May 6, 2019, Monday, 8:00 PM—Mischa Maisky, cello and Lily Maisky, piano—CAMA's Masterseries at The Lobero Theatre
MONDAY, MAY 6, 2019, 8:00 PM Mischa Maisky, cello Lily Maisky, piano Lauded by The Guardian for his “dazzling precision, fleet brilliance, and tender lyricism”, Latvian-born Israeli cello master Mischa Maisky is considered by many worldwide to be one of the handful of greatest living cellists. He has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky and to carry on the deep musical legacy of these two great 20th Century Russian masters of the cello. His romantic emotion and absolute musical commitment carry the command of a true artist. It is fitting that Mischa Maisky will return by popular demand to the historic Lobero for the closing recital of CAMA’s historic 100th Concert Season. PROGRAM: Alessandro Marcello (arranged by J.S. Bach; and arranged for cello by Mischa Maisky): Movement II: Adagio, from Concerto in D minor, BWV 974 Johann Sebastian Bach (arr. S. Franco): Movement II: Largo, from Concerto for Harpsichord, Strings and Continuo No.5 in F minor, BWV 1056 Wolfgang Amadeus Mozart (arr. M. Maisky): Pamina’s Aria from The Magic Flute, K.620/Act II: “Ach ich fühl’s, es ist verschwunden” Johannes Brahms: Sonata No.2 in F major, Op.99 Pyotr Ilyich Tchaikovsky (arr. J. Stutschewsky and I. Thaler): No.10: October: “Autumn Song,” from The Seasons, Op.37a, TH 135 P.I. Tchaikovsky (arr. Viktor Kubatsky): No.6, “Valse Sentimentale,” from 6 Pieces, Op.51, TH 143 Dmitri Dmitriyevich Shostakovich: Sonata for Cello and Piano, Op.40
MONDAY, MAY 6, 2019, 8:00 PM
Mischa Maisky, cello
Lily Maisky, piano
Lauded by The Guardian for his “dazzling precision, fleet brilliance, and tender lyricism”, Latvian-born Israeli cello master Mischa Maisky is considered by many worldwide to be one of the handful of greatest living cellists. He has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky and to carry on the deep musical legacy of these two great 20th Century Russian masters of the cello. His romantic emotion and absolute musical commitment carry the command of a true artist. It is fitting that Mischa Maisky will return by popular demand to the historic Lobero for the closing recital of CAMA’s historic 100th Concert Season.
PROGRAM:
Alessandro Marcello (arranged by J.S. Bach; and arranged for cello by Mischa Maisky): Movement II: Adagio, from Concerto in D minor, BWV 974
Johann Sebastian Bach (arr. S. Franco): Movement II: Largo, from Concerto for Harpsichord, Strings and Continuo No.5 in F minor, BWV 1056
Wolfgang Amadeus Mozart (arr. M. Maisky): Pamina’s Aria from The Magic Flute, K.620/Act II: “Ach ich fühl’s, es ist verschwunden”
Johannes Brahms: Sonata No.2 in F major, Op.99
Pyotr Ilyich Tchaikovsky (arr. J. Stutschewsky and I. Thaler): No.10: October: “Autumn Song,” from The Seasons, Op.37a, TH 135
P.I. Tchaikovsky (arr. Viktor Kubatsky): No.6, “Valse Sentimentale,” from 6 Pieces, Op.51, TH 143
Dmitri Dmitriyevich Shostakovich: Sonata for Cello and Piano, Op.40
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Presenting the world’s finest classical artists since 1919
ince 1919
2018/2019 | 100TH CONCERT SEASON
COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC
MASTERSERIES
AT THE LOBERO THEATRE
SEASON SPONSORSHIP: ESPERIA FOUNDATION
MISCHA MAISKYcello
LILY MAISKY piano
Monday, May 6, 2019, 8:00 PM
Lobero Theatre, Santa Barbara
INTERNATIONAL SERIES
AT THE GRANADA THEATRE
SEASON SPONSORSHIP: SAGE PUBLISHING
LOS ANGELES
Esa-Pekka Salonen
PHILHARMONIC
OCTOBER 28, 2018
Primary Sponsor
The Elaine F. Stepanek
Concert Fund
Principal Sponsor
The Samuel B and Margaret
C. Mosher Foundation
Sponsors
Bitsy & Denny Bacon and
The Becton Family Foundation
Val & Bob Montgomery
The Towbes Fund for the
Performing Arts, a field
interest fund of the
Santa Barbara Foundation
Co-Sponsor
Robert & Christine Emmons
LOS ANGELES
CHAMBER
ORCHESTRA
with Avi Avital
DECEMBER 11, 2018
A gift to the community
from the CAMA Board
of Directors
ITZHAK
Mikhail Pletnev
PERLMAN
JANUARY 15, 2019
Primary Sponsor
Sara Miller McCune
Principal Sponsor
Herbert & Elaine Kendall
Sponsors
Marta Babson
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Foundation
Co-Sponsors
Chaucer's Bookstore,
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Stephen J.M. & Anne Morris
PHILHARMONIA
BAROQUE
ORCHESTRA
FEBRUARY 5, 2019
Sponsors
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Co-Sponsors
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The CAMA Women's Board
4 CENTENNIAL SEASON CELEBRATION
RUSSIAN
NATIONAL
ORCHESTRA
FEBRUARY 27, 2019
Primary Sponsor
Bitsy & Denny Bacon and the
Becton Family Foundation
Sponsor
Anonymous
Co-Sponsors
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ORCHESTRA
MARCH 20, 2019
Sponsors
Anonymous
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Co-Sponsors
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& Catherine Gee
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ROYAL SCOTTISH
NATIONAL
ORCHESTRA
APRIL 5, 2019
Sponsor
Meg & Dan Burnham
Co-Sponsor
Anonymous
Bob & Val Montgomery
Hubert Vos
George & Judy Writer
MASTERSERIES
AT THE LOBERO THEATRE
SEASON SPONSORSHIP: ESPERIA FOUNDATION
RICHARD
GOODE
NOVEMBER 9, 2018
Primary Sponsor
The Stephen & Carla
Hahn Foundation
Co-Sponsors
Bitsy & Denny Bacon
Alison & Jan Bowlus
TAFELMUSIK
BAROQUE
ORCHESTRA
MARCH 9, 2019
Concert Partners
Deborah & Peter Bertling
Bob Boghosian &
Beth Gates Warren
Bridget Colleary
Dorothy & John Gardner
Elizabeth Karlsberg &
Jeff Young
Lynn P. Kirst
GARRICK
OHLSSON
MARCH 30, 2019
Co-Sponsors
Anonymous
Stephen J.M. &
Anne Morris
The CAMA Women's
Board
AUGUSTIN
HADELICH
APRIL 17, 2019
Co-Sponsors
Jocelyne & William Meeker
Stephen J.M. & Anne Morris
Concert Partner
Lois Sandra Kroc
MISCHA MAISKY
MAY 6, 2019
Co-Sponsor
Ellen & Craig Parton
Concert Partners
Stephen Cloud
Raye Haskell Melville
Concert Sponsors as of May 2019
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
5
Presenting the world’s finest classical artists since 1919
BOARD OF DIRECTORS
ROBERT K. MONTGOMERY President
DEBORAH BERTLING First Vice-President
CRAIG A. PARTON Second Vice-President
Rosalind Amorteguy-Fendon
Marta Babson
Isabel Bayrakdarian
Bitsy Becton Bacon
Edward Birch
Jan Bowlus
Daniel P. Burnham
Stephen Cloud
NancyBell Coe
Bridget B. Colleary
Jill Felber
Joanne C. Holderman
Judith L. Hopkinson
WILLIAM MEEKER Treasurer
JOAN R. CROSSLAND Secretary
James H. Hurley, Jr.
Elizabeth Karlsberg
Raye Haskell Melville
George Messerlian
Stephen J.M. (Mike) Morris
Patti Ottoboni
Andre M. Saltoun
Judith F. Smith
Judith H. Writer
Catherine Leffler,
President, CAMA Women’s Board
As of April 22, 2019
Emeritus Directors
Russell S. Bock*
Dr. Robert M. Failing*
Mrs. Maurice E. Faulkner*
Léni Fé Bland*
Arthur R. Gaudi
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Herbert J. Kendall
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Mrs. Frank R. Miller, Jr.*
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Mrs. Ernest J. Panosian*
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* Deceased
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6 CENTENNIAL SEASON CELEBRATION
masterseries at THE LOBERO THEATRE
SEASON SPONSORSHIP: ESPERIA FOUNDATION
MISCHA MAISKYCELLO
LILY MAISKYPIANO
Monday, May 6, 2019, 8:00 PM
Lobero Theatre, Santa Barbara
ALESSANDRO MARCELLO (1673–1747) Concerto in D minor, BWV 974:
(arranged by J.S. Bach; and arranged
Movement II. Adagio
for cello by Mischa Maisky)
JOHANN SEBASTIAN BACH (1685–1750) Concerto for Harpsichord, Strings
(arr. S. Franco) and Continuo No.5 in F minor, BWV 1056:
Movement II. Largo
WOLFGANG AMADEUS MOZART (1756–1791) Pamina’s Aria from The Magic Flute
(arr. Mischa Maisky)
K.620/Act II: „Ach ich fühl’s, es ist verschwunden“
JOHANNES BRAHMS (1833–1897)
Sonata No.2 in F major, Op.99
Allegro vivace
Adagio affettuoso
Allegro appassionata
Allegro molto
INTERMISSION
PYOTR ILYICH TCHAIKOVSKY (1840–1893) The Seasons, Op.37a, TH 135:
(arr. J. Stutschewsky and I. Thaler)
No.10. October: “Autumn Song”
TCHAIKOVSKY 6 Pieces, Op.51, TH 143:
(arr. Viktor Kubatsky)
No.6. Valse Sentimentale
DMITRI DMITRIYEVICH SHOSTAKOVICH Sonata for Cello and Piano, Op.40
(1906–1975) Allegro non troppo
Allegro
Largo
Allegro
CAMA thanks our generous sponsors who have made this evening’s performance possible:
Program subject to change.
Masterseries Season Sponsor: Esperia Foundation
Co-Sponsor: Ellen & Craig Parton
Concert Partners: Stephen Cloud • Raye Haskell Melville
We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing
or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
CAMA AT LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
7
Kasskara ©Deutsche Grammophon
MISCHA MAISKY
CELLO
Maisky has the distinction of being the only
cellist in the world to have studied with
both Mstislav Rostropovich and Gregor Piatigorsky.
Rostropovich has lauded Mischa
Maisky as "... one of the most outstanding
talents of the younger generation of cellists.
His playing combines poetry and exquisite
delicacy with great temperament
and brilliant technique."
Born in Latvia, educated in Russia, after
his repatriation to Israel, Mischa Maisky has
been enthusiastically received in London, Paris,
Berlin, Vienna, New York and Tokyo, along
with the rest ofthe major music centers.
He considers himself as a citizen of
the world: "I’m playing an Italian cello, with
French and German bows, Austrian and
German strings, my daughter was born
in France, my oldest son in Belgium, the
middle one in Italy and the youngest one
in Switzerland, I’m driving a Japanese car,
wear a Swiss watch, an Indian necklace and
I feel at home everywhere where people appreciate
and enjoy classical music."
As an exclusive Deutsche Grammophon
artist during the last 25 years he made well
over 30 recordings with such orchestras
as Vienna and Berlin Philharmonic, London
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
8
Symphony, Israel Philharmonic, Orchestre
de Paris, Orpheus und Chamber Orchestra of
Europe and others.
One of the highlights in his career was
the year 2000 - it was mainly devoted to a
world-wide Bach tour which included over
100 concerts! In order to express his deep
admiration for this great composer, Mischa
Maisky has recorded Bach's Solo Suites for
the third time.
His recordings have enjoyed worldwide
critical acclaim and have been awarded five
times the prestigious Record Academy Prize
in Tokyo, three times Echo Deutscher Schallplattenpreis,
Grand Prix du Disque in Paris
and Diapason d’Or of the Year as well as the
coveted Grammy nominations.
Truly a world-class musician and regular
guest in most major International Festivals
he collaborated with such conductors
as Leonard Bernstein, Charles Dutoit, Carlo
Maria Giulini, Lorin Maazel, Zubin Mehta, Riccardo
Muti, James Levine, Vladimir Ashkenazy,
Giuseppe Sinopoli and Daniel Barenboim
and his partnerships have included artists as
Martha Argerich, Radu Lupu, Nelson Freire,
Evgeny Kissin, Lang Lang, Peter Serkin, Gidon
Kremer, Yuri Bashmet, Vadim Repin, Maxim
Vengerov, Joshua Bell, Julian Rachlin and Janine
Jansen to name just a few. n
LILY
MAISKY
PIANO
Lily Maisky was born in Paris, moving to
Brussels soon after. She began playing the
piano at the age of four, with Lyl Tiempo, also
studying with Hagit Kerbel, Ilana Davids and
Alan Weiss. Lily was a pupil at the “Purcell
School of Music” from 2001 till 2005 where
she also studied jazz piano. She has received
master classes and musical advice from renowned
artists including Martha Argerich,
Dmitri Bashkirov, Joseph Kalichstein, Pavel
Gililov and Vitalij Margulis to name a few.
Concert appearances have taken her
throughout Europe and she regularly tours
the Far East, North and South America. Lily
has been invited to many of the great festivals
such as the Verbier Festival, Progetto
Martha Argerich in Lugano, the Edinburgh
Festival, Miyazaki Festival, Maggio Musicale
Fiorentino, Bergamo-Brescia, the Beijing Piano
Festival, the Franz Liszt festival in Austria,
Julian Rachlin and Friends in Dubrovnik, Rencontres
de Bel Air in France, Gstaad Festival,
the Schlesswig-Holstein Music Festival as
well as the Berlin Festival and many others.
She has had the privilege of performing concertos
under the batons of maestros Leonard
Slatkin, Thomas Sanderling, Gerd Albrecht,
Gabor Takacs-Nagy, Daniel Raiskin, Alberto
Veronesi, Jack Martin Händler, Josep Caballé-
Domenech, Enrique Diemecke and Charles
Benjamin Brolet
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
9
Olivieri Munroe, amongst others. She has
also performed in such prestigious venues
as the Royal Festival Hall in London, Vienna’s
Musikverein and Concerthaus, Munich’s
Prinzregentheatre, Hamburg’s Leiszhalle
and Elbphilarmonie, Berlin’s Konzerthaus,
Venezia’s La Fenice, Bonn’s Beethoven-
Halle, Tokyo’s Suntory Hall, Rome’s Teatro
Olimpico, Moscow Conservatory, Saint Petersburg
Philarmonie, New York’s Carnegie
Hall, Seoul’s Performing Arts Center, Athens
Megaron, Palais des Beaux-Arts in Brussels,
the Liszt Academy in Budapest, Essen
Philarmonie, Auditorium de Lyon and Teatro
Colon in Argentina among many others.
Lily has released several recordings for
Deutsche Grammophon, EMI and Belgian
label Avanti Classics, has been frequently
broadcasted on European and Asian radio
and television, as well as featuring in several
documentaries. Her latest release on
Deutsche Grammophon, “Adagietto” is a
special compilation of live chamber works
with the Maisky Trio, Janine Jansen and Julian
Rachlin as well as some studio recorded
transcriptions with Mischa Maisky. An album
of 20th Century works with Mischa Maisky
is planned for 2019 and many other exciting
projects in the making.
Lily has a predilection for chamber music
and forms a regular duo with Mischa Maisky,
as well as the Maisky trio with her brother.
She has also performed with such artists as
Julian Rachlin, Janine Jansen, Dora Schwarzberg,
Renaud Capuçon, Maxim Rysanov, Gérard
Caussé, Chantal Juillet, Sergey Krylov,
Martha Argerich, Nicholas Angelich, Frank
Braley, as well as Philippe Quint, Alissa Margulis,
Hrachya Avanesyan, Geza Hosszu-
Legocky, Boris Andrianov, Isztvan Vardai, Alexander
Mogilevsky, Orfeo Mandozzi, Alena
Baeva, Boris Brovstyn and the Szymanowski
Quartet.
Lily is a Steinway Artist and the proud
owner of the last instrument of the legendary
Arturo Benedetti Michelangeli. n
COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC
10 CENTENNIAL SEASON CELEBRATION
BACH
PROGRAM
notes
B y H o w a r d P o s n e r
The violoncello boasts a distinguished
heritage dating back about three and a half
centuries. So what could be a more fitting
way to begin a cello recital than with a couple
of oboe pieces and an opera aria?
The Adagio that opens the program is
the slow movement of an oboe concerto by
the Venetian Alessandro Marcello (1673–
1747). It was published in Amsterdam in
1717, but Bach, who was avidly collecting
and reverse-engineering Italian concertos
during the 1710s, created a version for solo
harpsichord a year or two earlier, which
meant he had obtained a manuscript copy.
The Bach Arioso that follows may also
have originated as the slow movement of
an oboe concerto, but its earliest known
incarnation is as the sinfonia for oboe
and strings that begins cantata 156, Ich
stehe mit einem Fuss in Grabe (“I stand with
one foot in the grave”), first performed in
Leipzig church services for the third Sunday
after Trinity in January 1729. Bach
turned the music into the slow movement
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
11
of his F-minor concerto for harpsichord
and strings, BWV 1056, adding ornaments
to the melody to accommodate the harpsichord’s
inability to sustain a long tone. The
movement is remarkably similar to, and
may have been admired, by the first movement
of a Telemann oboe concerto.
Pamina, the damsel constantly in distress,
sings and speaks a good deal in The
Magic Flute, the singspiel Mozart composed
three months before his death in 1791, but
she gets only one solo aria, in which she
worries about losing the love of her rescuer
Prince Pamino.
In 1884, the cellist Robert Hausmann
asked Brahms to compose a new sonata
for him. Hausmann was part of the circle of
artists and friends Brahms held dear, and
was a kindred musical spirit in many ways,
sharing Brahms’ classical conservatism
in modern music and interest in older music.
He played the viola da gamba, which
had been extinct for a century as a tool for
current music, and he played cello without
using an endpin, though its use had been
normal for more than a generation. He had
championed Brahms’ otherwise neglected
Opus 38 sonata of twenty years earlier, and
Brahms was happy to compose a sonata
for such a skilled and sympathetic interpreter.
Brahms did most of his composing
during summers away from Vienna. He
spent the next two summers composing
35 songs and his fourth symphony before
turning his attention to chamber music in
1886, finishing the second cello sonata
BRAHMS
along with the Violin Sonata in A and the
C-minor Piano Trio.
Hausmann may have been looking for
a work more adventurous than the relatively
subdued Opus 38 sonata. He certainly
got one, full of grand gestures and
big statements. In places it requires heavy
lifting from the cellist, since Brahms liked
to write dense piano parts with full chords,
creating a rich, full sound, which does not
make life easy for the cellist who needs to
be heard. (A piece of Brahms folklore has it
that after a less-than-stellar cellist played
this sonata through with Brahms, she complained
that she couldn’t hear herself play.
Brahms replied, “You were lucky.”)
The first movement begins with the
cello announcing one of those Brahms signature
sweeping, soaring themes over a
tremolo on the piano. These two elements
CAMA AT LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
12
constitute much of the movement, with the
opening theme or derivative motifs nearly
always present in the melodic texture. The
tremolo is taken over by the cello, played
by alternating the two lowest strings—a
strikingly sonorous effect—through much
of the development and coda.
The reflective second movement begins
in the distant and unrelated key of F-
sharp major, then enters a sort of tonal noman’s
land in a middle section that drifts
in and out of D-flat major on its way to a
modulation to F minor that never really arrives.
The key of F minor does arrive in the
scherzo, the principal theme of which bears
a striking resemblance to the finale of the
Third Symphony (also in F minor), recast
into triple meter, but with the same driving
mood. The middle section lies somewhere
between hymn and love song. The finale,
a carefree rondo in which nothing terribly
important happens, is less a climax than a
dessert after a particularly nutritious meal.
Both Tchaikovsky pieces on the program
were originally composed for solo piano
at the behest of Nikolai Bernard, editor
of the St. Petersburg monthly music magazine
Nuvelliste. In a time when a large proportion
of people with disposable income
were skilled amateur instrumentalists, it
made financial sense to publish magazines
containing music for them to play. In a December
1875 letter Bernard asked Tchaikovsky
to compose a piece for each month
of the year, and suggested subtitles for
TCHAIKOVSKY
each piece. Tchaikovsky, a better composer
than negotiator, wrote back that he was
“most grateful for your courtesy and readiness
to pay me such a high fee,” and supplied
the pieces well ahead of the publication
schedule. Bernard also supplied each
piece with a poetic epigraph, most of them
by Russian poets unfamiliar to Western
readers. Those verses appear in only two
of Tchaikovsky’s manuscript scores (January
and March), so it is not certain that he
had the other ten in mind as he composed.
The verse for October, “Autumn Song,” describes
fallen yellowed leaves blowing in
the wind.
In 1882, Bernard again proposed
a set of character pieces, but this time
13 CENTENNIAL SEASON CELEBRATION
Tchaikovsky’s publishers, Pyotr and Osip
Jurgensen, stepped in, pointing out that
their contract with Tchaikovsky gave them
a right of first refusal on anything he composed.
Tchaikovsky was peeved, but conceded
that the Jurgensens were within their
rights. They eventually published a set of six
pieces as Opus 51. The Chopinesque Valse
Sentimentale is the sixth of the set.
Shostakovich’s only cello sonata dates
from what he would have called a pivotal time
of his life, and he didn’t know the half of it.
He was at the top of the Soviet musical
world with the success of his second
opera, Lady Macbeth of the Mtsensk District.
Its January 22, 1934 premiere in Leningrad
was followed two days later by its first
performance in Moscow, and it continued
to fill seats in both opera houses for two
years. It was hailed as a great leap forward
for Soviet opera in the very year that Soviet
bureaucracy promulgated a directive to the
effect that “socialist realism” was the artistic
ideal for music, although the directive
said nothing specific about what “socialist
realism” meant.
In May of 1934 the opera was performed
as part of an international festival
in Leningrad, where Shostakovich met and
fell in love with a 20-year-old university
student who was working as an interpreter
for the festival. It caused a separation,
and then a divorce, from his wife of two
years, Nina Varzar (the dedicatee of Lady
Macbeth). While they were apart, in August
1934, Shostakovich composed the cello
sonata, his first major chamber work. He
dedicated it to Viktor Kubatsky, who played
in the Bolshoi Theater orchestra, and gave
its first performance with him on December
25, 1934. The choice of Kubatsky was
more politic than artistic: he was known as
an organizer of concerts, so involving him
would mean the new sonata would get repeated
public performances. He was also
known for his limitations as a player, which
may have had something to do with the sonata’s
being received poorly at first.
Shostakovich quickly remarried Nina,
writing to a friend, “I have only now realized
and fathomed what a remarkable woman
she is, and how precious to me.” Nina was
also pregnant with their first child. Their
marriage appears to have been a success
until her death in 1954, with Nina acting as
his personal and business manager as well
as wife, mother and emotional support. He
would need her in the coming years, when
the Soviet establishment moved to bring
its musical establishment to heel, choosing
to make Shostakovich, its golden boy,
and Lady Macbeth, its major international
success, examples of—as an infamous
January 1936 Pravda article put it—“petit
bourgeois and formalist” degeneracy.
In a time of government purges that
became known simply as “The Terror,”
the Pravda article made Shostakovich an
outcast, and most of his concert music
was effectively banned. The cello sonata
seems to have escaped that ban, perhaps
because chamber music was not much on
officialdom’s radar, or perhaps because the
sonata offended no one.
14 CENTENNIAL SEASON CELEBRATION
SHOSTAKOVICH
Shostakovich had made public statements
in 1935, when everyone wanted
to hear his opinions, about developing a
more simple, expressive style, and getting
away from the striving for originality that
often marked his music. The sonata, while
not simple by any standard, largely avoids
the excursions into the grotesque that been
a part of his style since his student days,
when it annoyed his composition professor.
The sonata is in largely traditional
forms. The musical language of the sonataform
first movement is remarkably generic
in a sense: Shostakovich’s style is normally
so distinctive that his authorship is immediately
obvious, but large stretches of the first
movement could be by almost anyone, and
the secondary theme has more than a little
Rachmaninoff in it. The movement ends
with a slow coda, setting up a contrast with
an energetic scherzo of a second movement
full of trademark Shostakovich sounds like
the repeated notes and melodies in widely
spaced octaves on the piano.
The third movement combines elements
of rondo form and variation form. A
loose road map would be: first theme, followed
by second theme and two variations
on it, then a variation on the first theme, two
more variations on the second theme, and a
last variation on the first theme. The roaring
finale is a more traditional scherzo. •
Program Notes ©2019, Howard Posner
15 CENTENNIAL SEASON CELEBRATION
Presenting the world’s finest classical artists since 1919
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participate in CAMA’s historic Centennial Celebration.
We are celebrating CAMA's Centennial by gratefully acknowledging donors who
contribute during CAMA’s 100th and 101st Seasons. Contributions of $250 and
above during this time will be recognized in the Centennial acknowlegements in
our concert programs.
Please contact either Elizabeth Alvarez or Nancy Lynn
at (805) 966-4324 to learn more.
Renée Fleming
Michael Tilson Thomas
André Previn
London Philharmonic
Lisa-Marie MAzzucco photo
“It’s always been a
great pleasure for
me to perform on the
CAMA series, and
I’m looking forward to
many more visits.
I send you my heartiest
congratulations
on your centennial
season. Bravo!”
—ITZHAK PERLMAN, CO-CHAIR,
CAMA CENTENNIAL
HONORARY ARTISTS COUNCIL
centennial honorary artists council
Itzhak Perlman
honorary co-chair
Sara Miller McCune
honorary co-chair
Vladimir Ashkenazy
Isabel Bayrakdarian
Joshua Bell
Alfred Brendel
Renée Fleming
Daniele Gatti
Richard Goode
Hilary Hahn
Stephen Hough
Olga Kern
Lang Lang
Jerome Lowenthal
Zubin Mehta
Anne-Sophie Mutter
Sir András Schiff
Peter Serkin
Leonard Slatkin
Christian Tetzlaff
Jean-Yves Thibaudet
Chris Thile
Michael Tilson Thomas
Dawn Upshaw
André Watts
Pinchas Zukerman
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
17
Presenting the world’s finest classical artists since 1919
CENTENNIAL CELEBRATION DONORS
MAESTRO
$1,000,000 and above
CONCERTMASTER
$500,000–$999,999
CRESCENDO
$250,000–$499,999
Bitsy & Denny Bacon and The Becton Family Foundation
The Elaine F. Stepanek Foundation
CADENZA
$100,000–$249,999
Judith L. Hopkinson
Samuel B. and Margaret C. Mosher Foundation
Ed & Sue Birch / Robert & Christine Emmons
SAGE Publishing
George & Judy Writer
RONDO
$50,000–$99,999
Anonymous
Deborah & Peter Bertling
Meg & Dan Burnham
NancyBell Coe & William Burke
Lois Sandra Kroc
Sara Miller McCune
Jocelyne & William Meeker
Mari & Hank Mitchel
Bob & Val Montgomery
Stephen J.M. & Anne Morris
Cumulative contributions of $50,000 and above during CAMA’s Centennial Seasons
will include Centennial Circle membership.
18 CENTENNIAL SEASON CELEBRATION
CONCERTO
$25,000–$49,999
Marta Babson
Suzanne & Russell Bock
The Stephen & Carla Hahn
Foundation
The Walter J. & Holly O.
Thomson Foundation
The Towbes Fund for the
Performing Arts
Patricia Yzurdiaga
SONATA
$10,000–$24,999
Anonymous
Alison & Jan Bowlus
City of Santa Barbara
Bridget Colleary
George H. Griffiths and Olive
J. Griffiths Charitable Fund
Hollis Norris Fund
Natalia & Michael Howe
Ann Jackson Family
Foundation
Ellen & Peter Johnson
Herbert & Elaine Kendall
Kum Su Kim & John Perry
Mary Lloyd & Kendall Mills
The Henry E. and Lola Monroe
Foundation
Montecito Bank & Trust
John & Ellen Pillsbury
Anne Smith Towbes
The Shanbrom Family
Foundation
Hubert Vos
The CAMA Women’s Board
VIVACE
$5,000–$9,999
Anonymous
Peggy & Kurt Anderson
Elizabeth & Andrew Butcher
Louise & Michael Caccese
Stephen Cloud
Edward DeLoreto
Elizabeth Karlsberg &
Jeff Young
Jill Doré Kent
Mahri Kerley/Chaucer's Books
ALLEGRO
$2,500–$4,999
Helene & Jerry Beaver
Shelley & Mark Bookspan
Bob Boghosian &
Beth Gates Warren
Suzanne & Peyton Bucy
Roger & Sarah Chrisman, Schlinger
Chrisman Foundation
Fredericka & Dennis Emory
Ronald & Rosalind A. Fendon
Mary & Raymond Freeman
Priscilla & Jason Gaines
Dorothy & John Gardner
Shirley Ann & James H. Hurley, Jr.
William H. Kearns Foundation
Connie & Richard Kennelly
Chris Lancashire &
Catherine Gee
Raye Haskell Melville
Craig & Ellen Parton
Irene & Robert Stone/Stone
Family Foundation
Barbara & Sam Toumayan
Winona Fund
Zegar Family Fund—In honor
of CAMA’s 100th Anniversary and in
appreciation of their friendship with
Daniel P. Burnham
Lynn P. Kirst
Lois Kroc
Stefanie Lancaster Charitable
Foundation
MaryAnn Lange
Shirley & Seymour Lehrer
Dona & George McCauley
Performing Arts Scholarship
Foundation
Diana & Roger Phillips
Ann M. Picker
Dorothy Roberts
Santa Barbara Foundation
Judith F. Smith
Carrie Towbes & John Lewis
Steven Trueblood
(Continued next page.)
CAMA’s Centennial spans two concert seasons, 2018/2019 and 2019/2020.
The CAMA Board gratefully acknowledges and thanks the generosity of the
CAMA community. Donor lists will be fully updated February 2019.
All cummulative donations of $250 and above through
the 100 th and 101 st Seasons will be listed.
Please call Elizabeth Alvarez should you notice any errors on these pages – (805) 276-8270.
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
19
Presenting the world’s finest classical artists since 1919
CENTENNIAL CELEBRATION DONORS
ADAGIO
$1,000–$2,499
Todd & Allyson Aldrich Family Charitable Fund
Diane Boss
Wendel Bruss
Karen Bushnell
Annette & Richard Caleel
Patricia Clark
Joan & Steven Crossland
Gregory Dahlen III & Christi Walden
Jan Davis-Hadley
Margaret & Ronald Dolkart
Wendy & Rudy Eisler
Nancy Englander
Katina Etsell
Nancyann & Robert Failing
Margo & Bob Feinberg
Jill Felber
Catherine H. Gainey
Andrea & Ron Gallo
David Hamilton
Renee & Richard Hawley
Maison K
Karin Nelson & Eugene Hibbs/Maren Henle
Gerhart Hoffmeister
(Continued from previous page)
Joanne C. Holderman
Jackie Inskeep
Diane Johnson
Gerd & Peter Jordano
James Kearns
Sally Kinney
Karin Jacobson & Hans Koellner
Kathryn Lawhun & Mark Shinbrot
Dora Anne Little
Cynthia Brown & Arthur Ludwig
Nancy & James Lynn
Gloria & Keith Martin
Maureen Masson
Ruth & John Matuszeski
Karine & Donald McCall
Frank McGinity
Sally & George Messerlian
Russell Mueller
Northern Trust
Ellen Lehrer Orlando & Thomas Orlando
Gail Osherenko & Oran Young
Patti Ottoboni
Anne & Daniel Ovadia
Donald Rink
Tiffany & Justin Rizzo-Weaver,
in memory of Dolores M. Hsu
Regina & Rick Roney
Ada B. Sandburg
Santa Barbara Foundation
Anitra & Jack Sheen
Barbara & Wayne Smith
Marion Stewart
Milan E. Timm
Mark E. Trueblood
UCSB—Department of Music,
University of California, Santa Barbara
Esther & Tom Wachtell
Barbara & Gary Waer
Sheila Wald
Nick & Patty Weber
Dr. Robert Weinman
Judy L. Weisman
Westmont College
Victoria & Norman Williamson
Nancy & Byron Kent Wood
Cheryl & Peter Ziegler
Ann & Dick Zylstra
ANDANTE
$250–$999
Sylvia Abualy
Antoinette & Shawn Addison
Jyl & Allan Atmore
Howard A. Babus
Becky & William Banning
Patricia & Richard Blake
Edith M. Clark
Lavelda & Lynn Clock
Betsy & Kenneth Coates
Michael & Ruth Ann Collins
Nancy Donaldson
Michael K. Dunn
Ann & David Dwelley
Meg & Jim Easton
Julia Emerson
Thomas & Doris Everhart
Eunice & J. Thomas Fly
Ghita Ginberg
Nancy & Frederic Golden
Robert Hanrahan
Lorna S. Hedges
Glenn Jordan & Michael Stubbs
Debbie & Frank Kendrick
June & William Kistler
Christie & Morgan Lloyd
Barbara & Ernest Marx
Phyllis Brady & Andy Masters
Jeffrey McFarland
Patriicia & William McKinnon
Christine & James V. McNamara
Andrew Mester
James P. And Shirley F. McFarland Fund of
The Minneapolis Foundation
Peter L. Morris
Mrs. Raymond King Myerson
Maureen O'Rourke
Hensley & James Peterson
David & Dottie Pickering
Minie & Hjalmar Pompe van Meerdervoort
Patricia & Robert Reid
Rotary Club of Montecito Foundation, Inc.
Lynn & Mark Schiffmacher
Naomi Schmidt
Maureen & Les Shapiro
Halina W. Silverman
Paul and Delia Smith
Linda Stafford Burrows
Beverly & Michael Steinfeld
Jacqueline & Ronald Stevens
Elaine Sweet
Carol Vernon & Robert Turbin
Mary H. Walsh
Lorraine & Stephen Weatherford
Grace & Edward Yoon
20 CENTENNIAL SEASON CELEBRATION
Presenting the world’s finest classical artists since 1919
CAMA's 100 th
BIRTHDAY BASH
FREE TO THE COMMUNITY
This event is made possible through the generous support of
SAGE Publishing
The Elaine F. Stepanek Foundation
City of Santa Barbara
SUNKEN GARDENS
at the Santa Barbara County Courthouse
Sunday, May 19, 2019
1:00 PM–4:00 PM
While this event is free and open to the public, for planning purposes we ask that you
RSVP to events@camasb.org with the number in your party. Thank you!
21 CENTENNIAL SEASON CELEBRATION
Presenting the world’s finest classical artists since 1919
OUR BUSINESS PARTNERS
Serving the public at the May 19 event!
Official Chocolatier of the
CAMA Centennial
22 CENTENNIAL SEASON CELEBRATION
Presenting the world’s finest classical artists since 1919
CELEBRATING
CAMA's CENTENNIAL
by Hattie Beresford
Celebrating CAMA’s Centennial
commemorates the CAMA story
with hundreds of images and engaging
tales of the spectacular musical performances
brought to the the stages of Santa Barbara’s concert halls.
Beautiful music, exciting music, profound music — Community
Arts Music Association has been bringing this gift to Santa Barbara for
100 years. Born in the dark days following World War I, flourishing during
the Roaring Twenties, and eluding demise during the Great Depression,
CAMA has endured through a story of struggle, survival and triumph as
compelling as the world-renowned music and performers it brought.
ABOUT THE AUTHOR
Besides writing a local history column for the Montecito Journal for
over a decade, Hattie Beresford has written two issues of Noticias
and co-edited My Santa Barbara Scrap Book, the memoir of artist
Elizabeth Eaton Burton, for the Santa Barbara Historical Museum. Her
most recent book, The Way It Was: Santa Barbara Comes of Age, is a
collection of a few of her nearly 300 articles written for the Journal.
ON SALE NOW
AT CHAUCER'S BOOKS
$30.00 + tax
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
23
MEMORIAL GIFTS
Dr. Dolores M. Hsu
Jill Felber & Paul Bambach
Dr. Robert Failing
Mrs. Betty Meyer
Dr. Walter Picker
Ann M. Picker
Tita Lanning
Keith Mautino
Jim Ryerson
Christine Ryerson
Sharon Felber Taylor
Bridget Colleary
Cornelia Chapman
Ellicott Million
Dr. Eric Boehm
Judy Pochini
Michael Towbes
Bridget B. Colleary
Gerd & Peter Jordano
Else (Leinie) Schilling Bard
Joanne C. Holderman
Frederica Vogle Burrows
Linda Stafford Burrows
Professor Frederick F. Lange
MaryAnn Lange
Harold M. Williams
Nancy Englander
Sybil Mueller
Lynn P. Kirst
Dr. Robert Sinsheimer
& Karen Sinsheimer
Bob Boghosian &
Beth Gates Warren
Lynn R. Matteson
Lynn P. Kirst
Robert S. Grant
Robert L. Grant
Nan Burns, Dr. Greg Dahlen,
Robert S. Grant
William S. Hanrahan
Susie Vos
Bridget B. Colleary
MUSIC EDUCATION
MUSIC EDUCATION PROGRAM
$25,000 and above
The Walter J. & Holly O. Thomson Foundation
$10,000–$24,999
Ms. Irene Stone/ Stone Family Foundation
Mary Lloyd & Kendall Mills
$1,000–$9,999
CAMA Women's Board
William H. Kearns Foundation
Stefanie L. Lancaster Charitable Foundation
Sara Miller McCune
Mr. & Mrs. Frank R. Miller, Jr. /
The Henry E. & Lola Monroe Foundation
Performing Arts Scholarship Foundation
Westmont College
$100–$999
Becky & William Banning
Lynn P. Kirst
James P. and Shirley F. McFarland Fund
of the Minneapolis Foundation
CAMA Education Endowment
Fund Income
$10,000 AND ABOVE William & Nancy Myers
$1,000–$4,999 Linda Stafford Burrows –
This opportunity to experience great musicians excelling is
given in honor and loving memory of Frederika Voogd Burrows
to continue her lifelong passion for enlightening young people
through music and math.
Kathryn H. Phillips, in memory of Don R. Phillips
Walter J. Thomson/The Thomson Trust
$50–$999
Lynn P. Kirst
Keith J. Mautino
Performing Arts Scholarship Foundation
Marjorie S. Petersen
In honor of
Joan Crossland
NancyBell Coe & Bill Burke
Carolyn & Dennis Naiman
Nancy Lynn
Carolyn & Dennis Naiman
David Malvinni
Carolyn & Dennis Naiman
Volunteer docents are trained by CAMA’s Education Committee Chair, Joan Crossland, to deliver this program to
area schools monthly. Music enthusiasts are invited to learn more about the program and volunteer opportunities.
Call the CAMA office at (805) 966-4324 for more information about the docent program.
24 CENTENNIAL SEASON CELEBRATION
Presenting the world’s finest classical artists since 1919
The CAMA Women’s Board Presents
A PRE-CONCERT LECTURE SERIES
2018/2019—CENTENNIAL SEASON
CAMA's Women's Board gratefully
thanks the following supporters!
Symphony Level $5,000
Patricia Yzurdiaga
Sonata Level $1,000
Peter & Rebecca Adams
Mrs. Richard H. Roberts
George & Judy Writer
Rondo Level $100–$500
Anonymous (2)
Bridget B. Colleary
Edward DeLoreto
Karin Nelson & Eugene Hibbs, Jr.
and Maren N. Henle
Joanne C. Holderman
Lois Kroc
Ellen & Craig Parton
Andre & Michele Saltoun
Barbara & Sam Toumayan
Nancy & Byron Kent Wood
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
25
MUSIC EDUCATION PROGRAM
LIFETIME GIVING
DIAMOND
$500,000 and above
Anonymous
Bitsy & Denny Bacon and
The Becton Family Foundation
Suzanne & Russell Bock
Linda Brown*
The Andrew H. Burnett
Foundation
Esperia Foundation
The Stephen & Carla Hahn
Foundation
Judith L. Hopkinson
Herbert & Elaine Kendall
The Samuel B. & Margaret C.
Mosher Foundation
Sage Publications
The Elaine F. Stepanek
Foundation
Michael Towbes/The Towbes
Fund for the Performing Arts
SAPPHIRE
$250,000—$499,999
The CAMA Women's Board
Leni Fé Bland
Sara Miller McCune
The Wood-Claeyssens
Foundation
Patricia & Joseph Yzurdiaga
RUBY
$100,000—$249,999
Anonymous
The Adams Family Foundation
Joan C. Benson
Deborah & Peter Bertling
Virginia Castagnola-Hunter
NancyBell Coe & William Burke
Robert & Christine Emmons
Mary & Raymond Freeman
Raye & Melville H. Haskell, Jr.
Hollis Norris Fund
Dolores M. & Immanuel Hsu
Shirley Ann & James H. Hurley, Jr.
Ann Jackson Family Foundation
Janet & Thomas Kelly/Winona
Fund
Shirley & Seymour Lehrer
John & Lucy Lundegard
Jocelyne & William Meeker
Mr. & Mrs. Frank R. Miller, Jr./
The Henry E. & Lola Monroe
Foundation
Montecito Bank & Trust
Bob & Val Montgomery
Kathleen & John Moseley/
The Nichols Foundation
Nancy & William G. Myers
Michele & Andre Saltoun
The Santa Barbara Foundation
Jan & John G. Severson
Judith F. & Julian Smith
Jeanne C. Thayer
The Walter J. & Holly O.
Thomson Foundation
Union Bank
Marilyn & H.Wallace Vandever
The Wallis Foundation
Nancy & Byron Kent Wood
George & Judy Writer
EMERALD
$50,000—$99,999
Anonymous
Anonymous
Anonymous
Ruth Appleby
Linda & Peter Beuret
Edward & Sue Birch
Dan & Meg Burnham
Louise & Michael Caccese
Jane & Jack Catlett
Roger & Sarah Chrisman,
Schlinger Chrisman Foundation
Bridget & Robert Colleary
Suzanne & Maurice Faulkner
Arthur R. Gaudi
Sherry & Robert Gilson
George H. Griffiths and Olive J.
Griffiths Charitable Fund
Janette "Dotsy" Main Hellmann
& Richard Hellmann
Joanne C. Holderman
Natalia & Michael Howe
Hutton Parker Foundation
Ellen & Peter Johnson
Lynn P. Kirst & Lynn R. Matteson
Lois Sandra Kroc
Betty & Max Meyer
Stephen J.M. & Anne Morris
Craig & Ellen Parton
Austin H. Peck
Performing Arts Scholarship
Foundation
Marjorie & Hugh Petersen/
La Arcada Trust Corp
Diana & Roger Phillips
Kathryn H. Phillips
Theodore Plute & Larry Falxa
Lady Leslie & Viscount Paul
Ridley-Tree
Barbara & Sam Toumayan
TOPAZ
$25,000—$49,999
Barbara & Edward Bakewell
Helene & Jerry Beaver
Bob Boghosian &
Beth Gates Warren
Alison & Jan Bowlus
Helen & Andrew Burnett
Elizabeth & Andrew Butcher
Huguette Clark
Cecelia & Leonard Dalsemer
Edward DeLoreto and
William DeLoreto
Patricia & Larry Durham
Nancyann & Robert Failing
Priscilla & Jason Gaines
Preston B. & Maurine M.
Hotchkis Family Foundation
The George Frederick
Jewett Foundation
Patricia Kaplan
Elizabeth Karlsberg &
Jeff Young
William H. Kearns Foundation
Jill Doré Kent
As of February 14, 2019
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
26
LIFETIME GIVING
Otto Korntheuer/The Harold L.
Wyman Foundation
Laura & Robert Kuhn
Chris Lancashire & Catherine Gee
Lillian & Jon Lovelace
Leatrice & Eli Luria
Marilyn & Frank Magid
Ruth McEwen
Frank McGinity
Sheila Bourke McGinity
Mary & James Morouse
Pat Hitchcock O'Connell
Efrem Ostrow Living Trust
Outhwaite Foundation
Carolyn & Ernest Panosian
John & Ellen Pillsbury
Mary Dell Pritzlaff & John Pritzlaff
Mary Louise & Kenneth W. Riley
The Shanbrom Family Foundation
Anitra & Jack Sheen
Linda Stafford Burrows
Marion & William Stewart
Irene & Robert Stone/Stone Family
Foundation
The Walter J. & Holly O. Thomson
Foundation
Ina & Martin Tornallyay
Carol & Edward R. Valentine
Susie & Hubert Vos
The Elizabeth Firth Wade
Endowment Fund
Marjorie K. & Roderick S. Webster
Westmont College
AMETHYST
$10,000—$24,999
Anonymous
Rebecca & Peter Adams
Christina & David Allison
Peggy & Kurt Anderson
Bernice & Mortimer Andron
Sally & Robert Arthur
Marta Babson
Marjorie & J.W. Bailey
Else Schilling Bard
Joan C. Benson
Leslie & Philip Bernstein
Frank Blue & Lida Light Blue
Toos & Erno Bonebakker
The CAMA Fellows
Margo & Charles Chapman
Chubb Sovereign
Carnzu A. Clark
Nan Burns & Dr. Gregory Dahlen
Karen Davidson, M.D.
Fredericka & Dennis Emory
Julie & William Esrey
Ronald & Rosalind A. Fendon
Audrey Hillman Fisher Foundation
David W. Fritzen/DWF Magazines,
DWF Media
International
Catherine H. Gainey
Tish Gainey & Charles Roehm
Dorothy & John Gardner
Kay & Richard Glenn
Corinna Gordon, Larry Dale Gordon
Dorothy & Freeman Gosden
Dianne & Robert S. Grant
Beverly & Bruce Hanna
Dolores & Robert Hanrahan
Lorraine C. Hansen
Margret & David F. Hart
Betty & Stan Hatch
Renee & Richard Hawley
Ruth & Alan Heeger
Karin Nelson & Eugene Hibbs/
Maren Henle
Mary & Campbell Holmes
Elizabeth & Gary Johnson
Glenn Jordan & Michael Stubbs
Martha & Peter Karoff
Mahri Kerley/Chaucer's Books
Linda & Michael Keston
Kum Su Kim
Catherine Lloyd/Actief-cm, Inc.
MaryAnn & Frederick Lange
Dora Anne Little
Cynthia Brown & Arthur Ludwig
Leatrice Luria
Ruth & John Matuszeski
Keith Mautino
Dona & George McCauley
Jayne Menkemeller
Sybil & Russell Mueller
Myra & Spencer Nadler
Fran & John Nielsen
Joanne & Alden Orput
Mr. & Mrs. Charles W. Partridge
Performing Arts Scholarship
Foundation
Patricia & Carl Perry
John Perry
Justyn & Ray Person
Susan & James Petrovich
Anne & C.Wesley Poulson
Susannah Rake
Jaquelin & Frank Reed
Jack Revoyr
Betty & Don Richardson
Grace Jones Richardson Trust
Dorothy Roberts
The Roberts Bros. Foundation
Regina & Rick Roney
Rebecca Ross
Betty Barrett & John Saladino
William E. Sanson
Maryan & Richard Schall
Nancy & William Schlosser
Pat & Roby Scott
Sally & Jan E.G. Smit
Constance & C.Douglas Smith
Betty J. Stephens
Diane & Selby Sullivan
The Godric Foundation
Joseph Thomas
Milan E. Timm
Carrie Towbes & John Lewis
Mark E. Trueblood
Steven Trueblood
Drs. Shirley & Kenneth Tucker
Barbara & Gary Waer
Lisa Bjornsen Wolf &
David Russell Wolf
Ann & Dick Zylstra
*promised
As of February 14, 2019
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
27
MUSIC EDUCATION PROGRAM
BUSINESS SUPPORTERS
We thank the many businesses that support
CAMA's programs and events!
Laurel Abbott, Berkshire
Hathaway Luxury Properties
Alma Rosa Winey
American Riviera Bank
Babcock Winery
James P. Ballantine
Belmond El Encanto
Bertling Law Group
Bibi Ji
Black Sheep Restaurant
Blue Star Parking
Bon Fortune Style & Events
Brander Vineyard
Wes Bredall
Heather Bryden
Ca' Dario Ristorante
Camerata Pacifica
Casa Dorinda
Cebada Wine
C'est Cheese
Chaucer's Books
Chocolats du CaliBressan
Chooket Patisserie
Cottage Health System
Custom Printing
Eye Glass Factory
Felici Events
Finch & Fork
First Republic Bank
Flag Factory of
Santa Barbara
Frequency Wine
Gainey Vineyard
Grace Design Associates
Grassini Family Vineyards
Grimm’s Bluff
Colin Hayward/
The Hayward Group
Steven Handelman Studios
Hogue & Company
Holdren's Catering
Indigo Interiors
Inside Wine Santa Barbara
Islay A/V
Jardesca
Le Sorelle
Lumen Wines
Maravilla/Senior Resource
Group
Michael's Catering
Microsoft® Corporation
Mission Security
Montecito Bank & Trust
Montgomery Vineyard
Northern Trust
Oak Cottage of Santa
Barbara
Oceania Cruises
Olio e Limone/Olio Crudo
Bar/Olio Pizzeria
Opal Restaurant & Bar
Opera Santa Barbara
Pacific Coast Business Times
Pali Wine Co.
Peregrine Galleries
Performing Arts Scholarship
Foundation
Pete Clements Catering
Presqu’ile Winery
Regent Seven Seas Cruises
Renaud's Patisserie & Bistro
Rose Story Farm
Sabine Myers Design
SAGE Publishing
Santa Barbara Choral
Society
Santa Barbara Foundation
Santa Barbara Travel Bureau
Santa Barbara Winery
Stewart Fine Art
The Tent Merchant
The Upham Hotel
UCSB Arts & Lectures
Via Maestra 42
Westmont Orchestra
CAMA AT THE LOBERO THEATRE - MISCHA MAISKY AND LILY MAISKY
28
CAMA's Community
spotlight
CAMA celebrates
Mrs. Raymond King Myerson
in her 100 th year!
Mrs. Myerson with Nancy Lynn at the
Red Carpet Reception, Granada Theatre,
immediately before CAMA's opening concert
of the 100 th Season, October 2018.
29 CENTENNIAL SEASON CELEBRATION