Angelus News | March 1, 2019 | Vol. 4 No. 8
Jacopo da Pontormo’s “The Visitation” lay in obscurity for centuries in a village church in Tuscany before anyone realized it was the work of an A-list Renaissance artist. Recently restored to its original luster, the altarpiece has left Italy for the first time to get the celebrity treatment it deserves at the Getty Museum in Brentwood. On page 10, Stefano Rebeggiani reflects on how the masterpiece doubles as a profound spiritual meditation that announces the salvation of Jesus Christ — to anyone bothering to pay attention. On page 14, Angelus’ Heather King explains why traffic headaches notwithstanding, the Pontormo exhibit is LA’s must-see museum trip of the year.
Jacopo da Pontormo’s “The Visitation” lay in obscurity for centuries in a village church in Tuscany before anyone realized it was the work of an A-list Renaissance artist. Recently restored to its original luster, the altarpiece has left Italy for the first time to get the celebrity treatment it deserves at the Getty Museum in Brentwood. On page 10, Stefano Rebeggiani reflects on how the masterpiece doubles as a profound spiritual meditation that announces the salvation of Jesus Christ — to anyone bothering to pay attention. On page 14, Angelus’ Heather King explains why traffic headaches notwithstanding, the Pontormo exhibit is LA’s must-see museum trip of the year.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ANGELUS<br />
SEEING THE VISITATION<br />
A Renaissance treasure brings the<br />
Gospel to the Getty<br />
<strong>March</strong> 1, <strong>2019</strong> <strong>Vol</strong>. 4 <strong>No</strong>. 8
ON THE COVER<br />
Jacopo da Pontormo’s “The Visitation” lay in obscurity for centuries in a<br />
village church in Tuscany before anyone realized it was the work of an A-list<br />
Renaissance artist. Recently restored to its original luster, the altarpiece has<br />
left Italy for the first time to get the celebrity treatment it deserves at the<br />
Getty Museum in Brentwood. On page 10, Stefano Rebeggiani reflects on how<br />
the masterpiece doubles as a profound spiritual meditation that announces the<br />
salvation of Jesus Christ — to anyone bothering to pay attention. On page<br />
14, <strong>Angelus</strong>’ Heather King explains why traffic headaches notwithstanding,<br />
the Pontormo exhibit is LA’s must-see museum trip of the year.<br />
IMAGE: More than 300 people gathered for a book signing of “In the Face of<br />
Darkness: The Heroic Life and Holy Death of Mother Luisita” at the<br />
Carmelite Motherhouse in Alhambra Sunday, Feb. 17. Due to “inclement<br />
weather,” attendees moved indoors to listen to excerpts read by the book’s<br />
author, Sister Timothy Marie, OCD. They were also treated to dinner,<br />
mariachi music, traditional Mexican sweets, and a showing of the film “For<br />
Greater Glory,” which depicts the turbulent times in Mexico that Venerable<br />
Mother Luisita fled before moving to Southern California. The book can be<br />
purchased through Amazon, Sophia Press, or Barnes and <strong>No</strong>ble.<br />
C<br />
GETTY MUSEUM<br />
CARMELITE SISTERS
Contents<br />
Archbishop Gomez 3<br />
A French relic’s well-timed visit to Los Angeles 16<br />
World, Nation and Local <strong>News</strong> 4-6<br />
Blessed John Newman, superstar pundit? 18<br />
LA Catholic Events 7 Elise Harris: Signs of progress and resistance at Vatican abuse summit 22<br />
Scott Hahn on Scripture 8 Kathryn Jean Lopez meets a sister who’s not afraid to talk about death 24<br />
Father Rolheiser 9<br />
Twisted ideals and true love at the Oscars 26<br />
Robert Brennan: The battle in the trenches, 100 years later 28
ANGELUS<br />
<strong>March</strong> 1, <strong>2019</strong> | <strong>Vol</strong>.4 • <strong>No</strong>.8<br />
3424 Wilshire Blvd., Los Angeles, CA 90010-2241<br />
(213) 637-7360 • FAX (213) 637-6360 — Published<br />
by the Roman Catholic Archdiocese of Los Angeles<br />
by The Tidings (a corporation), established 1895.<br />
Publisher<br />
ARCHBISHOP JOSÉ H. GOMEZ<br />
Vice Chancellor for Communications<br />
DAVID SCOTT<br />
Editor<br />
PABLO KAY<br />
pkay@angelusnews.com<br />
Multimedia Editor<br />
TAMARA LONG-GARCÍA<br />
ttirado@angelusnews.com<br />
Production Coordinator<br />
OSVALDO CISTERNAS<br />
oecisternas@angelusnews.com<br />
Features Editor<br />
R.W. DELLINGER<br />
bdellinger@angelusnews.com<br />
Photo Editor<br />
VICTOR ALEMÁN<br />
valeman@angelusnews.com<br />
Managing Editor<br />
RICHARD G. BEEMER<br />
rbeemer@angelusnews.com<br />
Assistant Editor<br />
HANNAH SWENSON<br />
hswenson@angelusnews.com<br />
Circulation<br />
CHRIS KRAUSE<br />
ckrause@angelusnews.com<br />
Sales<br />
PATTY BROOKS<br />
pabrooks@angelusnews.com<br />
MARY CASARES<br />
mcasares@angelusnews.com<br />
JOE MANZA<br />
jmanza@angelusnews.com<br />
CHUCK MILAN<br />
cmilan@angelusnews.com<br />
ANGELUS is published weekly except at<br />
Easter, Thanksgiving and Christmas and<br />
semiweekly in July and August by The<br />
Tidings (a corporation), established 1895.<br />
Periodicals postage paid at Los Angeles,<br />
California. One-year subscriptions<br />
(44 issues), $30.00; single copies, $1.00 © <strong>2019</strong><br />
ANGELUS (2473-2699). <strong>No</strong> part of this publication<br />
may be reproduced without the written permission<br />
of the publisher. Events and products advertised in<br />
ANGELUS do not carry the implicit endorsement of<br />
The Tidings Corporation or the Archdiocese of Los<br />
Angeles.<br />
POSTMASTER: Send address changes to: ANGELUS,<br />
PO Box 306, Congers, NY 10920-0306. For Subscription<br />
and Delivery information, please call (844)<br />
245-6630 (Mon - Fri, 7 am-4 pm PT).<br />
facebook.com/<br />
<strong>Angelus</strong><strong>News</strong><br />
POPE WATCH<br />
Don’t pray like parrots<br />
(Adapted from Pope Francis’ catechesis<br />
on the Lord’s Prayer at the<br />
general audience in the Paul VI Hall<br />
at the Vatican on Wednesday, Feb. 20.)<br />
The first step of every Christian<br />
prayer is the entry into a mystery, that<br />
of God’s paternity. We cannot pray<br />
like parrots. Either you enter into the<br />
mystery, in the awareness that God<br />
is your Father, or you do not pray. If<br />
I want to pray to God my Father, the<br />
mystery begins.<br />
To understand the measure to which<br />
God is Father, let us think of the<br />
figures of our parents, but to some extent<br />
we have to “refine” them, purify<br />
them.<br />
<strong>No</strong>ne of us has had perfect parents,<br />
no one; just as we, in turn, will never<br />
be perfect parents or pastors. We all<br />
have flaws, all of us. Our relations<br />
of love are always lived in terms of<br />
our limits and also of our selfishness;<br />
therefore they are often contaminated<br />
by desires to possess or manipulate<br />
the other. For this reason, at times<br />
declarations of love transform into<br />
sentiments of anger and of hostility.<br />
This is why, when we speak about<br />
God as a “father,” while we think of<br />
the image of our parents, especially<br />
if they have loved us, but at the same<br />
time we must go beyond. Because<br />
God’s love is that of the Father “who is<br />
in heaven,” according to the expres-<br />
info@<br />
angelusnews.com<br />
www.angelusnews.com<br />
FOLLOW US<br />
<strong>Angelus</strong><br />
<strong>News</strong><br />
sion that Jesus invites us to use: it is<br />
the total love that we in this life taste<br />
only in an imperfect way.<br />
How often we men love in such a<br />
weak and intermittent way. We all<br />
have the experience: we have loved<br />
but then that love falls and/or becomes<br />
weak.<br />
Desiring to love, we then come up<br />
against our limits, with the paucity of<br />
our forces: incapable of maintaining<br />
a promise that in the days of grace<br />
seemed easy to fulfil. In the end, even<br />
the apostle Peter was afraid and had<br />
to flee. Peter was not faithful to Jesus’<br />
love.<br />
However, there exists another love,<br />
that of the Father “who is in heaven.”<br />
<strong>No</strong> one must doubt that they are the<br />
recipient of this love.<br />
If not even our father and mother<br />
loved us – a historic hypothesis – there<br />
is a God in heaven who loves us like<br />
no one on this earth has ever done or<br />
will ever be able to do.<br />
So, do not be afraid! <strong>No</strong>ne of us is<br />
alone. If even by misfortune your<br />
earthly father were to forget about<br />
you, and you resented him, the fundamental<br />
experience of Christian faith<br />
would not be denied to you: that of<br />
knowing that you are a beloved son of<br />
God, and that there is nothing in life<br />
that can extinguish his impassioned<br />
love for you. <br />
Papal Prayer Intentions for <strong>March</strong>: That Christian communities, especially<br />
those who are persecuted, feel that they are close to Christ and have their rights<br />
respected.<br />
@<strong>Angelus</strong><br />
<strong>News</strong><br />
www.la-archdiocese.org<br />
@<strong>Angelus</strong><br />
<strong>News</strong><br />
2 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
NEW WORLD<br />
OF FAITH<br />
BY ARCHBISHOP JOSÉ H. GOMEZ<br />
A Lenten return to Jesus<br />
Again Lent is coming, and I have<br />
been thinking about the words that we<br />
hear year after year on Ash Wednesday:<br />
“Remember, you are dust and to<br />
dust you will return.”<br />
We are earthly creatures, descended<br />
from Adam and Eve, the first man and<br />
woman, who the Bible tells us were<br />
formed out of the dust of the earth.<br />
But we are born to be children of<br />
God, renewed in the image of Jesus<br />
Christ, “the last Adam,” who came<br />
down from heaven to show us the<br />
face of God and the true image of our<br />
humanity.<br />
There is a great need in our times to<br />
understand our existence in “supernatural”<br />
or “heavenly” terms. We live<br />
in a society run by mechanisms and<br />
technologies, and our thinking tends<br />
to become finite and earthbound,<br />
determined by what we can see and<br />
sense, confined to material things.<br />
But human life is so much more.<br />
There is a natural world and also a<br />
spiritual world that is “above.” The<br />
earthly is open to the heavenly, the<br />
visible to the invisible.<br />
In these 40 days of Lent, I want<br />
to call us — myself first of all — to<br />
deepen our sense of the mystery of<br />
our lives in Christ. I want us to try to<br />
go deeper in our personal conversion,<br />
deeper into the heart of the Gospels<br />
and the New Testament writings.<br />
During these days of Lent, I want to<br />
return to the figure of Jesus.<br />
We need to reclaim the Incarnation<br />
as the way and the truth for our<br />
lives. We know that Jesus, the second<br />
Person of the Blessed Trinity, became<br />
human for our sake and for our<br />
salvation.<br />
But when we think about it, God<br />
could have saved us in many ways.<br />
Some spiritual writers say that just one<br />
drop of Christ’s precious blood was all<br />
it would have taken.<br />
Instead, Jesus chose to enter into<br />
this world and to live through the<br />
moments of human life, from its<br />
beginnings in a mother’s womb until<br />
its ending when the body is laid in a<br />
tomb.<br />
By doing this, Jesus sanctified our<br />
earthly existence, making it a pathway<br />
to heaven. Because he humbled himself<br />
to share in our humanity, we can<br />
now share in his divinity through our<br />
own humanity, through our ordinary<br />
human lives.<br />
Over and over in the Gospels, in<br />
many different ways, Jesus said, “Follow<br />
me.” His life is meant to be the<br />
form and pattern of our lives.<br />
Saint Paul said that we are called to<br />
be “conformed to the image of his<br />
Son.” The saints and great spiritual<br />
writers remind us always of this truth:<br />
Our heavenly Father wants to see Jesus<br />
in each of his sons and daughters.<br />
He wants to see the image of his only<br />
begotten Son in you and in me.<br />
Baptism restores us to the likeness of<br />
God, which was lost in the original sin<br />
of Adam and Eve.<br />
But baptism is only the beginning,<br />
the start of the road. Baptism is meant<br />
to set our lives on a path of continual<br />
reform in the image of Jesus Christ.<br />
In the language of the New Testament<br />
writers, he has left us an<br />
example, calling us to follow in his<br />
footsteps, calling us to be renewed<br />
in the spirit of our minds, to put on<br />
a new nature, to be changed into his<br />
likeness.<br />
In practical terms, that means<br />
becoming more like Jesus in what we<br />
think about and in what we desire, in<br />
how we make decisions, and in how<br />
we act. We are called to an interior<br />
renewal that expresses itself in a new<br />
attitude and direction for our lives.<br />
How do we do that? We begin by<br />
reflecting and praying about the life of<br />
Jesus. So, that is what I want to try to<br />
do in my columns during Lent.<br />
I want to reflect on important aspects<br />
of our Lord’s human personality and<br />
how we can learn from his humility,<br />
his tender mercy and forgiveness, his<br />
zeal for souls, his loving service of<br />
others, his work of friendship, his way<br />
of prayer, and his love expressed as<br />
self-sacrifice.<br />
We cannot change the world or<br />
change our lives in 40 days, but we<br />
can make a good beginning. So let<br />
us make this Lent a time of growing<br />
deeper in our friendship with Jesus,<br />
reforming our lives by conforming our<br />
lives more closely to his.<br />
As we begin this holy season of<br />
reform and renewal, pray for me. And<br />
I will be praying for you.<br />
And let us walk this Lent also with<br />
our Blessed Mother Mary. Her last recorded<br />
words in Scripture were at the<br />
wedding feast of Cana, when she said,<br />
“Do whatever he tells you.” Through<br />
her intercession, may we take her<br />
words to heart and reform our lives<br />
after the image of her Son. <br />
To read more columns by Archbishop José H. Gomez or to subscribe, visit www.angelusnews.com.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 3
CATHOLIC NEWS SERVICE/EDGARD GARRIDO, REUTERS<br />
WORLD<br />
A PLEA FOR HELP — A group of Venezuelans pray along a street on the outskirts of Cucuta,<br />
Colombia, on the Colombian-Venezuelan border Feb. 21. Venezuela has refused to let<br />
Colombia send in aid to Venezuelans facing food shortages, hyperinflation, and crime. Tens<br />
of thousands have fled to Colombia.<br />
Faith under fire in France<br />
A string of attacks on<br />
Jewish and Catholic sacred<br />
sites have believers<br />
in France on edge.<br />
Since the beginning<br />
of February, at least 10<br />
incidents of vandalism<br />
and desecration<br />
of Catholic churches<br />
were reported, in which<br />
statues were smashed,<br />
altar cloths burned, and<br />
the Eucharist destroyed<br />
or desecrated.<br />
Thousands attend a gathering in Paris Feb. 19 to protest the<br />
Bishop Robert Wattebled<br />
of Nimes called one<br />
rise of anti-Semitic attacks.<br />
such act of desecration in a church “an act of profanation” and requested<br />
that Masses of reparation must be said before regular Masses can begin<br />
again in his diocese.<br />
On Feb. 18, about 80 tombs at a Jewish cemetery in the Alsace region<br />
were defaced with swastikas, days after two teens were arrested for shooting<br />
an air gun at a synagogue outside of Paris. Police in Paris reported an<br />
increase in anti-Semitic graffiti.<br />
The French government reports that anti-Semitic incidents in France rose<br />
74 percent in 2018 compared to 2017.<br />
“Anti-Semitism is spreading like a poison,” said Interior Minister Christophe<br />
Castaner, according to The Wall Street Journal. <br />
CATHOLIC NEWS SERVICE PHOTO/PHILIPPE WOJAZER, REUTERS<br />
A plagiarizing priest?<br />
It turns out plagiarism isn’t just<br />
done by students — sometimes,<br />
it’s done by priests.<br />
Father Thomas Rosica, CSB,<br />
has received criticism after a Feb.<br />
15 LifeSite <strong>News</strong> article reported<br />
that the Vatican spokesman<br />
plagiarized significantly over the<br />
past decade.<br />
Many of his writings and speeches<br />
were found to include significant<br />
portions of unattributed<br />
quotations from New York Times<br />
book critic Michiko Kakutani,<br />
and longtime Vatican journalists<br />
John Thavis and John Allen Jr.,<br />
among others.<br />
The Canadian priest apologized<br />
for the plagiarism, saying that he<br />
relied too much on interns and<br />
“compiled notes,” but claims that<br />
it was accidental and not malicious.<br />
Rosica is the CEO of Salt+Light<br />
Television network and an English-language<br />
aide at the Vatican<br />
Press Office. <br />
Students safe but<br />
school’s canceled<br />
St. Augustine’s College in Kumbo,<br />
Cameroon, agreed to close<br />
down in return for the safety of<br />
176 people, most of whom were<br />
students.<br />
Gunmen entered the school’s<br />
campus on Feb. 16, kidnapping<br />
170 students, three staff and three<br />
children. After a day of negotiations,<br />
all hostages were freed<br />
and parents were alerted that the<br />
school was closing down.<br />
Bishop George Nkup confirmed<br />
to BBC Afrique that the Church<br />
had agreed to shutter the school<br />
in return for the release of the<br />
hostages.<br />
“If the army had intervened,<br />
there would have been death,”<br />
Nkup said. <br />
4 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
NATION<br />
Sandmann sues Post<br />
Covington Catholic’s Nicholas Sandmann is<br />
taking the Washington Post to court.<br />
The high school student was the eye of a<br />
social media storm in January after a viral<br />
video was reported to have shown Sandmann<br />
disrespecting a Native American activist on<br />
the steps of the Lincoln Memorial. The story<br />
was, in part, swept along by journalists who<br />
reported on the incident before a longer video<br />
largely exonerated the student of his purported<br />
actions.<br />
Sandmann’s parents, Ted and Julie, have<br />
filed a suit against the Post on their son’s<br />
behalf, claiming $250 million of damages for<br />
seven stories the suit claims were false and<br />
defamatory and for contributing to the cyber<br />
assault and cyberbullying that surrounded the<br />
viral video.<br />
Part of the goal of the lawsuit, according to<br />
the elder Sandmanns’ complaint, is to “teach<br />
the Post a lesson it will never forget.” <br />
New York Times challenged<br />
on gay priests article<br />
A New York Times article alleging a majority<br />
of Catholic priests live in a “cage” regarding<br />
their sexuality raised some eyebrows in the<br />
Catholic Twittersphere.<br />
The Feb. 17 story by writer Elizabeth Dias<br />
interviewed several U.S. Catholic priests<br />
describing their struggles with celibacy, samesex<br />
orientation, and alleged homophobia in<br />
the Church. The article, which relied in part<br />
on anonymous sources, described the priesthood<br />
as “a closet that is trapping thousands of<br />
men.”<br />
In a widely shared Twitter thread, Father<br />
Thomas Petri, OP, slammed the unburdening<br />
of such troubles on the people of God as an<br />
example of clericalism.<br />
“I have no patience for priests who ‘come<br />
out’ as gay and insist the priesthood is some<br />
sort of cage,” tweeted Petri, a theology professor<br />
at the Dominican House of Studies in<br />
Washington, D.C.<br />
“<strong>No</strong>body forced you to become a priest. The<br />
faithful don’t need to deal with your issues,<br />
pal. They don’t deserve to deal with any of<br />
our issues. We serve them. Period.” <br />
UNPLANNED<br />
GOODBYE, CAPTAIN — An American flag is lifted from the casket of U.S. Navy<br />
Capt. Rosemary Mariner at St. Joseph Church in <strong>No</strong>rris, Tennessee, before<br />
her funeral Mass Feb. 2. Mariner was the first female aviator to fly a military<br />
tactical jet and the first to command an operational aviation squadron. In<br />
retirement, she led a Scripture study group at a rural Knoxville parish. She<br />
died Jan. 24 at age 65 after a five-year battle with ovarian cancer.<br />
An unplanned rating<br />
Abby Johnson, left, on the set of “Unplanned” with<br />
actress Ashley Bratcher, who plays her.<br />
The soon-to-bereleased<br />
pro-life<br />
film “Unplanned”<br />
has been rated R<br />
for “some disturbing/bloody<br />
images”<br />
by the Motion<br />
Picture Association<br />
of America<br />
(MPAA).<br />
The MPAA said<br />
that a PG-13<br />
rating (which was<br />
widely expected)<br />
could not be given<br />
unless all scenes of abortions are removed or changed, according<br />
to the Hollywood Reporter.<br />
Some have pointed out the irony of giving the movie an R<br />
rating.<br />
“I’m 15,” tweeted Chloe Kilano, “I can’t go see @Unplanned-<br />
Movie without parental consent, but where I live, I can get an<br />
abortion without parental consent. If you don’t see the problem<br />
with that, then you’re a part of it.”<br />
The filmmakers, however, see that the rating could actually<br />
be a win for the pro-life movement: “Unplanned is an R-rated<br />
film which has no MPAA cautions for profanity, nudity, sex,<br />
or violence — except for violence directly associated with the<br />
abortion process. Ironically, the MPAA seems to be indirectly<br />
endorsing the pro-life position: namely that abortion is an act of<br />
violence,” they told MovieGuide.org. <br />
CATHOLIC NEWS SERVICE/STEPHANIE RICKER, DIOCESE OF KNOXVILLE<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 5
LOCAL<br />
ST. THOMAS AQUINAS OJAI<br />
A THOMIST AT HOME — Bishop Robert E. Barron gives the homily Saturday, Feb. 23, at a Mass celebrating the 100th anniversary of the founding<br />
of St. Thomas Aquinas Church in Ojai. The Mass, presided by Archbishop José H. Gomez, was celebrated exactly 100 years to the day since<br />
Bishop John J. Cantwell dedicated the original smaller church in 1919 that was replaced by the larger existing church built in 1963.<br />
New state bill targets confessional<br />
A newly proposed state bill would force priests to<br />
break the seal of confession in cases of child abuse and<br />
neglect.<br />
In introducing State Bill 350, Sen. Jerry Hill, D-San<br />
Mateo, said that the current exception to mandatory<br />
reporting laws for priests during a penitential communication<br />
“only protects the abuser and places children<br />
at further risk.<br />
“The law should apply equally to all professionals<br />
who have been designated as mandated reporters of<br />
these crimes — with no exceptions, period,” Hill said<br />
Feb. 20.<br />
A similar proposal was made last year in Australia,<br />
where Catholic bishops have fought back, arguing that<br />
such a law would make perpetrators less likely to face<br />
the evil of their crime and turn themselves in.<br />
“If you knew what had been said in every confession<br />
in history, you’d be no closer to solving the child abuse<br />
crisis,” Sydney Archbishop Anthony Fisher told Crux’s<br />
John Allen last year. <br />
A “PRIVILEGE” ON PILGRIMAGE — Archbishop José H. Gomez<br />
touches the reliquary containing the incorrupt heart of Saint<br />
John Vianney, patron saint of parish priests, during 10 a.m. Mass<br />
Sunday, Feb. 24, at the Cathedral of Our Lady of the Angels. The<br />
cathedral was one of several places where faithful venerated the<br />
relic during its weeklong visit to the Archdiocese of Los Angeles.<br />
More details on the visit on page 16.<br />
VICTOR ALEMÁN<br />
6 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
LA Catholic Events<br />
Items for the Calendar of events are due two weeks prior to the date of the event. They may be mailed to <strong>Angelus</strong> <strong>News</strong> (Attn: Calendar), 3424 Wilshire Blvd., Los Angeles, CA 90010-2241;<br />
emailed to calendar@angelusnews.com; or faxed to (213) 637-6360. All calendar items must include the name, date, time and address of the event, plus a phone number for additional information.<br />
Sat., <strong>March</strong> 2<br />
Men’s Conference: The Battle for Integrity. 507 N.<br />
Granada Ave. Alhambra, 9 a.m.-5 p.m. The task of<br />
every man is to learn to fight for his integrity and realize<br />
the mission entrusted to him by the Lord. Register<br />
online at sacredheartretreathouse.com, email<br />
sjcprogcoordinator@carmelitesistersocd.com, or call<br />
626-289-1353, ext. 203.<br />
“Healing the Family Tree: Praying for Our Loved<br />
Ones, Living and Deceased.” Incarnation Church<br />
Community Center, 214 W. Fairview Ave., Glendale,<br />
10 a.m.-4 p.m. Bishop David O’Connell, Father Michael<br />
Barry, SSCC and Dominic Berardino will discuss<br />
topics including “Healing the Harmful Effects of<br />
Ancestral Sin” and “Breaking Bondages over Generations.”<br />
Cost: $25/person. Bring sack lunch or eat at<br />
restaurants. Contact SCRC at 818-771-1361 or email<br />
spirit@scrc.org.<br />
Lights! Camera! Action! How can Catholics hold to<br />
faith in a media-saturated culture? Pauline Books &<br />
Media, 3908 Sepulveda Blvd., Culver City, 10 a.m.-<br />
3:30 p.m. Retreat led by Father Richard Leonard, SJ,<br />
author, speaker, and director of the Australian Catholic<br />
Office for Film & Broadcasting. Donation: $30/<br />
person, includes lunch. RSVP to 310-397-8676 or<br />
email culvercity@paulinemedia.com.<br />
40 Days for Life Spring Campaign Commencement<br />
Mass. Mission San Buenaventura, 211 E. Main St.,<br />
Ventura, 5:30 p.m. Celebrant: Father Tom Elewaut.<br />
Email annamurf@verizon.net to learn more.<br />
Open House at Thomas Aquinas College. 10000<br />
Ojai Rd., Santa Paula. Event is open to prospective<br />
students, parents, teachers, youth ministers, pastors,<br />
and anyone else interested in TAC’s unique program<br />
of Catholic liberal education. Day begins at 9:45<br />
a.m. with coffee and donuts, brief talk from President<br />
Michael F. McLean, campus tour, and classroom<br />
demonstrations. Lunch and refreshments included.<br />
RSVP at https://thomasaquinas.edu/admission/openhouse-rsvp.<br />
Cabrini Literary Guild <strong>2019</strong> Annual Fundraiser. Oakmont<br />
Country Club, 3100 Country Club Dr., Glendale,<br />
11 a.m.-4 p.m. Afternoon of lunch, casino games,<br />
and gift drawing opportunities. RSVP to Miryam at<br />
213-863-4086 or email villamirylou@gmail.com.<br />
Men’s Conference – The Battle for Integrity. 507<br />
N. Alhambra Rd., Alhambra, 9 a.m.-5 p.m. Are you<br />
looking to build your faith life and grow in the virtue<br />
of integrity? This conference will fill your soul with the<br />
zeal and enthusiasm to strengthen you and help you<br />
bring others to Christ. Dr. Anthony Lilles, a Catholic<br />
theologian and dynamic speaker, will lead this day<br />
with the Carmelite Sisters of the Most Sacred Heart<br />
to aid you in your faith journey. Call 626-289-1353,<br />
ext. 203. Register at sacredheartretreathouse.com/<br />
events/mens-conference or email<br />
sjcprogcoordinator@carmelitesistersocd.com.<br />
Foster Care and Adopt Information Meeting. Andrew’s<br />
Plaza, 11335 West Magnolia Blvd., Ste. 2C,<br />
<strong>No</strong>rth Hollywood, or Children’s Bureau, 1529 East<br />
Palmdale Blvd., Ste. 210, Palmdale, 10 a.m.-12 p.m.<br />
Discover if you have the willingness, ability, and resources<br />
to take on the challenge of helping a child<br />
in need. RSVP or learn more at 213-342-0162 or<br />
toll free at 800-730-3933, or email RFrecruitment@<br />
all4kids.org.<br />
Sun., <strong>March</strong> 3<br />
St. Joseph’s Table by Italian Catholic Club of SCV. Our<br />
Lady of Perpetual Help Church hall, 23233 Lyons Ave.,<br />
Santa Clarita, 12:30-6 p.m. Free plate of spaghetti and<br />
rolls will be given to all guests. Baked goods donations<br />
welcome. Call Anna Riggs at 661-645-7877, email<br />
italians@iccscv.org or visit iccscv.org.<br />
Mon., <strong>March</strong> 4<br />
Catechesis for Adults and Youth. St. John the Evangelist<br />
Church, 6028 S. Victoria Ave., Los Angeles.<br />
What does it mean to have an adult faith? A series of<br />
catecheses introducing the Neocatechumenal Way,<br />
an itinerary of Christian formation, every Monday<br />
and Thursday at 7:30 p.m. in Our Lady of Guadalupe<br />
chapel. Free babysitting available. For more information,<br />
call Esteban Hernandez at 310-706-1203.<br />
Tues., <strong>March</strong> 5<br />
Shrove Tuesday Luncheon. St. John Fisher Women’s<br />
Council, Barrett Hall, 5448 Crest Rd., Rancho Palos<br />
Verdes. Refreshments at 10 a.m., 11 a.m. speaker:<br />
Father Kevin Kostelnik. Topic: “Our Christian Life and<br />
Dying — Training Ground for all Saints.” Lunch at 12<br />
p.m. Cost: $25/person. RSVP to parish office at 310-<br />
377-5571 by Sun., <strong>March</strong> 3. Call Bernie Maynard at<br />
310-541-1826 to learn more.<br />
Thur., <strong>March</strong> 7<br />
Ministry of Consolation: San Pedro Pastoral Region.<br />
St. Bartholomew Church, 262 Granada Ave., Long<br />
Beach, 7-9 p.m. English trainings will be held on<br />
Thursday evenings <strong>March</strong> 7-May 16. Cost: $15/session.<br />
Email ehernandez@la-archdiocese.org for more<br />
information. Register at http://store.la-archdiocese.<br />
org/ministry-of-consolation-training-2.<br />
The University Series Speaker Series. Multi-parish,<br />
Catholic adult education program during the season<br />
of Lent will begin Thur., <strong>March</strong> 7 and end Fri., April<br />
12. Thirteen parishes within Ventura County and San<br />
Fernando Valley are offering 88 presentations. Five<br />
parishes within the greater Whittier and Bellflower areas<br />
are offering 72 presentations. Times vary by date<br />
and location. For more information, visit www.theuniversityseries.org<br />
or call 805-496-0222, ext. 119.<br />
Fri., <strong>March</strong> 8<br />
Lenten Speaker Series. Pastoral Center, 6024 Terrace<br />
Dr., Los Angeles. Parking entrance next to<br />
church building, St. Ignatius of Loyola Church, 322 N.<br />
Ave. 61, Los Angeles, 7 p.m. Catholic speaker David<br />
Bates will give a Lenten presentation entitled: “Life in<br />
Christ, <strong>No</strong>t simply improvement but Transformation.”<br />
For more information, call 323-256-3041.<br />
St. Clare’s Lenten Fish Fry. 19606 Calla Way, Canyon<br />
Country, 4:30-8 p.m. Beer-battered Alaskan cod,<br />
coleslaw, choice of fries, rice pilaf, or beans. Fish tacos<br />
available. Dine in or take out. Cost: $10/2-piece<br />
dinner, $11/3-piece. Call 661-252-3353 or visit<br />
www.st-clare.org.<br />
Sat., <strong>March</strong> 9<br />
Lector Ministry Renewal. Old Mission Santa Ines,<br />
1760 Mission Dr., Solvang, 8:30 a.m.-12:30 p.m.<br />
Cost: $15/person. Register at http://store.la-archdiocese.org/lector-ministry-renewal-3919.<br />
A Lenten Morning of Ignatian Prayer. Mary & Joseph<br />
Retreat Center, 5300 Crest Rd., Rancho Palos<br />
Verdes, 9 a.m.-12 p.m. Guided contemplation, time<br />
for reflection and review of prayer, sharing, free, quiet<br />
prayer time, group Lectio Divina. Cost: $20/person<br />
and includes lunch ($25/person after <strong>March</strong> 1). Call<br />
Marlene Velazquez at 310-377-4867, ext. 234.<br />
Foster Care and Adopt Information Meeting. Children’s<br />
Bureau’s Carson Office, 460 East Carson Plaza<br />
Dr., Ste. 102, Carson, 10 a.m.-12 p.m. Discover if you<br />
have the willingness, ability, and resources to take on<br />
the challenge of helping a child in need. RSVP or learn<br />
more at 213-342-0162 or toll free at 800-730-3933,<br />
or email RFrecruitment@all4kids.org. <br />
This Week at <strong>Angelus</strong><strong>News</strong>.com<br />
Visit <strong>Angelus</strong><strong>News</strong>.com for these stories<br />
and more. Your source for complete,<br />
up-to-the-minute coverage of local news,<br />
sports and events in Catholic L.A.<br />
• Kathryn Jean Lopez reflects on hummus, iced coffee, and true Christian charity.<br />
• Ruben Navarrette has some ideas about America’s real drug problems.<br />
• Spring sports: Get ready to root for your favorite Catholic schools!<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 7
SUNDAY<br />
READINGS<br />
BY SCOTT HAHN<br />
Sir. 27:4–7 / Ps. 92:2–3, 13–16 / 1 Cor. 15:54–58 / Lk. 6:39–45<br />
In today’s readings we hear<br />
Jesus speaking in Galilee as<br />
well as a Jewish sage named<br />
Sirach writing in Jerusalem<br />
more than a century earlier.<br />
The two of them touch<br />
upon a single truth: The<br />
words that come out of us<br />
make known the hidden<br />
thoughts within us. Speech<br />
reveals the secrets of the<br />
heart.<br />
Sirach teaches that speaking<br />
is “the test of men” and<br />
their character (Sirach 27:7).<br />
One who is upright will utter<br />
words that are truthful and<br />
encouraging to others. But<br />
one whose heart is cluttered<br />
with “refuse” will be exposed,<br />
since the “fruit” of his mouth<br />
speaks volumes about the<br />
“tree” that produces it (Sirach<br />
27:6).<br />
Sirach also compares the<br />
testing of our words to clay<br />
fired in a kiln — if properly<br />
prepared, a useful vessel emerges;<br />
but if the clay is not fully dried, it<br />
will break apart in the extreme heat<br />
(Sirach 27:5).<br />
In a similar way, Jesus insists that a<br />
person speaks “out of the abundance<br />
of the heart” (Luke 6:45). He, too,<br />
compares our speech, whether good<br />
or bad, to what grows on a tree: “For<br />
no good tree bears bad fruit, nor again<br />
does a bad tree bear good fruit” (Luke<br />
6:43).<br />
Both readings urge us to make<br />
wholesome speech a habit. After all,<br />
much about who we are is brought to<br />
light through what we say. But there’s<br />
an additional step: The Lord is asking<br />
“The Parable of the Mote and the Beam,” by Domenico<br />
Fetti (Italian, Rome [?] 1591/92–1623 Venice), circa 1619.<br />
us to look inward, to examine our<br />
hearts and fill them with the “good<br />
treasure” that God desires.<br />
Why do purity of heart and speech<br />
matter so much? Because, as Jesus<br />
declares elsewhere: “…by your words<br />
you will be justified, and by your<br />
words you will be condemned” (Matthew<br />
12:37). They matter because<br />
they help to decide our final judgment,<br />
and this is where the Second<br />
Reading comes in.<br />
Paul reminds us that God will<br />
destroy death forever, and if we are to<br />
share in this victory and live forever<br />
with the Lord, then we must take all<br />
steps necessary to give our hearts and<br />
lips to what is good. <br />
METROPOLITAN MUSEUM OF ART<br />
Scott Hahn is founder of the St. Paul Center for Biblical Theology, stpaulcenter.com.<br />
8 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
IN EXILE<br />
BY FATHER RONALD ROLHEISER, OMI<br />
An honorable defeat<br />
In 1970, the famed British writer,<br />
Iris Murdoch, wrote a novel titled “A<br />
Fairly Honorable Defeat.” The story<br />
had numerous characters, both good<br />
and bad, but ultimately took its title<br />
from the travails of one character,<br />
Tallis Browne, who represents all that<br />
is decent, altruistic, and moral among<br />
the various characters.<br />
Despite being betrayed by most<br />
everyone, he stays the course in terms<br />
of himself never betraying trust. But<br />
the story does not end well for him.<br />
On the basis of his seeming defeat,<br />
Murdoch poses the question: Where’s<br />
justice? Where’s fairness? Shouldn’t<br />
goodness triumph? Murdoch, an<br />
agnostic, suggests that in reality a good<br />
life doesn’t always make for the triumph<br />
of goodness. However, if goodness<br />
sustains itself and does not betray<br />
itself, its defeat will be honorable.<br />
So, for her, what you want to avoid is<br />
a dishonorable defeat, meaning: Defeat<br />
you will face, your goodness notwithstanding.<br />
Sometimes you cannot<br />
save the world or even the situation.<br />
But you can save your own integrity<br />
and bring that moral component to<br />
the world and to the situation, and<br />
by doing that you preserve your own<br />
dignity. You went down in defeat, but<br />
in honor. Goodness then will not have<br />
suffered a dishonorable defeat.<br />
That’s a beautiful stoicism, and if you<br />
aren’t a believer it’s about as wise a<br />
counsel as there is: Be true to yourself!<br />
Don’t betray who and what you are,<br />
even if you find yourself as unanimity-minus-one.<br />
However, Christianity,<br />
while respecting this kind of stoicism,<br />
places the question of victory and<br />
defeat into a very different perspective.<br />
Inside our Christian faith, defeat and<br />
victory are radically redefined. We<br />
speak, for instance, of the victory of the<br />
cross, of the day Jesus died as “Good”<br />
Friday, of the transforming power of<br />
humiliation, and of how we gain our<br />
lives by losing them.<br />
Earthly defeat, for us, can still be<br />
victory, just as earthly victory can be a<br />
sad defeat.<br />
Indeed, in a Christian perspective,<br />
without even considering the next life,<br />
sometimes our defeats and humiliations<br />
are what allows depth and richer<br />
life to flow into us, and sometimes our<br />
victories rob us of the very things that<br />
bring us community, intimacy, and<br />
happiness. The paschal mystery radically<br />
redefines both defeat and victory.<br />
But this understanding doesn’t come<br />
easily. It’s the antithesis of cultural<br />
wisdom. Indeed, it didn’t even come<br />
easy for Jesus’ contemporaries.<br />
After Jesus died in the most humiliating<br />
way a person could die at that<br />
time, by being crucified, the first<br />
Christians had a massive struggle with<br />
both the fact that he died and with the<br />
manner in which he died.<br />
First, for them, if Jesus was the Messiah,<br />
he wasn’t supposed to die at all.<br />
Moreover, as a creedal doctrine, they<br />
believed that death was the result of<br />
sin and, thus, if someone did not sin,<br />
he or she was not supposed to die. But<br />
Jesus had died.<br />
Finally was the humiliating manner<br />
of his death. Crucifixion was designed<br />
by the Romans not just as capital<br />
punishment but as a manner of death<br />
that totally and publicly humiliated<br />
the person’s body.<br />
Jesus died a most humiliating death.<br />
<strong>No</strong> one called Good Friday “good”<br />
during the first days and years following<br />
his death. However, given his<br />
resurrection, they intuited without<br />
explicitly understanding it, that Jesus’<br />
defeat in the crucifixion was the ultimate<br />
triumph and that the categories<br />
that make for victory and defeat were<br />
now forever different.<br />
For several years after the Resurrection,<br />
Christians were reluctant to<br />
mention the manner of Jesus’ death.<br />
It was a defeat in the eyes of the world<br />
and they were at loss to explain it. So<br />
they remained mostly silent about it.<br />
St. Paul’s conversion and his subsequent<br />
insights changed this. As<br />
someone who was raised in the Jewish<br />
faith, Paul also struggled with explaining<br />
how a humiliating defeat in this<br />
world could be, in fact, a victory.<br />
However, after his conversion to<br />
Christianity he eventually understood<br />
how goodness could take on sin and<br />
even “become sin itself” for our sake.<br />
That radically flipped our conceptions<br />
of defeat and victory.<br />
The cross was now seen as the ultimate<br />
victory and, instead of the humiliation<br />
of the cross being a source<br />
of shame, it now became the crown<br />
jewel: “I preach nothing but the cross<br />
of Christ.” That gave us the passion<br />
narratives.<br />
We live in a world that, mostly, still<br />
defines defeat and victory in terms of<br />
who gets to be on top.<br />
There will be plenty of defeats in<br />
our lives, and if they lack a Christian<br />
perspective then the best we can do is<br />
to take Murdoch’s advice to heart: Realistically,<br />
goodness will not triumph,<br />
so try to avoid a dishonorable defeat.<br />
Our Christian faith, while honoring<br />
that truth, challenges us to something<br />
more. <br />
Oblate of Mary Immaculate Father Ronald Rolheiser is a spiritual writer, www.ronrolheiser.com.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 9
“Visitation,” by Jacopo da Pontormo, about 1520.<br />
© ANTONIO QUATTRONE, FLORENCE/GETTY<br />
10 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
THE ESSENCE OF A<br />
MIRACLE<br />
Plucked from a quiet village church in Italy, Jacopo da<br />
Pontormo’s Renaissance treasure visits its cousin at the Getty<br />
BY STEFANO REBEGGIANI / ANGELUS<br />
© ANTONIO QUATTRONE, FLORENCE/GETTY<br />
true, Prince, that<br />
you once said: ‘It is<br />
“Is it<br />
beauty that will save<br />
the world?’ ” Dostoyevsky’s<br />
famous quote from “The<br />
Idiot” naturally comes to<br />
mind as one stares at Jacopo<br />
da Pontormo’s “Visitation,”<br />
one of the most visionary<br />
paintings from the Italian<br />
Renaissance.<br />
The “Visitation’s” extraordinary<br />
features seem<br />
perfectly designed to convey<br />
the essence of a miracle, an<br />
extraordinary event manifesting<br />
the appearance of the<br />
divine within the threads of<br />
ordinary life.<br />
The altarpiece represents<br />
the encounter between St.<br />
Elizabeth and the Virgin<br />
Mary recounted in the<br />
Gospels. Mary reaches out<br />
tenderly to embrace her older relative. The two women<br />
lock eyes and share in the extraordinary event of their<br />
pregnancies.<br />
Elizabeth, who may be as old as 80, is pregnant with John<br />
the Baptist. In the Gospel, the child exults in his mother’s<br />
womb as he senses the presence of Jesus.<br />
The “Visitation” has never traveled outside of Italy before,<br />
having been for most of its life kept in the Church of Car-<br />
“Portrait of a Halberdier” (Francesco Guardi?), by Pontormo, 1528–1530.<br />
mignano, a small village<br />
just a few miles outside of<br />
Florence.<br />
Pontormo’s “Visitation”<br />
has now crossed the<br />
ocean to join its artistic<br />
cousin (and one of the<br />
Getty’s most precious<br />
possessions), Pontormo’s<br />
“Portrait of a Halberdier,”<br />
for a focused exhibit centering<br />
on the legacy of this<br />
famously unconventional<br />
Renaissance artist titled<br />
“Pontormo: Miraculous<br />
Encounters,” which began<br />
Feb. 2 and continues until<br />
April 28.<br />
A disciple of Andrea<br />
del Sarto, admired by<br />
Michelangelo and hailed<br />
by Raphael as one of the<br />
most promising talents of<br />
his generation, Pontormo<br />
was known for being a solitary, almost reclusive man.<br />
His art is permeated by deep religious reflection. Davide<br />
Gasparotto, the Getty’s senior curator of paintings and a<br />
co-organizer of the exhibit, defines him as “one of the greatest<br />
painters and draughtsmen who ever lived,” a judgment<br />
that was shared by many of Pontormo’s contemporaries.<br />
Besides the “Visitation” and the “Portrait of a Halberdier,”<br />
the exhibit features another portrait of a man in military garb<br />
THE J. PAUL GETTY MUSEUM , LOS ANGELES<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 11
“Portrait of a Young Man in a Red Cap” (Carlo Neroni), by<br />
Pontormo, 1530.<br />
SHEPHERD CONSERVATION, LONDON<br />
“Deposition of Christ,” by Pontormo, 1525-1528, his best known painting, which is not in<br />
the exhibit. The self-portrait, at right, can be seen at far right in the “Deposition of Christ”<br />
painting, in which Pontormo imagines himself in the role of Nicodemus. Pontormo’s “Self Portrait,” about 1526–1528.<br />
WIKIMEDIA COMMONS<br />
© ROBERTO PALERMO<br />
by Pontormo (“Portrait of a Young Man in a Red Cap”) and<br />
four drawings. Three of these are studies for the “Halberdier,”<br />
the “Visitation,” and the soldier portrait.<br />
The fourth is a self-portrait, a study for Pontormo’s masterpiece,<br />
the “Deposition of Christ,” in which the painter<br />
imagined himself in the role of Nicodemus, a disciple of<br />
Jesus — a sculptor, according to medieval and Renaissance<br />
traditions, who took care of the Savior’s dead body.<br />
Three more pieces complete the exhibition. An engraving<br />
by Albrecht Dürer (whose figural composition seems to have<br />
influenced Pontormo’s “Visitation”), an edition of Giorgio<br />
Vasari’s biography of Pontormo (from his “Lives of the Artists”),<br />
and “Pygmalion,” a magnificent painting by Pontormo’s<br />
foremost student and pupil, Agnolo Bronzino.<br />
In Renaissance Florence, no respectable woman would<br />
have been allowed outdoors without an attendant. Pontormo<br />
follows in the tradition of depicting Mary and Elizabeth<br />
each accompanied by a handmaid, but innovates in the<br />
“Visitation” by having the two servants stare straight into<br />
the spectator’s eye, as if to invite the viewer to share in the<br />
miraculous event.<br />
The four figures’ faces and eyes line up in a seemingly<br />
straight line, while the positioning of their feet is nearly<br />
rectangular.<br />
The two maids are roughly of the same age as their ladies,<br />
and they resemble them. Mary’s handmaid is dressed in hot<br />
12 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
Close-up of the “Visitation.”<br />
pink, the same color as Mary’s headband. Elizabeth’s veil is<br />
in the same color as the one worn by her attendant.<br />
The effect is that the figures seem to appear from multiple<br />
perspectives, as if Mary and Elizabeth had turned toward<br />
the viewer themselves. The<br />
divine look of Mary thus<br />
seems to repose on the<br />
viewer precisely as it reposes<br />
on Elizabeth.<br />
Although the painting is<br />
permeated with an atmosphere<br />
of joy, the “Visitation”<br />
was completed at a time of<br />
great crisis. From 1529 to<br />
1530, Florence was besieged<br />
by the forces of the emperor of the Holy Roman Empire,<br />
who wished to abolish the newly established republican<br />
government and return the city to the control of the Medici<br />
family.<br />
It is no coincidence that the other portraits exhibited in the<br />
show, painted in the same years as the “Visitation,” depict<br />
young men at arms: As the “Visitation” was being created,<br />
young Florentine nobles were busy defending their newly<br />
acquired freedom against the power of the Medici.<br />
In Pontormo’s “Visitation,” God is quite literally in the details.<br />
Following the tradition of Giotto di Bondone and early<br />
Florentine masters (and unlike the account of the Gospels),<br />
© ANTONIO QUATTRONE, FLORENCE/GETTY<br />
the scene of Mary and Elizabeth’s encounter is set outdoors.<br />
And unlike in earlier paintings of Pontormo’s time, the<br />
buildings in the background look very little like a village in<br />
Judaea and very much like Renaissance Florence.<br />
Look at the lower left side of the painting. Two gentlemen<br />
are sitting idly outside (one seems to be drinking, the other<br />
holds his hat). They are dressed like men from Pontormo’s<br />
time. Just above the two men, a woman is hanging clothes<br />
from a window, a scene of everyday life in Florence.<br />
Beyond the two tiny figures a donkey is seen peering from<br />
behind a wall, about to turn the corner and enter the frame.<br />
“Fear not, O daughter of Zion; Behold, your king is<br />
coming, sitting on the foal of a donkey,” recites the biblical<br />
prophecy of Zechariah. Mary traditionally rides a donkey<br />
on her journey from Nazareth to Bethlehem; Jesus sits on a<br />
donkey at the time of his momentous entrance into Jerusalem,<br />
the day of his consecration as Messiah and a prelude to<br />
his crucifixion.<br />
In Pontormo’s view, the “Visitation” is not a fairy tale, nor<br />
is it merely the commemoration of an event that took place<br />
centuries ago: Salvation is still happening now. Humanity is<br />
still being visited now. The immense compassion of God has<br />
not ceased to be; the divine is still entering our world to draw<br />
life from barren wombs.<br />
This is why Elizabeth is made to look so much older than<br />
in other paintings of this subject. Her impossibly old age emphasizes<br />
the extraordinary power of God. The look of Mary<br />
still mediates the divine power of her Son, communicating<br />
life to those who are unable to give life, love to those whose<br />
hearts are made of stone.<br />
The “Visitation” is the moment in which the incarnation<br />
brings its first fruits. According to tradition, John the Baptist<br />
was cleansed of original sin at the moment he felt the approaching<br />
presence of the Messiah.<br />
But the<br />
Divine enters<br />
“In Pontormo’s view, the ‘Visitation’ is not a<br />
fairy tale, nor is it merely the commemoration<br />
of an event that took place centuries ago:<br />
Salvation is still happening now.”<br />
the world<br />
disguised under<br />
ordinary<br />
features. The<br />
Savior does<br />
not come<br />
riding a horse<br />
or a chariot<br />
of fire, but<br />
on the back of a donkey. His incarnation will surprisingly<br />
appear through the poverty of the human nature, so much<br />
so that his miraculous epiphanies can easily be missed. The<br />
tiny men in the left corner are not looking at the scene in<br />
the foreground.<br />
His self-portrait in the Getty exhibit, a preparatory sketch<br />
for the “Deposition of Christ,” shows us a man not merely<br />
contemplating, but sharing in the suffering of Christ. In the<br />
“Deposition,” Pontormo included himself in the supreme<br />
act of Christ’s earthly mission, precisely as the “Visitation”<br />
invites viewers to join in the joy for the always current event<br />
of his incarnation. <br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 13
THE CRUX<br />
BY HEATHER KING<br />
TO STAND BEFORE THE<br />
‘VISITATION’<br />
If there is one museum exhibit to see this year, I cast my<br />
vote for “Pontormo: Miraculous Encounters,” at the<br />
Getty. Its centerpiece is an exquisite rendering of the<br />
“Visitation.”<br />
The Saturday I went traffic was horrible, getting into the<br />
Getty lot and finding a space took almost half an hour, and<br />
rather than stand for God knows how long more in the TSAstyle<br />
security line through which visitors now have to pass<br />
simply to get on the tram, I opted to walk up the hill.<br />
En route, I thought about how the whole experience of<br />
getting to our beloved Getty is a microcosm of our lives<br />
as Angelenos: the car, the beauty crossed with hardship,<br />
frustration, hope, and if we’re lucky, gratitude.<br />
I thought of the “Visitation’s” backstory: how the angel<br />
Gabriel “overshadowed” the Virgin Mary, her question —<br />
“But how can this be?” — her sublime yes. Pregnant with<br />
Christ, she’d set out on foot, traversing “the hill country” to<br />
visit her aged cousin Elizabeth who, way past childbearing<br />
age, at the time was also miraculously pregnant.<br />
To know the backstory is to know that Elizabeth was<br />
bearing into the world John the Baptist, who would say of<br />
Christ, “He must increase, and I must decrease,” who would<br />
be a voice crying out in the wilderness, and who would be<br />
beheaded in prison at the behest of a harlot and her mother.<br />
It’s to know that Christ, upon hearing the news of John’s<br />
death, would go to “a lonely place” to pray, and that his<br />
public ministry was beginning, and how it would end.<br />
But before that, it’s to thrill to Elizabeth’s greeting to her<br />
beloved cousin as she glimpsed her coming over the hills:<br />
14 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
“Hail Mary, full of<br />
grace, the Lord is<br />
with thee.” So dear to<br />
the Catholic mind,<br />
heart, and soul is the<br />
encounter that we’ve<br />
enshrined it as the<br />
Second Joyful Mystery<br />
of the rosary.<br />
Prior to viewing<br />
the exhibit, I’d<br />
opted to take in<br />
a talk: “Tradition<br />
and Innovation<br />
in Florentine<br />
Painting: Pontormo’s<br />
Visitation.”<br />
Lecturer Bruce<br />
Edelstein,<br />
Coordinator of<br />
Graduate Programs<br />
and Advanced<br />
Research at NYU<br />
Florence, has a Ph.D.<br />
from Harvard, lives<br />
in the apparently<br />
fabulous Villa La<br />
Pietra, and spoke<br />
with great fluidity and<br />
erudition, nonstop,<br />
without notes, for<br />
almost an hour and<br />
a half.<br />
Here I learned that<br />
Jacopo da Pontormo<br />
was a “superstar” in his day and that his “Visitation” (circa<br />
1528-1529) was designed as an altarpiece. I learned about<br />
Venetian politics, painting, and art criticism during the<br />
period in question.<br />
“Small but precious,” Edelstein accurately observed of the<br />
exhibit, which includes Pontormo’s preparatory drawings,<br />
two of his more exceptional portraits, and smaller works<br />
from several of his contemporaries.<br />
But it was for the “Visitation” I’d come.<br />
And it did not disappoint.<br />
To be steeped in the Gospels is to gaze upon the painting<br />
and to strain, along with Mary and Elizabeth, toward<br />
fulfilling the mission of every follower of Christ: to greet, to<br />
welcome, to bear into the world new life and new love.<br />
The notion of “pregnancy,” suggested by the general<br />
fullness of their figures, evokes a universe ever laboring to<br />
bring forth fruit. The chalky blues, greens, and pinks of their<br />
billowing robes evoke the liminal space between heaven and<br />
earth. Mary grips Elizabeth’s shoulders as if to say, “Help me<br />
out here, trusted elder.”<br />
Elizabeth returns the gaze with profound wisdom and<br />
Preparatory drawing for the “Visitation,” about 1528–1529.<br />
infinitely tender<br />
concern. Delicate<br />
gold haloes encircle<br />
the heads of the saints<br />
who, the viewer grasps<br />
at once, are about to<br />
sit down for a long,<br />
long chat.<br />
How lucky for us<br />
that the painting<br />
found its way here; a<br />
city, unlike Florence,<br />
starved for sacred art,<br />
and where the work is<br />
sure to find an ardent<br />
reception.<br />
And how wonderful<br />
of the Getty to give<br />
the work pride of<br />
place. It’s beautifully<br />
positioned and lit,<br />
glowing from within,<br />
guaranteed to draw<br />
every eye upward.<br />
All the way down<br />
the hill I thought<br />
about how Pontormo’s<br />
painting, on loan<br />
from a church outside<br />
Florence, had flown<br />
across the sea to visit<br />
us, and how we, LA<br />
residents and tourists<br />
alike, had undergone<br />
our own minor kind of hardship to visit it.<br />
Getting out of the Getty parking lot was even worse than<br />
getting in, but I didn’t even mind. Traffic was backed up to<br />
get on the 101, so I decided to take the long way home and<br />
continue up the 405.<br />
Around Roscoe, I looked to my left and saw a sunset of<br />
liquid fire, a stab of stunning, heart-stopping beauty.<br />
Spontaneously, alone in my car, I burst out, “My soul<br />
proclaims the greatness of the Lord, my spirit rejoices in<br />
God my savior, for He has looked with favor on His lowly<br />
servant. / From this day all generations will call me blessed:<br />
the Almighty has done great things for me, and holy is His<br />
Name. …”<br />
That of course is the Magnificat, Mary’s reply to Elizabeth’s<br />
well-known greeting: “Hail … full of grace.” Immortalized<br />
in Luke’s Gospel, integral to our prayer life and liturgy, the<br />
passage is sung the world over by all who pray the Divine<br />
Office each evening at Vespers.<br />
I feel sure Pontormo knew the Magnificat by heart, too. For<br />
every brush stroke in his “Visitation” sings with its glory, its<br />
light, its fullness, its mystery; its bowing before the Master on<br />
bended knee, its yearning, overflowing love. <br />
Heather King is a blogger, speaker and the author of several books.<br />
© ROBERTO PALERMO<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 15
A heart<br />
reawakening<br />
In a weeklong stop in LA, a<br />
first-class relic of Saint John<br />
Vianney gave Catholics a<br />
special opportunity to pray for<br />
the Church and her ministers<br />
BY PABLO KAY / ANGELUS<br />
In the few moments she spent up-close and personal<br />
with the incorrupt heart of Saint John Vianney during<br />
its visit to St. Elisabeth of Hungary Church in Van Nuys<br />
Feb. 22, Milagros “Lally” Guiao only asked the legendary<br />
saint for one thing: “Give us holy priests.”<br />
There were plenty of other things Guiao could have asked<br />
the French saint’s intercession for during the relic’s only<br />
stop in the San Fernando Valley during its Feb. 20-26 tour<br />
through several parishes of the Archdiocese of Los Angeles.<br />
But as the reawakening clergy abuse crisis continues to<br />
afflict the Church, Guiao and her husband, Rey, a deacon<br />
at Our Lady of Peace Church in <strong>No</strong>rth Hills, believe the<br />
relic’s visit could not have come at a better time.<br />
“Becoming a priest at this time in our Church is not easy;<br />
there are a lot of challenges and difficulties,” said Deacon<br />
Guiao, who noted that Vianney himself suffered and faced<br />
persecution during his life.<br />
“We want our priests to remain faithful to their vocations,<br />
to continue to encourage and strengthen the parish and the<br />
flock that they were given,” added the deacon.<br />
The Los Angeles visit was part of a six-month tour by the<br />
PABLO KAY<br />
Students from St. John Chrysostom School in Inglewood (above) and<br />
St. Elisabeth of Hungary School in Van Nuys (bottom left) venerated the<br />
relic after Mass.<br />
“Heart of a Priest” throughout the U.S. sponsored by the<br />
Knights of Columbus, whose members stand guard over the<br />
relic in shifts at all hours during its public exposition.<br />
The relic arrived at St. Elisabeth as it has at dozens of parishes,<br />
seminaries, and even conferences around the country<br />
in the past few months: encased in a shiny reliquary with a<br />
pair of kneelers that allow the faithful to take turns venerating<br />
it from inches away.<br />
The incorrupt heart is perhaps the most visual — and enduring<br />
— piece of evidence pointing to Vianney’s holiness<br />
and sainthood.<br />
In 1909, 50 years after Vianney’s death, his body was<br />
exhumed and inexplicably found not to have decayed.<br />
Soon after, his heart was placed in a separate container and<br />
has been venerated with his body in Ars, France, the town<br />
where Vianney ministered as a parish priest for 40 years<br />
until his death in 1859.<br />
It seemed that wherever the relic went, the trying times in<br />
the Catholic Church were on everyone’s minds — and in<br />
their prayers.<br />
A day before the relic’s visit to St. Elisabeth, it spent a day<br />
at St. John Chrysostom Church in Inglewood, where veneration<br />
kicked off with an 8 a.m. Mass attended by students<br />
from the parish school.<br />
In his homily, associate pastor Father Anthony Garcias<br />
explained to the children the significance of the golden<br />
reliquary’s contents, while connecting the day’s first reading<br />
(about the covenant made by God to <strong>No</strong>ah after the flood)<br />
PABLO KAY<br />
16 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
Father Albert Avenido, administrator of St. Kateri Tekakwitha Church in Santa Clarita, looks on as mother and child venerate the heart of<br />
Saint John Vianney.<br />
EVAN HOLGUIN<br />
to the need for renewal in the Church.<br />
“God wants renewal not by wiping out things, but by<br />
renewing us, by changing us from within,” said Garcias in<br />
an interview with <strong>Angelus</strong> <strong>News</strong> afterward.<br />
Calling the relic’s visit to his parish “a great privilege,” Garcias<br />
said that as a young priest, he was especially inspired by<br />
Vianney’s example of patience while hearing confessions for<br />
hours on end, which he believes will also be needed for renewal<br />
in the Church in the face of confusion and scandal.<br />
“Reform in the Church is going to be necessarily a slow<br />
process, and we’ll need a lot of patience for that, to not try<br />
to rush things according to our desires and our timetable,<br />
but according to God’s time and his desires,” Garcias said.<br />
As a longtime devotee to Vianney, Barbara Sterbentz<br />
said she could not afford to miss the relic’s visit to St.<br />
John Chrysostom, the stop closest to her home in Orange<br />
County. So she and two friends woke up early to brave the<br />
rush-hour traffic from Huntington Beach together.<br />
“I love how he loved his parish, and he sacrificed so much,<br />
and converted so many souls,” said Sterbentz after the Mass.<br />
The relic also visited the Cathedral of Our Lady of the Angels,<br />
where Archbishop José H. Gomez celebrated Sunday<br />
Mass Feb. 24 in its presence.<br />
“In the presence of the heart of this holy priest, Saint<br />
John Vianney, let us pray that God will keep renewing his<br />
Church and grant us more holy priests and more holy bishops,”<br />
said Archbishop Gomez in his homily.<br />
The next day, the relic got its biggest reception of the LA<br />
tour at its namesake parish, St. John Vianney Church in<br />
Hacienda Heights. Thousands participated in a candlelight<br />
vigil and procession, followed by a Taize prayer service and<br />
time for quiet veneration.<br />
The person who has perhaps spent the most time with the<br />
relic in recent months is Evan Holguin, a native of Santa<br />
Clarita who works for the Knights of Columbus at their<br />
Connecticut headquarters.<br />
As the relic’s custodian during some of the tour’s most<br />
recent legs, Holguin has traveled between states across the<br />
country — Maryland, Michigan, Ohio, to name a few —<br />
sometimes taking the relic with him as carry-on luggage on<br />
planes, other times as his passenger during drives between<br />
veneration sites.<br />
“It’s not something everyone can say that they’ve been able<br />
to do,” remarked Holguin, who is also a contributing writer<br />
to <strong>Angelus</strong>.<br />
For Holguin, his job has meant sitting in church pews for<br />
sometimes up to 14 hours in a day while faithful participate<br />
in liturgies or quiet devotion.<br />
“Learning how to spend that time well, and prayerfully,<br />
is difficult,” admitted Holguin, who made sure the LA visit<br />
included a stop at his home parish of St. Kateri Tekakwitha<br />
Church in Santa Clarita Feb. 20. “But I’m certain that<br />
Saint John Vianney is praying that I get better at it by the<br />
end of this pilgrimage.”<br />
Pablo Kay is the editor of <strong>Angelus</strong>.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 17
CATHOLIC NEWS SERVICE/COURTESY OF THE CATHOLIC CHURCH OF ENGLAND AND WALES<br />
Patron saint of the doxxed?<br />
The new saint-to-be John Henry Newman faced down<br />
the social media of his day — and prevailed<br />
BY MIKE AQUILINA / ANGELUS<br />
Portrait of Blessed Cardinal John Henry Newman, one of the great intellectual minds of the church in the 19th century.<br />
18 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
The announcement came<br />
at noon, Rome time, on<br />
Feb. 13. And within hours<br />
American social media were<br />
alive with celebratory memes, ranging<br />
in tone from the inspirational to the<br />
absurd.<br />
Pope Francis had authorized a<br />
decree confirming a miracle given<br />
through the intercession of Blessed<br />
Cardinal John Henry Newman. This<br />
cleared the way for Newman to be<br />
canonized a saint.<br />
Since his name is Newman, he was<br />
inevitably paired, on social media,<br />
with the character of the same name<br />
from the 1990s sitcom “Seinfeld.”<br />
In a way, the association was silly.<br />
Newman was a shy and cerebral man<br />
known for his formal courtesy. His life<br />
was rich in meaning to the degree that<br />
“Seinfeld” was intentionally meaningless.<br />
In another way, however, it was<br />
entirely appropriate, for Newman was,<br />
in his own day, a media celebrity — a<br />
superstar pundit.<br />
Born in London, England, in 1801,<br />
he had a religiously indifferent childhood,<br />
but at 15 underwent a powerful<br />
experience of conversion. He adopted<br />
the Protestant Calvinism then typical<br />
of the evangelical wing of the Anglican<br />
Church.<br />
He pursued studies at Oxford and entered<br />
Anglican ministry. He enjoyed<br />
reading the writings of the early Christians,<br />
who showed him a Church that<br />
was more hierarchical, sacramental,<br />
and dogmatic than any Protestant<br />
church he knew.<br />
Eventually, his researches in early<br />
Christianity led him to question the<br />
legitimacy of contemporary Anglican<br />
practices. He was not alone in raising<br />
such questions. With other sympathetic<br />
clergy, he began to bring concerns<br />
before the reading public. These men<br />
became known, collectively, as the<br />
Oxford Movement.<br />
They could not have chosen a better<br />
moment for their public critique.<br />
<strong>News</strong>print was the emerging<br />
social medium in Newman’s<br />
day. <strong>News</strong>papers and magazines<br />
were flourishing in England,<br />
and literacy was on the rise. Religious<br />
publications were enjoying especially<br />
CATHOLIC NEWS SERVICE/COURTESY OF THE FATHERS OF THE BIRMINGHAM ORATORY<br />
Blessed Cardinal John Henry Newman in 1860<br />
or 1861.<br />
rapid growth, and many people were<br />
fiercely loyal to the periodicals they<br />
found most agreeable to their opinions.<br />
Newman benefited from this, as he<br />
and his colleagues published their<br />
opinions in widely circulated tracts.<br />
They were so closely identified with<br />
their medium that they were popularly<br />
called “Tractarians.”<br />
But social media, then as now,<br />
have a tendency to consume their<br />
own. As the leader of a controversial<br />
movement, Newman was exposed<br />
constantly to public opposition, some<br />
of it reasonably argued, but much of<br />
it coarse. He would later complain<br />
about “the misrepresentations and<br />
slanders with which the father of lies<br />
floods the popular mind.”<br />
There was, he noted, a ready market<br />
for the most vicious content. “Alas!<br />
there is no calumny too gross for<br />
the credulity of our countrymen, no<br />
imputation on us so monstrous which<br />
they will not drink up greedily like<br />
water.”<br />
Newman was a man of powerful<br />
intellect and learning that was broad<br />
and deep. He was also a master of<br />
rhetoric and prose style. His arguments<br />
were effective, and so they<br />
infuriated the opponents whom they<br />
did not persuade. He was, for many<br />
decades, the recipient of insults and<br />
accusations in the papers and magazines.<br />
In 1846 he became a Roman<br />
Catholic, and many of his colleagues<br />
and students soon followed him. This<br />
turned some of his old friends into<br />
opponents, and many of his old opponents<br />
into outright enemies.<br />
At the time, Roman Catholics were<br />
a minority in England and had only<br />
recently been “emancipated.” Until<br />
1829 their rights were severely restricted.<br />
They were excluded from government<br />
positions, and they suffered from<br />
prejudice in the courts.<br />
Even after the anti-Catholic laws<br />
were lifted, much bigotry remained.<br />
Catholics could be casually insulted<br />
in the media, and Newman, as a<br />
famous convert, often was.<br />
In 1864 a prominent Anglican<br />
clergyman, Charles Kingsley, made a<br />
passing swipe at Newman, charging:<br />
“Father Newman informs us that truth<br />
for its own sake need not be, and on<br />
the whole ought not to be, a virtue of<br />
the Roman clergy.”<br />
Newman challenged him to show<br />
proof — any proof at all — to support<br />
such an accusation. Kingsley<br />
could not, but continued to mock<br />
Newman anyway, to the delight of his<br />
anti-Catholic readers. He was, Newman<br />
observed, capitalizing on the<br />
bigotry of the populace — “making a<br />
cheap reputation by smart hits at safe<br />
objects.”<br />
Every jab by Kingsley drew a rejoinder<br />
from Newman, some of them<br />
lengthy and published as tracts. These<br />
escalated until Newman wrote the<br />
book that many consider his masterpiece,<br />
his autobiographical “Apologia<br />
pro Vita Sua” (“A Defense of One’s<br />
Life”).<br />
Kingsley had overplayed his hand.<br />
Dr. Ryan Marr, director of the National<br />
Institute for Newman Studies<br />
(NINS), told <strong>Angelus</strong> <strong>News</strong>: “The<br />
‘Apologia’ is a classic of spiritual<br />
autobiography, like Thomas Merton’s<br />
“Seven Storey Mountain.” Most<br />
would place it just below St. Augustine’s<br />
‘Confessions’.”<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 19
Getting a Handle on Newman<br />
Blessed Cardinal John Henry Newman famously said, “To live is to<br />
change, and to be perfect is to have changed often.” It is true of every<br />
life, but eminently of his own. He lived almost 90 years, moving in his<br />
sympathies from evangelical to “high church” Anglican to Roman Catholic<br />
— and his years as a Catholic were hardly static.<br />
His collected works run to more than 30 volumes, including works of<br />
philosophy, history, sermons, fiction, and poetry.<br />
How to get a handle on such a life?<br />
One way is “The Oxford Handbook of John Henry Newman,” a 604-page<br />
omnibus of contributions by 27 Newman scholars from around the world.<br />
Divided into four parts, the book considers<br />
his historical context, his influences, his<br />
themes, and his ongoing significance.<br />
Every chapter is a fascinating “deep dive”<br />
into one important aspect of Newman’s<br />
life — his literary style, for example, or the<br />
influence of the Church Fathers, or his<br />
place in the “print culture” of his time.<br />
His most common themes were topics<br />
that divided Anglicans from Roman<br />
Catholics: Marian doctrine, the structure<br />
of the Church, and the idea of justification;<br />
and each disputed area gets its own<br />
chapter-long intensive study.<br />
Since Newman’s conversion turned on<br />
questions of authority, Dr. Ryan Marr’s<br />
chapter on infallibility is especially<br />
helpful. Newman lived in a time of fierce<br />
debate over the question. He was a new Catholic, but already an intellectual<br />
leader.<br />
In the years leading up to the First Vatican Council — and continuing in<br />
the years afterward — he “changed often” in his opinions on the matter.<br />
But his changes charted an organic development.<br />
He had to allay the fears of his Protestant countrymen, who feared that<br />
infallibility made Catholics potentially disloyal as British subjects. After all,<br />
what if the pope commanded them to rise up against the monarch?<br />
But Newman also sought to temper the enthusiasms of “ultramontane”<br />
Catholics, who wished the pope’s maximal authority to extend beyond<br />
doctrinal matters, even into practical politics. His opinions on infallibility<br />
were often misunderstood and misconstrued by controversialists. But he<br />
managed to forecast the Council’s decision rather exactly.<br />
The scholarly contributors to the “Handbook” approach Newman from a<br />
variety of religious perspectives, both Protestant and Catholic. It is interesting<br />
to see Newman’s continuing influence among Anglicans.<br />
At $150, the “Oxford Handbook” falls beyond the budget of people merely<br />
curious about Newman. For them, the best introduction is Ian Ker’s “John<br />
Henry Newman: A Biography,” which is also published by Oxford University<br />
Press.<br />
Many who begin with the biography, however, will want to know more<br />
— and the “Oxford Handbook” is the handiest guide to the wide world of<br />
Newman’s achievement as well as the subsequent study of his life. <br />
SHUTTERSTOCK<br />
— Mike Aquilina<br />
Newman’s book-length response<br />
proved to be a lasting and powerfully<br />
effective argument for conversion to<br />
Catholicism.<br />
Newman was a private man,<br />
ordinarily averse to speaking<br />
about himself. But he was<br />
also a public intellectual, and he<br />
knew that his personal reputation<br />
affected the reputation of the Catholic<br />
Church in his country. It was his<br />
duty to respond, and his response was<br />
definitive.<br />
Kingsley never responded, but he<br />
stopped trolling Newman.<br />
On yet another occasion, Newman<br />
suffered when some of his private<br />
letters were leaked to the press. Passages<br />
were wrenched from the context of<br />
a long correspondence and misused<br />
by two groups who were arguing with<br />
each other over papal infallibility.<br />
Newman endured the worst of what<br />
the media of his time could put him<br />
through. He didn’t enjoy it, and he<br />
admitted that it rattled him.<br />
In later life he confessed “a considerable<br />
temptation to despise and to<br />
be angry with various persons who<br />
are engaging in this matter — as very<br />
shallow, as not knowing the English<br />
language — as not looking at the drift<br />
and context of what I wrote, but as<br />
taking my isolated words to comment<br />
on.”<br />
Marr believes these qualities and<br />
experiences will make Newman<br />
an especially effective patron saint<br />
for our own day. “Those who have<br />
experienced unjust attacks on social<br />
media,” he said, “can take encouragement<br />
from the fact that one of<br />
the great Catholic theologians of the<br />
19th century — and a truly holy man<br />
— endured similar volleys against his<br />
reputation in the media contexts of<br />
his own day.”<br />
In addition to directing NINS, which<br />
is in Pittsburgh, Marr is an editor of<br />
the “Newman Studies Journal” and<br />
author of a book about Newman’s theology<br />
of the Church, “To Be Perfect<br />
Is to Have Changed Often” (Rowman<br />
& Littlefield, 2018, $85). He also<br />
contributed to the magisterial “Oxford<br />
Handbook of John Henry Newman”<br />
(Oxford University Press, 2018, $150).<br />
“As our society has become more<br />
20 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
COURTESY DR. RYAN MARR<br />
Dr. Ryan Marr<br />
secular,” Marr observed, “it has<br />
paradoxically become more stringent<br />
in its policing of public speech and<br />
what counts as acceptable thought.<br />
The ghost of liberal Protestant social<br />
mores has not so much disappeared<br />
as migrated into the lives of America’s<br />
upper-middle class.<br />
“Meanwhile, social media provide<br />
new and efficient ways of policing<br />
violations of the code of political<br />
correctness.”<br />
He noted that “lives can be quickly<br />
ruined” by “doxxing,” the leaking<br />
of personal information about an<br />
individual “who — in the judgment<br />
of the doxxers — has transgressed the<br />
boundaries of permissible opinion.”<br />
Still, he added, God brings great<br />
good out of apparent ruin. Newman’s<br />
masterpiece was written as a response<br />
to Kingsley’s harassment. The same<br />
kind of good can come about in the<br />
lives of those who are abused on social<br />
media today.<br />
Newman, Marr proposed, “might<br />
come to be held up as the patron saint<br />
of those who have been doxxed or<br />
otherwise ruined on social media.” <br />
Mike Aquilina is a contributing editor<br />
to <strong>Angelus</strong> <strong>News</strong> and the author of<br />
many books, including “Take Five:<br />
Meditations with John Henry Newman,”<br />
co-authored with Father Juan<br />
Velez.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 21
SIGNS OF<br />
PROGRESS<br />
While the Vatican’s summit on<br />
sexual abuse did little to move<br />
forward new policies, it marked a<br />
clear shift in attitude toward a<br />
universal problem<br />
BY ELISE HARRIS / ANGELUS<br />
Though no sweeping reforms or changes in policy<br />
came out of Pope Francis’ Feb. 21-24 summit on<br />
“The Protection of Minors in the Church,” one<br />
thing supporters say the gathering did yield has<br />
been a sore point for years in the abuse crisis: a shift in<br />
attitude recognizing it as a global problem.<br />
Speaking at a Feb. 25 press conference hosted by the<br />
International Union of Superiors General on their participation<br />
in the summit, Sister Veronica Openibo of Nigeria,<br />
one of just three women tapped to speak at the summit,<br />
said she felt “that there were people, bishops, cardinals,<br />
who did not believe in some of the things I was saying.”<br />
<strong>No</strong>ting how she focused largely on the sexual abuse of<br />
minors by clergy and religious since it was the discussion<br />
topic for last week’s gathering, Openibo said some bishops<br />
from Africa in particular felt there were “more important”<br />
issues to discuss, such as slave labor, trafficking, and sex<br />
tourism.<br />
Irish Sister Pat Marie, who also participated in the gathering,<br />
said she had a similar experience at the beginning of<br />
last week’s discussion.<br />
At first, she said there was “a certain resistance by some<br />
saying this is not a problem in my part of the world,” but<br />
later added that she was “very impressed by the willingness<br />
to learn and the willingness to move” shown by the bishops<br />
who participated.<br />
Since the clerical sexual abuse scandals erupted some<br />
three decades ago, they’ve at times been pegged as a<br />
primarily “American” or “Western” problem by Church<br />
leaders in countries where the crisis has yet to erupt.<br />
Cracking down has been met with a certain level of resistance<br />
by prelates in regions such as Africa or Asia, or even<br />
in Italy, who see the problem as secondary in comparison<br />
to other, more pressing issues.<br />
However, if there is one take-away from the summit, it<br />
was that making sure each of the 190 participants — the<br />
majority of whom were from Africa — understood that the<br />
problem of clerical abuse is a universal one.<br />
During Friday’s morning session, Cardinal Oswald Gracias<br />
of Mumbai, India, a member of the pope’s council of<br />
cardinals and one of four members of the summit’s organizing<br />
committee, said, “<strong>No</strong> bishop may say to himself, ‘This<br />
problem of abuse in the Church does not concern me,<br />
because things are different in my part of the world.’ ”<br />
“This, brothers and sisters, is just not true,” he said.<br />
Acknowledging that “we in leadership roles did not do<br />
enough,” Gracias said the “entire Church must take an<br />
honest look [and] act decisively to prevent abuse from occurring<br />
in the future, and to do whatever possible to foster<br />
healing for victims.”<br />
22 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
Nigerian Sister Veronica Openibo, congregational<br />
leader of the Society of the Holy Child Jesus, Cardinal<br />
Blase J. Cupich of Chicago, Pope Francis and Jesuit<br />
Father Federico Lombardi attend the third day of the<br />
meeting on “The Protection of Minors in the Church”<br />
at the Vatican Feb. 22.<br />
Similarly, Openibo in her own speech reinforced the idea,<br />
saying she has heard “many Africans and Asians say that<br />
this is not our issue in countries in Africa and Asia.”<br />
“It is a problem in Europe, the Americas, Canada, and<br />
Australia,” she said, adding that other problems in the<br />
region such as poverty, illness, war, and violence, “does not<br />
mean that the area of sexual abuse should be downplayed<br />
or ignored. …The Church has to be proactive in facing it.”<br />
Prelates did not mince words, vocalizing the Church’s<br />
failures to properly address the abuse crisis and calling for<br />
the “humility” to recognize these errors and to repent.<br />
In his closing Mass homily, Archbishop Mark Coleridge<br />
of Brisbane, Australia, said the Church’s leaders have not<br />
always shown God’s mercy to victims of sexual abuse.<br />
CATHOLIC NEWS SERVICE/VATICAN MEDIA<br />
“We have preferred instead the indifference of the man of<br />
earth and the desire to protect the Church’s reputation and<br />
even our own. We have shown too little mercy, and therefore<br />
we will receive the same, because the measure we<br />
give will be the measure we receive in return. We will not<br />
go unpunished, as David says, and we have already known<br />
punishment,” he said.<br />
Survivors themselves had a mixed reaction to the summit,<br />
with some praising the event itself as a step in the right direction,<br />
and others voicing the opinion that the discussion<br />
fell short of “zero tolerance.”<br />
Discussion inside the summit touched on defrocking<br />
priests accused of abuse and publishing the names of<br />
priests accused of abuse, which were brought up both<br />
by Francis in his 21 points and by Maltese Archbishop<br />
Charles Scicluna, a leading authority in the protection of<br />
minors in the Catholic Church.<br />
Neither were in favor of publishing the names of all accused<br />
clergy, arguing that for an allegation to go public, it<br />
must be found to be “credible” or “substantiated.”<br />
There was also insistence from several prelates that once<br />
a priest is found guilty of abuse, “laicizing” or “defrocking”<br />
them is not always the right answer, especially when the<br />
abuser is older with no one to care for him and is no longer<br />
a harm to society.<br />
Some advocacy groups have expressed disappointment<br />
with the outcome, with an Italian network saying that<br />
rather than “zero tolerance” the summit delivered “zero<br />
credibility,” and an American watchdog group lamenting<br />
what it called “oddly negligible results.”<br />
The Italian group Rete L’abuso, the country’s lone network<br />
for abuse survivors, pulled no punches, dispatching a<br />
statement on Sunday with the headline, “Credibility zero.”<br />
“The summit called by Pope Francis ended with a hole<br />
in the water,” it said, using an Italian expression to mean<br />
“useless” and “futile.”<br />
“It responded to the world with a banality and intellectual<br />
misery that humiliates victims and offends Catholics,” it<br />
said.<br />
However, Chilean survivor Juan Carlos Cruz was more<br />
optimistic, at one point praising Francis’ efforts to amend<br />
the Chilean abuse crisis, which last spring prompted all the<br />
country’s bishops to submit their resignations, and voiced<br />
hope for the outcome of the summit, which he sees as a<br />
positive step forward.<br />
Rather than welcoming the meek personalities unlikely to<br />
challenge the Vatican on an issue, the invited participants<br />
who were present are generally known to be more critical,<br />
showing that the Vatican might finally be ready to build<br />
more formal bridges with the survivor community.<br />
So while organizers of the summit in advance warned that<br />
expectations should not be set too high, and while critics<br />
would certainly argue that more ought to be done, there<br />
were at least some signs of progress, and for the first global<br />
gathering on the abuse issue, leaving with a universal<br />
recognition that it is in fact everyone’s problem is not the<br />
worst place to close the discussion. <br />
Elise Harris is the senior correspondent for Crux in Rome.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 23
Salvation<br />
through the skull<br />
A Pauline sister turns an eerie<br />
Twitter trend into the perfect Lenten<br />
reflection on death and mortality<br />
BY KATHRYN JEAN LOPEZ / ANGELUS<br />
Sister Theresa Aletheia<br />
<strong>No</strong>ble, FSP, with a copy of<br />
“Remember Your Death:<br />
Memento Mori Journal.”<br />
IMAGES VIA FACEBOOK<br />
Sister Theresa Aletheia <strong>No</strong>ble, FSP, is with the<br />
Daughters of St. Paul — the sisters with the bookstores.<br />
She’s a Boston-based editor for their Pauline<br />
Books and Media. She’s active on Twitter, most<br />
frequently seen using the “#mementomori” hashtag, trying<br />
to help people focus on our eternal destination on a more<br />
daily basis.<br />
Lent is the most obvious time for this, ushered in as it is<br />
with Ash Wednesday, and remembering our weakness and<br />
the inescapable truth of our mortality.<br />
And for Lent, Sister Theresa has a devotional to help. She<br />
also has a journal that can help you chronicle your prayer,<br />
a good way to review and revisit what Jesus is doing in your<br />
soul. Be generous with your time with God and there will<br />
be fruit, there will be spiritual progress, which will make a<br />
difference in your lives and your encounters with others.<br />
She talked about the journal, Lent, death, and more in<br />
an interview with <strong>Angelus</strong> <strong>News</strong>. While the following has<br />
been edited for brevity, you can find the complete interview<br />
at <strong>Angelus</strong><strong>News</strong>.com.<br />
Kathryn Jean Lopez: What gave you the idea for the<br />
journal?<br />
Sister Theresa Aletheia <strong>No</strong>ble, FSP: Both projects, “Remember<br />
Your Death: Memento Mori Journal” and “Remember<br />
Your Death: Memento Mori Lenten Devotional,”<br />
evolved out of my own journey of remembering my death.<br />
So many people were responding to my tweets about<br />
24 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
“memento mori” (“remember that you must die”) that I<br />
realized that this was an opportunity to help people to live<br />
this practice more concretely. People were buying skulls<br />
for their desks and reading my tweets, but I wanted to help<br />
them really integrate this practice into their lives.<br />
Our sisters, The Daughters of St. Paul, work with modern<br />
media. At the time of our founding, modern media was<br />
books, so we continue to publish books. I brainstormed<br />
with my sisters and we came up with a journal with an<br />
introduction to “memento mori,” lined pages with quotes,<br />
and an appendix of prayers.<br />
Each page in the journal has a quote that is drawn from<br />
my tweets as well as quotes from the saints, Church Fathers,<br />
and Scripture.<br />
The journal is a short catechesis of sorts that lays out how<br />
Christians are called to view death. It also provides the<br />
space for [people] to actually write down their thoughts<br />
and their journey with the thought of death.<br />
Lopez: What exactly should people be doing with it?<br />
Sister Theresa Aletheia: The journal can be used as a<br />
companion to the “Lenten Devotional,” which contains<br />
journaling prompts. It can also be used to journal about<br />
the journey of meditation on death, any anxiety and fear<br />
one is experiencing, or as a prayer journal. It can be used<br />
as an examen journal, in which a person reviews the day in<br />
the light of Christ and asks for grace for the next day.<br />
The quotes on each page can be used as a writing prompt<br />
or just something to inspire meditation. Ultimately, the<br />
journal is meant to prompt a person to really “chew on”<br />
the idea of death, not just think about it for a moment and<br />
then repress it, as most of us do.<br />
death that brings people to a deeper understanding of the<br />
Easter message.<br />
Each day contains a reflection that I wrote based on the<br />
liturgy of the day for all of Lent, Holy Week, and Easter<br />
day. The devotional also includes a “memento mori” examen<br />
or review of the day, a daily moment of intercessory<br />
prayer, and daily reflections on death from the tradition,<br />
including the Church Fathers and many of the saints.<br />
I also wrote prompts for journaling that can be used along<br />
with the journal. The Lent devotional is really a treasure<br />
trove of more extended meditations on death in the Christian<br />
context, and it provides a powerful way for people to<br />
meditate on their own mortality and the incredible gift of<br />
salvation.<br />
Lopez: What do you think Pope Benedict XVI means by<br />
this: “To die, in fact, is part of life and not only of its end,<br />
but, if we pay attention, of every instant”?<br />
Sister Theresa Aletheia: I think Pope Benedict XVI is<br />
paraphrasing St. Augustine, who wrote several similar<br />
things, including, “One begins to die as soon as one begins<br />
to live.”<br />
This thought has been reiterated throughout salvation<br />
history. Death is a part of life. We die every moment that<br />
we live. We can ignore this fact. Or we can face it. But we<br />
can only live authentically when we face it. <br />
Kathryn Jean Lopez is a contributing editor to <strong>Angelus</strong>,<br />
and editor-at-large of National Review Online.<br />
Lopez: How can a daily examen make a difference in life?<br />
Sister Theresa Aletheia: The examen is a review of the<br />
day in light of God’s love and mercy. St. Ignatius of Loyola<br />
promoted the use of the examen to offer God praise and<br />
gratitude, identify areas of weakness in which God’s<br />
help is needed, and to ask for grace for the future.<br />
This valuable spiritual practice has been encouraged<br />
in the Church for centuries because it is a<br />
concrete help to holiness.<br />
The examen is a perfect way to incorporate<br />
“memento mori” into daily life, since making<br />
an examen already implicitly evaluates the<br />
day in view of heaven. In the “Lenten Devotional,”<br />
I wrote an examen that people can<br />
pray that explicitly incorporates “memento<br />
mori” as a step so that one can review the<br />
day in the context of death and one’s final<br />
moments.<br />
Lopez: How will the “Memento Mori Lenten<br />
Devotional” help people?<br />
Sister Theresa Aletheia: For me, meditation<br />
on death brings out the true meaning of the<br />
Gospel like nothing else I have ever experienced.<br />
The “Memento Mori Lenten Devotional” is a<br />
guided walk through Lent by way of meditation on<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 25
KEVIN WINTER/GETTY IMAGES<br />
The cast and crew of “Green Book” accept the Best Picture award during the 91st Annual Academy Awards at Dolby Theatre Feb. 24.<br />
Twisted ideals on show<br />
This year’s Oscars showed that Hollywood has<br />
almost forgotten about true love — but not quite<br />
BY SOPHIA BUONO / ANGELUS<br />
Red-carpet ceremonies often<br />
serve as platforms for social<br />
commentary and rallying<br />
cries for the dominant<br />
cultural movements. Last year at the<br />
Golden Globes, for instance, a host<br />
of Hollywood women wore black to<br />
demonstrate solidarity with Time’s Up<br />
and the #MeToo movement.<br />
And although coordinated outfits<br />
did not appear at the 91st Academy<br />
Awards last Sunday, the ceremony had<br />
plenty of moments that highlighted<br />
the ideals to which popular American<br />
culture currently aspires.<br />
<strong>No</strong>t surprisingly, several of those ideals<br />
poorly reflected authentic human<br />
dignity, sexuality, and love.<br />
But not all of them.<br />
By the end of the night, the tried<br />
and true principles of love, marriage,<br />
and family had found a few precious<br />
moments to shine.<br />
Of course, several of the nominated<br />
films themselves painted distorted<br />
ideals in vivid colors. “A Star is Born”<br />
and “The Favourite,” for instance,<br />
may very well have demonstrated<br />
spectacular acting, production design,<br />
and music. (There is no doubt that<br />
“Shallow” rightfully won best original<br />
song.)<br />
But, sadly, they went right along with<br />
the Hollywood penchant for erasing<br />
the lines between love and lust.<br />
Because these films have been glorified<br />
(and because the Academy did<br />
not shy away from flashing titillating<br />
scenes in the preview clips), they fan<br />
26 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
the flames of the already rampant sexualized<br />
mindset in our society. That<br />
mindset isolates sex from marriage,<br />
distances man from woman, and<br />
trades self-giving for narcissism.<br />
Besides the nominations themselves,<br />
one of the biggest “message moments”<br />
of the night occurred when Emilia<br />
Clarke introduced the performance<br />
of “I Will Fight,” nominated for best<br />
original song and featured in the documentary<br />
“RBG.”<br />
Even with Jennifer Hudson’s powerhouse<br />
vocals, the song was so unimpressive<br />
that it became readily apparent<br />
that its recognition had nothing to<br />
do with its musical quality but with its<br />
purpose.<br />
“Sung as a rallying<br />
cry, an anthem, and<br />
a personal promise,”<br />
stated Clarke, “the<br />
song embodies the<br />
seemingly endless<br />
strength and<br />
commitment of its<br />
subject, Supreme<br />
Court Justice Ruth<br />
Bader Ginsburg —<br />
a woman who has<br />
spent her career at<br />
the forefront of the<br />
fight against gender<br />
discrimination.”<br />
Of course, her fight<br />
has included securing<br />
the “right” for<br />
women to kill their<br />
own children in the<br />
womb and has helped end millions of<br />
innocent lives. But, all in the name of<br />
gender equality and ending discrimination,<br />
Ginsburg’s face was projected<br />
in the backdrop with a reverence akin<br />
to the kind shown for Martin Luther<br />
King Jr.<br />
Tragically, the rejection of motherhood<br />
and new life is now honored<br />
as the pinnacle of female virtue and<br />
leadership.<br />
To say the least, these attempted<br />
appeals to morality and authenticity,<br />
heartfelt though they might be, fell<br />
short. But despite the plethora of<br />
twisted ideals, a handful of moments<br />
throughout the night provided a<br />
glimmer of hope that even in the<br />
turbulence of Hollywood, truth cannot<br />
entirely suffocate.<br />
For starters, one basic yet continuously<br />
profound acknowledgement<br />
recurred in acceptance speech after<br />
acceptance speech: families. Countless<br />
Oscar winners thanked their<br />
parents, said, “I love you” to their<br />
spouses, or called out to their children<br />
watching from home.<br />
Simple, yes, but this small fact speaks<br />
volumes. In a world that seems to be<br />
charging toward the dissolution of<br />
the nuclear family as we know it, we<br />
should take heart in knowing that even<br />
the glamorous people in the spotlight,<br />
who often seem to reject traditional<br />
marriage and family most vehemently,<br />
often rely on it most ardently.<br />
John Warhurst and Nina Hartstone accept the Sound Editing award for “Bohemian Rhapsody.”<br />
Perhaps the most moving shout-out<br />
of this kind came from Nina Hartstone,<br />
co-recipient of the Oscar for<br />
best sound editing, in “Bohemian<br />
Rhapsody.”<br />
After profusely thanking her friends<br />
and family, she greeted her children<br />
watching from afar and said with a<br />
rapturous smile, “Mommy’s coming<br />
home soon!”<br />
I don’t pretend to know what Hartstone<br />
thinks about “women’s rights”<br />
or “marriage equality,” but that brief<br />
moment still sent the heartening<br />
message that however much fame and<br />
honor the world might bring, being a<br />
mommy still matters.<br />
Finally, the ceremony’s crown jewel<br />
award, Best Picture, went to a film<br />
that not only stands against racism but<br />
stands for enduring love in marriage<br />
and family. “Green Book” deserved<br />
the Oscar for its phenomenal acting<br />
and a stellar script — both of which<br />
also won the film an additional<br />
Oscar — as well as its ability to send<br />
a powerful message through a subtle<br />
storyline.<br />
Aided by his friendship with Dr.<br />
Don Shirley, Tony “Lip” Vallelonga’s<br />
devotion to his wife flows into the<br />
letters he sends her while apart from<br />
her. That same devotion deepens the<br />
love of their marriage, strengthens the<br />
bonds within their family, and opens<br />
all their hearts to overcome prejudice<br />
and hate. That is a message worth<br />
upholding.<br />
Although “Green<br />
Book” might be<br />
honored primarily as<br />
standard-bearer for<br />
racial justice (which<br />
it is), its victory<br />
also demonstrates<br />
that the pursuit of<br />
a strong marriage<br />
and family remains<br />
attractive.<br />
The Oscars may be<br />
long, ostentatious,<br />
KEVIN WINTER/GETTY IMAGES<br />
and politicized, but<br />
they are not yet a<br />
lost cause. In a ceremony<br />
that repeatedly<br />
lauded debauchery<br />
and the selfish<br />
disregard for human<br />
dignity, tucked away<br />
here and there were celebrations of<br />
true beauty and love.<br />
As Barbra Streisand put it that night,<br />
“Truth is especially precious these<br />
days.” She was speaking about the<br />
film “BlacKkKlansman” (which won<br />
the Oscar for best adapted screenplay),<br />
but her words penetrate our<br />
society, both within the film industry<br />
and beyond.<br />
Like a prized jewel, truth is valuable<br />
and scarce, and one must work hard to<br />
obtain and keep it. However difficult<br />
it might be to find, and however much<br />
it might seem to have disappeared beneath<br />
heaps of rocks and dirt, it exists,<br />
and it will never quite disappear. <br />
Sophia Buono is a writer who lives in<br />
Arlington, Virginia.<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 27
AD REM<br />
BY ROBERT BRENNAN<br />
Over there …<br />
and over here<br />
Maybe there’s hope for us<br />
after all.<br />
I had to make two<br />
attempts to see Peter<br />
Jackson’s documentary “They Shall<br />
<strong>No</strong>t Grow Old,” where the “Lord of<br />
the Rings” director took ragged and<br />
decrepit film footage of World War I<br />
and, like a cinematic Gandalf, transformed<br />
it into a crystal-clear, colorized,<br />
and thoroughly modern retelling<br />
of a part of history long forgotten.<br />
Or so I thought until my first attempt<br />
to see the movie ended in failure, due<br />
to the show being sold out.<br />
I did not believe I would have<br />
needed to buy an advance ticket to<br />
see something that was 100 years old.<br />
I thought there could only be a few<br />
dozen history nerds like me left in the<br />
wild and I would have had the theater<br />
practically to myself.<br />
It took me years to get my daughter<br />
to even agree to look at a movie made<br />
before 1996. As I looked forlornly<br />
around the movie theater lobby wallowing<br />
in my failure to secure a ticket,<br />
I saw a bunch of people a lot younger<br />
than me holding tickets.<br />
My inner grumpy old man lashed<br />
out at the ticket taker as I registered<br />
my astonishment wondering aloud<br />
how these people, who I hastily<br />
judged probably didn’t even know<br />
who Elvis Presley was, would want<br />
to see a movie composed entirely of<br />
archival footage that was now even<br />
more than 100 years old.<br />
When I made my second, and successful,<br />
attempt to see this film, I had<br />
no better understanding<br />
of the<br />
appeal this film<br />
had for a younger<br />
audience. If I<br />
knew that secret I<br />
would be writing<br />
this article from<br />
my yacht. I’m<br />
not. Despite not<br />
deducing any<br />
deep insights<br />
into young<br />
movie audience<br />
demographics, I<br />
did have a better<br />
understanding of<br />
something else.<br />
Remembering<br />
our past is a lost<br />
art but an art<br />
deserving of a<br />
renaissance. It<br />
would help serious Catholics manage<br />
their hopes, frustrations, and expectations<br />
if they looked at the current<br />
crisis inside the Church with a little<br />
historical context.<br />
This is not to say that I, as a troubled<br />
and gloriously imperfect member of<br />
the Church, who is, to put it mildly,<br />
vexed by the current affairs that seem<br />
to splash onto headlines in print, website,<br />
and television on a regular basis,<br />
am the moral equivalent of a Marine<br />
charging through the thickets at the<br />
Battle of Belleau Wood in 1918, but<br />
sometimes it feels like it.<br />
Just as Peter Jackson has given us<br />
a fresh reminder of those who have<br />
Scene from the film”They Shall <strong>No</strong>t Grow Old.”<br />
gone before us in history, it serves<br />
us well to keep that in mind when it<br />
comes to Church history. And just as<br />
there were many instances of bravery,<br />
cowardice, evil, and acts of grace in<br />
and outside the trenches of World War<br />
I, there too are similar examples in the<br />
crisis that confronts Mother Church.<br />
And it is essential that we Catholics,<br />
we Christians, keep in mind that we<br />
have something those poor souls in the<br />
trenches of France did not. We have<br />
assurance of victory. It may not always<br />
look like it. I’m sure it didn’t look too<br />
victorious for early Christians in Rome<br />
or latter-day Christians in other parts<br />
of the world in other epochs.<br />
28 • ANGELUS • <strong>March</strong> 1, <strong>2019</strong>
The images Peter Jackson has<br />
restored in his film show young men,<br />
some mere boys, dealing with horrid<br />
trench conditions, finding themselves<br />
up to their elbows in mud, filth, rats,<br />
and the stench of death. The film<br />
includes actual recordings of World<br />
War I veterans voicing concern they<br />
might soon become a permanent part<br />
of that landscape.<br />
Even though our eventual victory<br />
is confirmed in sacred Scripture, we<br />
don’t always let it sink in. We are<br />
also capable — think of the Cleveland<br />
Browns — of snatching defeat<br />
from the jaws of victory at any given<br />
moment.<br />
The sexual sin crisis in the Church,<br />
which has been put back on the front<br />
burner with the meeting in Rome,<br />
will generate a lot of heat, but probably<br />
not much light. Things just don’t<br />
move that quickly with the Church.<br />
So, we must remain in our trenches,<br />
even if we find ourselves up to our<br />
elbows in mud and muck.<br />
And unlike the film “They Shall<br />
<strong>No</strong>t Grow Old,” which is a valuable<br />
and important look behind us and an<br />
evaluation of goals and strategies not<br />
realized, our goal as a Church and as<br />
a faithful community is to look forward<br />
and never lose sight of our final<br />
and achievable objective. <br />
COURTESY WARNER BROTHERS PICTURES VIA IMDB<br />
<strong>March</strong> 1, <strong>2019</strong> • ANGELUS • 29