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Viva Brighton Issue #68 October 2018

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PERFORMANCE<br />

....................................<br />

Lemn Sissay<br />

The Art of Attachment<br />

Lemn Sissay and Charlotte Vincent at <strong>Brighton</strong> Oasis Project. Photo by Bosie Vincent<br />

Lemn Sissay has lived<br />

an extraordinary life.<br />

Born in 1967, he was<br />

fostered into a family<br />

who were told -<br />

wrongly - to treat this<br />

as an adoption. When<br />

Lemn was twelve, his<br />

foster parents placed<br />

him in a children’s<br />

home. The next five<br />

years were spent<br />

in the care system.<br />

On leaving his final children’s home he was<br />

given his birth certificate, showing the name<br />

of his mother, Yemarshet Sissay, and his true<br />

name, Lemn Sissay. He was also given a letter,<br />

written by his mother, pleading for his return.<br />

He began the search for her and finally met his<br />

birth mother when he was 21. After making his<br />

way as a poet, playwright, and writer, he is now<br />

Chancellor of Manchester University.<br />

When I was asked if I wanted to interview<br />

Lemn I didn’t hesitate. I’m a care leaver myself,<br />

and know well the toll ‘care’ can take. We speak<br />

on the phone, on a sunny autumn day, and in<br />

his warm Mancunian tones he tells me about<br />

the show he’s been working on.<br />

“The Art of Attachment comes from a call I got<br />

from <strong>Brighton</strong> Oasis Project, a brilliant organisation<br />

that works with women caught up in<br />

substance misuse. I’m choosy about the projects<br />

I work on, but this really spoke to me. I did a<br />

series of workshops where we wrote poetry and<br />

they said things that they’d never said before.”<br />

Lemn has been working on the show with<br />

award-winning choreographer Charlotte Vincent<br />

(also pictured). “Charlotte and I had a few<br />

meetings. She’s doing<br />

a great job of translating<br />

the women into<br />

dancers. Charlotte’s<br />

using the subject matter<br />

of attachment and<br />

there’s a lot coming<br />

out of that.”<br />

Something I want<br />

to explore with<br />

Lemn is separation<br />

anxiety. If my Other<br />

Half takes her time<br />

coming back from the shops I start to get very<br />

uneasy. “Something that we have in common is<br />

dysfunctional reactions to disappearance. I tend<br />

to think that nobody’s coming back anyway.<br />

Sometimes I’ll leave them before they leave me.<br />

I’ll push them away before they push me away.”<br />

I ask him whether he thinks women get a<br />

rougher time than men about substance<br />

misuse. “I think ever since the care system was<br />

established women have been adversely treated.<br />

Their children have been taken from them,<br />

they’ve been punished from the get go, and as<br />

soon as you step out of the matrix, that punishment<br />

is waiting for you. And this has got to<br />

do with the fear of a pregnant woman without<br />

a man. That’s why they’ve taken their children,<br />

that’s why they’ve put them into children’s<br />

homes. This is not the way for a child to be.<br />

Groups like Oasis are right at the forefront of<br />

change and growth.”<br />

As we finish I realise that Lemn Sissay hasn’t<br />

lived an extraodinary life – he’s still living it.<br />

John O’Donoghue<br />

Attenborough Centre, University of Sussex,<br />

Thurs 18th Oct, 7pm, £10/8. vincentdt.com<br />

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