Film Journal October 2018

ADVERTISERS’ INDEX OCTOBER 2018
Ballantyne Strong/Strong MDI. . . . . . . . . . . . . . . . . . . . 5
Christie Digital . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Cinionic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
comScore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Dolphin Seating. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Enpar Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Encore Performance Seating . . . . . . . . . . . . . . . . . . . . . 76
Franklin Designs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Gold Medal Products . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Irwin Seating. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Jack Roe USA/JACRO . . . . . . . . . . . . . . . . . . . . . . . . . 61
Lightspeed Design/DepthQ . . . . . . . . . . . . . . . . . . . . . . . 74
Lollipop Network. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
NEC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Paradigm Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Proctor Companies . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
St. Jude Childrens’ Hospital . . . . . . . . . . . . . . . . . . . . . . 37
Telescopic Seating . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
TK Architects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
VIP Cinema Seating . . . . . . . . . . . . . . . . . . . . . . . . . . . 2, 3
Ushio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
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The Goodness of Show Business continued from page 36
like to see Variety focus more on “mobility”—specialized bikes,
vans, durable medical equipment on wheels for children—as a
major unifying thread for what we do. I think that would make us
an even more powerful force to be reckoned with.
Vradenburg: In our case, the Pioneers Assistance Fund is
strong—and will continue. For the Will Rogers Institute, we’re going
to narrow our focus on a particular pulmonary issue, tackle it and
solicit support. And Brave Beginnings will most likely become a
charity unto itself. To raise the amount of money required to get many
hospitals up-to-speed equipment-wise requires a focused effort by a
dedicated team of people—both industry- and non-industry related.
Iocolano: Since we started, we’ve visited seventy-five hospitals
nationwide and have entertained more than forty-thousand children
and family members. For the future, we’ll continue to work on keeping
sick children connected to the outside world; we’ll try to keep
providing their childhood to them. I can’t think of anyone who needs
the magic of the movies more than the kids who are literally fighting
for their lives.
Shadyac: Our partners in the entertainment industry have been
instrumental in helping build St. Jude into what we are today. Our
discoveries are their discoveries. Those children whose lives have
been saved by the research and treatment they received at St. Jude
are children that the exhibition industry helped save. For that, we are
eternally grateful, but there’s still work to be done.
Vradenburg: Our industry is changing, but it’s still a very
special family where people have done great good in the past and
we need to them to continue to want to do good—to take care of
each other—for the future.
Reynolds: At the end of the day, we’re all going to grow old,
but we want to leave a legacy on this Earth. And I think that making
a kid smile is a great legacy.
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