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FANN A PORTER<br />
AT ARTBAB <strong>2019</strong><br />
7 - 10 March <strong>2019</strong> | Bahrain | Booth B7
Houssam Ballan (b. 1983 , Syria)<br />
Figur<strong>at</strong>ive painter Houssam Ballan’s canvases are informed by his<br />
accomplished technical abilities and through his extensive academic<br />
and research endeavour. As an artist, Ballan’s frequent experiment<strong>at</strong>ion<br />
informs the growth in his work as he works intuitively. Ballan’s young<br />
protagonists are executed with close <strong>at</strong>tention to detail, a form of<br />
realism th<strong>at</strong> relies on painterly effects and meticulous line work to<br />
cre<strong>at</strong>e a sculptural sense of figur<strong>at</strong>ion. As the bodies of his subjects<br />
are given dimensionality, the artist renders their clothes as lines,<br />
p<strong>at</strong>terns, and evident brushstrokes with a stylis<strong>at</strong>ion th<strong>at</strong> alludes to<br />
the passage of time and the presence of an ongoing narr<strong>at</strong>ive.<br />
Ballan is a tutor and member of the Teacher’s Associ<strong>at</strong>ion <strong>at</strong> the<br />
University of Damascus since 2009. Between 1999 and 2007, he<br />
particip<strong>at</strong>ed in workshops with artist J. Bradley Adams and painter<br />
Jose Friexanes, and trained in mural painting with Pierre Palas. Ballan<br />
has particip<strong>at</strong>ed in numerous solo and group exhibitions <strong>at</strong> BBA<br />
Gallery, Berlin (<strong>2019</strong>); Hafez Gallery, Jeddah(<strong>2019</strong>); <strong>Fann</strong> A <strong>Porter</strong>,<br />
Dubai (2018); Mark Hachem Gallery, Beirut (2014); Arab Cultural<br />
Centre (2010, 2007, and 2005); Ayyam Gallery, Damascus (2006);<br />
French Cultural Centre Damascus (2004); among others. His works<br />
can be found in numerous priv<strong>at</strong>e and public collections.<br />
Houssam Ballan, Untitled, 2018, oil on linen canvas, 140 x 140 cm
Houssam Ballan, Untitled, 2018, oil on linen canvas, 140 x 120 cm
Majd Kurdieh (b. 1985 , Syria)<br />
The artist has a whimsical and fantastical style for which he has<br />
cre<strong>at</strong>ed an entire cast of characters to tell the compelling and<br />
sometimes tragic story of his life and homeland. The protagonists<br />
in this story are Fasaeen (Arabic for ‘tiny ones’) and they are always<br />
smiling despite their world being filled with hardships. They are<br />
usually accompanied by other characters and poetic phrases written<br />
in Arabic. At first glance, the works seem cartoonlike and simple,<br />
however, upon further investig<strong>at</strong>ion, it is clear th<strong>at</strong> the artist is using<br />
this device to unpack the complex experience of living through civil<br />
unrest and also to convey strong messages of hope and action.<br />
He continues to develop his characters th<strong>at</strong> gain depth as he<br />
progresses in his own practice. At the centre of his practice is a<br />
sense of duty to make the world a better place, whether through art,<br />
discourse, or cre<strong>at</strong>ing moments where the viewer forms a connection<br />
with his Fasaeen.<br />
Recently, Kurdieh has fe<strong>at</strong>ured in solo and group exhibitions <strong>at</strong> BBA<br />
Gallery, Berlin (<strong>2019</strong>); <strong>Fann</strong> A <strong>Porter</strong>, Dubai (2018, 2016) and Athar<br />
Al Farasheh, Aleppo (2011), Sikka Art Fair, Dubai (2018) and Art<br />
Bahrain, Manama (2018). His works are housed in public and priv<strong>at</strong>e<br />
collections.<br />
Born in Aleppo, Syria in 1985, Kurdieh lives and works in Amsheet,<br />
Lebanon.<br />
Majd Kurdieh, Untitled, 2018, oil on canvas, 100 x 125 cm
Majd Kurdieh, Untitled, 2018, oil on canvas, 125 x 100 cm<br />
Majd Kurdieh, Untitled, 2018, oil on canvas, 200 x 100 cm
Fadi Attoura (b. 1978 , Syria)<br />
Fadi Attoura unifies the carefree, childlike spirit th<strong>at</strong> he picks up on<br />
from his surrounding environments and the formalism of Op art,<br />
drawing influence from the geometric forms and motifs of early<br />
mosaic designs. He began his painting career <strong>at</strong> a very young age –<br />
painting for as long as he can remember.<br />
After gradu<strong>at</strong>ing from the Faculty of Fine Arts, University in<br />
Damascus, Attoura began exploring abstraction depicting wh<strong>at</strong> he<br />
saw as happiness, joy, and human interaction. Following th<strong>at</strong>, the<br />
artist decided to return to the study of color as well as portraiture,<br />
slowly moving towards minimalism and <strong>at</strong>tempting to simplify the<br />
figures in his works, which brought him to his l<strong>at</strong>est set of works.<br />
Drawing inspir<strong>at</strong>ion from the toys his own children play with and the<br />
drawings and art th<strong>at</strong> they cre<strong>at</strong>e, Attoura was able to unify all these<br />
aspects to cre<strong>at</strong>e works th<strong>at</strong> are very technically strong yet explore<br />
deeper emotions and concepts.<br />
Recently, Attoura has fe<strong>at</strong>ured in solo and group exhibitions <strong>at</strong> BBA<br />
Gallery, Berlin (<strong>2019</strong>); Hama Cultural Center (2018); Emergeast,<br />
Dubai (2016); Bahrain Biennial, Manama (2015); and Wadi Finan<br />
Art Gallery, Amman (2014). He was awarded the second prize for<br />
the Sketch for Syria competition <strong>at</strong> the IUAV University of Venice.<br />
His works are housed in priv<strong>at</strong>e collections throughout the region.<br />
Attoura has also worked on numerous Arabic television series as a<br />
director and storyboard artist.<br />
Born in Hama in 1978, Attoura lives and works in Hama, Syria.<br />
Fadi Attoura, Hope, 2018, acrylic on canvas, 120 x 180 cm
Omar Najjar (b. 1992 , Palestine)<br />
Omar Najjar is known for his innov<strong>at</strong>ive style th<strong>at</strong> he describes as<br />
“structured chaos.” His paintings come across as a modern take on<br />
impressionism; their quotidian subject m<strong>at</strong>ter is elev<strong>at</strong>ed to the<br />
sublime, providing a profound, if underst<strong>at</strong>ed, view of the human<br />
experience. Expertly manipul<strong>at</strong>ing oil, pastels and charcoal, Omar’s<br />
instantly recognizable work is characterized by broad brush strokes<br />
th<strong>at</strong> give a suggestion to the story without giving the details fully.<br />
Born in 1992 in Amman, Jordan, Omar Najjar gragu<strong>at</strong>ed from the<br />
Jordan University’s Fine Arts Department. The artist group and solo<br />
exhibitions include BBA Gallery, Berlin (<strong>2019</strong>); Zara Gallery, Amman,<br />
Jordan (2018), Wadi Finan, Amman, Jordan (2016); Al Bareh Gallery,<br />
Bahrain (2016); <strong>Fann</strong> A <strong>Porter</strong>, Dubai, UAE (2015); Nabad Art Gallery,<br />
Amman, Jordan (2014).<br />
Omar Najjar’s works are housed in various priv<strong>at</strong>e and public<br />
institutions including the Palestine Museum, USA.<br />
Omar Najjar, Friday , 2018, oil on canvas, 95 x 95 cm
Sebastien Courty (b. 1991, France)<br />
Originally from Limoges, a small and artistic town in France, Sebastien<br />
Courty grew up surrounded by ceramic, hand craft and art. Aged<br />
17, he moved to Paris to <strong>at</strong>tend the N<strong>at</strong>ional School of Fine Art. He<br />
continued his studies <strong>at</strong> Studio Mode Paris, a renowned fashion and<br />
textile design school where he encountered and experienced fibres,<br />
texture and all the varying properties of textiles. Courty <strong>at</strong>tended<br />
the Fashion Institute of Technology (FIT) in New York, USA to study<br />
Surface and Textile Design. Throughout his career, Courty worked<br />
with masters such as Dominique Fallecker, an art and fashion historian<br />
and Lidewij Edelkoort, a prominent trend forecaster.<br />
His first textile exhibition was held in Paris, France in 2009. Courty’s<br />
recent solo exhibitions include Unknown Empire <strong>at</strong> AOUTU studio in<br />
Beijing, China in 2015, Angle in Cubisme <strong>at</strong> the Wanted Design space<br />
in New York, USA during the NY Textile Month in 2018 and TOTEM<br />
<strong>at</strong> LM Studio in Hyères in the south of France in conjunction with<br />
The Design Parade <strong>at</strong> the Villa Noailles in 2018.<br />
The artist has been based in New York since 2012. His works can be<br />
found in priv<strong>at</strong>e and corpor<strong>at</strong>e collections worldwide.<br />
Sebastien Courty, Totem: Bahrain, 2018, 24k gold threads and weaved mixed media fabric, 135 x 33 cm
Sebastien Courty, Totem: Bahrain (detail), 2018, 24k gold threads and weaved mixed media fabric, 135 x 33 cm
<strong>Fann</strong> A <strong>Porter</strong><br />
Founded in 2006, <strong>Fann</strong> A <strong>Porter</strong> is a contemporary art gallery <strong>at</strong> The<br />
Workshop Dubai th<strong>at</strong> represents a diverse selection of emerging<br />
intern<strong>at</strong>ional and regional artists.<br />
The gallery aims to nurture the burgeoning and dynamic contemporary<br />
art scene through quality exhibitions, non-profit events, auctions,<br />
and an active community program. The gallery’s exhibition program<br />
includes eight cur<strong>at</strong>ed exhibitions a year, and fe<strong>at</strong>ures artists working<br />
across diverse media.<br />
<strong>Fann</strong> A <strong>Porter</strong> has established a series of dialogues and collabor<strong>at</strong>ions<br />
with cur<strong>at</strong>ors, writers, museums, governmental entities, and<br />
institutions to affirm its commitment to support the long-term<br />
development of young contemporary artists from the Middle East.<br />
By hosting a regular public programming including exhibitions, talks,<br />
non-profit initi<strong>at</strong>ives, and by particip<strong>at</strong>ing in fairs, <strong>Fann</strong> A <strong>Porter</strong> has<br />
established itself in forefront of the region’s exciting arts landscape.<br />
<strong>Fann</strong> A <strong>Porter</strong> is based <strong>at</strong> The Workshop, a unique inter-disciplinary<br />
community space consisting of an art gallery, a sustainable store,<br />
design studio, and a cafe. The Workshop aims to engage the audiences,<br />
and support the development of Dubai’s arts scene through its<br />
extensive programs, educ<strong>at</strong>ional initi<strong>at</strong>ives, and community projects.<br />
Villa 45, Street 23B, Jumeirah 2, Dubai, United Arab Emir<strong>at</strong>es<br />
fann@theworkshopdubai.com<br />
+971 4 341 2595<br />
P.O. Box 215457 Dubai, United Arab Emir<strong>at</strong>es<br />
www.fannaporter.com