This Is London12 Oct 2018
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ANNI ALBERS MAJOR<br />
RETROSPECTIVE AT TATE MODERN<br />
Tate Modern presenting the UK’s first<br />
major retrospective of the work of Anni<br />
Albers, from 11 <strong>Oct</strong>ober. The exhibition<br />
brings together her most important<br />
works from major collections in the US<br />
and Europe, many of which will be<br />
shown in the UK for the first time, to<br />
highlight Albers’s significance as an<br />
artist. Opening ahead of the centenary of<br />
the Bauhaus in 2019, it is long overdue<br />
recognition of Albers’s pivotal<br />
contribution to modern art and design.<br />
Born in Berlin at the turn of the<br />
century, Annelise Else Frieda<br />
Fleischmann became a student at the<br />
Bauhaus in 1922, where she met her<br />
husband Josef Albers and other key<br />
modernist figures like Paul Klee. Though<br />
the Bauhaus aspired to equality between<br />
the sexes, women were still discouraged<br />
from learning certain disciplines<br />
including painting. Albers began<br />
weaving by default, but it was in textiles<br />
that she found her means of expression,<br />
dedicating herself to the medium for the<br />
majority of her career.<br />
The exhibition explores how, here in<br />
the school’s vibrant weaving workshop,<br />
traditional hand-weaving was redefined<br />
as modern art. It brings together the<br />
UK’s largest grouping of Albers’s<br />
weavings designed during this period,<br />
such as Wallhanging 1924 and Black<br />
White Yellow 1926, alongside exquisite<br />
studies, textile samples and works by<br />
Albers’s contemporaries.<br />
With the rise of Nazism and the<br />
closure of the Bauhaus, Albers left<br />
Germany in 1933 for the USA where she<br />
taught at the experimental Black<br />
Mountain College for over 15 years.<br />
While here she made frequent visits to<br />
Mexico, Chile and Peru, amassing an<br />
extensive collection of ancient Pre-<br />
Columbian textiles. These artefacts<br />
fuelled Albers’s thinking and making<br />
process and are shown at Tate Modern<br />
with her incredible body of ‘pictorial<br />
weavings’.<br />
Anni Albers.<br />
15<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e