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The Edinburgh Reporter April 2019 issue

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12 GENERAL WHAT’S NEWS ON<br />

<strong>The</strong> <strong>Edinburgh</strong> <strong>Reporter</strong><br />

<strong>The</strong>atre | Art | Music | Shows | Festivals<br />

Day by day guide<br />

Park. You might even see the<br />

Stones In His Pockets<br />

Tue 2 – Sat 6 <strong>April</strong> | King’s <strong>The</strong>atre<br />

A small village in rural Ireland<br />

is turned upside down when<br />

a major Hollywood film studio<br />

descends to make a historical<br />

blockbuster on location. Tickets<br />

£18.50-£32 Evenings 7.30pm<br />

| Matinees Wed & Sat 2.30pm<br />

Running time (approx.): 1 hour 42<br />

minutes Age: 14+<br />

4 <strong>April</strong> <strong>2019</strong> Gilded Balloon<br />

Basement at Rose Street <strong>The</strong>atre<br />

7.30pm<br />

As Fringe preview show season<br />

kicks off, Rose <strong>The</strong>atre at Gilded<br />

Balloon Basement will present<br />

two acts : Max & Ivan and Wis<br />

Jantarasorn & Megan Shandley.<br />

<strong>The</strong> two UK comedy acts will<br />

offer a little preview of their <strong>2019</strong><br />

Fringe shows.<br />

Advance tickets only £5.<br />

Being a Woman in Science -<br />

Changed Times?<br />

16 <strong>April</strong> <strong>2019</strong> 6.00-7.30pm<br />

So many female scientists have<br />

changed our understanding of the<br />

world, yet around half the population<br />

struggles to name a woman<br />

in science. Questions need to be<br />

asked! What attracts women to<br />

science, what are their experiences<br />

and why are they not more<br />

visible?<br />

Join us for a fascinating discussion<br />

with current and former<br />

RSE Presidents, Prof Dame Anne<br />

Glover and Prof Dame Jocelyn Bell<br />

Burnell and RSE Young Academy<br />

of Scotland member Dr Silvia<br />

Paracchini as they discuss their<br />

experiences of being women in<br />

science.<br />

Part of the <strong>Edinburgh</strong> Science<br />

Festival.Tickets 0131 226 0005<br />

Classical Rush Hour<br />

on Wednesdays at Le Monde<br />

with <strong>Edinburgh</strong> Quartet Armenia<br />

via Denmark: 17 <strong>April</strong> <strong>2019</strong>,<br />

5.30pm Selections of Armenian<br />

and Danish folk music miniatures<br />

arranged for string quartet, alongside<br />

music by Tchaikovsky<br />

Victorian <strong>Edinburgh</strong>: Powerhouse<br />

of the Empire?<br />

World Heritage Day Lecture with<br />

Professor Sir Tom Devine<br />

<strong>Edinburgh</strong> World Heritage has<br />

organised a World Heritage Day<br />

Lecture by Scotland’s pre-eminent<br />

historian. Sir Tom will explore<br />

the extraordinary success of late<br />

Victorian <strong>Edinburgh</strong> – as banking<br />

house to the British Empire, as<br />

patron of the arts and architecture,<br />

and as a city of considerable<br />

luxury and opulence.<br />

18 <strong>April</strong> <strong>2019</strong> 6.00pm for about<br />

1 hour at <strong>The</strong> Royal College of<br />

Physicians of <strong>Edinburgh</strong>, 9 Queen<br />

Street,.<br />

19 <strong>April</strong> <strong>2019</strong><br />

<strong>The</strong>re will be an Easter Egg<br />

hunt at Starbank Park. Lots of<br />

eggs to be found in our Walled<br />

Spring Garden. Suggested donation<br />

£3 per child or become a<br />

member of Friends of Starbank<br />

Easter Bunny!10:30 to 11:30 am.<br />

Aimed at children aged 3-8 years.<br />

Something to book ahead for May<br />

Cyanotype & Bookbinding<br />

Workshop Sunday, 12 May <strong>2019</strong><br />

from 10.30am -4.30pm at Granton<br />

Hub Madelvic House, 33 Granton<br />

Park Ave, EH5 1HS To book a place<br />

search Eventbrite. In this collaborative<br />

workshop, Artist Kit Martin<br />

(www.kitmartinphoto.co.uk) and<br />

Bookbinder Cass Barron, will<br />

introduce the cyanotype process<br />

and guide you in creating a range<br />

of prints onto paper and fabric,<br />

before binding a selection into<br />

a number of unique and usable<br />

books. Beginners are welcome.<br />

AT THE TRAVERSE<br />

A Play, A Pie and a Pint from 9<br />

<strong>April</strong> to 18 May <strong>2019</strong><br />

Our three choices are -<br />

Chic Murray - A Funny Place for<br />

a Window featuring the comedian<br />

looking back on the last day of<br />

his life at the glittering but flawed<br />

career he enjoyed.<br />

<strong>The</strong> Mack by Rob Drummond<br />

allows some discussion about the<br />

building so ravaged by fire on two<br />

occasions that its very future is<br />

in doubt.<br />

Toy Plastic Chicken which<br />

involves a bomb scare, a toy<br />

chicken and <strong>Edinburgh</strong> Airport<br />

and is apparently based on a true<br />

story.<br />

A play, a pie and a pint of<br />

beer/125ml glass of house wine<br />

or a regular glass of Pepsi, Diet<br />

Pepsi, lemonade, orange juice,<br />

filter coffee or tea<br />

A vibrant mix of themes, characters<br />

and stories Lunchtime and<br />

evening performances<br />

Easily digestible 50-min play<br />

packages<br />

To book t 0131 228 1404<br />

https://www.traverse.co.uk/<br />

At National<br />

Museum of Scotland<br />

Getting the Robots exhibition<br />

ready for opening.<br />

| Photo Neil Hanna<br />

16 <strong>April</strong> <strong>2019</strong> at 8.00pm as part<br />

of the ROBOTS exhibition. <strong>The</strong> Future<br />

is Robot with Timandra Harkness.<br />

Join the writer, broadcaster<br />

and comedian to find out how design<br />

and programming decisions<br />

will affect our future with robots. t<br />

0300 123 6789 to book<br />

Around the Galleries<br />

<strong>The</strong> Fine Art Society<br />

are holding two exhibitions<br />

of paintings by contemporary<br />

artists Victoria Orr Ewing - Ebb<br />

& Flood and Emma Alcock - Quietude<br />

until 6 <strong>April</strong>. <strong>The</strong> Dundas<br />

Street Gallery is downstairs<br />

from the Fine Art Society. From<br />

10-27 <strong>April</strong>, Dundas Street<br />

Gallery is transformed into a<br />

sensory room, an art installation.<br />

InnerVerse is a colourful<br />

and emotional dialogue which<br />

resonates the inner rhythms of<br />

life and the human condition. A<br />

visual conversation relatable to<br />

everyday living and the journey<br />

to appreciate more of life.<br />

Arusha Gallery<br />

13A Dundas Street EH3 6QG t<br />

0131 557 1412 Casper White 12<br />

<strong>April</strong> to 5 May <strong>2019</strong>.<br />

Torrance Gallery<br />

36 Dundas Street EH3 6JN have<br />

their Spring Show from 6 <strong>April</strong><br />

to 11 May <strong>2019</strong>. More details from<br />

mail@torrancegallery.co.uk or t<br />

0131 556 6366<br />

Birch Tree Gallery<br />

23A Dundas Street EH3 6QQ t<br />

0131 556 4000<br />

art@birchtreegallery.co.uk<br />

Open Tue-Fri 11.00am-6.00pm<br />

Sat 11.00am - 4.00pm<br />

Liberating Scale6 <strong>April</strong> to 4<br />

May <strong>2019</strong><br />

Laura Boswell (linocut and<br />

wood block hand-inked prints)<br />

Rachel Holian (porcelain)<br />

Matthew Draper Roaming,<br />

Crepuscular Rays series no 1<strong>2019</strong><br />

pastel on paper H:79cm<br />

W:107.5cm Price on Application<br />

<strong>The</strong> Scottish Gallery<br />

SOUND OF RAASAY Matthew<br />

Draper 3 - 27 Apr <strong>2019</strong><br />

'My fascination with the Island<br />

started some 23 years ago<br />

when I first moved to Scotland.<br />

It was the same year the Skye<br />

Bridge was opened. For some,<br />

the bridge was a controversial<br />

scheme, but nevertheless, it<br />

offered the ease of access to the<br />

Island and meant that my first<br />

tentative trip exploring the West<br />

Coast of Scotland was a relatively<br />

easy, although unplanned<br />

extension to my journey. For the<br />

first time I experienced the rugged,<br />

dramatic and varied landscape<br />

of this unique Island and<br />

regular trips have occurred year<br />

on year allowing me to further<br />

explore that particular wilderness.'<br />

Matthew Draper, <strong>2019</strong><br />

David McClure White Chimney<br />

Stacks, Ardrossan1954<br />

gouache H:49.5cm W:37cm<br />

Price on Application<br />

ART AND INDUSTRY -<br />

ARDROSSAN TO MILLPORT<br />

David McClure 3 - 27 Apr <strong>2019</strong><br />

<strong>The</strong> exhibition is curated by<br />

Robin McClure of works by David<br />

McClure RSA, RSW (1926-1998)<br />

featuring selected works on paper<br />

from the 1950s.<br />

Anthony Bryant Large Ash<br />

Vessel AshH:36cm D:80cm<br />

Price on Application Photograph:<br />

Steve Tanner<br />

Wood<br />

3-27 <strong>April</strong> <strong>2019</strong> - an exhibition<br />

showcasing both objects and<br />

furniture from: Roger Bennett,<br />

Anthony Bryant, Martin Cook,<br />

Roland Fraser, Hans Henning<br />

Pedersen, Kathryn Hinton,<br />

Andrew Holmes, Owen Jones,<br />

Eleanor Lakelin, Grant McCaig,<br />

Lawrence Neal, Jim Partridge<br />

& Liz Walmsley, Angus Ross and<br />

Edward Teasdale.<br />

Open Eye Gallery<br />

5-29 <strong>April</strong> <strong>2019</strong> Alice McMurrough<br />

PAI RGI RSW McMurrough<br />

studied at Glasgow School of<br />

Art to 1978 She has won many<br />

awards and in this exhibition she<br />

will show more of her concern<br />

with the way that ideas, observations<br />

and dreams are researched,<br />

edited and translated into visual<br />

statements. Her paintings have<br />

a curious and bewitching air as<br />

they are often set in spiritual and<br />

timeless worlds.<br />

Peter Thomson RGI RSW<br />

Glasgow based Thomson is<br />

known for his figurative and landscape<br />

based oil paintings.<br />

&Gallery<br />

- JFK Turner Solo Exhibition 6<br />

<strong>April</strong> to 1 May <strong>2019</strong> JFK Turner’s<br />

work is concerned with the<br />

unnoticed ephemeral elements<br />

of everyday life; found objects,<br />

marks, stains and the natural<br />

effect of time. <strong>The</strong> objects Turner<br />

collects from the street form the<br />

basis of the work.<br />

<strong>The</strong> paintings are not abstract<br />

– they are based on something<br />

from the real world – for example<br />

a rubber band, a screwed-up<br />

piece of paper, or a flap on a<br />

cardboard box. <strong>The</strong>se are nonobjects,<br />

just the remnants of<br />

life.<br />

<strong>The</strong> works are closer to objects<br />

than traditional paintings. If<br />

paint is used it is house hold<br />

paint that is poured, smeared<br />

and allowed to congeal and<br />

crack – like spilt paint on a<br />

pavement. In addition to paint<br />

Turner uses found materials<br />

– wax, plaster, photographs,<br />

paper, discarded books and<br />

clothes. Working on wood<br />

allows the surface to be attacked<br />

by scratching, sanding<br />

and stabbing. This adds to the<br />

works physical quality – like a<br />

collagraph printing plate or a<br />

religious icon.<br />

Turner takes objects and<br />

elements from the real world,<br />

combines them together to create<br />

another object. <strong>The</strong> ordinary<br />

becomes unusual and other.<br />

At <strong>The</strong> Grilli Gallery<br />

20A Dundas Street EH3 6HZ<br />

Mixed Exhibition until 20 <strong>April</strong><br />

<strong>2019</strong> Marion Drummond PAI<br />

Gail Pope, Rona Lee and Jean<br />

Feeney<br />

Charles Avery will exhibit at the<br />

Ingleby Gallery this month<br />

At Ingleby Gallery<br />

27 <strong>April</strong> to 13 July <strong>2019</strong><br />

Since 2005 Charles Avery’s<br />

practise has focused on a<br />

fictional Island; an all-encompassing,<br />

immersive investigation<br />

of the fabric and possibilities<br />

of another place. Through<br />

drawings, texts and objects<br />

Avery describes the inhabitants,<br />

architecture, philosophies,<br />

customs and idiosyncrasies of<br />

this imagined territory.<br />

With accents of the Scottish<br />

Hebrides and East London, the<br />

Island is situated at the centre<br />

of an archipelago of innumerable<br />

constituents. Its capital is<br />

the port city of Onomatopoeia:<br />

originally a stepping off point<br />

for pioneers and travellers,<br />

turned bustling boomtown,<br />

turned citadel, turned depression<br />

ravaged slum, turned<br />

regenerated city of culture.<br />

It has many eras, all encompassed<br />

by a monumental city<br />

wall separating it from the dark<br />

and violent wilderness beyond.<br />

Charles Avery’s exhibition;<br />

<strong>The</strong> Gates of Onomatopoeia,<br />

includes several new drawings<br />

and a large sculpture.<br />

Don’t miss our monthly What’s on Section

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