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GET PRO DESIGN SKILLS<br />

COLOUR &<br />

ACCESSIBILITY<br />

Colour and accessibility are key<br />

things to be mindful of, but are too<br />

often forgotten about by designers.<br />

You may be designing something<br />

on your nice shiny iMac with an<br />

incredibly glossy Retina display but<br />

not everyone will have one of<br />

those. Screens render colours<br />

differently and you can count on<br />

older screens having a harder time<br />

telling the difference between<br />

closely matched colours.<br />

Not only that, you have<br />

accessibility considerations<br />

whereby the viewer may have eye<br />

sight difficulties or colour blindness.<br />

Contrast will always save you here<br />

and there are many good guides<br />

to avoid these issues.<br />

Check out <strong>Web</strong> AIM (<strong>Web</strong><br />

Accessibility in Mind) to see how<br />

your chosen colours rate within the<br />

AA and AAA web standards.<br />

SCREENS RENDER<br />

COLOURS<br />

DIFFERENTLY AND<br />

YOU CAN COUNT<br />

ON OLDER<br />

SCREENS HAVING<br />

A HARDER TIME<br />

TELLING THE<br />

DIFFERENCE<br />

CHOOSING COLOURS<br />

1<br />

BEST FIT<br />

Colours can be very<br />

subjective but are<br />

nevertheless important when it comes<br />

to look and feel. The personality of<br />

your project still has a complete hold<br />

of the colours you choose. The first<br />

step would again be to think about<br />

your values and what colours best fit.<br />

It’s best to acknowledge colour<br />

psychology before you start picking<br />

any colour. This is because you can<br />

really influence human behaviour and<br />

perceptions of what is being seen by<br />

the colour used — take warm and cold<br />

colours, for example. Although<br />

obvious, we have the ability to control<br />

a reader’s feelings and behaviour just<br />

by the colours we use.<br />

2<br />

LESS IS MORE<br />

As with text, hierarchy is<br />

important. Having some<br />

ground rules for colour usage<br />

prevents your artwork looking like a<br />

pack of fruit pastilles. Think about<br />

primary, secondary and even tertiary<br />

colours that can be used. There’s no<br />

real limit to how many colours you<br />

can use but less is often more.<br />

Knowing how many colours<br />

you’re planning to use, will help<br />

maintain consistency.<br />

It’s common for more corporaterelated<br />

designs to have less colours<br />

than something perhaps more friendly.<br />

Another thing to be very mindful of<br />

is reserving a single colour for your<br />

call-to-actions and buttons. It’s a good<br />

idea to single out a colour so that links<br />

and buttons are more individual and<br />

user-friendly.<br />

ESSENTIAL RESOURCES<br />

ADOBE COLOR CC<br />

adobe.ly/2wLilqq<br />

Adobe provides a range of rules<br />

that will help discover closely<br />

matched colours from selecting a<br />

primary colour. If you work with<br />

Adobe products, save your<br />

palette to a library to get rid of<br />

copying and pasting.<br />

3<br />

CHOOSING COLOURS<br />

Let’s start by choosing<br />

colours since we now know<br />

the personality and hierarchy. You can<br />

useatoollikeAdobeColorCCtoplay<br />

around with your colour choices. This<br />

tool is simply a colour wheel that gives<br />

youthefreedomtoselectandfind<br />

colour palettes.<br />

Focus on your primary colour first<br />

and play with the rules that Adobe<br />

gives you if you want help finding<br />

other colours. These calculated rules<br />

are a useful headstart but not<br />

restrictive. Once you have selected<br />

your primary colour, work through<br />

selecting your other colours.<br />

Remember accessibility and contrast<br />

in your options.<br />

4<br />

SHADES OF COLOUR<br />

Once you have selected<br />

your colours, there’s a few<br />

COLBLINDOR<br />

bit.ly/1qSSJSu<br />

A great tool to check your design<br />

against colour blindness. You can<br />

safely upload your artwork and<br />

get a feeling of how it is to have a<br />

colour vision handicap.<br />

Five steps to the perfect palette<br />

more things to think about. Lightness<br />

and darkness will be one. Although<br />

you have your chosen colours, there<br />

are no rules to restrict you from using<br />

lighter or darker versions. For example,<br />

we may have a bright blue as our<br />

primary colour and we are using it for<br />

some of our foreground content. We<br />

could darken the same blue (with a<br />

shade of black) for a treatment in the<br />

background. Be mindful of consistency<br />

and not create too many variations of<br />

your colours, but this method will<br />

steer you clear of the fruit pastilles and<br />

help with creating contrasting colours<br />

basedonyourownpalette.<br />

5<br />

TEST AND TRY<br />

Apply, play and change if<br />

necessary. It’s only when<br />

using everything in context that you<br />

can truly gauge if your design is<br />

working. Look back over your values<br />

since this will help validate whether<br />

your creation works.<br />

Create a number of versions and<br />

try new arrangements of colour.<br />

There’s never a single right answer to<br />

any creative project and the process<br />

of experimenting is fun. If you have<br />

options and a history of experiments,<br />

it’s easier to see how your design has<br />

progressed and evolved.<br />

Make sure to get your colour right<br />

WEB AIM COLOUR<br />

CONTRAST CHECKER<br />

bit.ly/2ALPtTp<br />

Usingthistoolwillhelpensure<br />

that your chosen colours meet<br />

accessibility criteria. The AA and<br />

AAA web standards will make<br />

sure that your designs are<br />

compliant and user friendly.<br />

48 _________________________________________________feature

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