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The Operating Theatre Journal Digital Edition November 2018

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Why poor quality<br />

surgical instruments<br />

put patients at risk<br />

Fears that contaminated surgical instruments are causing unnecessary illness and deaths because of<br />

the risk of infection continue to hit the headlines.<br />

From Alzheimer’s to HIV, Hepatitis<br />

B or C and many more dangerous<br />

diseases, there seems to be a<br />

steady stream of stories about<br />

how patients’ health has been put<br />

at risk.<br />

What is not often mentioned in<br />

conjunction with these stories<br />

however, is the fact that poor<br />

quality surgical instruments are<br />

often to blame for poor standards<br />

of infection control.<br />

What’s more, despite a BBC<br />

documentary “Surgery’s Dirty<br />

Secrets” revealing several<br />

years ago that large numbers of<br />

surgical tools used in the NHS<br />

failed to meet quality standards,<br />

the problem of poor quality<br />

instruments is still rife.<br />

In fact, Tom Brophy, a lead<br />

technologist with Barts Health<br />

NHS Trust went on record at the<br />

time to say that about 20% of all<br />

the instruments that he received<br />

were rejected because of flaws<br />

that could put patient’s health at<br />

risk.<br />

So why do poor quality surgical<br />

instruments pose a risk?<br />

Poorly manufactured surgical<br />

instruments can risk patient<br />

health for a number of reasons:<br />

• Micro-punctures in surgeons’<br />

gloves<br />

Low quality surgical instruments<br />

are often machine-made and<br />

finished, leaving metal fragments<br />

and sharp burs that can lacerate<br />

surgical gloves.<br />

As these punctures can be<br />

miniscule, they can easily go<br />

undetected during a surgical<br />

procedure, creating an easy<br />

pathway for infection to be<br />

transferred to the patient.<br />

• Defects that are invisible to<br />

the naked eye<br />

In addition to revealing sharp burs<br />

and microscopic shards of steel,<br />

an inspection of a poor-quality<br />

instrument under a microscope<br />

will often reveal numerous other<br />

defects that can pose a risk to<br />

patients.<br />

This is because by using low-grade<br />

steel, such instruments can easily<br />

become corroded or pitted and<br />

even develop hairline fractures.<br />

This means that whilst an<br />

instrument might seem perfectly<br />

clean to the naked eye, a look<br />

under a microscope can reveal<br />

numerous areas that could be<br />

harbouring dangerous bacteria<br />

and viruses.<br />

• Unclean manufacturing<br />

facilities<br />

Although Swiss craftsmanship and<br />

German-quality stainless steel<br />

may come to mind when one<br />

thinks of surgical instruments,<br />

two-thirds of the world’s<br />

instruments are actually made in<br />

Pakistan.<br />

While some of these<br />

manufacturers adhere to high<br />

standards of manufacture, others<br />

have been found to operate in<br />

dust-filled environments near to<br />

open sewers, piling newly made<br />

instruments on the floor and<br />

failing even to carry out a visual<br />

inspection with a magnifying glass<br />

before marking their wares with a<br />

CE quality stamp.<br />

Clearly this then begs the<br />

question just how clean these<br />

brand-new instruments are by the<br />

time they get into the hands of<br />

our UK surgeons.<br />

• Low grade materials<br />

It is clear to see why both UK<br />

surgeons and NHS procurement<br />

teams would want to avoid poor<br />

quality instruments that pose such<br />

risks of infection and harm, even<br />

when the pricing can differ so<br />

significantly between high-quality<br />

and poor-quality instruments.<br />

Article author Michael Ray,<br />

Area Account Manager, Cairn<br />

Technology Ltd.<br />

Of course, German stainless<br />

steel is recognised as the very<br />

best material for making surgical<br />

instruments, but in a time of<br />

ongoing budgetary pressures on<br />

the NHS, surely it makes sense<br />

to buy less expensive ‘German’<br />

instruments than recognised<br />

brands?<br />

However, due diligence is needed<br />

here as well, as the ‘Dirty Secrets’<br />

documentary also revealed<br />

Pakistani representatives offering<br />

to sell tools made with Pakistani<br />

and French steel that are stamped<br />

“Made in Germany”.<br />

<strong>The</strong> result is that hospitals may<br />

still end up paying a lot for<br />

substandard instruments that<br />

pose a risk to hygiene and health.<br />

• Design limitations that affect<br />

cleanliness<br />

Another issue with poorly<br />

manufactured<br />

surgical<br />

instruments is that they have not<br />

been designed to be dismantled<br />

for cleaning and inspection.<br />

As infection is harder to eradicate<br />

around instrument joints, being<br />

able to fully separate parts can<br />

significantly reduce the risk of<br />

cleaned instruments continuing<br />

to harbour germs.<br />

Looking for high-quality<br />

surgical instruments?<br />

Congratulations, reading the extended OTJ<br />

You can contact the Cairn<br />

instrument team on 0845 226 0185<br />

to discuss individual instruments,<br />

recommended instrument sets or<br />

to arrange for a demonstration of<br />

specific instruments.<br />

When responding to articles please quote ‘OTJ’<br />

<strong>The</strong> next issue copy deadline, Friday 23rd <strong>November</strong> <strong>2018</strong><br />

All enquiries: To the editorial team, <strong>The</strong> OTJ Lawrand Ltd, PO Box 51, Pontyclun, CF72 9YY<br />

Tel: 02921 680068 Email: admin@lawrand.com Website: www.lawrand.com<br />

<strong>The</strong> <strong>Operating</strong> <strong>The</strong>atre <strong>Journal</strong> is published twelve times per year. Available in electronic format from the website, www.otjonline.com<br />

and in hard copy to hospitals throughout the United Kingdom. Personal copies are available by nominal subscription.<br />

Neither the Editor or Directors of Lawrand Ltd are in any way responsible for the statements made or views expressed by the contributors.<br />

All communications in respect of advertising quotations, obtaining a rate card and supplying all editorial communications and pictures to the Editor<br />

at the PO Box address above. No part of this journal may be reproduced without prior permission from Lawrand Ltd. © <strong>2018</strong><br />

<strong>Operating</strong> <strong>The</strong>atre <strong>Journal</strong> is printed on paper sourced from Forest Stewardship Council (FSC) approved paper mills and is printed with vegetable based inks. All paper and ink waste is recycled.<br />

<strong>Journal</strong> Printers: <strong>The</strong> Warwick Printing Co Ltd, Caswell Road, Leamington Spa, Warwickshire. CV31 1QD<br />

4 THE OPERATING THEATRE JOURNAL www.otjonline.com

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