SPA480_Bestseller_2019_2020_web_hoch

STRINGS – VIOLIN
Mozart, Wolfgang Amadeus
(1756–1791)
Complete Works for Violin
and Piano in two volumes
Urtext / Ed. E. Reeser
• With an Urtext violin
part as well as a violin
part prepared with fingering
and bowing and important
performance practice
tips by M. Wulfhorst
This publication contains all
the completed works by
Mozart for Violin and Piano.
Several works which are not
found in other editions are
presented with the Urtext of
the “New Mozart Edition”:
Sonatas K. 6-9, Sonatas K. 26-
31, the Andante and Allegretto
in C maj K. 404 as well as the
three sonata fragments K. 372,
403 and 402 completed by
Maximilian Stadler.
- Volume I
☞ BA 5761 Score with parts
- Volume II
☞ BA 5762 Score with parts
Works for Violin and Piano
Urtext / Ed. E. Reeser
- The Mannheim, Paris,
Salzburg Sonatas
K. 301 (293 a ), 302 (293 b ), 303
(293 c ), 304 (300 c ), 305 (293 d ),
306 (300 l ), 296, 378 (317 d )
☞ BA 4774 Score with part
- Early Viennese Sonatas
K. 379 (373 a ), 376 (374 d ), 377
(374 e ), 380 (374 f ), 404 (385 d ),
372, 403 (385 c ), 402 (385 e )
☞ BA 4775 Score with part
- Late Viennese Sonatas
K. 454, 481, 526, 547
☞ BA 4776 Score with part
Complete Church Sonatas
Urtext / Ed. M. E. Dounias
- Volume 1: Nine Sonatas
K. 67-69, 144, 145, 212, 224, 225
and 241 for two violins, organ
and violoncello/double bass
☞ BA 4731 Score with parts
- Volume 2: Five Sonatas
K. 244, 245, 274 (271d), 328 (317 c )
and 336 (336 d ) for two violins,
organ, violoncello/double bass
☞ BA 4732 Score with parts
Rieding, Oskar
(1840–1918)
Concerto in B min op. 35
for violin and piano
Bärenreiter’s Concert Pieces
☞ BA 8971 page 48
Concerto in D maj
op. 36 for violin and piano
Bärenreiter’s Concert Pieces
☞ BA 10697 page 48
Concertino in
Hungarian Style op. 21
for violin and piano
Bärenreiter’s Concert Pieces
☞ BA 8973 page 48
Ravel, Maurice
(1875–1937)
Tzigane
Rhapsody for Violin and
Orchestra
Urtext / Ed. D. Woodfull-
Harris
☞ BA 8849-90°
Version for violin and piano;
also serves as piano reduction
to the orchestral version
This Urtext edition presents
the first scholarly-critical
edition of Ravel’s masterpiece.
It is published both in the
orchestral version as well as in
Marcia op. 44, Rondo op. 22/3
for violin and piano
Bärenreiter’s Concert Pieces
☞ BA 8982 page 48
Saint-Saëns, Camille
(1835–1921)
NEW 2018
Havanaise
for Violin and Piano op. 83
Urtext / Ed. C. Baur
☞ BA 9426 Score with part
This first-ever critical edition
of “Havanaise” draws on both
the composer’s autograph
version for violin and piano as
well as the later orchestrated
version. Where the solo part
of the orchestral version
differs from the version for
violin and piano, the variants
are shown in the violin part
as ossias.
the composer’s earlier version
for violin and piano. All known
sources, including letters, have
been drawn on for the new
edition; one of the available
sources, consulted for the first
time, was a copy of Tzigane
from the estate of Jelly
D’Aranyi, the Hungarian violin
virtuoso who played the
premiere and is the dedicatee
of the work. This copy is today
part of a private collection.
The version for piano and violin
contains, besides the Urtext
part, a second violin part as a
facsimile with performance
instructions stemming from
Jelly D’Aranyi. D’Aranyi’s
alterations and fingering
reflect how Ravel must have
heard the work in rehearsals
and performance and as
such are a document of early
20 th century performance
practice. The cooperation
between Ravel and D’Aranyi is
comparable to that of Brahms
and Joachim working on the
Brahms violin concerto.
No distribution rights
for the USA.
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