11.07.2019 Views

Boxoffice - July 2019

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

INDIE FOCUS<br />

NOW PLAYING<br />

Rialto staff members<br />

model their matching<br />

movie-poster T-shirts.<br />

HISTORY<br />

The theater was built in 1914 by<br />

architect William Dufour and builder<br />

D.M. Etter. The theater was originally<br />

called the Strand and was closed from<br />

1941 through 1943, reopening on June<br />

26, 1947, as the Elmwood Theatre.<br />

In June 2007, Rialto Cinemas took<br />

over the operation of the theater and<br />

shifted the emphasis from second-run<br />

to a hybrid first-run policy. We were<br />

approached about the theater being<br />

available for lease in the spring of 2007<br />

and were able to make a deal with the<br />

Elmwood Theatre Foundation, which<br />

owns the building, to lease it and make<br />

a deal with the prior operator to acquire<br />

the FF&E.<br />

Interesting trivia about the theater’s<br />

marquee: the current marquee is actually<br />

the third marquee the building has had. The first<br />

two both extended past the sidewalk and onto<br />

College Avenue. We are told both were damaged<br />

by delivery vehicles. The current marquee was<br />

removed from another theater, and the theater did<br />

not have its name on it until September, 2009.<br />

COMMUNITY<br />

The Elmwood’s audience is very local to the<br />

theater’s area of Berkeley and Oakland, but we<br />

do draw from all over the Bay Area for some of<br />

our special events. We consider the theater to be a<br />

third place in Berkeley, meaning a spot where the<br />

community gathers to share a common experience.<br />

We have hosted many East Bay nonprofit organizations<br />

for film-based fundraisers and events and<br />

have hosted many filmmakers when we’ve shown<br />

their films in Berkeley.<br />

FOOD & BEVERAGE<br />

Popcorn is the staple, of course. We do very<br />

well with some locally made artisan chocolate<br />

bars that are literally made right around the corner<br />

from the theater.<br />

PROGRAMMING<br />

Through perseverance, sheer force of will,<br />

and a little luck along the way, the Elmwood has<br />

soldiered on as Berkeley’s only independently<br />

owned movie theater. We’ve made a significant<br />

impact with our alternative-content programming.<br />

The Elmwood was in the first group of theaters to<br />

screen National Theatre Live’s productions starting<br />

with Phèdre when nobody knew what National<br />

Theatre Live was. Rialto Cinemas Elmwood helped<br />

bring recognition to National Theatre Live as a<br />

vital brand.<br />

GRASSROOTS MARKETING<br />

Whenever possible, we try to partner with other<br />

local businesses or organizations. We have found<br />

good partners for music-based films in our local<br />

record stores—yes, people still go to record stores!<br />

CINEMA ADVERTISING<br />

With increased operating costs, the revenue<br />

from Spotlight Cinema Networks on-screen advertising<br />

diversifies our revenue mix. Independent<br />

theaters always need ticket and concessions revenue,<br />

but when you can make a nice amount for<br />

doing something that costs you nothing but a little<br />

on-screen space, Spotlight is a win-win. They have<br />

the best quality ads and advertisers that fit with<br />

our customers. Importantly, we are never forced to<br />

take an ad—it is always our choice. Our favorite<br />

Spotlight ad was a Louis Vuitton campaign with<br />

this very ethereal spot that looked to the viewer<br />

like some enticing film trailer. On first viewing,<br />

most viewers didn’t notice that in every scene was<br />

an LV logo. So when the LV logo card came up<br />

at the end, people were surprised because they’d<br />

been taken in by the ad. I loved that. I consider it<br />

Spotlight’s most effective commercial!<br />

Another thing I greatly appreciate about<br />

Spotlight is the thoughtful way that they approach<br />

potential new categories of advertising. We have<br />

had some very interesting discussions recently,<br />

both internally within our management team and<br />

with Spotlight, about a category of product that<br />

we previously hadn’t accepted on-screen advertising<br />

for before. At first glance, it appeared to be<br />

a natural thing as our culture as a society evolves<br />

and morphs. I was quite surprised at some of<br />

the reactions and discussion we had around this<br />

category. In the end, it has all been very productive<br />

and informative. Sometimes, as a society, we<br />

aren’t as progressive as we think we might be, and<br />

I appreciate that Spotlight gave us the time to have<br />

a considered and thoughtful discussion. A less<br />

thoughtful company might have just said here’s<br />

a potential new advertiser and here’s the share,<br />

decide now.<br />

26 JULY <strong>2019</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!