the phone, on a sunny autumn day, and in<br />
his warm Mancunian tones he tells me about<br />
the show he’s been working on.<br />
“The Art of Attachment comes from a call I got<br />
from <strong>Brighton</strong> Oasis Project, a brilliant organisation<br />
that works with women caught up in<br />
substance misuse. I’m choosy about the projects<br />
I work on, but this really spoke to me. I did a<br />
series of workshops where we wrote poetry and<br />
they said things that they’d never said before.”<br />
Lemn has been working on the show with<br />
award-winning choreographer Charlotte Vincent<br />
(also pictured). “Charlotte and I had a few<br />
meetings. She’s doing<br />
a great job of translating<br />
the women into<br />
dancers. Charlotte’s<br />
using the subject matter<br />
of attachment and<br />
there’s a lot coming<br />
out of that.”<br />
Something I want<br />
to explore with<br />
Lemn is separation<br />
anxiety. If my Other<br />
Half takes her time<br />
coming back from the shops I start to get very<br />
uneasy. “Something that we have in common is<br />
dysfunctional reactions to disappearance. I tend<br />
to think that nobody’s coming back anyway.<br />
Sometimes I’ll leave them before they leave me.<br />
I’ll push them away before they push me away.”<br />
I ask him whether he thinks women get a<br />
rougher time than men about substance<br />
misuse. “I think ever since the care system was<br />
established women have been adversely treated.<br />
Their children have been taken from them,<br />
they’ve been punished from the get go, and as<br />
soon as you step out of the matrix, that punishment<br />
is waiting for you. And this has got to<br />
do with the fear of a pregnant woman without<br />
a man. That’s why they’ve taken their children,<br />
that’s why they’ve put them into children’s<br />
homes. This is not the way for a child to be.<br />
Groups like Oasis are right at the forefront of<br />
change and growth.”<br />
As we finish I realise that Lemn Sissay hasn’t<br />
lived an extraodinary life – he’s still living it.<br />
John O’Donoghue<br />
Attenborough Centre, University of Sussex,<br />
Thurs 18th Oct, 7pm, £10/8. vincentdt.com<br />
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