Creative HEAD July/August 2019
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ANGELO VALLILLO, DNA ARTSPACE<br />
“We opened the salon with a team that<br />
included four self-employed stylists, and for<br />
the first 18 months it was a massive battle<br />
between those stylists and me and Dale<br />
[Hearne, salon co-founder].<br />
“They were friends of ours, we gave them<br />
a good percentage but they wanted us to<br />
pay the VAT on it and put it all through the<br />
system, and that wasn’t going to work.<br />
“So they got their own card machines. But<br />
they were wasting colour, they were coming<br />
and going. We were trying to control and grow<br />
something as a brand, and it just wasn’t going<br />
to work. We found out they were planning to<br />
go to another salon, and we had to pull the<br />
plug. We took a massive hit – we felt like we<br />
had no control, no loyalty. In staff meetings<br />
we would try to talk about wellbeing, our<br />
philosophy, the craft, and it was like they were<br />
not in the room, you could feel it in the air.<br />
“If I was to do it all again, I would go one<br />
way or the other. You look at the US right now<br />
and salon suites… we have 3,000 square feet<br />
so I could have done that if I’d chosen the<br />
self-employed route. But that’s just being a<br />
businessman. If you want to create a brand,<br />
everyone has to be employed. You need to<br />
choose, you can’t mix the two.”<br />
JOANNE ETHERSON, SALON SERVICES<br />
“Our main customer at Salon Services is the freelance and mobile stylist<br />
– we have a name for her, she’s called Hayley, and we’ve done a lot of<br />
work figuring out exactly who she is and everything she needs.<br />
“She’s aged 25 to 35, she has children, and was creative in the industry<br />
but is now on her own and wanting to get back into hairdressing. She<br />
lacks the support of the salon team that she used to lean on. She’s<br />
very frustrated and quite scared, worried about costs, and she’s in the<br />
situation where customers might say ‘this is what I want’ and she doesn’t<br />
have someone to turn to for help.<br />
“Finding education that’s as cheap as possible is very important, and<br />
it’s mainly online because with kids travel can be difficult, so she feels<br />
distant and alone and doesn’t know who or what to trust online. She<br />
wants to lean on big companies, which is why she’s shopping with us,<br />
and she can come in and ask advice from our hairdressers in store.<br />
They often lean on them like they did their salon crew.<br />
“Education is so key – there’s tax and accounting, these are things<br />
she’s never done before. What products should she buy, how can she<br />
transport them? You can feel very isolated as a freelancer, and so it’s<br />
important that Hayley feels part of a community. We don’t want her to<br />
feel alone.<br />
“I think we’re going to see more people going freelance, and more<br />
people working in salon co-operatives renting chairs. With social media,<br />
hairstylists can build up their base of customers and can take them from<br />
a salon they’ve worked at. But I think you’ll also see more people going<br />
mobile and working from home to keep costs down.”<br />
Are you self employed or managing a salon<br />
with self-employed stylists? Then check out<br />
creativeheadmag.com/selfstyled from 4 <strong>July</strong><br />
64 CREATIVE <strong>HEAD</strong>