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As the third installment of the<br />
Royal Society of Art’s Fourth<br />
Plinth Programme, British sculptor<br />
Rachel Whiteread casted the empty<br />
fourth plinth of London’s Trafalgar<br />
Square in translucent resin. Rather<br />
than create a specific statement,<br />
Whiteread solidified the absence of<br />
a monumentalized figure.
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