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<strong>The</strong> Pedals of the<br />
Namm <strong>2019</strong> Stompbox Booth<br />
Cooper FX<br />
Moment Machine<br />
Cusack Music<br />
Screamer Fuzz<br />
Deep Space Devices<br />
Trigonaut<br />
DryBell<br />
Unit 67<br />
One of the most tweakable (and<br />
yet easy to use) pitch shifters<br />
available in hardware form. Featuring<br />
two independent polyphonic<br />
pitch shifting engines, a<br />
powerful sixteen step sequencer,<br />
and <strong>over</strong> two hundred user<br />
adjustable parameters.<br />
A limited edition (50 unitts) Tube<br />
Screamer-style <strong>over</strong>drive with an<br />
extra fuzz on top that can gets<br />
you a wide variety of sounds.<br />
This pedal expands on past versions<br />
by including the additions<br />
of a tone/gate control knob, and<br />
a Germanium setting as one of<br />
the three clipping options (Silicon<br />
and LED are the other two).<br />
<strong>The</strong> Trigonaut is an <strong>over</strong>drive<br />
pedal with octave glitch/<br />
stutter capabilities where the<br />
octaves perform the glitch/<br />
stutter effect.<br />
A versatile multi-functional EQ/<br />
dynamics tone-shaping tool<br />
including a “Rangemaster-like”<br />
mid control, a boost and 1176<br />
style one-knob compressor—all<br />
in one extremely practical compact<br />
guitar pedal. <strong>The</strong> Range<br />
control will help you cut through<br />
the mix adding sparkle and bite.<br />
<strong>The</strong> compressor is transparent<br />
and through the blend mode can<br />
add the right amount of sustain<br />
while retaining pick dynamics.<br />
Dusky Amp<br />
Hypatia<br />
Glou Glou<br />
Pralines<br />
INDUSTRIALECTRIC<br />
RM-1N<br />
Massive FX<br />
G.O.A.F. Fuzz<br />
A versatile fuzz/<strong>over</strong>drive/distortion<br />
pedal with a wide gain range,<br />
an adjustable low end, a specially<br />
designed input buffer, and a<br />
MOSFET-based output buffer.<br />
It spans from ragged crunch to<br />
bludgeoning fuzz—all while remaining<br />
musical. <strong>The</strong> low end<br />
can be tailored for any instrument<br />
across a range of musical styles.<br />
A pedal featuring four parallel<br />
resonant band-pass filters and<br />
a versatile modulation circuit<br />
applied to them. <strong>The</strong> filters’ frequency<br />
can be adjusted separately<br />
with a shared volume and<br />
resonance control, and each has<br />
its own “modulation send” control<br />
as well. <strong>The</strong> toggle switch<br />
on the top engages a gated fuzz.<br />
<strong>The</strong> RM-1N is a unique and extremely<br />
versatile reverb - some<br />
have called it an amp in a box<br />
but that’s putting it lightly.<br />
A hand-wired recreation of<br />
the octave fuzz Burns Buzzaround,<br />
popularized by Fripp<br />
in the 1970s with separate<br />
fuzz, mid-range and treble<br />
controls. <strong>The</strong> right footswitch<br />
triggers the Fuzz, the Left one<br />
the Vintage Octave.<br />
6 the deli Winter <strong>2019</strong>