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This Is London 5 April 2019

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63 Years Informing International & UK Visitors<br />

Est. 1956 <strong>Is</strong>sue 3147<br />

Friday 5 <strong>April</strong>, <strong>2019</strong>


CONTENTS<br />

Events 4<br />

Sir Andy Murray Starts <strong>London</strong> Marathon<br />

Dinosaur World Roars into Wembley<br />

Dambusters at RAF Museum <strong>London</strong><br />

Music 8<br />

English Chamber Orchestra<br />

Celebrating Mozart’s Women!<br />

Bach Choir: St Matthew Passion<br />

Exhibitions 14<br />

200th Anniversary of Victoria’s Birth<br />

New Season of Hidden <strong>London</strong> Tours<br />

Theatre 16<br />

Admissions<br />

Downstate<br />

Mamma Mia! 20th Anniversary<br />

© <strong>This</strong> is <strong>London</strong> Magazine Limited<br />

<strong>This</strong> is <strong>London</strong> at the Olympic Park<br />

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supplied, neither the Publishers nor their agents<br />

accept responsibility for any damage, errors or<br />

omissions, however these may be caused.<br />

VISITOR INFORMATION<br />

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Welcome to <strong>London</strong><br />

‘What country, friends, is this?’<br />

That is the question that Viola –<br />

finding herself in an unfamiliar new land<br />

after a devastating shipwreck – asks in<br />

the opening moments of Shakespeare’s<br />

comic masterpiece, Twelfth Night. We<br />

look forward to welcoming you to<br />

Shakespeare’s Globe this summer as we<br />

join Viola, and Shakespeare, in asking<br />

questions about national identity,<br />

belonging and refuge.<br />

The Globe Theatre season opens on 23 <strong>April</strong> – the date of Shakespeare’s<br />

birthday – with a trilogy of plays that reflect on English history and myths:<br />

Henry IV, Parts 1 and 2, and Henry V. Once again, we will have 700 tickets<br />

priced at £5 for every performance in the Globe Theatre season as part of our<br />

commitment to making Shakespeare accessible to all.<br />

Later in the season, we will also perform some of Shakespeare’s best-loved<br />

comedies, including A Midsummer Night’s Dream, as well as holding festivals<br />

on the themes of Women and Power and Shakespeare and Poland. Our lively<br />

family storytelling festival, Shakespeare’s Telling Tales, returns in July and,<br />

away from Bankside, you can also catch Emilia, our smash-hit new play from<br />

2018, at the Vaudeville Theatre in the West End.<br />

Our open-air theatre on the bank of the River Thames is a unique artistic<br />

and cultural venue, and a must-see <strong>London</strong> visitor attraction. If you’re<br />

interested to learn more about the space, we also run guided tours throughout<br />

the year.<br />

We look forward to seeing you on Bankside this summer!<br />

“AN ABSOLUTE<br />

BLAST.”<br />

© WLPL<br />

SW1V 1LG•<br />

The Guardian<br />

Neil Constable<br />

Chief Executive, Shakespeare’s Globe<br />

VICTORIA<br />

3<br />

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4<br />

SIR ANDY MURRAY TO START <strong>2019</strong><br />

VIRGIN MONEY LONDON MARATHON<br />

British sporting icon Sir Andy Murray<br />

will be the official starter of the <strong>2019</strong><br />

Virgin Money <strong>London</strong> Marathon. The<br />

tennis superstar, one of Britain’s greatest<br />

ever athletes, will start the world’s<br />

greatest marathon on Sunday 28 <strong>April</strong>.<br />

Andy became the first British man in<br />

77 years to win the Wimbledon singles<br />

title in 2013 and repeated the triumph<br />

again in 2016. He won successive<br />

Olympic gold medals in 2012 and 2016<br />

with the first of those coming at<br />

Wimbledon as part of the <strong>London</strong><br />

Olympic Games.<br />

The 31-year-old, who grew up in<br />

Dunblane, Scotland, also won the US<br />

Open in 2012 and in 2014 famously led<br />

Great Britain to a first Davis Cup title<br />

since 1936. He was the world’s number<br />

one ranked player from November 2016<br />

to August 2017. He was knighted in the<br />

2017 New Year’s Honours List.<br />

Andy, who is currently rehabilitating<br />

after surgery on his right hip, has a<br />

personal connection with the event as he<br />

was there to support his wife Kim when<br />

she ran in 2014.<br />

Last year, Her Majesty The Queen was<br />

the official race starter while in 2017 the<br />

Duke and Duchess of Cambridge and<br />

Prince Harry pressed the famous red<br />

button to get the marathon under way.<br />

The official starters over the years have<br />

also included five time Olympic<br />

champion Sir Steve Redgrave and<br />

double Olympic champions Helen<br />

Glover and Heather Stanning.<br />

Hugh Brasher, Event Director of the<br />

Virgin Money <strong>London</strong> Marathon, said:<br />

‘Sir Andy Murray is one of Britain’s<br />

greatest sporting superstars and it is<br />

so fitting that he will be the official<br />

starter for one of the country’s greatest<br />

sporting events and the world’s greatest<br />

marathon. Andy is renowned as one of<br />

the toughest and most competitive<br />

sportsmen on the planet and someone<br />

who does not recognise barriers in<br />

sport. We are delighted that he will be<br />

with us on Sunday 28 <strong>April</strong> to start the<br />

field of 42,000 runners undertaking the<br />

legendary 26.2 mile challenge –<br />

including both the very best marathon<br />

runners in the world and thousands of<br />

first-timers who have been inspired to<br />

get active and raise money for charity.’<br />

DAMBUSTERS: VIRTUAL REALITY<br />

EXPERIENCE AT RAF MUSEUM<br />

The Royal Air Force Museum is<br />

inviting visitors to take a seat on board a<br />

Lancaster during the legendary<br />

Dambusters raid of 1943, using Virtual<br />

Reality technology.<br />

The Dams Raid was the greatest feat of<br />

arms performed by the Royal Air Force<br />

and one of the key stories of the Second<br />

World War. Its success captured the<br />

public imagination at the time and over<br />

the next 70 years inspired a multitude of<br />

books, films and documentaries.<br />

Dambusters: Immersive Histories is<br />

the newest part of the Dambusters offer<br />

that also includes a replica of the<br />

‘bouncing bomb’, Barnes Wallis’ office<br />

and the original moulds of the first test<br />

bombs. The Virtual Reality Experience<br />

puts the user inside a moment in history.<br />

For the first time ever, visitors to the<br />

Museum can step inside the story of the<br />

iconic operation through an authentic,<br />

interactive recreation of the Dambusters’<br />

first mission on 16 May 1943 attacking<br />

the Möhne Dam.<br />

Lancaster during the Dambusters raid.<br />

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6<br />

CHELSEA FC STADIUM TOURS<br />

OF STAMFORD BRIDGE<br />

For visitors to <strong>London</strong>, a tour of<br />

Stamford Bridge is not to be missed.<br />

Home of one of the world’s most iconic<br />

football clubs, its a fun, informative and<br />

unforgettable experience enjoyed by<br />

sports fans of all ages from all over the<br />

world. The guided hour-long tour will<br />

take you behind the scenes at one of the<br />

worlds greatest football clubs, giving<br />

visitors access to areas normally<br />

reserved for players and officials.<br />

Along the way you will visit various<br />

stands in the stadium, the press room,<br />

home and away dressing rooms, the<br />

tunnel and dug-out areas. All tours<br />

include entry to the Museum, giving the<br />

chance to see how Chelsea has evolved<br />

on and off the pitch over the years.<br />

Chelsea pride themselves on having<br />

guides who are both knowledgeable and<br />

enthusiastic about the club, and it's their<br />

passion that make the tours a truly<br />

memorable experience.<br />

Whilst at the Stadium, have lunch at<br />

Chelsea's very own Frankie's Sports Bar<br />

& Diner as part of the Tour and Lunch<br />

package. A combined Tour and Lunch<br />

package includes a full stadium tour,<br />

entrance to the Chelsea FC Museum and<br />

a two course lunch from a set menu in<br />

Frankie's Sports Bar & Diner.<br />

Visit www.chelseafc.com/tours<br />

CIRCUS 1903 RETURNS TO THE<br />

ROYAL FESTIVAL HALL<br />

Circus 1903 is back! Thousands of<br />

people flocked to the Royal Festival Hall<br />

over Christmas last year to delight in the<br />

wonders of the Golden Age of Circus<br />

and the show will return to the UK for a<br />

repeat season at Southbank Centre’s<br />

Royal Festival Hall.<br />

<strong>This</strong> year’s show will feature many of<br />

the best loved acts from last year,<br />

including Peanut and Queenie,<br />

undoubtedly the most charming elephants<br />

on any stage around the world, alongside<br />

ringmaster David Williamson. A range of<br />

new acts from around the world join the<br />

troupe to delight audiences.<br />

ALL YOU CAN EAT BREAKFAST WITH<br />

BUNNY FOR EASTER<br />

Hard Rock Cafe <strong>London</strong> is hosting a<br />

hoppin’ Breakfast with Bunny feast on<br />

Sunday 14 <strong>April</strong>, for families looking for<br />

an entertaining experience everyone can<br />

enjoy. The Breakfast with Bunny buffet<br />

will take place from 10.00 through to<br />

12.00 and features an all you can eat<br />

spread of egg-cellent dishes such as<br />

scrambled eggs, bacon, pancakes,<br />

muffins and an assortment of juices.<br />

Future Roxstars Easter can also enjoy<br />

an Easter egg hunt, face painters and a<br />

surprise visit from the Easter bunny. As<br />

an egg-stra special Easter treat, Roxtars<br />

will receive an Easter Goodie Bag to<br />

take home.<br />

‘Hard Rock Cafe is creating a unique<br />

breakfast experience that caters to kids<br />

and adults alike this Easter,’ said Leigh<br />

Merritt, Vice President of Food &<br />

Beverage for Hard Rock International.<br />

‘Bringing families together through<br />

music, food and fun is what Hard Rock<br />

Cafe does best, and we’d love for<br />

everyone to join the fun at Hard Rock<br />

Cafe <strong>London</strong>.’ Beginning with an Eric<br />

Clapton guitar, Hard Rock owns the<br />

world's most valuable collection of<br />

music memorabilia, which is displayed<br />

at its locations around the globe.<br />

Booking is essential as spaces are<br />

limited. For more information, call<br />

020 7514 1700 or visit the website.<br />

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SUSAN CALMAN VOICE OF NEW<br />

CALEDONIAN SLEEPER<br />

Guests travelling on board the<br />

Caledonian Sleeper will soon be woken<br />

by one of Scotland’s most popular<br />

celebrities, after Susan Calman was<br />

named the voice of the new trains.<br />

The TV and radio star is no stranger<br />

to travelling to some of the nation’s<br />

best-loved destinations having recently<br />

presented Channel 5’s Secret Scotland.<br />

Now, her tour of Scotland will<br />

continue six nights a week as she<br />

‘travels’ on board the Caledonian Sleeper<br />

between <strong>London</strong> and various Scottish<br />

locations including Aberdeen,<br />

Edinburgh, Fort William, Glasgow and<br />

Inverness. Susan, who will voice all<br />

scheduled announcements, is a frequent<br />

guest on board and a huge advocate of<br />

sleeper travel. During her time on BBC<br />

One’s Strictly Come Dancing last year,<br />

she even filmed on the train as part of<br />

the show.<br />

The new Caledonian Sleeper trains<br />

will be introduced in May and for the<br />

first time will include rooms with double<br />

beds and en-suite toilet and showers.<br />

Ryan Flaherty, Serco’s Managing<br />

Director at Caledonian Sleeper, said:<br />

‘Susan is the perfect fit as the voice of<br />

Caledonian Sleeper. Like us, she has a<br />

real sense of adventure and is<br />

completely at home travelling around<br />

Scotland. Our ambition with our new<br />

trains is to deliver a timeless experience<br />

for guests and I know Susan is thrilled<br />

to be part of such a huge change to the<br />

service. We’re firmly on the final<br />

countdown now and I cannot wait for<br />

guests to step on board and see the new<br />

Caledonian Sleeper for the first time.’<br />

The new fleet, built at a cost of over<br />

£100m and part funded by a capital grant<br />

from the Scottish Ministers of £60m, has<br />

been designed to accommodate the<br />

modern-day traveller and cater for both<br />

business and leisure travel guests.<br />

It’s the perfect way to travel from the<br />

capital to Scotland without the<br />

inconveniences of flying or the long<br />

road journey.<br />

Susan Calman on the new Caledonian Sleeper.<br />

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8<br />

ROYAL CHORAL SOCIETY’S 143rd<br />

GOOD FRIDAY MESSIAH<br />

There is no better way to kick off the<br />

Easter weekend than with the joyous,<br />

moving music of Handel’s choral<br />

masterpiece, Messiah. <strong>This</strong> year sees the<br />

Royal Choral Society’s 143rd annual<br />

Good Friday afternoon performance at<br />

the Royal Albert Hall; it’s an event that<br />

forms an important part of <strong>London</strong>’s<br />

Easter celebrations.<br />

The Royal Choral Society was formed<br />

for the opening of the Royal Albert Hall<br />

in 1871, and the choir performed<br />

Messiah in its first season in 1872 but is<br />

was in 1876 the great Easter tradition of<br />

singing Messiah every Good Friday<br />

afternoon at the Royal Albert Hall began.<br />

It is thought that this choir has sung this<br />

profound spiritual epic more times than<br />

any other choral ensemble, estimated at<br />

around 280 performances. Messiah is<br />

the perfect musical choice for<br />

Passiontide, with the moving and<br />

uplifting music illustrating Christ’s<br />

passion, redemption and resurrection.<br />

Messiah contains one of the greatest<br />

choruses in the choral repertoire – the<br />

The Royal Choral Society.<br />

‘Hallelujah Chorus’. It is thought that<br />

when King George II first heard the<br />

Hallelujah he stood up on his feet, and<br />

ever since, when the opening bars of<br />

this chorus are played, the audience<br />

rises to its feet: this is quite a sight in<br />

the sumptuous interior of a packed<br />

Royal Albert Hall on Good Friday<br />

afternoon.<br />

From the earliest days the finest<br />

orchestras, conductors and soloists<br />

have joined the RCS at the Royal Albert<br />

Hall on Good Friday and this year is no<br />

exception with the Royal Philharmonic<br />

Orchestra, soprano Mhairi Lawson,<br />

mezzo-soprano Madeleine Shaw, tenor<br />

Jamie MacDougall and bass Božidar<br />

Smiljani all joining the choir under the<br />

baton of conductor Richard Cooke.<br />

Be part of this great Easter tradition<br />

on Good Friday afternoon and enjoy<br />

Handel’s magnificent oratorio in one of<br />

the world’s greatest concert halls.<br />

Tickets are available from the website<br />

at www.royalalberthall.com or by<br />

telephone on 0845 401 5045.<br />

For further information visit<br />

www.royalchoralsociety.co.uk<br />

DELICA CHAMBER ORCHESTRA<br />

WITH SPECIAL GUESTS<br />

The Délica Chamber Orchestra will<br />

perform with Paula Duarte & Dante<br />

Culcuy tango dancers at Cadogan Hall<br />

on Thursday 11 <strong>April</strong> at 19.30. Visitors<br />

can experience classical music from a<br />

new perspective – Italian Melodies &<br />

Tangos arranged for string chamber<br />

orchestra, in works from Rossini and<br />

Puccini to tangos by Piazzolla and<br />

Albéniz and including leading tango<br />

dancers Paula Duarte and Dante Culcuy.<br />

Paula Duarte is currently world<br />

touring with tango dancer Michael<br />

Nadtochi, together they are known as<br />

‘Paulita y el Gato’. She is also Principle<br />

dancer of Revelacion Tango tango stage<br />

show by Adriano Mauriello.<br />

The Délica Chamber Orchestra was<br />

founded in June 2017 in Madrid and<br />

comprises musicians from some of<br />

Europe’s most prestigious universities.<br />

Their diverse backgrounds, views and<br />

cultures come together in a powerful<br />

union of talent and love of music. Their<br />

broad range of musical styles, from<br />

Baroque to contemporary, has delighted<br />

audiences wherever they have<br />

performed, with playing of passion,<br />

sensitivity and elegance.<br />

For tickets, telephone 020 7730 4500.<br />

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ENGLISH CHAMBER ORCHESTRA<br />

PLAYS MENDELSSOHN AND SCHUBERT<br />

Experience the intimacy and energy of<br />

live classical music performed without a<br />

conductor with the English Chamber<br />

Orchestra at Cadogan Hall (Sloane Square)<br />

on 16 <strong>April</strong> (19.30).<br />

The ECO’s leader Stephanie Gonley<br />

directs from the violin in a concert that’s<br />

been designed to show the ECO at its very<br />

best: chamber music on the most allembracing<br />

scale. Bartók’s Divertimento is<br />

one of the 20th Century’s greatest<br />

masterpieces for strings: a premonition of<br />

the Second World War, charged with a<br />

fierce, burning vitality that simply won’t roll<br />

over and be polite. Suk’s Serenade comes<br />

from a happier world: a song of summer,<br />

drenched in romantic melody and glowing<br />

with Bohemian sunshine. In other words,<br />

exactly what you’d hope for from Dvořák’s<br />

favourite pupil.<br />

In between, Stephanie steps into the<br />

spotlight, as soloist not just in the teenage<br />

Mendelssohn’s surprisingly dramatic ‘other’<br />

violin concerto, but also in Schubert’s<br />

deliciously tuneful and virtuosic Rondo.<br />

The world’s most-recorded chamber<br />

orchestra, the ECO has long been an<br />

integral part of the UK’s orchestral heritage,<br />

with almost 60 years of music making<br />

across the globe. The illustrious history of<br />

the orchestra features many major musical<br />

figures including Benjamin Britten (the<br />

orchestra’s first patron), Mstislav<br />

Rostropovich, Pinchas Zukerman and<br />

Daniel Barenboim and many others. Under<br />

the patronage of HRH Prince Charles, the<br />

ECO has been honoured to participate in a<br />

number of royal occasions over the years,<br />

most recently for the wedding of Prince<br />

Harry and Meghan Markle.<br />

Later in the season, hear the ECO again<br />

on 22 May (at Cadogan Hall) with the<br />

phenomenal Uzbek pianist Behzod<br />

Abduraimov directing Beethoven's First<br />

Piano Concerto from the keyboard.<br />

Cadogan Hall is a two-minute walk from<br />

Sloane Square tube station (District and<br />

Circle Line), in the heart of Chelsea.<br />

Box Office telephone 020 7730 4500 or<br />

visit www.cadoganhall.com<br />

The English Chamber Orchestra<br />

Photo: Chris Christodoulou.<br />

9<br />

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10<br />

THE BACH CHOIR: ST MATTHEW<br />

PASSION<br />

On Sunday 7 <strong>April</strong>, The Bach Choir<br />

and conductor David Hill will perform<br />

Bach’s St Matthew Passion at the Royal<br />

Festival Hall – an event that is a muchanticipated<br />

fixture in <strong>London</strong>’s musical<br />

calendar. The Choir’s conductor David<br />

Hill was recently made a Member of the<br />

Order of the British Empire in the New<br />

Year Honours for his services to music.<br />

The performance comes 125 years after<br />

the Choir first performed the St Matthew<br />

Passion. James Gilchrist returns to the<br />

role of the Evangelist and Matthew Rose<br />

sings Christ alongside Sophie Bevan,<br />

Hilary Summers, Ed Lyon, and Neal<br />

Davies.<br />

The annual performance now begins<br />

at 11.00, breaking for a long lunch at the<br />

moment where the congregants in Bach’s<br />

own Thomaskirche would have heard<br />

their Good Friday sermon, between the<br />

two parts. The Choir sings in English,<br />

conveying the directness and the drama<br />

as found in the German-texted original.<br />

Members of the Bach Choir now<br />

return to the work year on year with a<br />

sense of devotion and unbroken tradition<br />

that recalls the zeal of the amateur<br />

societies that first unearthed and began<br />

to perform Bach’s works nearly 200<br />

years ago. Tickets tel: 020 3879 9555.<br />

TALLULAH RENDALL COMES TO THE<br />

TABERNACLE<br />

Spirited rock singer turned sound<br />

therapist, Tallulah Rendall, will be<br />

playing at The Tabernacle in Notting Hill<br />

on Saturday 6 <strong>April</strong>, as part of a tour<br />

celebrating the launch of her landmark<br />

new album The Liminal.<br />

Launching on Thursday 4 <strong>April</strong>, The<br />

Liminal is Tallulah’s fourth album.<br />

Drawing on her life experience, the<br />

album’s collection of uplifting lyrical<br />

anthems were created to inspire and<br />

heal, abetted by the sonic reverberations<br />

of her gongs and singing bowls. Tallulah<br />

is now eager to initiate others into this<br />

this tranquil, creative dimension. To<br />

achieve this, she has cooked up an<br />

immersive, sensory experience for her<br />

concerts where she will transport her<br />

audience from deep stillness via an<br />

opening sound bath, into an enlivening<br />

live performance.<br />

AMATIS PIANO TRIO IN CONCERT<br />

The Amatis Trio won The Parkhouse<br />

Award in 2015, were then chosen for the<br />

BBC New Generation Artists scheme<br />

2016-18 and are now ECHO Rising<br />

Stars giving performances worldwide.<br />

They have always championed new<br />

music in addition to the well-loved<br />

repertoire and continue with a concert<br />

on 15 <strong>April</strong> at Southbank Centre.<br />

‘Moorlands’ by the young Swedish<br />

composer, Andrea Tarrodi, was<br />

commissioned by ECHO and adds the<br />

piano trio to the extensive range of<br />

ensembles she writes for. In 2010,<br />

Tarrodi’s piece Zephyros for orchestra<br />

received 1st prize in the Uppsala<br />

Composition Competition, which led to<br />

several performances of the piece by<br />

different orchestras around the world.<br />

During 2011-2013, she was Radio<br />

Sweden P2’s composer-in-residence and<br />

in Spring 2012 she was appointed<br />

‘Composer of the Spring Season’ in the<br />

Berwald Concert Hall.<br />

Performances of piano trios by<br />

Brahms and Mendelssohn follow, both<br />

second trios for these composers, the<br />

former in C major and the latter in C<br />

minor. Brahms’s was written in the<br />

1880s which was considered a most<br />

fruitful period for his chamber music<br />

and Mendelssohn, writing about his trio<br />

to sister Fanny, commented that it was<br />

‘a trifle nasty to play, but not really<br />

difficult’. He dedicated it to one of the<br />

great musicians of the age, the<br />

composer and violinist Louis Spohr,<br />

who is known to have taken part in at<br />

least one performance with<br />

Mendelssohn himself at the piano.<br />

For tickets, telephone 020 3879 9555.<br />

P<br />

T<br />

The Amatis Trio.<br />

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CELEBRATING MOZART’S WOMEN!<br />

<strong>This</strong> year the <strong>London</strong> Mozart Players<br />

and their former Artistic Director, Jane<br />

Glover, celebrate their 70th birthdays.<br />

To mark these milestones, they are<br />

reuniting for a concert at <strong>London</strong>’s<br />

fabulous St John’s Smith Square concert<br />

hall on 11 <strong>April</strong> at 19.30, with a very<br />

special programme that celebrates the<br />

women who touched Mozart’s life and<br />

inspired him to compose some of his<br />

greatest works.<br />

‘Mozart’s Women’ included piano<br />

virtuoso Victoire Jenamy, who would<br />

have performed his Piano Concerto No.<br />

9 in E flat K.271; his first love, soprano<br />

Aloysia Weber – inspiration for the<br />

ravishing aria ‘Vorrei spiegarvi, oh Dio’<br />

(which reaches top E); Aloysia’s sister<br />

Constanze – later Mozart’s wife, for<br />

whom he composed the soprano part of<br />

his Mass in C Minor; and English<br />

soprano Nancy Storace, the muse<br />

behind the aria ‘Ch’io mi scordi di te?’<br />

(which includes a solo piano). Not<br />

forgetting the composer’s sister Maria<br />

Anna – ‘Nannerl’, and his mother, Maria,<br />

who accompanied Mozart through<br />

Europe in 1778, dying shortly after the<br />

performance of his ‘Paris’ Symphony No.<br />

31, K.297.<br />

It’s a line-up of top musicians, all<br />

Mozart experts. Alongside the <strong>London</strong><br />

Mozart Players under the baton of<br />

conductor Jane Glover, coloratura<br />

Soprano Jennifer France will hold<br />

audiences spellbound with a couple of<br />

Mozart’s most beautiful arias, while<br />

hugely acclaimed 17-year-old pianist<br />

and current BBC Young Musician Lauren<br />

Zhang will breathe fresh life into<br />

Mozart’s Piano Concerto No. 9 in E flat.<br />

<strong>This</strong> will be a glorious evening of music<br />

that no Mozart aficionado should miss.<br />

St John’s Smith Square is a short<br />

walk from Westminster station, which is<br />

on the Jubilee Line. There is a restaurant<br />

which serves dinner as well as cakes<br />

and hot beverages.<br />

For more information visit<br />

www.sjss.org.uk/events/mozarts-women<br />

<strong>London</strong> Mozart Players.<br />

Photo: Kevin Day.<br />

11<br />

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12<br />

Kensington Palace © Historic Royal Palaces<br />

HISTORIC ROYAL PALACES MARK<br />

200TH ANNIVERSARY OF QUEEN<br />

VICTORIA’S BIRTH<br />

Historic Royal Palaces are to mark the<br />

200th anniversary of Queen Victoria’s<br />

birth with major new exhibition at<br />

Kensington Palace. The new exhibition<br />

and re-presented visitor route will open<br />

on 24 May at the birthplace of the<br />

Victorian era.<br />

On 24 May 1819, Princess Victoria<br />

was born at Kensington Palace, an infant<br />

who as Queen would one day rule over<br />

the largest empire the world had ever<br />

known. To mark the bicentenary of this<br />

historic event, Historic Royal Palaces are<br />

presenting a major new exhibition at<br />

Kensington Palace, alongside a<br />

re-presentation of the rooms the young<br />

Victoria called home.<br />

As the birthplace of the Victorian era,<br />

Kensington Palace played a central role<br />

in the shaping of this important<br />

monarch. It was at the palace that<br />

Victoria spent her formative years under<br />

the gaze of her ever-present mother the<br />

Duchess of Kent, and it was in her<br />

apartment at Kensington that she went to<br />

bed a princess and woke up a queen.<br />

Now, using new research by curators at<br />

Historic Royal Palaces – the<br />

independent charity which cares for<br />

Kensington Palace – the suite of rooms<br />

Victoria and her mother occupied will be<br />

reimagined in an evocative and familyfriendly<br />

exploration of royal childhood.<br />

Through a display of remarkable<br />

objects relating to her early years –<br />

including a poignant scrapbook of<br />

mementos created by her German<br />

governess, Baroness Lehzen, which<br />

goes on public display for the first time -<br />

this newly presented route will reveal the<br />

story of the girl destined to be queen.<br />

From the rapid conversion of a dining<br />

room into a birthing room, visitors will<br />

follow the Princess’s journey to the<br />

crown, experiencing how an idyllic<br />

childhood became governed by the strict<br />

rules of the ‘Kensington System’, and<br />

how Victoria escaped isolation and<br />

family feuding into a fantasy world of<br />

story writing, doll making and drawing<br />

inspired by her love of opera and ballet.<br />

Meanwhile, in the palace’s Pigott<br />

Gallery, a new exhibition will consider<br />

the private woman behind the public<br />

monarch, and re-examine her later life<br />

and legacy. As head of an ever-growing<br />

family, Victoria had the unique challenge<br />

of balancing the role of wife and mother<br />

with that of Queen of an expanding<br />

empire.<br />

The exhibition will assess her power<br />

and influence following the death of her<br />

beloved Albert, and how she carefully<br />

curated her own public image. As the<br />

most famous woman in the world at the<br />

dawn of the photographic age, Victoria<br />

understood and consciously harnessed<br />

this new technology, using it both to<br />

project an image of Imperial power<br />

across continents and document the<br />

minutiae of family life. Similarly, the<br />

display will consider how her<br />

organisation of the marriages of her nine<br />

children – and those of her 42<br />

grandchildren – into the ruling families<br />

of Europe marked a deliberate exercise<br />

in shaping dynastic politics across the<br />

continent, and earned her the nickname<br />

‘the Grandmother of Europe’.<br />

Looking further afield, Victoria’s<br />

complex love affair with India will also<br />

be explored, from her Anglicisation of<br />

the deposed Maharajah Duleep Singh to<br />

the role played by her Indian servant<br />

Abdul Karim, on whom the Queen<br />

bestowed the title of ‘Munshi’ or<br />

‘teacher’.<br />

www.hrp.org.uk/Victoria<strong>2019</strong><br />

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14<br />

Vincent van Gogh – Self-portrait 1887.<br />

THE EY EXHIBITION: VAN GOGH<br />

AND BRITAIN<br />

Last week, Tate Britain opened a<br />

major exhibition about Vincent van Gogh<br />

(1853- 1890). The EY Exhibition: Van<br />

Gogh and Britain is the first exhibition to<br />

take a new look at the artist through his<br />

relationship with Britain. It explores both<br />

how Van Gogh was inspired by British<br />

art, literature and culture and how he, in<br />

turn, inspired British artists, from<br />

Vanessa Bell to Francis Bacon.<br />

Bringing together the largest group of<br />

Van Gogh paintings shown in the UK for<br />

nearly a decade, The EY Exhibition: Van<br />

Gogh and Britain includes over 50 works<br />

by the artist from public and private<br />

collections around the world. They<br />

include Self-Portrait 1889 from the<br />

National Gallery of Art, Washington, The<br />

Arlésienne 1890 from Museu de Arte de<br />

Säo Paolo, Starry Night 1888 from the<br />

Musée d'Orsay, Paris, Shoes from the<br />

Van Gogh Museum, Amsterdam, and the<br />

rarely loaned Sunflowers 1888 from the<br />

National Gallery, <strong>London</strong>.<br />

Van Gogh spent several crucial years<br />

in <strong>London</strong> between 1873 and 1876,<br />

writing to his brother Theo, 'I love<br />

<strong>London</strong>'. Arriving as a young trainee art<br />

dealer, the vast modern city prompted<br />

him to explore new avenues of life, art<br />

and love. The exhibition reveals Van<br />

Gogh's enthusiasm for British culture<br />

during his stay and his subsequent<br />

artistic career. It shows how he<br />

responded to the art he saw, including<br />

works by John Constable and John<br />

Everett Millais as well as his love of<br />

British writers from William Shakespeare<br />

to Christina Rossetti. Charles Dickens in<br />

particular influenced Van Gogh's style<br />

and subject matter throughout his career.<br />

The Arlésienne 1890, a portrait he<br />

created in the last year of his life in the<br />

south of France, features a favourite<br />

book by Dickens in the foreground.<br />

The exhibition also explores Van<br />

Gogh's passion for British graphic artists<br />

and prints. Despite his poverty, he<br />

searched out and collected around 2,000<br />

engravings, most from English magazines<br />

such as the Illustrated <strong>London</strong> News.<br />

Tracing Van Gogh from his obscure<br />

years in <strong>London</strong> to the extraordinary<br />

fame he achieved in Britain in the 1950s,<br />

the exhibition shows how his<br />

uncompromising art and life paved the<br />

way for modern British artists like<br />

Matthew Smith, Christopher Wood and<br />

David Bomberg. It concludes with an<br />

important group of portraits by Francis<br />

Bacon based on a Van Gogh self-portrait<br />

known only from photographs since its<br />

destruction during the Second World<br />

War. The exhibition provides an<br />

opportunity to look afresh at well-known<br />

works by Van Gogh, through the eyes of<br />

the British artists he so inspired, in a<br />

period when he epitomised the idea of<br />

the embattled, misunderstood artist, set<br />

apart from mainstream society.<br />

Van Gogh – Sunflowers 1888.<br />

NEW SEASON OF HIDDEN LONDON<br />

DISUSED STATION TOURS<br />

Hidden <strong>London</strong> is bringing some<br />

movie magic to its historic Aldwych<br />

disused station tours with a<br />

complimentary film screening of the<br />

award-winning film Darkest Hour (2017)<br />

starring Academy Award winning actor<br />

Gary Oldman and Dame Kristin Scott<br />

Thomas. After exploring one of <strong>London</strong>’s<br />

most secret spaces deep underground,<br />

guests can enjoy the war-time<br />

blockbuster in the comfortable Cubic<br />

Theatre at <strong>London</strong> Transport Museum.<br />

Film fans will also have the chance to<br />

walk in the footsteps of James Bond<br />

during the Charing Cross tour and<br />

complimentary Skyfall (2012) screening.<br />

Charing Cross disused station is one of<br />

the Bond filming locations. Guests can<br />

enjoy a martini – shaken not stirred – as<br />

they watch actor Daniel Craig as the<br />

famous spy in action in the Cubic Theatre.<br />

Visitors to the Clapham South –<br />

Subterranean shelter tour will hear about<br />

the extraordinary stories of <strong>London</strong>ers<br />

seeking refuge in this labyrinth of<br />

underground passages during the<br />

Second World War as well as Caribbean<br />

migrants arriving on the Empire<br />

Windrush who, temporarily, made this<br />

deep-level underground shelter their<br />

home.<br />

The Down Street tour gives Churchill<br />

enthusiasts the opportunity to discover<br />

where this great war-time leader took<br />

refuge during the height of the Blitz,<br />

while art deco fans will love the 55<br />

Broadway tour. Opened in 1929, this<br />

Grade I listed building was <strong>London</strong>’s<br />

first skyscraper and celebrates its 90th<br />

birthday this year. Warmer weather<br />

means the green and wild area around<br />

Highgate station, and its disused<br />

platforms can be explored. Find out why<br />

the station now lies in a secluded vale.<br />

The Euston tour offers visitors a glimpse<br />

of quiet and spooky passageways below<br />

Euston’s bustling station.<br />

Organised by <strong>London</strong> Transport<br />

Museum, the new season runs from<br />

1 <strong>April</strong> to 27 September.<br />

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Roie Galitz, <strong>Is</strong>rael. Special mention, natural world. Svalbard, Norway. A mother Polar<br />

bear and her two young cubs are migrating north, as the sea ice melts quicker than<br />

previous years.<br />

TRAVEL PHOTOGRAPHER OF THE<br />

YEAR FLIES INTO LONDON<br />

<strong>London</strong> gains a stunning open-air<br />

photography attraction when the latest<br />

winning images from the international<br />

Travel Photographer of the Year awards<br />

go on display this week at <strong>London</strong><br />

Bridge City, adjacent to City Hall and the<br />

Scoop and opposite the Tower of<br />

<strong>London</strong>. <strong>This</strong> vibrant and evocative<br />

exhibition of world-class contemporary<br />

travel photography will be on view<br />

24 hours a day and run until 30 <strong>April</strong>.<br />

The exhibition is the first public<br />

showing of the winning shots from the<br />

2018 Travel Photographer of the Year<br />

competition. Amateur and professional<br />

photographers from 142 countries<br />

submitted over 20,000 images, and<br />

photographers from 22 countries feature<br />

amongst the winners. The <strong>2019</strong> awards<br />

open on 11 <strong>April</strong>. Shot on everything<br />

from high-end mobile phones to<br />

professional cameras, the images<br />

present a glorious, intriguing, at times<br />

poignant, thought-provoking view of this<br />

planet and its human and wild inhabitants.<br />

Exhibition visitors can vote for their<br />

favourite image at tpoty.photo, and<br />

everybody who votes will be entered<br />

into a draw for the chance to win a<br />

range of prizes.<br />

THE ART OF PERSUASION: WARTIME<br />

POSTERS BY ABRAM GAMES<br />

The art of persuasion: Wartime<br />

posters by Abram Games is a major<br />

retrospective of the pioneering work of<br />

graphic artist Abram Games, opening at<br />

the National Army Museum on 6 <strong>April</strong>.<br />

The show presents over 100 posters<br />

Games created during his employment<br />

as a poster artist for the Public Relations<br />

Department at the War Office from 1941<br />

until 1945. The exhibition explores how<br />

his Jewish refugee heritage, experiences<br />

as a soldier and the turbulent politics of<br />

wartime Britain shaped the career of a<br />

man who continues to influence design<br />

industry professionals today.<br />

At a time of immense social unrest,<br />

after the 'war to end all wars' had left<br />

hundreds of thousands of veterans and<br />

civilians on the poverty line, the country<br />

was to embark on a second world war<br />

with National Service an unthinkable<br />

necessity. Abram Games, a staunch<br />

socialist who had himself joined the Army<br />

in 1940, saw an opportunity to<br />

communicate ideas which might help win<br />

the war, as well as bring about social<br />

change in Britain. He did this by creating<br />

posters that recruited, educated, informed<br />

and influenced soldiers and civilians alike.<br />

The exhibition explores his masterful<br />

use of the airbrush, a limited colour<br />

palette, bold hand-rendered typography<br />

and often stark imagery, in covering<br />

difficult subjects like saving lives and<br />

censorship. Leading with a mantra of<br />

'maximum meaning, minimum means',<br />

Games was the master of reductive<br />

design.<br />

THE MASTER OF LIGHT SOROLLA AT THE NATIONAL GALLERY<br />

From the vivid seascapes, garden views, and bather scenes for which he is most<br />

renowned, to portraits, landscapes and genre scenes of Spanish life, the new exhibition<br />

at the National Gallery features 60 works spanning Joaquín Sorolla's career.<br />

15<br />

Joaquín Sorolla, Sewing the Sail, 1896 Oil on canvas, 222 × 300 cm<br />

Galleria Internazionale d'Arte Moderna di Ca' Pesaro, Venice 2018<br />

© Photo Archive - Fondazione Musei Civici di Venezia<br />

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16<br />

© Michael Brosilow.<br />

DOWNSTATE<br />

Dorfman<br />

The consequences of a crime can last<br />

a life time – and not just for the victim.<br />

In Bruce Norris’s provocative new play<br />

(a co-production between Steppenwolf<br />

and the National Theatre which<br />

premiered in Chicago last year) Tim<br />

Hopper’s Andy, who was sexually abused<br />

as a 12 year old, has come, 30 years<br />

later, to confront the man who ruined his<br />

childhood, and his life, hoping that a<br />

reconciliation statement will finally give<br />

him closure. Fred (Francis Guinan), his<br />

former piano teacher, is mild-mannered,<br />

seemingly harmless and now confined to<br />

a wheelchair. Yet there is something<br />

creepily, subtly coercive about this<br />

Chopin-playing old man. Like the three<br />

former prisoners with whom he shares a<br />

house in downstate Illinois, he has<br />

served his jail sentence, but still fails to<br />

acknowledge the wrongness – or the<br />

extent of the damage caused by – past<br />

behaviour. Ankle–tagged and on the sex<br />

offenders register, they are all banned<br />

from using smart phones or the internet,<br />

or crossing defined local boundaries.<br />

It’s a brave subject to tackle – audience<br />

sympathy is automatically with the<br />

victim. But Norris (who wrote the multi<br />

award-winning Clybourne Park) takes us<br />

inside the heads of these men who will<br />

probably be ostracised for life, making<br />

each one an individual, from Glenn<br />

Davis’s obnoxiously loudmouthed Gio<br />

(his ‘Level 1’ crime the statutory rape of<br />

a girl who lied about her age) to<br />

reclusive Felix (Eddie Torres) who<br />

breaks down in tears because he is<br />

forbidden to communicate with the<br />

daughter he abused yet professes to care<br />

about deeply. Then there’s the excellent<br />

K Todd Freeman’s elderly African<br />

American Dee, once a show biz<br />

performer who still maintains that his<br />

long-lasting sexual relationship with a<br />

14 year old boy on tour (when he<br />

himself was 37) was love.<br />

Pam MacKinnon’s first rate<br />

production grips (uncomfortably) from<br />

start to finish. It has its moments of<br />

humour, but, as Cecilia Noble’s weary,<br />

seen-it-all, gun-toting parole officer Ivy<br />

knows – there are no easy solutions to<br />

this disturbing and contentious matter.<br />

Louise Kingsley<br />

DAVID BLAINE TAKES HIS MAGIC<br />

ON THE ROAD<br />

Having revolutionised modern magic<br />

and mesmerised audiences unlike any<br />

performer in history, magician,<br />

illusionist and stunt artist, David Blaine<br />

is to embark on his first-ever UK and<br />

Ireland tour.<br />

Blaine’s one-man show brings his<br />

unique brand of entertainment,<br />

promising to be an unforgettable<br />

interactive experience that both shocks<br />

and amazes. An experiment in and of<br />

itself, his perfomance combines his<br />

world-famous sleight of hand with his<br />

death-defying endurance acts.<br />

Blaine was buried alive in a clear<br />

coffin in New York City for one week.<br />

The following year he stood inside a<br />

six-ton block of ice for 63 hours with no<br />

food or sleep. Blaine endured 44 days of<br />

starvation inside a glass box suspended<br />

by a crane near the River Thames in<br />

<strong>London</strong>. In 2006, he lived underwater for<br />

a week in a sphere shaped aquarium at<br />

thLincoln Centre in New York City. He<br />

then attempted to break the world record<br />

for breath holding, resulting in<br />

emergency divers pulling him out to<br />

save his life.<br />

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THIS ‘ IS THE SHOW<br />

WE ALL NEED<br />

RIGHT NOW ’<br />

nick Curtis , the Sunday Times<br />

THE NEW MUSICAL BASED ON<br />

A REMARKABLE TRUE STORY<br />

COME FROM AWAY. Book, Music and Lyrics by Irene Sankoff and David Hein.<br />

Musical Staging by Kelly Devine. Directed by Christopher Ashley.<br />

NOW PLAYING AT THE PHOENIX THEATRE<br />

COMEFROMAWAY.CO.UK


18<br />

JAC YARROW’S PROFESSIONAL<br />

STAGE DEBUT IN ROLE OF JOSEPH<br />

Jac Yarrow will take the lead role in<br />

the new production of Joseph and the<br />

Amazing Technicolor Dreamcoat at the<br />

world famous <strong>London</strong> Palladium. Jac,<br />

who will be making his professional<br />

stage debut in the iconic role, will star<br />

alongside Jason Donovan and Sheridan<br />

Smith, as Pharaoh and The Narrator.<br />

Jac created a sensation at the<br />

beginning of the year when he starred in<br />

the production of Disney’s Newsies at<br />

the Arts Educational School. Jac, who is<br />

21 and from Cardiff, took the role of<br />

Jack Kelly and gave a breath-taking<br />

performance, marking himself out as an<br />

outstanding talent in the new generation<br />

of theatre stars and creating huge<br />

excitement in anticipation of embarking<br />

upon a professional stage career.<br />

Joseph and the Amazing Technicolor<br />

Dreamcoat will play a limited 11-week<br />

season from Thursday 27 June.<br />

Released as a concept album in 1969,<br />

the stage version of Joseph and the<br />

Amazing Technicolor Dreamcoat has<br />

become one of the world’s most beloved<br />

family musicals. The show features<br />

songs that have gone on to become pop<br />

and musical theatre standards, including<br />

Any Dream Will Do, Close Every Door<br />

To Me, Jacob and Sons, There’s One<br />

More Angel In Heaven and Go Go Go<br />

Joseph.<br />

Told entirely through song with the<br />

help of the Narrator, Joseph and the<br />

Amazing Technicolor Dreamcoat follows<br />

the story of Jacob’s favourite son Joseph<br />

and his eleven brothers. After being sold<br />

into slavery by the brothers, he<br />

ingratiates himself with Egyptian noble<br />

Potiphar, but ends up in jail after<br />

refusing the advances of Potiphar’s wife.<br />

While imprisoned, Joseph discovers his<br />

ability to interpret dreams, and he soon<br />

finds himself in front of the mighty but<br />

troubled showman, the Pharaoh. As<br />

Joseph strives to resolve Egypt’s famine,<br />

he becomes Pharaoh’s right-hand man<br />

and eventually reunites with his family.<br />

Joseph and the Amazing Technicolor<br />

Dreamcoat is produced by Michael<br />

Harrison.<br />

www.josephthemusical.com<br />

Alex Kingston (Sherri) and Sarah<br />

Hadland (Ginnie) in Admissions.<br />

Photo: Johan Persson.<br />

ADMISSIONS Trafalgar Studios<br />

Head of admissions, Sherri Rosen-<br />

Mason, has devoted the last 15 years of<br />

her career to increasing the intake ratio of<br />

students of colour to privileged white<br />

pupils at the elite New Hampshire school<br />

where her husband Bill is principal. We<br />

meet her first berating flustered longserving<br />

colleague Roberta (Margot<br />

Leicester) who repeatedly fails to grasp<br />

exactly who qualifies as, or looks<br />

sufficiently, black in the photos she’s<br />

selected for the new brochure. They don’t<br />

,in Sherri’s view, reflect the true ethnic and<br />

cultural diversity of the establishment.<br />

But when Charlie, her high-achieving<br />

17 year-old son fails to gain an immediate<br />

place at Yale, and Perry the unseen mixed<br />

race son of her (white) best friend does,<br />

her liberal principles are jettisoned as she<br />

pulls out all the stops in a determined<br />

effort to get her boy the Ivy league<br />

education she believes, probably correctly,<br />

will set him up for life.<br />

Having tackled the question of Jewish<br />

identity in Bad Jews, American playwright<br />

Josh Harman here now spreads his net<br />

further – though one can’t fail to notice that<br />

every onstage member of the cast is white,<br />

the black characters rendered (presumably<br />

deliberately) invisible.<br />

The production (directed by Daniel<br />

Aukin who was also responsible for the<br />

successful 2018 off-Broadway premiere)<br />

can’t quite disguise the sometimes<br />

repetitious nature of dialogue which doesn’t<br />

always sparkle. But in a provocative play<br />

which raises controversial issues, Alex<br />

Kingston (of ER fame) effectively conveys<br />

the unsettling injection of doubt into<br />

Sherri’s absolute certainty whilst Andrew<br />

Woodall’s unemotional Bill explodes into<br />

anger in their pristine kitchen. And,<br />

reprising the role he played in New York,<br />

Ben Edelman rants impressively as Charlie,<br />

initially furious that his privileged white<br />

background meant that he didn’t tick the<br />

right boxes but then causing even more<br />

disruption by taking the values which his<br />

parents brought him up on to what he<br />

decides is their logical conclusion.<br />

Louise Kingsley<br />

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OSCAR WILDE’S THE HAPPY<br />

PRINCE AT THE PLACE<br />

A new musical based on Oscar<br />

Wilde’s classic fairy tale will be<br />

presented in three showcase<br />

performances at The Place from 3-4<br />

May. The Happy Prince stars Janie Dee<br />

as Mrs Bentley, Phil Daniels as The<br />

Mayor, Sophia Hurdley as The Swallow<br />

and Sam Archer as The Prince. <strong>This</strong><br />

heart-rending story about a Swallow's<br />

faithful love for the golden statue of a<br />

Prince is told through a seamless fusion<br />

of dance and song. The rest of the cast<br />

includes David Burt, Louis Gaunt,<br />

Sammy Graham, Jessica Pardoe, Edwin<br />

Ray, Ronald Samm, Cilla Silvia, Gemma<br />

Wardle and Alfie Wickham.<br />

<strong>This</strong> modern musical adaptation is set<br />

in an unpleasant 1920's Laundry House<br />

from which the potent technicolour<br />

world of the fairy tale evolves. Dark<br />

humour, greed and corruption are at<br />

work as the malevolent designs of a<br />

despot Mayor drive a town into<br />

bankruptcy and ruin. Drawing parallels<br />

to the world today, walls are being built<br />

to divide societies, so the Statue of a<br />

Prince, trapped behind the walls of his<br />

own palace, must win over the heart of a<br />

Swallow to save his people.<br />

Although outwardly beautiful, the<br />

omniscient Prince is troubled by the<br />

poverty and suffering surrounding him.<br />

He persuades the Swallow to become<br />

his messenger and distribute his<br />

treasures to the townspeople who are<br />

most in need. In a race against time, and<br />

as the Swallow gradually removes his<br />

sapphire eyes and his gold leaf,<br />

outwardly the statue looks dull and<br />

shabby but the Prince is inwardly<br />

renewed and freed of his torment.<br />

The creative team includes Hal<br />

Cazalet (Direction, Music and Lyrics),<br />

Michael Barry (Book and Movement<br />

Director), David Howe (Lighting), Sophia<br />

Hurdley (Choreography) and Sam Archer<br />

(Choreography). The original workshop<br />

for the production was developed<br />

alongside Maria Friedman and Drew<br />

McOnie.<br />

GRINGOTTS WIZARDING BANK<br />

OPENS FOR SPRING<br />

Officially opening on 6 <strong>April</strong>, the<br />

16,500sqft Gringotts Wizarding Bank<br />

will be Warner Bros. Studio Tour’s<br />

biggest addition to date. Walking<br />

through the imposing marble columns,<br />

visitors will discover the costumes and<br />

prosthetics belonging to Bogrod,<br />

Griphook and many other goblin<br />

bankers as well as other new exhibits<br />

including the Sword of Gryffindor and<br />

Helga Hufflepuff’s Cup.<br />

Warner Bros. Studio Tour <strong>London</strong> –<br />

The Making of Harry Potter offers<br />

visitors the chance to explore the<br />

behind-the-scenes secrets of the Harry<br />

Potter film series.<br />

MICHAEL LONGHURST ARTISTIC<br />

DIRECTOR OF DONMAR<br />

A revival of David Greig’s visionary<br />

early play Europe, directed by Michael<br />

Longhurst in his first production as<br />

Artistic Director of the Donmar opens on<br />

27 June. Written 25 years ago, it is<br />

prophetic in its vision of Europe today.<br />

Photo: Helen Maybanks.<br />

19<br />

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20<br />

PLAYS<br />

TWILIGHT ZONE<br />

Adapted by Anne Washburn and directed by<br />

Olivier Award-winner Richard Jones, the<br />

acclaimed CBS Television production arrives<br />

in the West End fresh from a rapturously<br />

received, sell-out run at the Almeida.<br />

AMBASSADORS THEATRE<br />

West Street, WC2 (020 7395 5405)<br />

A GERMAN LIFE<br />

A new play by Christopher Hampton, drawn<br />

from the life and testimony of Brunhilde<br />

Pomsel, directed by Jonathan Kent. Maggie<br />

Smith, alone on stage, plays the title character.<br />

BRIDGE THEATRE<br />

One Tower Bridge, SE1 (0843 208 1846)<br />

WITNESS FOR THE PROSECUTION<br />

The acclaimed production of Agatha Christie’s<br />

classic courtroom play has captured the<br />

imagination of audiences inside the unique<br />

setting of County Hall’s ornate Chamber on<br />

the South Bank.<br />

COUNTY HALL<br />

South Bank, SE1 (0844 815 7141)<br />

THE COMEDY ABOUT A BANK ROBBERY<br />

One enormous diamond, eight incompetent<br />

crooks and a snoozing security guard. What<br />

could possibly go right?<br />

CRITERION THEATRE<br />

Piccadilly Circus, (020 7492 0810)<br />

THE PLAY THAT GOES WRONG<br />

A Polytechnic amateur drama group are<br />

putting on a 1920s murder mystery and<br />

everything that can go wrong... does!<br />

DUCHESS THEATRE<br />

Catherine Street, WC2 (0330 333 4810)<br />

HOME, I’M DARLING<br />

The National Theatre and Theatr Clwyd’s<br />

critically acclaimed co-production of a new<br />

play by Laura Wade, directed by Tamara<br />

Harvey.<br />

DUKE OF YORK’S THEATRE<br />

St Martin’s Lane, WC2 (020 7492 1552)<br />

THE WOMAN IN BLACK<br />

An innocent outsider, a suspicious rural<br />

community, a gothic house and a misty marsh<br />

are the ingredients of this Victorian ghost story.<br />

FORTUNE THEATRE<br />

Russell Street, WC2 (0844 871 7626)<br />

BETRAYAL<br />

Golden Globe and Olivier Award winner Tom<br />

Hiddleston stars in the Jamie Lloyd<br />

Company’s revival for a 12 week season.<br />

HAROLD PINTER THEATRE<br />

Panton Street, SW1 (0844 871 7627)<br />

Royal National Theatre<br />

Plays in repertory<br />

OLIVIER THEATRE<br />

FOLLIES<br />

After a sold-out run, winner of the Olivier<br />

Award for Best Musical Revival returns to the<br />

National Theatre. Stephen Sondheim’s<br />

legendary musical includes such classic<br />

songs as Broadway Baby.<br />

LYTTELTON THEATRE<br />

TARTUFFE<br />

A ferocious new version of Molière’s comic<br />

masterpiece. A scalpel-sharp comedy looking<br />

at the lengths we go to find meaning – and<br />

what happens when we find chaos instead.<br />

TOP GIRLS<br />

For the first time, the National Theatre stages<br />

Caryl Churchill’s wildly innovative play about<br />

a country divided by its own ambitions.<br />

DORFMAN THEATRE<br />

DOWNSTATE<br />

Provocative new play focuses on the limits of<br />

our compassion and what happens when<br />

society deems anyone beyond forgiveness.<br />

NATIONAL THEATRE<br />

South Bank, SE1 (020 7452 3000)<br />

ALL ABOUT EVE<br />

Based on the 1950 Academy Award-winning<br />

film, Gillian Anderson stars as Margo<br />

Channing. Director Ivo van Hove explores our<br />

fascination with celebrity, youth and identity.<br />

NOEL COWARD THEATRE<br />

St. Martin’s Lane, WC2 (0844 482 5140)<br />

HARRY POTTER AND THE CURSED<br />

CHILD PARTS I & II<br />

Stage play based on the Harry Potter franchise<br />

written by Jack Thorne, based on an original<br />

story by J.K Rowling.<br />

PALACE THEATRE<br />

Shaftesbury Avenue, W1 (0330 333 4813)<br />

THE CURIOUS INCIDENT OF THE DOG<br />

IN THE NIGHT-TIME<br />

Acclaimed National Theatre production returns<br />

to the West End. Winner of 7 Olivier Awards,<br />

the play is based on Mark Haddon’s multiaward<br />

winning and best selling novel.<br />

PICCADILLY THEATRE<br />

Denman Street, W1 (020 7492 1566)<br />

FAULTY TOWERS DINING EXPERIENCE<br />

Inspired by one of Britain's greatest ever<br />

comedy series, this 2 hour interactive<br />

production is set in a restaurant where you the<br />

audience are the diners.<br />

RADISSON BLU EDWARDIAN<br />

Bloomsbury Street, (0845 1544 145)<br />

THE MOUSETRAP<br />

Agatha Christie’s whodunnit is the longest<br />

running play of its kind in the history of<br />

British theatre.<br />

ST MARTIN’S THEATRE<br />

West Street, WC2 (0844 499 1515)<br />

ADMISSIONS<br />

Alex Kingston stars in the award-winning new<br />

comedy from the writer of acclaimed hit Bad<br />

Jews, direct from New York's Lincoln Center<br />

Theater, producers of Oslo.<br />

TRAFALGAR STUDIOS<br />

Northumberland Ave WC2· (0844) 871 7631)<br />

EMILIA<br />

400 years ago Emilia Bassano wanted her<br />

voice to be heard. It wasn’t. Could she have<br />

been the ‘Dark Lady’ of Shakespeare’s<br />

sonnets?<br />

VAUDEVILLE THEATRE<br />

Strand, WC2 (020 7400 1257)<br />

THE PRICE<br />

David Suchet delivers a comic tour de force<br />

as a silver-tongued 90 year old furniture<br />

dealer in Arthur Miller’s masterpiece.<br />

WYNDHAM’S THEATRE<br />

Charing Cross Road, WC2 (0844 482 5120)<br />

MUSICALS<br />

WAITRESS<br />

Hit Broadway musical brought to life by a<br />

ground breaking all-female creative team,<br />

featuring original music and lyrics by 6-time<br />

Grammy® nominee Sara Bareilles.<br />

ADELPHI THEATRE<br />

Strand, WC2 (020 3725 7060)<br />

TINA<br />

New stage musical reveals the untold story of<br />

Tina Turner, a woman who dared to defy the<br />

bounds of her age, gender and race.<br />

ALDWYCH THEATRE<br />

The Aldwych, WC2 (0845 2007981)<br />

WICKED<br />

Hit Broadway story of how a clever,<br />

misunderstood girl with emerald green skin<br />

and a girl who is beautiful and popular turn<br />

into the Wicked Witch of the West and Glinda<br />

the Good Witch in the Land of Oz.<br />

APOLLO VICTORIA THEATRE<br />

Wilton Road, SW1 (0844 826 8000)<br />

EVERYBODY’S TALKING ABOUT JAMIE<br />

New feel good musical – supported by his<br />

mum and friends, Jamie overcomes prejudice,<br />

beats the bullies and steps into the spotlight.<br />

APOLLO THEATRE<br />

Shaftesbury Avenue, W1 (0330 333 4809)<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


SIX THE MUSICAL<br />

Tudor Queens meet Pop Princesses in a<br />

musical retelling of the six wives of Henry<br />

VIII. A celebration of sisterly sass-itude,<br />

powered by an all-female band.<br />

ARTS THEATRE<br />

Great Newport Street, WC2 (020 7836 8463)<br />

21<br />

MATILDA<br />

Critically acclaimed Royal Shakespeare<br />

Company production of Roald Dahl’s book,<br />

directed by Matthew Warchus.<br />

CAMBRIDGE THEATRE<br />

Earlham Street, WC2 (0844 800 1110)<br />

RIP IT UP<br />

Strictly Come Dancing’s champions are back,<br />

bringing the swinging sixties straight to the<br />

21st century.<br />

GARRICK THEATRE<br />

Charing Cross Road, WC2 (0330 333 4811)<br />

THE PHANTOM OF THE OPERA<br />

Long running epic romance by Andrew Lloyd<br />

Webber, set in Paris opera house where a<br />

deformed phantom stalks his prey.<br />

HER MAJESTY’S THEATRE<br />

Haymarket, SW1 (0844 412 2707)<br />

THE LION KING<br />

Disney‘s phenomenally successful animated<br />

film is transformed into a spectacular stage<br />

musical, a superb evening of visual delight.<br />

LYCEUM THEATRE<br />

Wellington Street, WC2 (0844 871 3000)<br />

Damien Buhagiar as Pepper (centre) with the cast of MAMMA MIA!<br />

MAMMA MIA! CELEBRATES 20 YEARS IN LONDON<br />

The global smash hit musical Mamma Mia! celebrates its 20th anniversary in<br />

<strong>London</strong>’s West End at the Novello Theatre on Saturday 6 <strong>April</strong>. Since premiering in<br />

<strong>London</strong> in 1999, the irresistible feelgood musical has captured the hearts of millions<br />

around the globe. The sunny, funny tale of a mother, a daughter and three possible<br />

dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop<br />

masterpieces, has now been seen live on stage by 65 million people across the<br />

world, and turned into two record-breaking movies – Mamma Mia! The Movie and<br />

Mamma Mia! Here We Go Again.<br />

Photo: Brinkhoff & Mogenburg.<br />

THRILLER – LIVE<br />

Over two hours of the non-stop hit songs that<br />

marked Michael Jackson’s legendary live<br />

performances.<br />

LYRIC THEATRE<br />

Shaftesbury Avenue, WC2 (0330 333 4812)<br />

SCHOOL OF ROCK<br />

Andrew Lloyd Webber's new stage musical with<br />

lyrics by Glenn Slater and book by Julian<br />

Fellowes, adapted from the film.<br />

GILLIAN LYNNE THEATRE<br />

Drury Lane, WC2 (020 7492 0810)<br />

MAMMA MIA!<br />

Hit musical based on the songs of ABBA, set<br />

around the story of a mother and daughter on<br />

the eve of the daughter’s wedding.<br />

NOVELLO THEATRE<br />

Aldwych, WC2 (0844 482 5170)<br />

COME FROM AWAY<br />

UK Premiere of the Tony Award-winning<br />

musical which tells the remarkable true story<br />

of 7,000 stranded air passengers in the wake<br />

of 9/11, and the small town in Newfoundland<br />

that welcomed them.<br />

PHOENIX THEATRE<br />

Charing Cross Road, WC2 (0844 871 7627)<br />

FIDDLER ON THE ROOF<br />

West End transfer of the revival played at the<br />

Menier Chocolate Factory, directed by Trevor<br />

Nunn and starring Andy Nyman as Tevye and<br />

Judy Kuhn as Golde.<br />

PLAYHOUSE THEATRE<br />

Northumberland Ave WC2· (0844) 871 7631)<br />

ALADDIN<br />

The classic hit film has been brought to thrilling<br />

life onstage by Disney, featuring all the songs<br />

from the Academy Award winning score.<br />

PRINCE EDWARD THEATRE<br />

Old Compton Street, W1 (0844 482 5151)<br />

LES MISERABLES<br />

A spectacularly staged version of Victor Hugo’s<br />

epic novel about an escaped convict’s<br />

search for redemption in Revolutionary France.<br />

QUEEN’S THEATRE<br />

Shaftesbury Avenue, WC2 (0844 482 5160)<br />

9 TO 5 THE MUSICAL<br />

Based on the much loved movie and making its<br />

West End debut, Dolly Parton’s musical comes<br />

to <strong>London</strong> for a strictly limited season.<br />

SAVOY THEATRE<br />

Strand, WC2 (020 7492 0810)<br />

MOTOWN THE MUSICAL<br />

Featuring all the much loved classics from<br />

Diana Ross, Stevie Wonder, and the Jackson 5,<br />

the show tells the story behind the hits.<br />

SHAFTESBURY THEATRE<br />

Shaftesbury Avenue, WC2 (020 7492 0810)<br />

ONLY FOOLS AND HORSES<br />

The landmark, record-breaking and top-rated<br />

television series written by the late, great John<br />

Sullivan, becomes a brand-new, home-grown<br />

British musical.<br />

THEATRE ROYAL HAYMARKET<br />

Haymarket SW1 (020 7930 8800)<br />

HAMILTON<br />

Lin-Manuel Miranda's multi award-winning<br />

musical, based on one of America’s Founding<br />

Father, Alexander Hamilton.<br />

VICTORIA PALACE THEATRE<br />

Victoria Street, SW1 (0844 248 5000)<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


22<br />

FUNICULAR’S ‘THE MURDÉR<br />

EXPRESS: JEWEL OF THE EMPIRE'<br />

Funicular is turning back the clock to<br />

1937 this Spring. After a successful<br />

second run of The Murdér Express, the<br />

immersive dining and experience experts<br />

have created a whole new adventure set<br />

on <strong>London</strong>’s favourite (and most crimeridden!)<br />

train. Ticket holders will join<br />

<strong>London</strong>’s wealthiest socialites for an<br />

evening of glitz, glamour, and fine<br />

dining, all in the company of the world’s<br />

largest cut diamond. What could<br />

possibly go wrong?<br />

The year is 1937 and Europe is in<br />

upheaval. Conflict continues to rage in<br />

Spain and another World War looms, but<br />

the beating of the war drums is not to be<br />

heard on the glamorous Murdér Express,<br />

where the wealthiest socialites and most<br />

successful celebrities converge for luxury<br />

travel and indulgent dining between<br />

<strong>London</strong> and the Southern French town of<br />

Murdér. When the largest cut diamond in<br />

the world is stolen and murder strikes,<br />

everyone becomes a suspect. Guests<br />

must pull up their velvet sleeves, find the<br />

culprit and recover the Jewel of the<br />

Empire before the train reaches its<br />

destination and they escape forever.<br />

Jewel of the culinary world, Laurence<br />

Henry crowned MasterChef: The<br />

Professionals 2018 champion is<br />

onboard to curate a special four-course<br />

meal for the evening, suitable for all<br />

dietary requirements. Having worked<br />

under some of the biggest names in<br />

food including the Michelin-starred<br />

Gordon Ramsay and Jason Atherton, his<br />

passion for Asian food informs his<br />

simple dishes that are packed with<br />

complex flavours and will keep hungrydetectives<br />

sharp throughout the evening.<br />

Funicular is a passionate collective of<br />

creators specialising in creating truly<br />

immersive experiences. Co-founded by<br />

entrepreneur, actor and scriptwriter Craig<br />

Wilkinson and production director Ed<br />

Borgnis, the Funicular team boasts years<br />

of experience bringing events and<br />

theatre to life all over the world.<br />

Previous themes include the original<br />

‘The Murdér Express’, the spooky<br />

mystery ‘Journey To The Underworld’<br />

and the festive adventure ‘The Greatest<br />

Snowman’. ‘The Murdér Express: Jewel<br />

of the Empire' opens on Thursday<br />

2 May, and will run until 31 August.<br />

funicularproductions.com<br />

LIVE AT THE SAVOY MUSICIAN IN<br />

RESIDENCE JUDI JACKSON<br />

Live at The Savoy is the new evening<br />

entertainment series taking place at The<br />

Savoy’s Thames Foyer every night of the<br />

week. Highly-acclaimed jazz vocalist,<br />

Judi Jackson will launch the series as<br />

The Savoy’s Musician in Residence,<br />

playing on Wednesday 24 <strong>April</strong> and on<br />

three further dates.<br />

Having recently launched her debut<br />

album ‘Live in <strong>London</strong>’, the Virginiaborn<br />

jazz vocalist and performer will<br />

embark on her new residency at The<br />

Savoy with an exciting new repertoire.<br />

Frequently on the road, Jackson has<br />

sold out headline shows world-wide and<br />

has collaborated with the likes of Warner<br />

Music’s George Moore and Michael<br />

League, member of Grammy awardwinning<br />

band Snarky Puppy, for the<br />

creation of her 2017 EP ‘Blame it on my<br />

Youth.’ Bringing her soulful tones to the<br />

heart of The Savoy, Jackson hopes to<br />

inspire audiences in the same way the<br />

legendary Wynton Marsalis and Mavis<br />

Staples influenced her while growing up.<br />

Box office telephone 020 7420 2111.<br />

Judi Jackson.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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