Viva Lewes Issue #147 December 2018
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ON THIS MONTH: MUSIC<br />
Jam Tarts<br />
Sixty-strong indie choir<br />
“If it hadn’t been for<br />
John Peel, and my mate<br />
Bob who used to make<br />
me mix tapes, Jam<br />
Tarts might be doing<br />
harmonised versions of<br />
Another Day in Paradise,<br />
or Sussudio.”<br />
I’m drinking a cup<br />
of tea in Li Mills’<br />
Brighton kitchen, and<br />
she’s telling me about her musical awakening at<br />
York University. Li is the founder and director<br />
of Brighton’s celebrated 60-strong choir, famous<br />
for their covers of “punk, post-punk and indie”<br />
songs. She also does the song arranging, turning<br />
the raw material into something… well, something<br />
entirely different.<br />
“I was into Phil Collins when I went to York,”<br />
she says. “But that soon changed. I ended up<br />
doing my finals thesis on punk rock. I wrote to<br />
John Peel to ask him if he could help me, and he<br />
practically wrote the thing.” She does a little ‘allpraise’<br />
gesture in the great DJ’s memory.<br />
She shows me the playlist for their Christmas<br />
gigs in the Con Club and St George’s Church,<br />
in Kemp Town, and I guess that Peel would<br />
approve of most of the choices. “The first song<br />
I arranged was Hallelujah, by Leonard Cohen.<br />
But then everyone started doing that, so we took<br />
it out of our repertoire. A lot of our songs aren’t<br />
that well known. And the ones you will know,<br />
you might not recognise until halfway through.<br />
I love watching people in the audience trying to<br />
work out that the tango-based harmony they’re<br />
hearing is Every Day I Love You Less and Less by<br />
Kaiser Chiefs.”<br />
‘The Tarts’, as Li calls them, have been going<br />
since 2004, starting<br />
as a group of<br />
Hanover parents and<br />
quickly growing into<br />
something much<br />
bigger. Here are some<br />
quickfire facts I learn:<br />
a third of them are<br />
men; they dress in red,<br />
pink and black; they<br />
have regularly played<br />
Union Chapel, Islington; because no-one wants<br />
to leave and things get a bit messy beyond sixty,<br />
there’s very rarely room for new members to<br />
join. Li is just mad about Nick Cave, so there’ll<br />
always be one of his numbers in there. Oh, and<br />
they have legendary after-show parties.<br />
She’s delighted to be returning to the Con Club,<br />
where she has performed (supporting The Wave<br />
Pictures) in one of the other bands she’s involved<br />
with, a “lo-fi, multi-instrumental four-piece of<br />
Tarts”, called Suburban Death Twitch. “The<br />
acoustics are great there,” she says. “It’ll be a<br />
squeeze, though”. It’s not just the sixty choir<br />
members, you see. “For our bigger gigs we’re accompanied<br />
by musicians: a pianist, a cellist, two<br />
trumpeters, a percussionist, a violinist.”<br />
All the songs in the <strong>December</strong> shows will have a<br />
‘winter’ theme, to give the evening a festive feel.<br />
But not corny festive, of course. “Some of the<br />
songs might not feel particularly Christmassy,”<br />
she concludes. “When Nick Cave wrote Fifteen<br />
Feet of Pure White Snow, I don’t think he was<br />
thinking about the stuff that comes out of the<br />
sky.” Alex Leith<br />
The Jam Tarts are playing at the Con Club, 20th<br />
<strong>December</strong>, 7.30pm, £13 from Si’s Sounds/Union<br />
Music and lewesconclub.com<br />
Photo by Ollie Dolling<br />
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