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Viva Lewes Issue #147 December 2018

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ON THIS MONTH: MUSIC<br />

Jam Tarts<br />

Sixty-strong indie choir<br />

“If it hadn’t been for<br />

John Peel, and my mate<br />

Bob who used to make<br />

me mix tapes, Jam<br />

Tarts might be doing<br />

harmonised versions of<br />

Another Day in Paradise,<br />

or Sussudio.”<br />

I’m drinking a cup<br />

of tea in Li Mills’<br />

Brighton kitchen, and<br />

she’s telling me about her musical awakening at<br />

York University. Li is the founder and director<br />

of Brighton’s celebrated 60-strong choir, famous<br />

for their covers of “punk, post-punk and indie”<br />

songs. She also does the song arranging, turning<br />

the raw material into something… well, something<br />

entirely different.<br />

“I was into Phil Collins when I went to York,”<br />

she says. “But that soon changed. I ended up<br />

doing my finals thesis on punk rock. I wrote to<br />

John Peel to ask him if he could help me, and he<br />

practically wrote the thing.” She does a little ‘allpraise’<br />

gesture in the great DJ’s memory.<br />

She shows me the playlist for their Christmas<br />

gigs in the Con Club and St George’s Church,<br />

in Kemp Town, and I guess that Peel would<br />

approve of most of the choices. “The first song<br />

I arranged was Hallelujah, by Leonard Cohen.<br />

But then everyone started doing that, so we took<br />

it out of our repertoire. A lot of our songs aren’t<br />

that well known. And the ones you will know,<br />

you might not recognise until halfway through.<br />

I love watching people in the audience trying to<br />

work out that the tango-based harmony they’re<br />

hearing is Every Day I Love You Less and Less by<br />

Kaiser Chiefs.”<br />

‘The Tarts’, as Li calls them, have been going<br />

since 2004, starting<br />

as a group of<br />

Hanover parents and<br />

quickly growing into<br />

something much<br />

bigger. Here are some<br />

quickfire facts I learn:<br />

a third of them are<br />

men; they dress in red,<br />

pink and black; they<br />

have regularly played<br />

Union Chapel, Islington; because no-one wants<br />

to leave and things get a bit messy beyond sixty,<br />

there’s very rarely room for new members to<br />

join. Li is just mad about Nick Cave, so there’ll<br />

always be one of his numbers in there. Oh, and<br />

they have legendary after-show parties.<br />

She’s delighted to be returning to the Con Club,<br />

where she has performed (supporting The Wave<br />

Pictures) in one of the other bands she’s involved<br />

with, a “lo-fi, multi-instrumental four-piece of<br />

Tarts”, called Suburban Death Twitch. “The<br />

acoustics are great there,” she says. “It’ll be a<br />

squeeze, though”. It’s not just the sixty choir<br />

members, you see. “For our bigger gigs we’re accompanied<br />

by musicians: a pianist, a cellist, two<br />

trumpeters, a percussionist, a violinist.”<br />

All the songs in the <strong>December</strong> shows will have a<br />

‘winter’ theme, to give the evening a festive feel.<br />

But not corny festive, of course. “Some of the<br />

songs might not feel particularly Christmassy,”<br />

she concludes. “When Nick Cave wrote Fifteen<br />

Feet of Pure White Snow, I don’t think he was<br />

thinking about the stuff that comes out of the<br />

sky.” Alex Leith<br />

The Jam Tarts are playing at the Con Club, 20th<br />

<strong>December</strong>, 7.30pm, £13 from Si’s Sounds/Union<br />

Music and lewesconclub.com<br />

Photo by Ollie Dolling<br />

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