CAMA—Wednesday, March 20, 2019, The Granada Theatre, Santa Barbara, 8:00 PM—Philharmonia Orchestra with Esa-Pekka Salonen

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WEDNESDAY, MARCH 20, 2019, 8:00 PM

Philharmonia Orchestra
Esa-Pekka Salonen, Principal Conductor & Artistic Advisor

Local favorite Esa-Pekka Salonen, former music director of the Los Angeles Philharmonic, returns to Santa Barbara for the third time as principal conductor of London’s world-class Philharmonia Orchestra. This will be Salonen’s 14th appearance as conductor for CAMA over the past 25+ years—11 concerts with the LA Phil from 1993 to 2008 followed by 3 concerts with the Philharmonia. Fittingly, he’ll lead the Philharmonia in a performance of Arnold Schoenberg’s Romantic tone poem Verklärte Nacht – originally a string sextet later arranged for string orchestra – as well as Anton Bruckner’s expansive Symphony No.7.

PROGRAM:
Arnold Schoenberg: Verklärte Nacht, Op.4
Anton Bruckner: Symphony No.7 in E Major
PRE-CONCERT LECTURE BY SIMON WILLIAMS, PROFESSOR EMERITUS, UCSB DEPARTMENT OF THEATER AND DANCE; OPERA AND THEATER CRITIC

Lecture will begin at 7:00 PM; doors to The Granada Theatre will open for the lecture at 6:45 PM.

Lecture seating is limited to the first 100 patrons. First come, first served.

#CAMASB #CAMAat100 #CAMACentennial

Presenting the world’s finest classical artists since 1919

INTERNATIONAL SERIES

AT THE GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

Photo by Katja Tähjä

PHILHARMONIA ORCHESTRA

Esa-Pekka Salonen, Principal Conductor & Artistic Advisor

Wednesday, March 20, 2019, 8:00 PM

The Granada Theatre (Santa Barbara Center for the Performing Arts)


INTERNATIONAL SERIES

AT THE GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

LOS ANGELES

Esa-Pekka Salonen

PHILHARMONIC

OCTOBER 28, 2018

Primary Sponsor

The Elaine F. Stepanek

Concert Fund

Principal Sponsor

The Samuel B and Margaret

C. Mosher Foundation

Sponsors

Bitsy & Denny Bacon and

The Becton Family Foundation

Val & Bob Montgomery

The Towbes Fund for the

Performing Arts, a field

interest fund of the

Santa Barbara Foundation

Co-Sponsor

Robert & Christine Emmons

LOS ANGELES

CHAMBER

ORCHESTRA

with Avi Avital

DECEMBER 11, 2018

A gift to the community

from the CAMA Board

of Directors

ITZHAK

Mikhail Pletnev

PERLMAN

JANUARY 15, 2019

Primary Sponsor

Sara Miller McCune

Principal Sponsor

Herbert & Elaine Kendall

Sponsors

Marta Babson

Judith L. Hopkinson

The Shanbrom Family

Foundation

Co-Sponsors

Chaucer's Bookstore,

Mahri Kerley

Jocelyne & William Meeker

Stephen J.M. & Anne Morris

PHILHARMONIA

BAROQUE

ORCHESTRA

FEBRUARY 5, 2019

Sponsors

Hollis Norris Fund

Michele & Andre Saltoun

Hubert Vos

Co-Sponsors

Edward DeLoreto

The CAMA Women's Board

RUSSIAN

NATIONAL

ORCHESTRA

FEBRUARY 27, 2019

Primary Sponsor

Bitsy & Denny Bacon and the

Becton Family Foundation

Sponsor

Anonymous

Co-Sponsors

Peggy & Kurt Anderson

Louise & Michael Caccese

PHILHARMONIA

ORCHESTRA

MARCH 20, 2019

Sponsors

Anonymous

Alison & Jan Bowlus

Natalia & Michael Howe

Ellen & Peter Johnson

Kum Su Kim & John Perry

Co-Sponsors

Elizabeth & Andrew Butcher

Chris Lancashire

& Catherine Gee

Jocelyne & William Meeker

Val & Bob Montgomery

ROYAL SCOTTISH

NATIONAL

ORCHESTRA

APRIL 5, 2019

Sponsors

Anonymous

Meg & Dan Burnham

Hubert Vos

Co-Sponsor

George & Judy Writer

4 CENTENNIAL SEASON CELEBRATION


MASTERSERIES

AT THE LOBERO THEATRE

SEASON SPONSORSHIP: ESPERIA FOUNDATION

RICHARD

GOODE

NOVEMBER 9, 2018

Primary Sponsor

The Stephen & Carla

Hahn Foundation

Co-Sponsors

Bitsy & Denny Bacon

Alison & Jan Bowlus

TAFELMUSIK

BAROQUE

ORCHESTRA

MARCH 9, 2019

Concert Partners

Deborah & Peter Bertling

Bob Boghosian &

Beth Gates Warren

Bridget Colleary

Dorothy & John Gardner

Elizabeth Karlsberg &

Jeff Young

Lynn P. Kirst

GARRICK

OHLSSON

MARCH 30, 2019

Co-Sponsors

Anonymous

Stephen J.M. &

Anne Morris

The CAMA Women's

Board

AUGUSTIN

HADELICH

APRIL 17, 2019

Co-Sponsors

Jocelyne & William Meeker

Stephen J.M. & Anne Morris

Concert Partner

Lois Sandra Kroc

MISCHA MAISKY

MAY 6, 2019

Co-Sponsor

Ellen & Craig Parton

Concert Partners

Stephen Cloud

Raye Haskell Melville

Concert Sponsors as of January 2019

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

5


Presenting the world’s finest classical artists since 1919

BOARD OF DIRECTORS

ROBERT K. MONTGOMERY President

DEBORAH BERTLING First Vice-President

CRAIG A. PARTON Second Vice-President

Rosalind Amorteguy-Fendon

Marta Babson

Isabel Bayrakdarian

Bitsy Becton Bacon

Edward Birch

Jan Bowlus

Daniel P. Burnham

Stephen Cloud

NancyBell Coe

Bridget B. Colleary

Jill Felber

Joanne C. Holderman

Judith L. Hopkinson

As of February 13, 2019

WILLIAM MEEKER Treasurer

JOAN R. CROSSLAND Secretary

James H. Hurley, Jr.

Peter O. Johnson

Elizabeth Karlsberg

Raye Haskell Melville

George Messerlian

Hank Mitchel

Stephen J.M. (Mike) Morris

Patti Ottoboni

Andre M. Saltoun

Judith F. Smith

Judith H. Writer

Catherine Leffler,

President, CAMA Women’s Board

Emeritus Directors

Russell S. Bock*

Dr. Robert M. Failing*

Mrs. Maurice E. Faulkner*

Léni Fé Bland*

Arthur R. Gaudi

Stephen Hahn*

Dr. Melville H. Haskell, Jr.*

Mrs. Richard Hellmann*

Dr. Dolores M. Hsu

Herbert J. Kendall

Robert M. Light*

Mrs. Frank R. Miller, Jr.*

Sara Miller McCune

Mary Lloyd Mills

Mrs. Ernest J. Panosian*

Kenneth W. Riley*

Mrs. John G. Severson*

Nancy L. Wood

* Deceased

Administration

Mark E. Trueblood

Executive Director

Elizabeth Alvarez

Director of Development

Michael Below

Office Manager/

Subscriber Services

Justin Rizzo-Weaver

Director of Operations

2060 Alameda Padre Serra, Suite 201 Santa Barbara, CA 93103 Tel (805) 966-4324 Fax (805) 962-2014 info@camasb.org

CAMA's Community

spotlight

Betty Meyer has been with the

CAMA community for many years and she

served as a CAMA Board Member for more

than a decade.

CAMA celebrates you, Betty,

in your 99th year!

6 CENTENNIAL SEASON CELEBRATION


Anton

Bruckner

Arnold

Schoenberg

INTERNATIONAL SERIES at the GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

PHILHARMONIA ORCHESTRA

ESA-PEKKA SALONEN, PRINCIPAL CONDUCTOR & ARTISTIC ADVISOR

Wednesday, March 20, 2019 at 8:00 PM

The Granada Theatre (Santa Barbara Center for the Performing Arts)

ARNOLD SCHOENBERG

(1874–1951)

Verklärte Nacht, Op.4 (Transfigured Night)

INTERMISSION

ANTON BRUCKNER Symphony No.7 in E Major

(1824–1896) I. Allegro moderato

II. Adagio: Sehr feierlich und sehr langsam

III. Scherzo: Sehr schnell

IV. Finale: Bewegt, doch nicht schnell

Tour supported by the Philharmonia Foundation and the generous donors

to the Philharmonia’s Future 75 Campaign.

philharmonia.co.uk

US Tour Management: Opus 3 Artists | 470 Park Avenue South, 9th Floor North, New York, NY 10016 |

www.opus3artists.com

CAMA thanks our generous sponsors who have made this evening’s performance possible:

Program subject to change.

International Series Season Sponsor: SAGE Publishing

Sponsors

Anonymous • Alison & Jan Bowlus • Natalia & Michael Howe

Ellen & Peter Johnson • Kum Su Kim & John Perry

Co-Sponsors

Elizabeth & Andrew Butcher • Chris Lancashire & Catherine Gee

Jocelyne & William Meeker • Val & Bob Montgomery

We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing

or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA 7


© Katherine Leedale

philharmonia

orchestra

F

ounded in 1945, the Philharmonia

is a world-class symphony

orchestra for the 21st century.

The Orchestra’s home is Southbank

Centre’s Royal Festival Hall, in the heart

of London, where the Philharmonia has

been resident since 1995 and presents

a season of around 50 performances

each year. Under Principal Conductor &

Artistic Advisor Esa-Pekka Salonen, the

Philharmonia has created a series of

critically-acclaimed, visionary projects,

distinctive for both their artistic scope

and supporting live and digital content.

Recent series include Stravinsky: Myths

& Rituals (2016), which won a South

Bank Sky Arts Award. In 2019, Salonen

presents his newest series with the

Orchestra, Weimar Berlin: Bittersweet Metropolis.

8 CENTENNIAL SEASON CELEBRATION


The Philharmonia is resident

orchestra at Bedford

Corn Exchange, De Montfort

Hall in Leicester, The Marlowe

in Canterbury, The Anvil in

Basingstoke, the Three Choirs

Festival in the West of England,

and Garsington Opera. At

the heart of these residencies

is an education programme

that empowers people in every

community to engage with, and participate

in, orchestral music.

Internationally, the Philharmonia is

active across Europe, Asia and the USA.

In 2018/19, the Orchestra performs extensively

in Europe and undertakes three

major international tours, to China and

South Korea (October 2018); to Cartagena

in Colombia, in a joint digital installation-live

concert tour (January 2019);

and to the USA (March 2019).

The Philharmonia’s international

reputation in part derives from its extraordinary

recording legacy, which in

the last 10 years has been built on by its

pioneering work with digital technology,

most recently blazing a trail for classical

music in Virtual Reality. VR experiences

featuring music by Sibelius, Mahler and

Beethoven, placing the viewer

at the heart of the orchestra,

have been presented at Southbank

Centre and internationally.

The Philharmonia records

and releases music across

multiple channels and media.

An app for iPad, The Orchestra,

has sold tens of thousands of

copies; Hollywood composers

choose to record their scores for films,

video games and television series with

the Orchestra; the Philharmonia is Classic

FM’s ‘Orchestra on Tour’ and broadcasts

extensively on BBC Radio 3; with Signum

Records the Philharmonia releases live recordings

of signature concerts.

Finnish conductor and composer

Esa-Pekka Salonen has been Principal

Conductor & Artistic Advisor since 2008.

Jakub Hrůša and Santtu-Matias Rouvali

are Principal Guest Conductors. Christoph

von Dohnányi is Honorary Conductor for

Life and Vladimir Ashkenazy is Conductor

Laureate. Composer Unsuk Chin is Artistic

Director of the Music of Today series.

The Philharmonia’s Principal International

Partner is Wuliangye. n

philharmonia.co.uk

Photo by Camilla Greenwell

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

9


© Annick Ramp

Esa-Pekka Salonen’s restless

innovation drives

him constantly to reposition classical

music in the 21st century. He is known

as both a composer and conductor and

is currently the Principal Conductor &

Artistic Advisor for the Philharmonia

Orchestra and the Conductor Laureate

for both the Swedish Radio Symphony

Orchestra and the Los Angeles Philharmonic,

where he was Music Director

from 1992 until 2009. In 2020, he will become

the Music Director of the San Francisco

Symphony. He is the Artist in Association

at the Finnish National Opera

and Ballet, where he will conduct his first

full Ring cycle in future seasons. This

season, he joined the Colburn School

faculty, where he will develop and direct

the pre-professional Negaunee Conducting

Program. Salonen co-founded

the annual Baltic Sea festival, serving

as Artistic Director from 2003 to 2018.

This season, thirteen of Salonen’s

works are programmed around the world,

from playful early pieces to his melodically

and rhythmically complex new

works. Among them are Homunculus, for

string quartet; Helix, at the Minnesota

Orchestra and Oslo Philharmonic; and

10 CENTENNIAL SEASON CELEBRATION


LA Variations at the LA Phil. He also conducts

his own Pollux at the Helsinki Festival

and Maggio Fiorentino, and his cello

concerto on tour with the Philharmonia

and at the Baltic Sea Festival, with Truls

Mørk as soloist. Last year the New York

Philharmonic and the Barbican Centre

shaped their programming around Salonen’s

music as part of his composer-inresidence

in New York and a season-long

Salonen focus in London.

2018-19 sees Salonen conducting

the Philharmonia Orchestra on tour

across Europe, the US, and Asia. Salonen

will also direct a new Ivo Van Hove production

of Weill’s Rise and Fall of the City

of Mahagonny at the Aix-en-Provence

Festival in summer 2019. Recent years

have seen Salonen experiment with

groundbreaking ways to present music,

with the first major virtual-reality

production from a UK symphony orchestra;

the award-winning RE-RITE and

Universe of Sound installations, and the

much-hailed iPad app, The Orchestra.

As the Music Director of the Los Angeles

Philharmonic for 17 years, Salonen

is widely credited with revitalising the organization.

He was instrumental in helping

the orchestra to open Walt Disney

Concert Hall; presided over countless

premieres of contemporary work; began

the Esa-Pekka Salonen Commissions

Fund, and made the orchestra one of the

best-attended and funded in the USA. In

spring 2019 he brings a series that he

created at the Philharmonia to the LA

Phil, presenting programmes of Stravinsky’s

“Myths,” “Rituals,” and “Faith.”

Salonen has an extensive and varied

recording career. An album of Henri Dutilleux’s

Correspondances, recorded with

the Orchestre Philharmonique de Radio

France in the presence of the composer,

was released in 2013 by Deutsche Grammophon

on the composer’s 97th birthday.

Also that year, Sony completed a

project that began with Salonen and the

LA Phil nearly 30 years before: a twodisc

set of the orchestral works of Witold

Lutosławski, released in what would

have been the composer’s 100th year. An

album of five of his orchestral works is

available on Sony. Salonen’s most recent

recordings include a disc of Stravinsky’s

Persephone, released by Pentatone Music,

and a 61-disc box set of all Salonen’s

recordings for Sony. 2019 sees a muchanticipated

release for Salonen’s cello

concerto for Yo-Yo Ma. n

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

11


ARNOLD

SCHOENBERG

Although Arnold Schoenberg and Anton

Bruckner were born 50 years apart,

only 16 years separate the two works on

this program, and both of them were seen

as controversially modern when new.

Both works were the composer’s first major

success. And while both works have

strong roots in the influence of Richard

Wagner and the belief that he pointed

the way to music’s future, Schoenberg

and Bruckner were influenced in widely

different ways. Bruckner, a late but zealous

convert to Wagnerism who met and

idolized the man himself, adopted the

gestures and stylistic features of Wagner’s

grand style, even while completely

avoiding Wagner’s chosen genre of music

drama and holding fast to traditional

tonality. Schoenberg, who was nine when

Wagner died, grew up in a post-Wagnerian

world and saw Tristan und Isolde as

the work that burst the bounds of traditional

tonality forever.

Schoenberg was 25 when he composed

the original string sextet version

of Verklärte Nacht in late 1899. An acquaintance

remembered that he wrote

the entire work in three weeks that September,

but Schoenberg’s manuscript is

dated December 1, so the process likely

occupied a few months.

The tone poem takes its inspiration

and its title from a poem in Richard

Dehmel’s 1896 collection Weib und Welt

(Woman and the World):

Two people are walking through a

bare, cold grove; the moon keeps pace

with them; they peer at it. The moon

moves along above tall oaks, no cloud

obscures the sky’s light into which the

black boughs reach. A woman’s voice

speaks:

“I am carrying a child, and not by you. I

12 CENTENNIAL SEASON CELEBRATION


am walking beside you in a state of sin.

I offended greatly against myself. I had

despaired of happiness, and yet still

yearned strongly for something to fill

my life, for a mother’s joy and duty; and

so, shuddering, I yielded my sex to the

embrace of a stranger, and even thought

myself blessed. Now life has taken its revenge:

now I have met you.”

She walks on with awkward steps.

She looks up; the moon keeps pace. Her

dark gaze drowns in light. A man’s voice

speaks:

“Do not let the child you conceived burden

your soul. See how brightly the universe

shines! Everything around glows.

You are floating with me on a cold sea,

but there is the glow of an inner warmth

from you in me, from me in you. That

warmth will transfigure the stranger’s

child, and you bear it me, as if begot by

me. You have brought the glow into me,

made me like a child.”

He puts an arm about her strong hips.

Their breath kisses in the air. Two people

walk on through the high, bright night.

What is lost on readers more than

a century after the poem’s publication

is its sheer impropriety. It completely rejects

accepted the sexual morality of the

last decades of Imperial Germany and

Austria, and indeed Prussian authorities

prosecuted Dehmel for obscenity and

blasphemy, charging that in Weib und

Welt he wrote of “extramarital sexual relations

or perverse sexual inclinations.” He

was acquitted because the court found

the book to be “very heavy fare and suitable

only for literary connoisseurs” who

would be “fully aware of the author’s intent

regarding the questionable passages

and … not likely to interpret or perceive

them as obscene.” Those sophisticates

included most of the composers on the

cutting edge of Germanic art music, including

Schoenberg, Richard Strauss,

Carl Orff, Kurt Weill, and Anton Webern, all

of whom set Dehmel’s poems as songs.

In 1912, Schoenberg wrote to

Dehmel that his poems had “a decisive

effect on my musical development.” He

did not need to add that Verklärte Nacht

had already had a decisive effect on his

stature as a composer. The tone poem

was controversial from the start (the Vienna

Musical Society rejected it for performance,

one member objecting that it

contained a kind of inverted ninth chord

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

13


for which there was no formal description

and therefore was officially nonexistant,

and another complaining that

its drifting chromatic tonality “sounded

as if someone had smeared the score

of Tristan und Isolde while it was still

wet”) but after its 1902 Vienna premiere

it quickly became the work that made

Schoenberg’s name known. It remains

his most popular work. Schoenberg created

two string orchestra versions, one

in 1917 and another in 1943.

Dehmel attended the 1902 premiere

and wrote to Schoenberg, “I had intended

to follow the motives of my text in

your composition, but soon forgot to do

so, I was so enthralled by the music.” This

is a fairly typical reaction to a first listening,

because the half-hour-long composition

is a vast expansion on a poem that

can be recited in 90 seconds. The D Minor

opening obviously depicts the night and

the cold grove, and the D Major ending

clearly invokes the shimmering, warmth

and brightness in the text, but in between,

trying to associate specific passages of

the impassioned late-Romantic outpourings

with any specific part of the text is

more distracting than illuminating.

ANTON

BRUCKNER

When he finished his seventh symphony

in 1883, Anton Bruckner was 59

and yet to make his mark as a composer.

He had already withdrawn two early

symphonies, and each of his first five

numbered symphonies had already been

revised, or turned into alternative second

versions. He wasn’t always the one doing

the revising, for reasons having to do with

his personality and personal history.

Statue of Anton Bruckner in the Stadtpark of Vienna

14 CENTENNIAL SEASON CELEBRATION


Bruckner had been born in a

small village in Upper Austria, where his

father was the schoolmaster and the

church’s music director and organist.

Bruckner was educated and trained to

follow in his father’s footsteps, which he

more or less did in a succession of jobs

in villages and a prominent monastery in

the area. He found ways to study music

with capable teachers outside of work,

and even after obtaining a prestigious

job as cathedral organist at in Linz when

he was 32, he continued with formal

musical studies until he was nearly 40,

when he finally began what he called his

“composition period” at an age Schubert,

Mendelssohn and Chopin never reached.

At about the same time, he discovered

Wagner’s operas and became a Wagner

devotee.

The humble, devout Catholic Bruckner,

whose dress and manners marked

him as a country bumpkin all his days,

could scarcely have been more different

from Wagner, a trailblazing artistic genius

but a narcissistic bigot whose religion

consisted mostly of himself. When

Bruckner came to Vienna in 1868 to take

up positions as a professor in the Conservatory

and an organist in the Imperial

Chapel, the support of the Wagnerians

made him a target of prominent Vienna

critics who detested Wagner, his music

and his acolytes. So while Bruckner the

organist became famous enough to go

on tour to France and England, Bruckner

the composer went nowhere. The

compositions that drew favorable attention

were his liturgical works. He never

stopped being a church musician, which

may be why large stretches of his symphonies

have a strongly hymnal quality.

Some of his former students encouraged

him to revise his symphonies, or

did the revisions themselves. Their goal

was to make them more popular, but their

means to that end often involved making

them sound more like Wagner. The result

is that for most of Bruckner’s symphonies,

there is no definitive version, and a

lot of debate about how an editor should

arrive at a performing score.

Bruckner was relatively confident

about the seventh symphony, and its

only significant issue is a cymbal crash/

triangle roll at the climax of the second

movement. It was not in Bruckner’s original

score, but was suggested by his ex-

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

15


students and adopted by the conductor

of the first performance, in Leipzig in

1884. Most performances keep the cymbal

and triangle at that spot, even though

those two percussionists play nowhere

else in the symphony.

It was while Bruckner was composing

the second movement in February

1883 that he learned of Wagner’s death,

and tradition has it that he turned the

movement into a tribute to Wagner. It

does mark the first appearance in any

symphony of the “Wagner tuba,” a somewhat

misnamed instrument that is essentially

a horn with a wider bore and

more open sound, often described as a

middle ground between the horn’s tone

and the trombones. The same description

might apply to other brass instruments

being developed in those early

days of valved brasses (the euphonium,

flugelhorn or saxhorn, for example), but

the Wagner tuba, developed at Wagner’s

request for his Ring cycle of operas, differs

from them in being designed to be

played by horn players, using the smaller

horn mouthpiece. The four Wagner tubas

play only in the second and fourth

movements of this symphony. They not

only enhance the full sound of the orchestra,

but also create a striking richness

on their own or, as at the end of the

second movement, in combination with

the horns and tuba.

A crowing rooster is said to have

given Bruckner the idea for the trumpet

call that pervades the energetic third

movement. The two outer movements

are more siblings than cousins. The principal

themes of both movements have

a similar upward sweep, and indeed the

opening theme of the first movement

is echoed in the fanfares that close the

symphony.

Bruckner became so accustomed to

failure in his adopted city that even after

the Seventh Symphony had successful

performances in Leipzig and Munich,

he tried to discourage a performance in

Vienna, afraid that the critical reception

would derail the symphony’s journey

into the repertoire. It didn’t. The symphony

became Bruckner’s ticket to international

recognition as a composer. n

16 CENTENNIAL SEASON CELEBRATION


© Camilla Greenwell

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

17


© Camilla Greenwell

Philharmonia

Orchestra

US Tour Roster

Esa-Pekka Salonen

Principal Conductor and Artistic Advisor

1ST VIOLIN

Zsolt-Tihamér Visontay

Sarah Oates

Fabrizio Falasca

Eugene Lee

Soong Choo

Minhee Lee

Eleanor Wilkinson

Victoria Irish

Adrián Varela

Karin Tilch

Lulu Fuller

Erzsebet Racz

Charlotte Reid

Cassandra Hamilton

Alessandro Cannizzaro

Caroline Frenkel

2ND VIOLIN

Tamás Sándor

Emily Davis

Fiona Cornall

Samantha Reagan

Gideon Robinson

Nuno Carapina

Sophie Cameron

Julian Milone

Jan Regulski

Susan Hedger

Helen Cochrane

Marina Gillam

Teresa Pople

Emma Oldfield

VIOLA

Yukiko Ogura

Nicholas Bootiman

Sylvain Séailles

Cheremie Hamilton-Miller

Carol Hultmark

Michael Turner

Gijs Kramers

Linda Kidwell

Stephanie Edmundson

Ellen Blythe

Rebecca Carrington

Lucia Ortiz Sauco

CELLO

Timothy Walden

Karen Stephenson

Richard Birchall

Eric Villeminey

Anne Baker

Ella Rundle

Alexander Rolton

Yaroslava Trofymchuk

Miwa Rosso

Tessa Seymour

BASS

Tim Gibbs ††

Christian Geldsetzer

Michael Fuller

Gareth Sheppard

Simon Oliver

Josie Ellis

Philip Nelson

Mark O' Leary

FLUTE

Samuel Coles †

June Scott

Kristin Hammerseth

ALTO FLUTE

June Scott

PICCOLO

Keith Bragg †

Kristin Hammerseth

OBOE

Tom Blomfield †

Timothy Rundle ††

Katherine Bryer

COR ANGLAIS

Jill Crowther †

CLARINET

Mark van de Wiel †

Jennifer McLaren

Jordan Black

E FLAT CLARINET

Jennifer McLaren

BASS CLARINET

Laurent Ben Slimane †

CONTRA BASS

CLARINET

Laurent Ben Slimane †

BASSOON

Robin O'Neill †

Shelly Organ

Fraser Gordon

CONTRA

BASSOON

Luke Whitehead

Fraser Gordon

HORN

Nigel Black *

Diego Incertis Sanchez

Kira Doherty

Alex Wide

Carsten Williams

Jonathan Maloney

TRUMPET

Jason Evans *

Mark Calder *

Alistair Mackie *

OFF STAGE

TRUMPETS

Robert Farley †

TROMBONE

Byron Fulcher *

Philip White

BASS TROMBONE

James Buckle

TUBA

Peter Smith

WAGNER TUBA

Diego Incertis Sanchez

Richard Berry

Jonathan Maloney

Carsten Williams

TIMPANI

Antoine Siguré

Elsa Bradley

PERCUSSION

Emmanuel Curt

Paul Stoneman

Peter Fry

Kevin Hathway

Elsa Bradley

HARP

Heidi Krutzen

Stephanie Beck

PIANO

Alison Procter

CELESTE

Janet Simpson

Alison Procter

†† Professor at the Guildhall

School of Music and

Drama

† Professor at the Royal Academy

of Music

* Professor at the Royal College

of Music

18 CENTENNIAL SEASON CELEBRATION


© Felix Broede © Katherine Leedale © Katja Tähjä

ADMINISTRATION

Helen Sprott

Managing Director

Jennifer Pattison

Head of Business Plan

Implementation

Position Vacant

Executive Assistant to the

Senior Management Team

CONCERTS

Fiona Martin

Deputy Managing

Director

Jonathan Mayes

Director, Residencies and

Regional Programme

Emily Granozio

Manager, Recordings and

Projects

Gemma Charlton

Tours and Projects

Manager

Jo Harvey

Concerts and Projects

Manager

Juliette Reid

Residencies and Projects

Coordinator

Ellie Phillips

Concerts and Tours

Assistant

Melanie Sanders

Personal Assistant to Esa-

Pekka Salonen

Cath Welsby

Orchestra Personnel

Manager

David Thomas

Assistant Orchestra

Personnel Manager

Martin Sargeson

Orchestra Librarian

Elliot Samphier

Assistant Orchestra

Librarian and Auditions

Administrator

Nathan Lowis

Stage / Transport

Manager

Barry Brown

Assistant Stage /

Transport Manager

DEVELOPMENT

Jonathan Kuhles

Development Director

Sarah Atkinson

Head of Individual Giving

Jennifer Pattison

Head of Trusts and

Foundations

David Sutherland

Corporate Partnerships

Manager

Patrick Reardon-Morgan

Friends and Online Giving

Manager

Alice Macrae

Partnerships and Events

Coordinator

Ben Carr

Individual Giving Assistant

Laura Furner

Development Assistant

MARKETING

Tim Woodall

Marketing Director

Katie Vickers

Marketing Manager

Murray Goulstone

Box Office Manager

Emily McGroarty

Marketing Manager,

Residencies and

Recordings

Nikolaj Schubert

Marketing and Press

Coordinator

Aleksandra Wysmyk

Designer

Lucy Breaks

Programme Editor

The Corner Shop

PR Media Relations

Consultant

AUDIENCE

DEVELOPMENT

Tom Spurgin

Audience Development

Manager

DIGITAL

Thomas Gillet

Head of Digital

Luke Ritchie

Head of Digital Innovation

and Partnerships

Marina Vidor

Digital Producer

William Gregg

Developer

Ash Brown

Digital Production

Manager

EDUCATION

Alexandra Brierley

Director of Education

Yasmin Hemmings

Learning and Participation

Producer

Catherine Bullough

Community and Outreach

Manager

Elisa Mare

Education Assistant

FINANCE

John Whiterow

Interim Finance Director

and Company Secretary

Francisca Onwuka

Financial Controller

Christina Macpherson

Players' Fees

Administrator

Aneke De Sousa Caires

Finance Officer

PHILHARMONIA

APPRENTICESHIP

PROGRAMME

Revell Dixon

Digital and Education

Projects Apprentice

Luke Treherne

Marketing and

Fundraising Apprentice

ARCHIVE

Michael Hurwitz

Archivist

For Opus 3 Artists

David V. Foster, President

and CEO

Leonard Stein, Senior

Vice President, Director,

Touring Division

William Bowler, Manager,

Artists & Attractions

Tania Leong, Associate,

Touring Division

Irene Lönnblad, Tour

Manager

Thomas F. Eirman, Stage

Manager

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

19


Presenting the world’s finest classical artists since 1919

Anne-Sophie Mutter

Esa-Pekka Salonen

Santa Barbara Band

Community Arts String Orchestra

CAMA’S CENTENNIAL

100 th and 101 st SEASONS

Honoring CAMA’s 100-year tradition of bringing the finest classical

music in the world to our special community, we invite you to

participate in CAMA’s historic Centennial Celebration.

We are celebrating CAMA's Centennial by gratefully acknowledging donors who

contribute during CAMA’s 100th and 101st Seasons. Contributions of $250 and

above during this time will be recognized in the Centennial acknowlegements in

our concert programs.

Please contact either Elizabeth Alvarez or Nancy Lynn

at (805) 966-4324 to learn more.

Renée Fleming

Michael Tilson Thomas

André Previn

London Philharmonic


Lisa-Marie MAzzucco photo

“It’s always been a

great pleasure for

me to perform on the

CAMA series, and

I’m looking forward to

many more visits.

I send you my heartiest

congratulations

on your centennial

season. Bravo!”

—ITZHAK PERLMAN, CO-CHAIR,

CAMA CENTENNIAL

HONORARY ARTISTS COUNCIL

centennial honorary artists council

Itzhak Perlman

honorary co-chair

Sara Miller McCune

honorary co-chair

Vladimir Ashkenazy

Isabel Bayrakdarian

Joshua Bell

Alfred Brendel

Renée Fleming

Daniele Gatti

Richard Goode

Hilary Hahn

Stephen Hough

Olga Kern

Lang Lang

Jerome Lowenthal

Zubin Mehta

Anne-Sophie Mutter

Sir András Schiff

Peter Serkin

Leonard Slatkin

Christian Tetzlaff

Jean-Yves Thibaudet

Chris Thile

Michael Tilson Thomas

Dawn Upshaw

André Watts

Pinchas Zukerman

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

21


Presenting the world’s finest classical artists since 1919

CENTENNIAL CELEBRATION DONORS

MAESTRO

$1,000,000 and above

CONCERTMASTER

$500,000–$999,999

CRESCENDO

$250,000–$499,999

Bitsy & Denny Bacon and The Becton Family Foundation

The Elaine F. Stepanek Foundation

CADENZA

$100,000–$249,999

Judith L. Hopkinson

Samuel B. and Margaret C. Mosher Foundation

Ed & Sue Birch / Robert & Christine Emmons

SAGE Publishing

George & Judy Writer

RONDO

$50,000–$99,999

Anonymous

Deborah & Peter Bertling

NancyBell Coe & William Burke

Lois Sandra Kroc

Sara Miller McCune

Jocelyne & William Meeker

Mari & Hank Mitchel

Bob & Val Montgomery

Stephen J.M. & Anne Morris

Cumulative contributions of $50,000 and above during CAMA’s Centennial Seasons

will include Centennial Circle membership.

22 CENTENNIAL SEASON CELEBRATION


CONCERTO

$25,000–$49,999

Marta Babson

Suzanne & Russell Bock

Meg & Dan Burnham

The Stephen & Carla Hahn

Foundation

The Walter J. & Holly O.

Thomson Foundation

The Towbes Fund for the

Performing Arts

Patricia Yzurdiaga

SONATA

$10,000–$24,999

Anonymous

Alison & Jan Bowlus

City of Santa Barbara

Bridget Colleary

George H. Griffiths and Olive

J. Griffiths Charitable Fund

Hollis Norris Fund

Natalia & Michael Howe

Ann Jackson Family

Foundation

Ellen & Peter Johnson

Herbert & Elaine Kendall

Kum Su Kim & John Perry

Mary Lloyd & Kendall Mills

Montecito Bank & Trust

John & Ellen Pillsbury

Anne Smith Towbes

The Shanbrom Family

Foundation

Hubert Vos

The CAMA Women’s Board

VIVACE

$5,000–$9,999

Anonymous

Peggy & Kurt Anderson

Elizabeth & Andrew Butcher

Louise & Michael Caccese

Stephen Cloud

Edward DeLoreto

Elizabeth Karlsberg &

Jeff Young

Jill Doré Kent

ALLEGRO

$2,500–$4,999

Helene & Jerry Beaver

Shelley & Mark Bookspan

Bob Boghosian &

Beth Gates Warren

Suzanne & Peyton Bucy

Roger & Sarah Chrisman, Schlinger

Chrisman Foundation

Fredericka & Dennis Emory

Ronald & Rosalind A. Fendon

Mary & Raymond Freeman

Priscilla & Jason Gaines

Dorothy & John Gardner

Shirley Ann & James H. Hurley, Jr.

William H. Kearns Foundation

Connie & Richard Kennelly

Mahri Kerley/Chaucer's Books

Chris Lancashire &

Catherine Gee

Raye Haskell Melville

Craig & Ellen Parton

Irene & Robert Stone/Stone

Family Foundation

Barbara & Sam Toumayan

Winona Fund

Lynn P. Kirst

Lois Kroc

Stefanie Lancaster Charitable

Foundation

MaryAnn Lange

Shirley & Seymour Lehrer

Dona & George McCauley

Performing Arts Scholarship

Foundation

Diana & Roger Phillips

Ann M. Picker

Dorothy Roberts

Santa Barbara Foundation

Judith F. Smith

Carrie Towbes & John Lewis

Steven Trueblood

(Continued next page.)

CAMA’s Centennial spans two concert seasons, 2018/2019 and 2019/2020.

The CAMA Board gratefully acknowledges and thanks the generosity of the

CAMA community. Donor lists will be fully updated February 2019.

All cummulative donations of $250 and above through

the 100 th and 101 st Seasons will be listed.

Please call Elizabeth Alvarez should you notice any errors on these pages – (805) 276-8270.

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

23


Presenting the world’s finest classical artists since 1919

CENTENNIAL CELEBRATION DONORS

(Continued from previous page)

ADAGIO

$1,000–$2,499

Todd & Allyson Aldrich Family Charitable Fund

Diane Boss

Wendel Bruss

Karen Bushnell

Annette & Richard Caleel

Patricia Clark

Joan & Steven Crossland

Gregory Dahlen III & Christi Walden

Jan Davis-Hadley

Margaret & Ronald Dolkart

Wendy & Rudy Eisler

Nancy Englander

Katina Etsell

Nancyann & Robert Failing

Margo & Bob Feinberg

Jill Felber

Catherine H. Gainey

Andrea & Ron Gallo

David Hamilton

Renee & Richard Hawley

Maison K

Karin Nelson & Eugene Hibbs/Maren Henle

Gerhart Hoffmeister

Joanne C. Holderman

Jackie Inskeep

Diane Johnson

Gerd & Peter Jordano

James Kearns

Sally Kinney

Karin Jacobson & Hans Koellner

Kathryn Lawhun & Mark Shinbrot

Dora Anne Little

Cynthia Brown & Arthur Ludwig

Nancy & James Lynn

Gloria & Keith Martin

Maureen Masson

Ruth & John Matuszeski

Karine & Donald McCall

Frank McGinity

Sally & George Messerlian

Russell Mueller

Northern Trust

Ellen Lehrer Orlando & Thomas Orlando

Gail Osherenko & Oran Young

Patti Ottoboni

Anne & Daniel Ovadia

Donald Rink

Tiffany & Justin Rizzo-Weaver

Regina & Rick Roney

Ada B. Sandburg

Santa Barbara Foundation

Anitra & Jack Sheen

Barbara & Wayne Smith

Marion Stewart

Milan E. Timm

Mark E. Trueblood

UCSB - Department of Music,

University of California, Santa Barbara

Esther & Tom Wachtell

Barbara & Gary Waer

Sheila Wald

Nick & Patty Weber

Dr. Robert Weinman

Judy L. Weisman

Westmont College

Victoria & Norman Williamson

Nancy & Byron Kent Wood

Cheryl & Peter Ziegler

Ann & Dick Zylstra

ANDANTE

$250–$999

Sylvia Abualy

Antoinette & Shawn Addison

Jyl & Allan Atmore

Howard A. Babus

Becky & William Banning

Patricia & Richard Blake

Edith M. Clark

Lavelda & Lynn Clock

Betsy & Kenneth Coates

Michael & Ruth Ann Collins

Nancy Donaldson

Michael K. Dunn

Ann & David Dwelley

Meg & Jim Easton

Julia Emerson

Thomas & Doris Everhart

Eunice & J. Thomas Fly

Ghita Ginberg

Nancy & Frederic Golden

Robert Hanrahan

Lorna S. Hedges

Glenn Jordan & Michael Stubbs

Debbie & Frank Kendrick

June & William Kistler

Christie & Morgan Lloyd

Barbara & Ernest Marx

Phyllis Brady & Andy Masters

Jeffrey McFarland

Patriicia & William McKinnon

Christine & James V. McNamara

Andrew Mester

James P. And Shirley F. McFarland Fund of

The Minneapolis Foundation

Peter L. Morris

Mrs. Raymond King Myerson

Maureen O'Rourke

Hensley & James Peterson

David & Dottie Pickering

Minie & Hjalmar Pompe van Meerdervoort

Patricia & Robert Reid

Rotary Club of Montecito Foundation, Inc.

Lynn & Mark Schiffmacher

Naomi Schmidt

Maureen & Les Shapiro

Halina W. Silverman

Paul and Delia Smith

Linda Stafford Burrows

Beverly & Michael Steinfeld

Jacqueline & Ronald Stevens

Elaine Sweet

Carol Vernon & Robert Turbin

Mary H. Walsh

Lorraine & Stephen Weatherford

Grace & Edward Yoon

24 CENTENNIAL SEASON CELEBRATION


Presenting the world’s finest classical artists since 1919

CELEBRATING

CAMA's CENTENNIAL

by Hattie Beresford

Celebrating CAMA’s Centennial

commemorates the CAMA story

with hundreds of images and engaging

tales of the spectacular musical performances

brought to the the stages of Santa Barbara’s concert halls.

Beautiful music, exciting music, profound music — Community

Arts Music Association has been bringing this gift to Santa Barbara for

100 years. Born in the dark days following World War I, flourishing during

the Roaring Twenties, and eluding demise during the Great Depression,

CAMA has endured through a story of struggle, survival and triumph as

compelling as the world-renowned music and performers it brought.

ABOUT THE AUTHOR

Besides writing a local history column for the Montecito Journal for

over a decade, Hattie Beresford has written two issues of Noticias

and co-edited My Santa Barbara Scrap Book, the memoir of artist

Elizabeth Eaton Burton, for the Santa Barbara Historical Museum. Her

most recent book, The Way It Was: Santa Barbara Comes of Age, is a

collection of a few of her nearly 300 articles written for the Journal.

ON SALE NOW

AT CHAUCER'S BOOKS

$30.00 + tax

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

25


Presenting the world’s finest classical artists since 1919

CENTENNIAL

BIRTHDAY BASH

FREE TO THE COMMUNITY

This event is made possible through the generous support of

SAGE Publishing

The Elaine F. Stepanek Foundation

City of Santa Barbara

SUNKEN GARDENS

at the Santa Barbara County Courthouse

Sunday, May 19, 2019

1:00 PM–4:00 PM

While this event is free and open to the public, for planning purposes we ask that you

RSVP to events@camasb.org with the number in your party. Thank you!

26 CENTENNIAL SEASON CELEBRATION


OUR BUSINESS PARTNERS

Serving the public at the May 19 event!

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

27


MUSIC EDUCATION

MUSIC EDUCATION PROGRAM

$25,000 and above

The Walter J. & Holly O. Thomson Foundation

$10,000–$24,999

Ms. Irene Stone/ Stone Family Foundation

Mary Lloyd & Kendall Mills

$1,000–$9,999

CAMA Women's Board

William H. Kearns Foundation

Stefanie L. Lancaster Charitable Foundation

Sara Miller McCune

Mr. & Mrs. Frank R. Miller, Jr. /

The Henry E. & Lola Monroe Foundation

Performing Arts Scholarship Foundation

Westmont College

$100–$999

Becky & William Banning

Lynn P. Kirst

James P. and Shirley F. McFarland Fund

of the Minneapolis Foundation

CAMA Education Endowment

Fund Income

$10,000 AND ABOVE William & Nancy Myers

$1,000–$4,999 Linda Stafford Burrows –

This opportunity to experience great musicians excelling is

given in honor and loving memory of Frederika Voogd Burrows

to continue her lifelong passion for enlightening young people

through music and math.

Kathryn H. Phillips, in memory of Don R. Phillips

Walter J. Thomson/The Thomson Trust

$50–$999

Lynn P. Kirst

Keith J. Mautino

Performing Arts Scholarship Foundation

Marjorie S. Petersen

In honor of

Joan Crossland

NancyBell Coe & Bill Burke

Carolyn & Dennis Naiman

Nancy Lynn

Carolyn & Dennis Naiman

David Malvinni

Carolyn & Dennis Naiman

Volunteer docents are trained by CAMA’s Education Committee Chair, Joan Crossland, to deliver this program to

area schools monthly. Music enthusiasts are invited to learn more about the program and volunteer opportunities.

Call the CAMA office at (805) 966-4324 for more information about the docent program.

MEMORIAL GIFTS

Dr. Robert Failing

Mrs. Betty Meyer

Dr. Walter Picker

Ann M. Picker

Tita Lanning

Keith Mautino

Jim Ryerson

Christine Ryerson

Sharon Felber Taylor

Bridget Colleary

Cornelia Chapman

Ellicott Million

Dr. Eric Boehm

Judy Pochini

Michael Towbes

Bridget B. Colleary

Gerd & Peter Jordano

Else (Leinie) Schilling Bard

Joanne C. Holderman

Frederica Vogle Burrows

Linda Stafford Burrows

Professor Frederick F. Lange

MaryAnn Lange

Harold M. Williams

Nancy Englander

Sybil Mueller

Lynn P. Kirst

Dr. Robert Sinsheimer

& Karen Sinsheimer

Bob Boghosian &

Beth Gates Warren

Lynn R. Matteson

Lynn P. Kirst

Robert S. Grant

Robert L. Grant

Nan Burns, Dr. Greg Dahlen,

Robert S. Grant

William S. Hanrahan

Susie Vos

Bridget B. Colleary

28 CENTENNIAL SEASON CELEBRATION


Presenting the world’s finest classical artists since 1919

The CAMA Women’s Board Presents

A PRE-CONCERT LECTURE SERIES

2018/2019—CENTENNIAL SEASON

Doors to The Granada Theatre will open

for the lecture 15 minutes before lecture.

Lecture seating is limited to the first 100

patrons. First come, first served.

CAMA's Women's Board gratefully

thanks the following supporters!

Symphony Level $5,000

Patricia Yzurdiaga

Sonata Level $1,000

Peter & Rebecca Adams

Mrs. Richard H. Roberts

George & Judy Writer

Rondo Level $100–$500

Anonymous (2)

Bridget B. Colleary

Edward DeLoreto

Karin Nelson & Eugene Hibbs, Jr.

and Maren N. Henle

Joanne C. Holderman

Lois Kroc

Ellen & Craig Parton

Andre & Michele Saltoun

Barbara & Sam Toumayan

Nancy & Byron Kent Wood

April 5, 2019

Friday, Lecture begins at 7:00 PM

ROYAL SCOTTISH NATIONAL

ORCHESTRA

THOMAS SØNDERGÅRD, CONDUCTOR

The Granada Theatre

PRE-CONCERT LECTURE

ROBERT KOENIG, Professor and Vice Chair,

Department of Music, UC Santa Barbara.

Lecture will begin at 7:00 PM; doors to The Granada

Theatre will open for the lecture at 6:45 PM.

Lecture seating is limited to the first 100 patrons.

First come, first served.

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

29


MUSIC EDUCATION PROGRAM

LIFETIME GIVING

DIAMOND

$500,000 and above

Anonymous

Bitsy & Denny Bacon and

The Becton Family Foundation

Suzanne & Russell Bock

Linda Brown*

The Andrew H. Burnett

Foundation

Esperia Foundation

The Stephen & Carla Hahn

Foundation

Judith L. Hopkinson

Herbert & Elaine Kendall

The Samuel B. & Margaret C.

Mosher Foundation

Sage Publications

The Elaine F. Stepanek

Foundation

Michael Towbes/The Towbes

Fund for the Performing Arts

SAPPHIRE

$250,000—$499,999

The CAMA Women's Board

Leni Fé Bland

Sara Miller McCune

The Wood-Claeyssens

Foundation

Patricia & Joseph Yzurdiaga

RUBY

$100,000—$249,999

Anonymous

The Adams Family Foundation

Joan C. Benson

Deborah & Peter Bertling

Virginia Castagnola-Hunter

NancyBell Coe & William Burke

Robert & Christine Emmons

Mary & Raymond Freeman

Raye & Melville H. Haskell, Jr.

Hollis Norris Fund

Dolores M. & Immanuel Hsu

Shirley Ann & James H. Hurley, Jr.

Ann Jackson Family Foundation

Janet & Thomas Kelly/Winona

Fund

Shirley & Seymour Lehrer

John & Lucy Lundegard

Jocelyne & William Meeker

Mr. & Mrs. Frank R. Miller, Jr./

The Henry E. & Lola Monroe

Foundation

Montecito Bank & Trust

Bob & Val Montgomery

Kathleen & John Moseley/

The Nichols Foundation

Nancy & William G. Myers

Michele & Andre Saltoun

The Santa Barbara Foundation

Jan & John G. Severson

Judith F. & Julian Smith

Jeanne C. Thayer

The Walter J. & Holly O.

Thomson Foundation

Union Bank

Marilyn & H.Wallace Vandever

The Wallis Foundation

Nancy & Byron Kent Wood

George & Judy Writer

EMERALD

$50,000—$99,999

Anonymous

Anonymous

Anonymous

Ruth Appleby

Linda & Peter Beuret

Edward & Sue Birch

Dan & Meg Burnham

Louise & Michael Caccese

Jane & Jack Catlett

Roger & Sarah Chrisman,

Schlinger Chrisman Foundation

Bridget & Robert Colleary

Suzanne & Maurice Faulkner

Arthur R. Gaudi

Sherry & Robert Gilson

George H. Griffiths and Olive J.

Griffiths Charitable Fund

Janette "Dotsy" Main Hellmann

& Richard Hellmann

Joanne C. Holderman

Natalia & Michael Howe

Hutton Parker Foundation

Ellen & Peter Johnson

Lynn P. Kirst & Lynn R. Matteson

Lois Sandra Kroc

Betty & Max Meyer

Stephen J.M. & Anne Morris

Craig & Ellen Parton

Austin H. Peck

Performing Arts Scholarship

Foundation

Marjorie & Hugh Petersen/

La Arcada Trust Corp

Diana & Roger Phillips

Kathryn H. Phillips

Theodore Plute & Larry Falxa

Lady Leslie & Viscount Paul

Ridley-Tree

Barbara & Sam Toumayan

TOPAZ

$25,000—$49,999

Barbara & Edward Bakewell

Helene & Jerry Beaver

Bob Boghosian &

Beth Gates Warren

Alison & Jan Bowlus

Helen & Andrew Burnett

Elizabeth & Andrew Butcher

Huguette Clark

Cecelia & Leonard Dalsemer

Edward DeLoreto and

William DeLoreto

Patricia & Larry Durham

Nancyann & Robert Failing

Priscilla & Jason Gaines

Preston B. & Maurine M.

Hotchkis Family Foundation

The George Frederick

Jewett Foundation

Patricia Kaplan

Elizabeth Karlsberg &

Jeff Young

William H. Kearns Foundation

Jill Doré Kent

30 CENTENNIAL SEASON CELEBRATION


Otto Korntheuer/The Harold L.

Wyman Foundation

Laura & Robert Kuhn

Chris Lancashire & Catherine Gee

Lillian & Jon Lovelace

Leatrice & Eli Luria

Marilyn & Frank Magid

Ruth McEwen

Frank McGinity

Sheila Bourke McGinity

Mary & James Morouse

Pat Hitchcock O'Connell

Efrem Ostrow Living Trust

Outhwaite Foundation

Carolyn & Ernest Panosian

John & Ellen Pillsbury

Mary Dell Pritzlaff & John Pritzlaff

Mary Louise & Kenneth W. Riley

The Shanbrom Family Foundation

Anitra & Jack Sheen

Linda Stafford Burrows

Marion & William Stewart

Irene & Robert Stone/Stone Family

Foundation

The Walter J. & Holly O. Thomson

Foundation

Ina & Martin Tornallyay

Carol & Edward R. Valentine

Susie & Hubert Vos

The Elizabeth Firth Wade

Endowment Fund

Marjorie K. & Roderick S. Webster

Westmont College

AMETHYST

$10,000—$24,999

Anonymous

Rebecca & Peter Adams

Christina & David Allison

Peggy & Kurt Anderson

Bernice & Mortimer Andron

Sally & Robert Arthur

Marta Babson

Marjorie & J.W. Bailey

Else Schilling Bard

Joan C. Benson

Leslie & Philip Bernstein

Frank Blue & Lida Light Blue

Toos & Erno Bonebakker

The CAMA Fellows

Margo & Charles Chapman

Chubb Sovereign

Carnzu A. Clark

Nan Burns & Dr. Gregory Dahlen

Karen Davidson, M.D.

Fredericka & Dennis Emory

Julie & William Esrey

Ronald & Rosalind A. Fendon

Audrey Hillman Fisher Foundation

David W. Fritzen/DWF Magazines,

DWF Media

International

Catherine H. Gainey

Tish Gainey & Charles Roehm

Dorothy & John Gardner

Kay & Richard Glenn

Corinna Gordon, Larry Dale Gordon

Dorothy & Freeman Gosden

Dianne & Robert S. Grant

Beverly & Bruce Hanna

Dolores & Robert Hanrahan

Lorraine C. Hansen

Margret & David F. Hart

Betty & Stan Hatch

Renee & Richard Hawley

Ruth & Alan Heeger

Karin Nelson & Eugene Hibbs/

Maren Henle

Mary & Campbell Holmes

Elizabeth & Gary Johnson

Glenn Jordan & Michael Stubbs

Martha & Peter Karoff

Mahri Kerley/Chaucer's Books

Linda & Michael Keston

Kum Su Kim

Catherine Lloyd/Actief-cm, Inc.

MaryAnn & Frederick Lange

Dora Anne Little

Cynthia Brown & Arthur Ludwig

Leatrice Luria

Ruth & John Matuszeski

Keith Mautino

Dona & George McCauley

Jayne Menkemeller

Sybil & Russell Mueller

Myra & Spencer Nadler

Fran & John Nielsen

Joanne & Alden Orput

Mr. & Mrs. Charles W. Partridge

Performing Arts Scholarship

Foundation

Patricia & Carl Perry

John Perry

Justyn & Ray Person

Susan & James Petrovich

Anne & C.Wesley Poulson

Susannah Rake

Jaquelin & Frank Reed

Jack Revoyr

Betty & Don Richardson

Grace Jones Richardson Trust

Dorothy Roberts

The Roberts Bros. Foundation

Regina & Rick Roney

Rebecca Ross

Betty Barrett & John Saladino

William E. Sanson

Maryan & Richard Schall

Nancy & William Schlosser

Pat & Roby Scott

Sally & Jan E.G. Smit

Constance & C.Douglas Smith

Betty J. Stephens

Diane & Selby Sullivan

The Godric Foundation

Joseph Thomas

Milan E. Timm

Carrie Towbes & John Lewis

Mark E. Trueblood

Steven Trueblood

Drs. Shirley & Kenneth Tucker

Barbara & Gary Waer

Lisa Bjornsen Wolf &

David Russell Wolf

Ann & Dick Zylstra

*promised

As of February 14, 2019

CAMA AT THE GRANADA THEATRE - PHILHARMONIA ORCHESTRA

31


MUSIC EDUCATION PROGRAM

BUSINESS SUPPORTERS

We thank the many businesses that support

CAMA's programs and events!

Laurel Abbott, Berkshire

Hathaway Luxury Properties

Alma Rosa Winey

American Riviera Bank

Babcock Winery

James P. Ballantine

Belmond El Encanto

Bertling Law Group

Bibi Ji

Black Sheep Restaurant

Blue Star Parking

Bon Fortune Style & Events

Brander Vineyard

Wes Bredall

Heather Bryden

Ca' Dario Ristorante

Camerata Pacifica

Casa Dorinda

Cebada Wine

C'est Cheese

Chaucer's Books

Chocolats du CaliBressan

Chooket Patisserie

Cottage Health System

Custom Printing

Eye Glass Factory

Felici Events

Finch & Fork

First Republic Bank

Flag Factory of

Santa Barbara

Frequency Wine

Gainey Vineyard

Grace Design Associates

Grassini Family Vineyards

Grimm’s Bluff

Colin Hayward/

The Hayward Group

Steven Handelman Studios

Hogue & Company

Holdren's Catering

Indigo Interiors

Inside Wine Santa Barbara

Islay A/V

Jardesca

Le Sorelle

Lumen Wines

Maravilla/Senior Resource

Group

Michael's Catering

Microsoft® Corporation

Mission Security

Montecito Bank & Trust

Montgomery Vineyard

Northern Trust

Oak Cottage of Santa

Barbara

Oceania Cruises

Olio e Limone/Olio Crudo

Bar/Olio Pizzeria

Opal Restaurant & Bar

Opera Santa Barbara

Pacific Coast Business Times

Pali Wine Co.

Peregrine Galleries

Performing Arts Scholarship

Foundation

Pete Clements Catering

Presqu’ile Winery

Regent Seven Seas Cruises

Renaud's Patisserie & Bistro

Rose Story Farm

Sabine Myers Design

SAGE Publishing

Santa Barbara Choral

Society

Santa Barbara Foundation

Santa Barbara Travel Bureau

Santa Barbara Winery

Stewart Fine Art

The Tent Merchant

The Upham Hotel

UCSB Arts & Lectures

Via Maestra 42

Westmont Orchestra

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