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Creative HEAD July/August 2019

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ANGELO VALLILLO, DNA ARTSPACE<br />

“We opened the salon with a team that<br />

included four self-employed stylists, and for<br />

the first 18 months it was a massive battle<br />

between those stylists and me and Dale<br />

[Hearne, salon co-founder].<br />

“They were friends of ours, we gave them<br />

a good percentage but they wanted us to<br />

pay the VAT on it and put it all through the<br />

system, and that wasn’t going to work.<br />

“So they got their own card machines. But<br />

they were wasting colour, they were coming<br />

and going. We were trying to control and grow<br />

something as a brand, and it just wasn’t going<br />

to work. We found out they were planning to<br />

go to another salon, and we had to pull the<br />

plug. We took a massive hit – we felt like we<br />

had no control, no loyalty. In staff meetings<br />

we would try to talk about wellbeing, our<br />

philosophy, the craft, and it was like they were<br />

not in the room, you could feel it in the air.<br />

“If I was to do it all again, I would go one<br />

way or the other. You look at the US right now<br />

and salon suites… we have 3,000 square feet<br />

so I could have done that if I’d chosen the<br />

self-employed route. But that’s just being a<br />

businessman. If you want to create a brand,<br />

everyone has to be employed. You need to<br />

choose, you can’t mix the two.”<br />

JOANNE ETHERSON, SALON SERVICES<br />

“Our main customer at Salon Services is the freelance and mobile stylist<br />

– we have a name for her, she’s called Hayley, and we’ve done a lot of<br />

work figuring out exactly who she is and everything she needs.<br />

“She’s aged 25 to 35, she has children, and was creative in the industry<br />

but is now on her own and wanting to get back into hairdressing. She<br />

lacks the support of the salon team that she used to lean on. She’s<br />

very frustrated and quite scared, worried about costs, and she’s in the<br />

situation where customers might say ‘this is what I want’ and she doesn’t<br />

have someone to turn to for help.<br />

“Finding education that’s as cheap as possible is very important, and<br />

it’s mainly online because with kids travel can be difficult, so she feels<br />

distant and alone and doesn’t know who or what to trust online. She<br />

wants to lean on big companies, which is why she’s shopping with us,<br />

and she can come in and ask advice from our hairdressers in store.<br />

They often lean on them like they did their salon crew.<br />

“Education is so key – there’s tax and accounting, these are things<br />

she’s never done before. What products should she buy, how can she<br />

transport them? You can feel very isolated as a freelancer, and so it’s<br />

important that Hayley feels part of a community. We don’t want her to<br />

feel alone.<br />

“I think we’re going to see more people going freelance, and more<br />

people working in salon co-operatives renting chairs. With social media,<br />

hairstylists can build up their base of customers and can take them from<br />

a salon they’ve worked at. But I think you’ll also see more people going<br />

mobile and working from home to keep costs down.”<br />

Are you self employed or managing a salon<br />

with self-employed stylists? Then check out<br />

creativeheadmag.com/selfstyled from 4 <strong>July</strong><br />

64 CREATIVE <strong>HEAD</strong>

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