Sarah Ball 'Accused: Part 1'
Publication for Sarah Ball's 'Accused Part 1' at Anima Mundi
Publication for Sarah Ball's 'Accused Part 1' at Anima Mundi
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S A R A H B A L L | A C C U S E D
In the 19th Century the social sciences of anthropology, ethnology and<br />
sociology all gained legitimacy. Photography was used to document such<br />
studies and seen to embody the new authority of empiricism.<br />
Police photographic archives record the faces of the ‘accused’. Used to evidence<br />
the pathology of crime and criminals, photography was thought to connect<br />
outward physical appearance and inner character traits. In essence it was<br />
believed good people ‘looked good’ and morally bad people ‘looked ugly’.<br />
They searched for; “The harmony of moral beauty and physical beauty… the<br />
science of discovering the relation between the exterior and interior – between<br />
the visible surface and the invisible spirit it covers…” Johann Kasper Lavater.<br />
(Essays on Physiognomy: Designed to Promote the Knowledge and Love of Mankind. Vol<br />
1. London. John Murray 1789)<br />
Photographic images however are not objective statements of fact. They are<br />
subjective representations of the truth interpreted but the camera, the viewer<br />
and now, the painter.<br />
The work in this exhibition is sourced primarily from police criminal archives<br />
– I am interested in the act of translation; from the apparent certainty of the<br />
photographic record to the malleable quality of paint, my work calls into<br />
question history, memory and story.<br />
<strong>Sarah</strong> <strong>Ball</strong> 2012
Thief (Of Fur Coat)<br />
oil on gessoed panel . 18 x 13 cm<br />
2
3
4
Vagrant<br />
oil on gessoed panel . 18 x 13 cm<br />
5
Burglar<br />
oil on gessoed panel . 18 x 13 cm<br />
6
7
Activist<br />
8<br />
oil on gessoed panel . 18 x 13 cm
Female Impersonator<br />
oil on gessoed panel . 18 x 13 cm<br />
9
Thief<br />
oil on gessoed panel . 18 x 13 cm<br />
10
11
12
Abortionist<br />
oil on gessoed panel . 18 x 13 cm<br />
13
Conspirator & Co Conspirator<br />
oil on gessoed panel . diptych . 18 x 13 cm each<br />
14
15
16
Informers<br />
oil on gessoed panel . diptych . 18 x 13 cm each<br />
17
Sly Grogger<br />
oil on gessoed panel . 18 x 13 cm<br />
18
19
20
Vagrant<br />
oil on gessoed panel . 18 x 13 cm<br />
21
Unknown<br />
22<br />
oil on gessoed panel . 18 x 13 cm
Unknown<br />
oil on gessoed panel . 18 x 13 cm<br />
23
24
Gang Member<br />
oil on gessoed panel . 18 x 13 cm<br />
25
Traitor<br />
oil on gessoed panel . 18 x 13 cm<br />
26
27
Illegalist<br />
28<br />
oil on gessoed panel . 18 x 13 cm
Anarchist<br />
oil on gessoed panel . 18 x 13 cm<br />
29
Assailant<br />
oil on gessoed panel . 18 x 13 cm<br />
30
31
Prostitute<br />
32<br />
oil on gessoed panel . 18 x 13 cm
Prostitute<br />
oil on gessoed panel . 18 x 13 cm<br />
33
Gang Member<br />
oil on gessoed panel . 18 x 13 cm<br />
34
35
36
Male Impersonator<br />
oil on gessoed panel . diptych . 18 x 13 cm each<br />
37
Gangster<br />
oil on gessoed panel . 18 x 13 cm<br />
38
39
Fraudster<br />
40<br />
oil on gessoed panel . 18 x 13 cm
Published by Millennium to coincide with the exhibition ‘Accused’ by <strong>Sarah</strong> <strong>Ball</strong><br />
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form<br />
or by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers<br />
Publication produced by Impact Printing Services (www.impactprintingservices.co.uk)<br />
Interview Film by Alban Roinard and Joseph Clarke<br />
ISBN 978-1-905772-54-4<br />
M I L L E N N I U M<br />
S t r e e t - a n - P o l<br />
S t . I v e s<br />
C o r n w a l l<br />
0 1 7 3 6 7 9 3 1 2 1<br />
m a i l @ m i l l e n n i u m g a l l e r y. c o . u k<br />
w w w . m i l l e n n i u m g a l l e r y. c o . u k
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