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NZPhotographer Issue 15, Jan 2019

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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The background for the Santa photo was taken<br />

on our way from Wellington to Auckland in July<br />

when my children had the opportunity to see snow<br />

for the very first time. So when we photographed<br />

families in Auckland for Christmas Wish, I knew that<br />

I wanted to include that scene in one of the families<br />

special images. I added some trees, a sleigh and<br />

of course Santa with the family. I love that the work<br />

I create for others often contains many of our own<br />

family memories within them because of the photo<br />

adventures we go on and the images I take along the<br />

way.<br />

As well as being involved in other projects with me,<br />

Nikon offered to partner with us for Christmas Wish<br />

2018, and have gone above and beyond with their<br />

support of this global project. They have been on the<br />

ground with us at the various hospitals, helping with<br />

gear and shooting behind the scenes, and have also<br />

helped with funding.<br />

Since a trip to New Zealand was scheduled for the<br />

Auckland Hospital Christmas Wish, we decided it<br />

would be a great opportunity for me to also run<br />

some talks and Photo walks in New Zealand for the<br />

photographic community. These were incredibly<br />

successful, attracting sold out crowds in Auckland and<br />

Christchurch. The attendees had the opportunity to<br />

try out the new Nikon Z’s and various lenses on photo<br />

walks through the zoo and I had the opportunity to<br />

share my story and a little about my Heart Project<br />

work and my 'Elephant in the Room' creation in the<br />

presentations.<br />

The New Zealand Photographic Community<br />

embraced me as one of their own so it feels like family<br />

now whenever I visit.<br />

CAN YOU GIVE US SOME TIPS FOR CREATING<br />

A SUCCESSFUL COMPOSITE?<br />

When people first start compositing they are often<br />

just focused on getting a clean cutout and placing it<br />

into a new scene. The mistake many make (and don’t<br />

realise) is that just as important is matching the subject<br />

to the scene. Consideration must be made of light<br />

direction in the background and that light matching<br />

on the subject, both in direction and in quality of light.<br />

This is then closely followed by the importance of<br />

shadows and embedding it into a scene. Perspective<br />

is also often forgotten. Matching perspective is<br />

incredibly important in the quest for a convincing<br />

composite.<br />

I often hear people say Photoshop compositing is not<br />

‘Photography’. I agree that it’s not ‘A’ Photograph<br />

(because it’s many photographs). But I have had<br />

to polish my photography knowledge and skill<br />

set far beyond what I needed as a wedding and<br />

portrait photographer. The understanding of light,<br />

perspective, depth of field, shade, and more are a<br />

prerequisite to a successful piece of photographic art.<br />

I teach all this and more in my education site and am<br />

offering 1 month free access for NZP readers. To claim<br />

just visit www.storyart.education/mygift/<br />

WHERE CAN WE FIND YOU ONLINE?<br />

www.facebook.com/storyartaustralia<br />

www.instagram.com/storyartaustralia<br />

www.storyart.com.au<br />

26 <strong>NZPhotographer</strong><br />

<strong>Jan</strong>uary <strong>2019</strong><br />

27

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