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STRINGS – VIOLONCELLO<br />

1-2 Violoncellos and Keyboard<br />

Instrument – Composers<br />

74<br />

Franck, César<br />

(1822–1890)<br />

Sonata in A maj, Mélancolie<br />

Version for piano and<br />

violoncello<br />

Urtext / Ed. D. Woodfull-Harris<br />

With an Introduction by<br />

G. Schütz<br />

☞ BA 10917 Score with part<br />

Franck’s Sonata is one of the<br />

most treasured works in the<br />

violin repertoire. This version<br />

by the cellist Jules Delsart for<br />

piano and violoncello is the<br />

only arrangement of the work<br />

authorized by the composer<br />

and its first edition represents<br />

the main source for Bärenreiter’s<br />

scholarly-critical publication.<br />

Bärenreiter’s edition also<br />

includes a separate movement,<br />

“Mélancolie”, first published<br />

after Franck’s death in 1911.<br />

Gabrielli, Domenico<br />

(1659–1690)<br />

The Complete Works<br />

for Violoncello Solo and<br />

for Violoncello and<br />

Basso continuo<br />

Urtext / Ed. B. Hoffmann<br />

☞ BA 10920 Score with parts<br />

Hummel, Johann Nepomuk<br />

(1778–1837)<br />

Sonata for Pianoforte and<br />

Violoncello op. 104<br />

Urtext / Ed. M. Kroll<br />

☞ BA 10904 Score with part<br />

This edition, edited by Mark<br />

Kroll, is the first scholarlycritical<br />

publication of this<br />

sonata. It is based on the<br />

first edition of 1826 and the<br />

autograph manuscript.<br />

A comparison of the sources<br />

brought to light a number of<br />

details overlooked in the first<br />

edition.<br />

Janáček, Leoš<br />

(1854–1928)<br />

Works for Violoncello and<br />

Piano<br />

Urtext / Eds. J. Fukač, B. Havlík<br />

☞ BA 9509 Score with part<br />

• Includes an early version of<br />

“A Tale” in the supplement<br />

Lalo, Édouard<br />

(1823–1892)<br />

Concerto in D min<br />

for Violoncello and Orchestra<br />

“Best Edition 2007”<br />

Urtext / Ed. H. Macdonald<br />

Piano reduction by the<br />

composer<br />

☞ BA 6999-90°<br />

• First ever critical edition<br />

• First ever Critical<br />

Commentary (Eng),<br />

integrated in the score<br />

Martinů, Bohuslav<br />

(1890–1959)<br />

Variations on a Slovakian<br />

Theme<br />

for violoncello and piano (1959)<br />

☞ BA 3969 Score with part<br />

NEW 2018<br />

Mendelssohn Bartholdy, Felix<br />

(1809–1847)<br />

Song without Words<br />

for Violoncello and Pianoforte<br />

op. 109<br />

Urtext / Ed. R. L. Todd<br />

☞ BA 10934 Score with part<br />

This standard work of the<br />

cello literature has been<br />

extracted from volume II<br />

of the “Complete Works for<br />

Violoncello and Pianoforte”<br />

(BA 9096 and BA 9097<br />

page 75) which was<br />

published in 2016. Mendelssohn<br />

scholar R. Larry Todd edited<br />

the scholarly-critical edition<br />

of “Song without Words”.<br />

This work is not based on<br />

the surviving autograph<br />

manuscript, which could not<br />

have been the basis for the<br />

posthumous first edition,<br />

but rather on the only<br />

plausible source: the German<br />

first edition itself. This was<br />

published in 1868 as op. 109<br />

and is unquestionably based<br />

on an untraceable complete<br />

final manuscript, perhaps<br />

once previously owned by the<br />

dedicatee, French cellist Lisa<br />

Barbier Cristiani.<br />

The publication is free<br />

from editorial amendments<br />

and modern performance<br />

instructions and provides an<br />

excellent basis for musical<br />

interpretation.<br />

• Informative Foreword<br />

(Eng/Ger) and Critical<br />

Commentary (Eng)<br />

• Score and parts in an<br />

elegant layout

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