This Holy Fire of Love

GARETH FARR
This Holy Fire of Love
Two Voices and Orchestra
Facsimile Study Score
PROMETHEAN EDITIONS
WELLINGTON

GARETH FARR
This Holy Fire of Love
Two Voices and Orchestra
Facsimile Study Score
Score version April 2010
This Holy Fire of Love, a setting of Shakespeare’s Sonnets for two
voices and orchestra, was premiered by Rima Te Wiata (voice) and
Kristian Lavercombe (voice) with the New Zealand Symphony
Orchestra at the Auckland Town Hall, Auckland, New Zealand on
18 June 2010.
This edition is a facsimile of the original score provided by the composer.
PEF/GF/HF
© 2010 Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
www.prometheaneditions.com
+64 4 473 5033

Instrumentation
2 Flutes
2 Oboes
2 Clarinets in BÏ
2 Bassoons
4 Horns in F
3 Trumpets in C
2 Trombones
Bass Trombone
Tuba
Timpani
3 Percussion
Player 1: clash cymbal, vibraphone, temple blocks,
tambourine, 4 tom-toms, glockenspiel, suspended cymbal,
snare drum, bass drum
Player 2: bass drum, clash cymbal, glockenspiel, triangle,
tam-tam, tambourine
Player 3: tam-tam, suspended cymbal, tubular bells,
suspended cymbal, triangle, clash cymbal
William
Muse
Harp
Strings
TRANSPOSED SCORE

orchestated version commissioned by the New Zealand Symphony Orchestra
This Holy Fire of Love
a setting of Shakespeare's Sonnets, for 2 voices and orchestra
3
Flute 1
Flute 2
Oboe 1
Oboe 2
Clarinet in Bb 1
Clarinet in Bb 2
Bassoon 1
Bassoon 2
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F 4
Trumpet in C 1
Trumpet in C 2
Trumpet in C 3
Trombone 1
Trombone 2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
William
Muse
Harp
Violin I
Violin II
Viola
Violoncello
Contrabass
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Gareth Farr

4
Hn. 1
11
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5
Fl. 1
A. Fl.
Ob. 1
C. A.
Cl. 1
Cl. 2
Bsn. 1
22
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William
!
""
W: Words! Words! Words! Why is my verse so barren of new pride,
so far from variation or quick change?
Why with the time do I not glance aside to new found methods
and to compounds strange?
Words! Words!
'
Fl. 1
34
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W: Lord of my life, commander of my thoughts, I, William, swear to thee by Cupid's strongest bow, by his best arrow with golden head, I'll work the means to make thee capable.
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6
Fl. 1
A. Fl.
Ob. 1
C. A.
Bsn. 2
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Perc. 2
Perc. 3
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Fl. 2
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Perc. 1
Perc. 3
D
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William
Muse
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" W: Speak to me what thou art. I charge thee speak.
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W: Art thou some god, some angel, or some devil?
Speak, I am bound to hear.
M: The wheel has come full circle. I am here
W: What is thy name?
"
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Cl. 2
Perc. 1
56 E
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W: An O?
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W: Then thou liest!
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8
Sonnet 76 - Why Is My Verse...
Fl. 1
q=112
60 F
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Cl. 2
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Muse
Vln. I
Vln. II
Vla.
M: Your answer sir, is enigmatical. Art not a poet?
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Fl. 1
64
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Cl. 2
Perc. 2
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Why is my verse so bar - ren of new pride,
div
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9
Fl. 1
68
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Cl. 1
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0 1 4 2
Cl. 2
Perc. 2
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William
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So far from va - ri - a - tion
or quick change?
4
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'
Fl. 1
72
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Cl. 1
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7
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Cl. 2
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Perc. 2
William
Vln. I
!
7
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#
! $ $
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3
1 + 0 + + + +% $ + + + +% + *
Why with the time do I not glance a-side
To new - found
me - thods and to com - pounds strange
!
7
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3,
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1 7
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p mp poco a poco cresc.
! ,
Vln. II
Vla.
6 6 6 6 6 6 6 6
7
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6 6 6 6 6 6 6 6
pp mp poco a poco cresc.
) $ $ $ $ $ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7
! # ! ,
pp mp poco a poco cresc.
Vc.
%$ $ 7
" $ $$ # # ! #
3,
!
mp
poco a poco cresc.

10
Cl. 1
Cl. 2
William
Muse
Vln. I
Vln. II
'
Vla.
Vc.
Cl. 1
Cl. 2
Muse
Vln. I
Vln. II
Vla.
Vc.
76
6 6 6 6 6 6 6
!
" // / / /
8
/ + + + + + ++ + ++ + ++ + ++ + ++ + ++ + + 0 1 4 2
/ +
!
!
. / + + ++ + ++ + ++ + + + + ++ + + / + .
0 1 4 2
8
""/ / / / 6 6 6 6 6 6 6 6
/
/ +
!
!
. 0 1 4 2
/ + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + / + .
0 1 4 4
/ + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
! $ $ 8
" $ $$
+ 4 2
# ! # !
#
$
$ $ 8
"" $ $$
3
2 4 + +% + + + + +% + + + + + + + + + + +
!
!
+ + +
$
Why write I still all one, e - ver the same, And keep in - ven - tion in a
!
8
" $ $ $ $ $ , , ! *% ! ,
8
" $ $ $ $ $ , , ! *% ! ,
) $ $ $ $ $ , , 8
! *% ! ,
%$ 8
" $
$ $$
, , *% ,
!
!
80
!
" // / / 6 6 6 6 6 6 6 6 6 6
/
7
++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + !
!
. 0 1 4 2 / + +++ + ++ + ++ + ++ + ++ + ++ + ++ + + 0 1 4 2
/ + .
/ + +++ + ++ + ++ + +
poco a poco cresc.
7
""/ / / / 6 6 6 6 6 6 6 6
/ + !
!
. 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 0 1 4 2
/ + . / + +++ + ++ + ++ + ++ + ++ + ++ + ++ + + / + .
0 1 4
poco a poco cresc.
! $ $ 3
7
"" $ $$
3
+ + *% 1 + + + + + + + + + + * + + + + 5 1 + 0 + + + +
!
!
$
no - ted weed That ev - 'ry word doth al - most tell my name Show - ing their birth and where they did pro -
!
7
" $ $ $ $ $ , , , , ! *
!
mf poco a poco cresc.
" $ $ $ $ $
7
, , , , ! *
!
mf poco a poco cresc.
) $ $ $ $ $ , , , , 7
! *
!
mf poco a poco cresc.
%$ $ , , 3 ,
, 7 *
" $ $$ !
!
mf poco a poco cresc.

11
Fl. 1
85
!
" $ $ $ $ $ !
# # #
G
3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
6 6 6 6
f
Ob. 1
" $ $ $ $ $ !
# # #
f
+ + + + + + + + + + + + + + + 3+
Cl. 1
6 6 6 6
" // / / / ! + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .
0 1 4 2 + + + + + + + + + + + + + + + / +
f
Cl. 2
6 6 6 6 6 6 6 6
"" // / / / ! ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + / + .
0 1 4 2
f
B. Tbn.
!%$ $
$ $$ !
# # #
3,
mf
Tba.
%$ $ " $ $$ !
# # #
3,
mf
William
! $ $
" $ $$ !
#
$
2 * * *
f
,
O know, sweet love,
Muse
$ $ "" $ $$ ,
!
2 * * * ,
$
ceed? O know, sweet love,
f
Vln. I
!
" $ $ $ $ $
! , , ,
f
G
div
,
ff
Vln. II
" $ $ $ $ $
! , , ,
f
div
,,
ff
Vla.
) $ $ $ $ $
! , , , ,
f
ff
div
Vc.
div
%$ $ $ , , , $$
,
!
f
ff
3 ,
Cb.
%$ $ " $ $$ !
# # #
3
ff

12
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Tbn.
Tba.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
89
!
" $ $ $ $ $ 3+
.
0 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
5
6 6 6 6 6 6 6 6
" $ $ $ $ $ 3 + + ++ + ++ + ++ + ++ + ++ + ++ + ++ + + 0 3+
.
. 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + 1 4 2
5
f 6 6 6 6 6 6 6 6
" $ $ $ $ $ + 3 + + + + + + + + + + + + + + + # #
+ + + + + + + + + + + + + + + 3+
" $ $ $ $ $ # + + + + + + + + + + + + + + + 3 + + 3 + + + + + + + + + + + + + + +
#
f
"/ / / / / # #
+ / + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + / +
"" // / / / # + + + + + + + + + + + + + +
#
+ / + + / + + + + + + + + + + + + + + +
f
&
!%$ $ & & & + *%
$ $$ 3 ,
+% 1 3 *
* +
+ +
4
%$
" $
$ $$ 1
+ *%
&
&
+ +
4
3 ,
+%
3 *
* + & &
! $ $
" $ $$ 2% + + 0 +% + + , 2 4 +
$
I al - ways
write of you And
$
"" $
$ $$ 2% + + 5 +% + +
,
2 4 +
$
I al - ways
write of you And
!
" $ $ $ $ , , , ,
$
" $ $ $ $ $ ,,
,,
,,
,,
) $ $ $ $ $ , , , ,
%$ $
$ $$ , , , ,
%$ $
" $ $$ , , , ,

13
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Tbn.
Tba.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
93
!
" $ $ $ $ $ 3+
. 0 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 3+
.
0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
6 6 6 6 6 6 6 6
" $ $ $ $ $ 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 3+
.
.
0 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + 1 4 2
5
6 6 6 6 6 6 6 6
" $ $ $ $ $ + 3 + + + + + + + + + + + + + + + # #
+ + + + + + + + + + + + + + + 3+
" $ $ $ $ $ # + + + + + + + + + + + + + + + 3 + + 3 + + + + + + + + + + + + + + +
#
" // / / / # #
+ / + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + / +
"" // / / / # + + + #
+ + + + + + + + + + + + / + + / + + + + + + + + + + + + + + +
!%$ $
$ & &
$$ 3 ,
*% 4 3 *% + +% + +%
& 5 1
%$ $
" $ $$ 4
&
+ 0 +% 1
3 ,
*%
3 *% &
+ &
+%
! $ $
" $ $$ +% + * 5 4 + + + +% + 0 + 4
#
$
you and love are still my ar - gu - ment
$ $
"" $ $$ +% + 5
* 4 + + + +%
+ 0 + 4
#
$
you and love are still my ar - gu - ment
!
" $ $ $ $ , , , ,
$
" $ $ $ $ $ ,,
,,
,,
,,
) $ $ $ $ $ , , , ,
%$ $ $ $$
3 ,
, , ,
%$ $
" $ $$ 3 ,
, , ,

14
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Tbn.
Tba.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
97
!
" $ $ $ $ $ + . 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 3+
.
0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
5
6 6 6 6 6 6 6 6
" $ $ $ $ $ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 1 4 2 .
5
3 + + ++ + ++ + ++ + ++ + ++ + ++ + ++ + + + 1 4 2
5
6 6 6 6 6 6 6 6
" $ $ $ $ $ + 3 + + + + + + + + + + + + + + + # #
+ + + + + + + + + + + + + + + 3+
" $ $ $ $ $ # + + + + + + + + + + + + + + + 3 + + 3 + + + + + + + + + + + + + + +
#
"/ / / / / # #
+ / + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + / +
""/ / / / / # + + + #
+ + + + + + + + + + + + / + + / + + + + + + + + + + + + + + +
!%$ $
$ & & &
$$ , 3 *% 4 3 *% + +
+ *%
%$
" $
$ $$ 4
, 3 *%
3 *% &
& &
+ +
+ *%
! $ $ 3
" $ $$ 1 + +% + + 5 5 1 + + + + 5
+ , + +% + 0 *
$
So all my best is dres - sing old words new Spend - ing a - gain
$
"" $
$ 3
$$ 1 + 0 +% + 0 + 1 + 0 +
+ + +
$ +
,
+% + 0 *
So all my best is dres - sing old words new Spend - ing a - gain
!
" $ $ $ $ , , , ,
$
" $ $ $ $ $ ,,
,,
,,
,,
) $ $ $ $ $ , , , ,
%$ $ $ $$ , 3 ,
, ,
%$ $
" $ $$ , 3 ,
, ,

15
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Tbn.
Tba.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
101
!
" $ $ $ $ $ + . 1 4 2 3 + + ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 3+
. 0 1 4 2
#
5
6 6 6 6
mp
" $ $ $ $ $ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + 0 3+
. 1 4 2 3 + +++ + ++ + ++ + ++ + ++ + ++ + ++ + + + . 1 4 2
5
6 6 6 6 6 6 6 6
mp
p
" $ $ $ $ $ + 3 + + + + + + + + + + + + + + +
# # #
" $ $ $ $ $ # + + + + + + + + + + + + + + + 3 + + 3 + + + + + + + + + + + + + + +
#
p
"/ / / / 6 6 6 6
/ # #
+ / + + + + + + + + + + + + + + + ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
p
poco a poco cresc.
"" // / / / # + + + #
+ + + + + + + + + + + + / + + / + + + + + + + + + + + + + + +
p
!%$ $ +% $ $$
1 * 3 ,
+% 1
* +
+ * + 5 1
p poco a poco cresc.
%$
" $
$ $$ +% 1
1
* 3 ,
+%
* +
+ * + 0 1
p poco a poco cresc.
3
! $
" $
$ $$
3
+ + + +% + +
5 4 2 4 + + + + + + + + + +
$
what is al - rea - dy spent; For as the sun is dai - ly new and old
$ $ 3
"" $ $$
3
+ + + +%
+ 0 + 4 2 4 + + + + + + + + + +
$
what is al - rea - dy spent; For as the sun is dai - ly new and old
!
" $ $ $ $ , , , ,
$
p
poco a poco cresc.
" $ $ $ $ $ ,,
,,
,,
,,
p
poco a poco cresc.
) $ $ $ $ $ , , , ,
p
poco a poco cresc.
%$ $
$ $$ , 3 ,
, ,
p
poco a poco cresc.
%$ $
" $ $$ , 3 ,
, ,
p
poco a poco cresc.

16
Fl. 1
105
!
" $ $ $ $ $ # # # #
Cl. 1
Cl. 2
B. Tbn.
Tba.
Perc. 3
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
6 6 6 6 6 6 6 6
" // / / / + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .
0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
""/ / / / 6 6 6 6 6 6 6 6
/ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . 0 1 4 2 ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .
0 1 4 2
poco a poco cresc.
p
!%$ $
$ $$ , 3 ,
*% 4
3,
%$ $
" $ $$
4
, 3 ,
*%
3,
Susp. Cym.
!
,
" ' # # #
&
pp
mf
! $
" $
$ 3
$$ * 2 + 3 + + * * 4 + + 3 + % *
5
$
So is my love, still tel - ling
mf 3
$ $
"" $ $$
* 2 + + + * * 4 + + +% *
5 $
So is my love, still tel - ling
!
" $ $ $ $ , , , ,
$
" $ $ $ $ $ ,,
,,
,,
,,
) $ $ $ $ $ , , , ,
%$ $ $ $$ , , , ,
%$ $
" $ $$ , 3 ,
, ,

Fl. 1
Fl. 2
Cl. 1
Cl. 2
B. Tbn.
Tba.
Perc. 2
Perc. 3
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
109
!
" $ $ $ $ $
&* *%
&*
#
2
4 2
%$ $
" $ $$ 3 ,
, , ,
ff
mf
" $ $ $ $ $ #
2
&* *%
4 2
&*
ff
mf
"/ / / / 6 6 6 6 6 6 6 6
/ + . ++ ++ + + ++ ++ + + ++ ++ + + + + ++ + + + .
++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + +
ff
f
"" / / 6 6 6 6 6 6 6 6
/ ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + . ++ ++ + + ++ ++ + + ++ ++ + + ++ ++ + + + .
ff
1 4 2
f
!%$ $ $ $$ 3 *% + 0 1
+
+%
% *% 4
+%
+ * %
ff
mf
%$
" $
$ $$
0 1
4
3 *% + +% + *% *% +% + *%
ff
mf
& ) & )
!
$
$*
*
$
" #
( $*
*
2
#
2
(
f
mf
, 9)
&
" '
4 2
# #
f
ff
! $
" $
$ $$ 3 *
* ,
$
,
#
what is told.
$
"" $
$ $$
$
* *
ff
, ,
#
what is told.
!
" $ $ $ $ $
, , , ,
fff
poco a poco dim.
" $ $ $ $ $ ,,
,,
,,
,,
fff
poco a poco dim.
) $ $ $ $ $ , , , ,
fff
poco a poco dim.
%$ $ $ $$ , , , ,
fff
poco a poco dim.
fff
poco a poco dim.
17

18
Fl. 1
Fl. 2
rit.
&
113
!
" $ $ $ *%
* *%
$ $ 4 2
" $ $ $ &
* *%
$ *% $ 4 2
mp
mp
pp
pp
4
4
- $ $
# $ $$
-
#
$ $ $ $$
Cl. 1
Cl. 2
" // / / /
""/ / / / /
6 6 6 6
+ . 0 1 4 2 + + + + + + + + + + + + + + + + + + + + + + + + + .
0 1 4 2
mf mp p
6 6 6 6 6 6 6 6
-
+ + + + + + + + + + + + + + + + + + + + + + + + + .
0 1 4 2 + + + + + + + + + + + + + + + + + + + + + + + + ,
mf mp p pp
-
#
/ / / / /
/ / / / /
B. Tbn.
Tba.
!%$ $
$ - $$ $ $
$
*% 4 +% + *% *% 4 ,
$$
mp
%$
" $
$ - $$ 4
$ $
$ $$
+
*%
+%
* % *% 4
,
mp
p
p
Perc. 2
!
"" #
2
& ( )
$ $ *
mp
' # # -
William
Muse
! $
" $
$ $$
W: Friend, art thou certain this is true?
$ M: As certain as I know the sun is fire.
W: Is't most certain. But speak you on -
you look as you had something
$ more to say -
Will you not tell me who you are?
"" $
$ $$
M: O, tis most sweet when in
one line two crafts directly meet.
M: Not now, the feather stirs.
$
As if our hands, our sides, voices
and minds had been incorporate.
Vln. I
rit.
!
" $ $ $ -
$ , , , ,
$
p
$ $
$ $$
Vln. II
Vla.
Vc.
" $ $ $ $ - $ $ , ,
$
$
, ,
,,
,,
$$
) $ $ $ $
- $ $ , , , ,
$
$ $$
-
%$ $
$ $$ , , , ,
$ $
$ $$
p
p
p
'
Cb.
Perc. 1
Perc. 2
Perc. 3
William
Muse
#
Hp.
Vc.
Cb.
%$
" $
$ - $$ $ $
$
, , , ,
$$
117 H
!
' #
' #
" ' #
! $ $
" $ $$
$
$
"" $
$ $$
$
" $ $ $ $ $ 2 4
q=92 Temple Blocks
accel.
mp
p
p
p
Susp Cym
on bell
q=92
H
pizz
!%$ $ $ $$ 1 0 # #
+ + 2 1 0 + + + $ +
0 1 4 1 0 + +
+ $ + 5 +
+
5 1 + 5 + 1 + $ + %
mp
sim - all chords rolled
pizz
%$ $
" $ $$ + 4 2 # 2 4 + 4 2 2 4 1 0 +
+ 2
# #
$+
$ +
mp
----------------
4% + 5 + + + 5 1 4 % + 5 1 + 5 + + 1 +
0 1 +
0 + + 4 1 + 5 4 + 5 + + 0 2 + 0 + + 5 1 + 5 + + + + + 4 % + 0 + +
Clash Cym
2 4 + . 1 # 2 1 + . 4 # # 2% 1 + . #
5 5 5
1 9 9
9
5 4 2 # 4 2 # 2%
#
$ + + , , 2 4 $ + + $ ,
# 2 4
----------------
$ + %$ $
$ + , , $ + + $ $$ 2 4
2 4 ,
# 2 4
------------------
$ + + 4 $ *% 4
+ $+ +
4
p
$
*
% 4
2 1 9 5 4
$ * * +
$ * * +
accel.
4 1 0 + +
+ $ + + 1 + 5 1 + 5 + 1 0 + $ +

19
Perc. 1
125
!
' 1 + -
5 4 1 0 + + + 4 + + + 4 1 + 5 4 1 0 + + + 4% + 0 + + 1 + 5 4 1 0 + + + 4 + + + 4 1 + 5 4 1 0 + + + 4% + 0 + + + #
q=42
Perc. 2
' 2% 1 + . # 2% 1 + . # 2% 1 + . # 2% 1 + . 2 4 1 + . - # 5 5 5 5 5
Perc. 3
9
" ' # 2 4 # 2 1 9 9
5 4 # 2 4
# 2 1 9 5 4
- #
Muse
! $ $
"" $ $$ M: My practices ride easy.
W: I see the business.
$
THE MUSE PICKS
UP A PIECE OF
PAPER.
#
Hp.
" $ $ $ $ - $ , 2 2 4 $ + + 2
2 4 $ + + 2
2 4 $ + + 2
# /
$*
$*
$*
$*
/ / /
$+ %$ $
$ - $$ , 2 $ *
+
$+ 2 4 2 $ *
+
$+ 2 4 2 $ *
+
2 4 2 $* # / / / /
F§
Vln. I
Vln. II
Vc.
!
" $ $ $ $ $ # # # # # # #
" $ $ $ $ $ # # # # # # #
-
2 4 3 1 &+ 5 , &
pp
pp
q=42
-
2 4 1 3 & + ,
5
&
%$ $
$ $$ 1 0 # - # / / / /
+ + + $ +
0 1 4 1 0 +
+ + 1 $ + 4 1 0 + 5 + + 1 01 0 1 0 +
$ + + + + 1 $ + 1 0 5 + + + 1 01 1 $ + + + + 5 1 $ +
0 1 1 0 +
+ + 1 0 1 0 +
$ + + + 1 0 +
/ / / /
/ / / /
Cb.
%$
" $
$ $$ 2 4 1 0 - # / / / /
$ +
+ + 2 2 4 1 0 +
$ +
+ 2 2 4 1 0 +
$ +
+ 1 0 +
$ +
+ 1 0 +
$ +
+ 1 0 +
$ +
+ 1 0 +
'
Sonnet 26 - Lord of my Love
Hn. 1
134 I q=66
!
"" // / # # # 4 + #
+ +
+%
+ 0 2 4
* *
+ +
p mf pp p mf
+
Muse
!
""/ / / / #
$
p
Lord
3 3
+ + + + * 1 + 5
of my love,
+ + + + +
1
+
0 + + + + + + +
+ *
+ + + + * 1 + 5 + + + + +
1
+
0 + + + + + +
to whom in vas-sal-age
Thy me-rit
hath mydu-ty
strong - ly knit To thee I send this writ-ten
em-bas-sage
To wit-ness
du- ty, not to
#
Hp.
"/ / / / + + + + + + + + + + + + + + + + + + + + + + + +
p
% / / / /
+ + + 4
+ + + 4
+ + + 4
+ + + 4
+ + + 4
+ + + 4
+ + + 4
+ + + 4
Vln. I
Vln. II
Vla.
Vc.
q=66
I
!
" // / / , , , , , , , ,
p
"/ / / / , , , , , , , ,
p
)/ / / / , , , , , , , ,
p
arco
%
" / / / / , , , , , , , ,
p

20
Cl. 1
Hn. 1
Timp.
Muse
Hp.
Vln. I
Vln. II
'
Vla.
Vc.
Cb.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Timp.
Muse
!
"" // # #
!
""/ / / $ + % # # # # #
+ 0 2
3 * /*
!% # # # # # # #
"
!
""/ / / / 3 3
3 + + *% 1 / +
0 + + + +% + + + +% $ + *% 1 / +
0 + + +% + + + +% + 0 + + + + + + + + + + + + *%
#
142
#
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
show
!
"/ / / / 3 * * /*
3 * *
mp
mp
mp
mp
%
" / / / / + 3+
mp
149
J
!
" // / / # # + . + . + . + . + . + . + . + . #
+ . + . + . + . + . + . + . + .
"" // # # #
!% # #
"
!
""/ / / / 3
1 + + 0 + + $ + + 0 + + + + + +% +
!
"/ / / /
+
%
" / / / / +
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my wit: Du - ty so great,which with so poor as mine May make seem bare in want-ingwords to show it, But thatI hope some good con-ceitof thine
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154
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21
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fair as - pect
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Then may I dare to boast how I do love thee; Till then, not show my head where thou mayst prove me
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22
William
Muse
164
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W: My good friend, that voluntary oath lives in this bosom, dearly cherished.
When were you wont to be so full of songs, sirrah?
M: Ah. Never durst poet touch a pen to write, until his ink were tempered with love's sighs.
W: I am ignorance itself in this. Come on and kiss me.
M: The kiss you take is better than you give. Therefore no kiss.
W: I'll give you three for one.
M: You are an odd man. Give even or give none.
W:Every man is odd. Is the pressing of noses?
'
Fl. 1
Ob. 1
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K q=66
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William
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M: There was a star danced, and under that was I born.
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W: When you do dance, I wish you a wave o' the sea, that you might ever do nothing but that.
M: Prithee, if you love me, tell me.
W: I love thee. Be thou the tenth muse?
M: More than the perfection of ten. So shalt thou show me friendship? Loyalty?
W: In faith, I will... friend, are these things spoken, or do I but dream?
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24
Perc. 3
196
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M: Sir, they are spoken, and these things
are true. Make a recordation to my soul of
every syllable that here we spoke.
Do not forget this visitation.
Time must friend or end!
p
3
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Th'i- dea of her life shall sweet-ly
creep In - to his stu - dy of i-ma
- gi-na
- tion.
In-to
the
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M: The next thing he espies may be the lady. THE MUSE EXITS
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25
Sonnet 55 - Not Marble
Ob. 1
M q=66
208
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William
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ma-ble
nor the gil-ded
mon-u-ments
of prin-ces
shall out - live this power-fulrhyme, But you shall shine morebright than these con tents
mf
- Than
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#
slut-tish
time.
When waste-ful
war shall sta-tues
o-ver- turn, And broils root out the work of ma-son-ry,
Nor Mars his sword nor war's quick fire shall burn The li-ving
re-cord
of your me-mo-ry.
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26
Ob. 1
Bsn. 1
225 N
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'Gainst deathand all o-bli-vious
en-mi-ty
Shall you pace forth; your praise shall still findroom E-ven
in the eyes of all pros-pe- ri-ty
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1%
+ = + + + + + + + +%
+ + * 1 + 0 + + +% + 0 +% + 0 + 0 +% * ,
$
end-ing
doom. So,till the judge-ment
that your-self
a rise, You live in this, and dwell in lo - vers'
p
eyes.
Any companion in the world but you.
#
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
-
" /
+ + + ,
+ * + *%
+ *%
+ *% + *% +
*
+
%
+
+ * * + + * * % % + + * * % % + + *
*%
% +
+
*
*%
% +
+
+ + + + +
!
"
+ * + *% + *% + *% + *% + *
f
% -
" + * + * % + *% + *% + *% + , ,
mp
-
"
+ * + *% + *% + *% + *% + , ,
f mp p
-
)
+ * + *% + *% + *% + *% + , ,
f mp p
%
-
+ * + *% + *% + *% + *% + , ,
f
mp
f mp p
rall.
p
p
2
-
,
/
/
/
/
/
/

Fl. 1
O
solo
240 , +
!
+ + + + +
" / + + + + / + / + + + + + * *
-
+ + + + + + + * * ,
mp
q=66
pp
P
%
q=112
# # # # #
27
Bsn. 1
Bsn. 2
% / # # # # # # # %
. . . . . . . . . . . . .
+ + + + 2 4 + 5 1 + + 1
+ 5 2 1 + .
.
5 + + + + 1 / + 2 2 1 5 + .
0 / + 1 5
%
" / # # # # # # #
pp
%
+ . + .
+ . + . 2 4 +
01 +
. . + . 1 0 + 2 1 0
. + . + +
. . + . + . 1 / + . 0 2 2 1
+ 0 / +
. .
0 1
pp
Perc. 1
Perc. 2
Tambourine
!
' # # # # # # # % 4 + + + # 4 + + 4 # 4 + + 4
" ' # # # # # # # % #
p
,
Triangle
p
# 2
*
#
William
!
"/
$
Ah, such shaping fantasies.
Here will I rest me till the break of day
That I might see what
the old world could say.
WILLIAM LIES DOWN AND GOES TO SLEEP
Muse
Vln. II
Vc.
""/ THE MISTRESS ENTERS
$
q=66
q=112
O
P
pizz
!
" / # # # # # # # %
+ + + + 2 4 + + 5
+ 0 +
%
" / # # # # # # #
p
pizz
% + + + + 2 4 + + + 5 +5
2 1 + 5 + + + 5
+ / + 5
2 2 1 + 0 / +
p
2 1 0 + + + 0 + + / +
0 2 2 1 0 + / +
'
Bsn. 1
Bsn. 2
Perc. 1
252
!% / . . . . .
. . . .
. . . . . . . .
.
%
. . . .
# . . . . . . . . . . . . . .
. . . .
+ / + + 5 1 1 + 0 + + + / + + +
+ + 4 4 + 5 1 + + 1
+ 5 1 + 5 4 / + 1 4 1 + + + + 5 1 4 + + + + 1 + +
5 5 5 1 1
+ + + + + 5
+ + /5+
1 1 / +
5 . 0 4 0 / + 1 2
. 3+
.
0 1 4 1 + + + + 5 1 4 5
%
" / %
. . . . . . . . . . . . . . .
.
. . . . . . #
+ / + + 01 1 + 0 + + + / + + + + 4 4 0 + 1 + + 1 0 + 1 04
+ + 01 4 1 / +
0 + + + +0 1 4
.
+ . + .
+ . + . 1 0 + +5 1 1 0
. + +
. . + . + . + . + . + 0
. 1 1 / +
.
. . .
. . . .
/ +
04 / +
01 2 3+
0 1 4 1 0 + + + +0 1 4
!
' 4 + 4 + 4 + + + # 4 + + + % # # 4 + + + 4 + 4 + # # 4 + 4 +
Perc. 2
, , , ,
' # # # %
# # # #
Perc. 3
" ' # # # #
%
Susp Cym
-
2 & , , &
p
# # # # #
William
Muse
!
"/ W: But soft, here comes the
$
treaurer of my spirit.
""/
$
M: What hast here? Sonnets? "Every word doth almost tell my name..."
"So till the judgement that youself arise,
You live in this, and dwell in lover's eyes"
An O: Cupid's heart-inflaming brand. He would say untruths and
be ever double, both in his words and meanings.
THE MISTRESS TURNS
THE PAGE OVER
Vln. I
Vln. II
Vc.
!
"/ # # # #
"/ %
#
+ / + + 0 1 1 0 + + + + / + + + + + 4 4 + + + 0
5 + 1 + 0 4 4 1 0 / + + + + + 4
%
" / + / + + 5 1 1 + 0 + + + / + + + + + + + + 4 4 5 + 5 1 + 5 4 / + 4 % 1 + + + + 4 # + + + + + +
1 5
5
%
2
-
& * , &
pp
# # # # #
+ + + + 1 + 0 + 1 + 0 + + + + + + / +
1 04 2 / + / +
3+
4 1 +
0 + + + 4
1 + 5 + + + + + + / + 1 / +
0 4 / + 2 3+
4 1 + + + + 4 5

28
Bsn. 1
263
! . . . .
% . . . . . .
. / . . . . .
. . . .
. .
4
+ + +
5 1 1
+ 5 2 1 + + + + + 5 1 / + 2 2 1 5 + .
0 / + 1 5 + / + + 5 1 1 + .
0 + + + / + + +
+ + 4
#
Bsn. 2
%
" / 4 + . 0 1 + . + . 1 + . 0 2 1
+ . 0 + . + . + . + . 1 . . . . . . . . . . . . . . #
/ +
0 2 2 1
+ 0 / +
0 1
+ / + + 0 1 1 + 0 + + + / + + + + 4
+ .
Perc. 1
Perc. 2
Perc. 3
!
' # 4 + + 4 # 4 + + 4 4 + 4 + 4 + + 4 #
,
*
+%
' # 2
# # 2 1
#
" ' # # # # #
-
2 1 & 9 % ,
&
p
William
Muse
Vln. I
Vln. II
Vc.
!
"/ WILLIAM FARTS
$
""/
$
M: Yes, as much love in rhyme As would be crammed up
in a sheet of paper Writ o'both sides of the leaf,
margin and all That he was fain to seal on Cupid's name!
M: Soft, what is that noise?
W: Aaargh...
M: Wherefore was that cry?
!
" / # # # # # -
2 1 $ + & % , &
" / 4 + + 5
+ + 0 2 1 + 0 + + + 0 + / +
0 2 2 1
+ 0 / + + / + + 0 1 1
+ 0 + + + / + + #
+
+ + 4
% + +
" / 4 5
+ + 5 2 1 + + + + 5 5
+ / + 5
2 2 1 + 0 / + + / + + 5 1 1 + 0 + + + / + + + + + 4 #
pp
'
Bsn. 1
Bsn. 2
270
!% . . . .
/ + + + +
- . . . . . .
2 # 4
+ + +
5 1 1
+ + +
5
1 / + . 2
- # / / / / 5 / / /
% - " /
. . . . #
+ + + + 2 4 + . 0 1 + . + . 1 + . 0 + . +
1
. / + .
0 2
-
#
/ / / / / / /
Perc. 1
Perc. 2
!
' 4 + + + - # 4 + + 4
# - #
" ' #
-,
# 2
*
- #
William
Muse
!
"/ WILLIAM FARTS
AGAIN
$
""/ M: What a pied ninny's this? O' monster of most dire combustion. I'll stand further off.
$
Vln. II
Vc.
!
" / #- - # / / /
+ + + + 2 4 + + + / / / 5 + 0 + 0 + / +
0 2
/
%
" / + + + +
- + + +
2 # 4
5 + + + - 5 5 / + 2
# / / / / 5 / / /

29
#
Hp.
#
Hp.
--------------------
q=116
---------------------
---------------------
--------------------
f
--------------------
Sonnet 24 - Mine eye hath played...
espressivo
275 Q
!
Ob. 2
""/ / / / / Cor
/ # # # / / / / Anglais
/ / 2 4 + +% +
% 5
+% + + 5 * + + +% + 5
+% + 5
+% + +% + +%
5 5 +
5 * * +
%
+% + 5
+% + 5
+% + 5
+ + *% + + + % + + + 5
f
%
Vc. / / / /
3 , ,
/ / , , , , , , ,
, ,
/
f
%
Cb.
" / / / / / / , , ,
, ,
, , ,
,
,
/
mf
!
William "/ / / / / / W: What time o'day?
/
M: The hour that fools should ask.
W: How now, what is in you? Why dost thou tear it?
$
W: I shall be a fool in question hoping
M: By the pattern of my own thoughts, I cut out the purity of his.
to be the wiser by your answer.
W: Thy mind is a very opal.
M: Dark needs no candles now, for dark is light.
M: Love is blind, and lovers cannot see the pretty follies that they themselves commit;
Muse
W: I think thou art in mind. Passing light in spirit.
Thou art all my art.
""/ / / / / /
M: Why, so I am in mind - and that's enough.
W: And you must live drawn by your own sweet skill.
$
sim. all chords rolled
" // / / / / /
,
, ,
,
% , , , ,
,,
3 , 3 , , , , ,
,,
G§ Gb G§
mf
% / / / / / / %
/ , ,
, ,
,,
,
,
, , , , ,,
,
,
'
289
R
!
C. A.
"" / / / / -
* +% + 5
* +
4 % # # # # # # # # # # #
(1st time only)
mf
!
Muse
""/ / / / / -
/ # 2 4 +
$
%
+% + 5
+% + 0 + * + + +% + 0 +% + 0 +% + 0 +% + 0 +%
+ 0 * *%
+ +% + +% 5 + 0 +% + 0 + + *% + + + % + 5
+ + * +% + 5
Mine eye hath played the paint- er, and hath steeled Thy beau-ty's
form in ta - ble of my heart. My bo dy is the frame where- in 'tis held, and per-spec-tive
it is best paint-er's
" // / / / / -
/ 3 , 3 * * % , , , ,
,,
3 , 3 , , , , ,
,,
3 ,
Gb G§ Gb G§
-
% / / / / / / , * * % , ,,
,
/ , , , , ,,
,
, ,
'
302
!
Muse
""/ / / / / / *%
+ +% 3+
0 + + + 3 + $ + + /,
+ + + + * +
* 3 + + / + 3 , *% + + + 3+
0 + $ + , + + + + *
$
3*
art; For through the paint-er
must you see his skill To find where your true i-mage
pic-tured
lies, Which in my bos-om's
shop is hang-ing
still, That hath his win - dows
"/
A§
Hp.
Bb B§ Bb B§ Bb B§
C§
#
/ / / / / 3, 3, 33,,
3/,
3 ,, 3, ,, 3, 33,,
3/,
3 ,, 3, ,, 3, 33,,
3/,
3 ,, 3, ,, 3,
3
% / / / / / / ,
3
/ 3,
3
/
,
,
3
, 3,
3
/
,
,
3
, 3,
3
/
,
,
, 3,
!
Vln. I "/ / / / / / / # 3 , , , 3 , 3 , , , 3 , 3 , , , 3 , 3,
mf
Vln. II "/ / / / / / arco
/ # , 3 , 3 , , , 3 , 3 , , , 3 , 3 , , ,
mf
div
Vla. )/ / / / / / /
# 33,, 3 , ,,
, 33,,
3 , ,,
, 33,,
3 , ,,
, 33,,
mf
arco
%
Vc. / / / / / / # ,
/
3 , ,
, , 3 , ,
, , 3 , ,
, ,
mf
%
Cb.
" / / 3 , 3 , ,
/ / / / #
, 3 , 3 , ,
, 3 , 3 , ,
/
, 3,
mf
'
316
f S
!
Muse
""/ / / / / / $ + % / + + 5 3 + /,
* * +% + + 5 + +% + 0 +% + 0 * 1 + 0 + + +% + 0 +% + 0 +% + 5
* * * + + + + +% + 0 + +
$
glaz ed with thine eyes. Now see what good turns eyes for eyes have done: Mine eyes havedrawn thy shape,and thine for me Are win-dows
to my breast where-through
the
"/
Bb
Ab
Hp.
f
Gb G§ Gb
Cb
#
/ / / / / 33,,
3/, ,, 3, , , ,
,
,,
,,
3 , 3,
, ,
%
3
/ / 3
/, / / / / 3 ,
, , ,,
,
/
,
, , , , ,,
S
!
Vln. I " // / / / / /
, , , , , , , , , , ,
f
Vln. II "/ / / / / / / 3 , 3 , , , , , , 3 , 3 , , ,
f
Vla. )/ / / / / / 3 , ,,
3 ,,
, , , , , ,,
, ,
/
------------------

30
Muse
327
!
""/ / / / / / /
+% + 0 +% + +% + 5 5
+ + *% + *% + + + + + + + + + , *% + + + + + + + + 3 + 3,
$
sun
mp
De-lights
to peep, to gaze there - in on thee. Yet
molto rall.
eyes this cun-ning
want to grace their art: They draw but what they see,know not the heart.
To
M: What if I said I had seen him
do you wrong?
W: Who? My friend?
I dreamt a dream tonight
M: And so did I.
W: Well, what was yours?
M: That dreamers often lie.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
#
" // / / / / -
/
, ,
$
,,
3 , 3 ,
,, ,,
, , 3 , 3 ,
,, ,,
, , 3 , ,
G§ mp
-
% / / / / / / ,
, , , ,
, ,
,
, ,
,
$
/ ,
,
,
molto rall.
!
" // / / / / , , , , , , , , , , , -,
/
p
"/ / / / / / , , 3 , , , , 3 , 3 , , , 3 , -,
/
p
-
)/ / / / / / , , , ,,
, , , ,,
, , , ,
/
p
-
% / / / /
, , , , , , , , , , , ,
/ / /
p
, , ,
, , ,
, , ,
%
" / /
-
/ / / / ,
,
,
$
/
p
$
$
$
$
'
Tpt. 1
Tpt. 2
Tpt. 3
!
"
T
q=80
339
$ (senza sord.)
p cresc.
(senza sord.)
" $ & * & + 3 5 &+ & + 5 &+ 5 $ &+ & + 3 5 &+ & + 2
"
,
&
p
cresc.
$
(senza sord.)
,
&
2 & + 5 $ &+ & + 3 5 &+ & + 2
$ & + & + 3 & + & + & + & + & + 3 & + & + 5 $ &+ & + 5 2 & + 5 $ &+ & + 3 5 &+ & + 2
,
&
& + 5 $ &+ & + 3 5 &+ & + 2
,
&
,
&
mp cresc.
mp cresc. f fff
,
&
,
&
$ & + 3 & + & + & + 5 &+ & + 5 &+ 5 $ &+ & + 3 5 &+ & + 2
p cresc. mp cresc. f fff
,
&
$ & + 3 & + & + & + 5 &+ & + 5
& + 5 $ &+ & + 3 5 &+ & +
$ & + & + 3 & + & + & + & + & + 3 & + & + 5 $ &+ & + 5 2 & + 5 $ &+ & + 3 & +
5
& + $ & + & +
& + 5 $ &+ & + 3 5 &+ & + 2
,
&
f
,
&
fff
B. Tbn.
%$ # # # # # # # # # #
Tba.
%$ # # # # # # # # # #
"
Timp.
!% # # # # # # # # # #
"
Perc. 1
Perc. 2
Perc. 3
!
' # # # # # #
'
" '
Tam Tam
,( #
mp
f
Bass Drum
*
2
mp
mf
4 Tom Toms
+ ++ +4 2 1% + = + + ++1%
Tubular Bells
Susp Cym
,)
,
# # # # # # # #
&
,(
mf
+ = ++% >++++% ++ +% 1% + = ++ + +>++++ + ++++++
2 2 2
* * * * * * * * * * *
p
William
! $
"" $
W: See, see! they join, embrace, and seem to kiss, As if they vowed some league inviolable! Now they are but one lamp, one light, one sun! That unmatched form and feature of blown youth Blasted with ecstasy!
Vc.
T
! sul pont.
%$
" , , , , , , , , , ,
p
q=80

Sonnet 144 - Two loves I have
31
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Perc. 1
Perc. 2
Perc. 3
William
'
Vc.
Cb.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
349
U
!
" $ $ # # # , ,
#
" $ $ # # # #
, ,
" $ $ # # # #
, ,
" $ $ # # # #
, ,
, +
%$ 5 + + +
+
+ +% 5 * + 5 + + +%
,
5
#
ff
%$ , + 5 + + + + 0 +
+% 5 * + 5 + + +% ,
#
%$ , +
"
5 + + +
#
+ 0 +
+% 5 * + 5 + + +%
,
!%
"
!
'
'
" '
! $
"" $
355
!
" $ $ # , , # , ,
!%
"
ff
ff
+
+
f
&&&& &&&
&&&& &&&
&&&& &&&
&&&& &&& &&
+ +++ + + ++ + ++++ + ++ + ++ + + + ++ + ++++ + ++ + ++ + + + ++ + ++++ + ++ + + + ++ + + ++ ++ + + + + +
ff
ff
9)
f
ff
+
+
+
+
> +%
0
+
+
+
p
p
p
p
ff
ff
ff
ff
mf
mf
f
Two
loves I have, of com-fort
and des-
pair,
p ff p ff
p ff p ff
p ff p ff
p
+
+
mf
mf
+
+
> +%
0
+
+
+
ff
+
+
mf
&&& & &&&
& & & & &&&
+ ++ + + + ++ + ++++ + ++ + + + + + + ++ + ++++ + ++
# # # # #
M: Fly! Fly! Fly! W: O woe is me! T'have seen what I have seen, see what I see!
"
$
" $ $ # #
, , , ,
" $ $ # #
, , , ,
" $ $ # #
, , , ,
%$ # 1 + + +
+ ,
# # #
5
%$ # 1 + + + + 0 ,
# # #
%$ # 1 + + +
# #
+ 0 ,
mf
%$
"
# # # # #
+
+
> +%
0
+
+
+
> +%
0
+
+% +1
+ +
+ 0 +
+
+ + + + + + + + + + + + + + + + + + + + + + + +
4 2
1 +
0
p
+
+
+
+
> +%
0
+
+
+
ff
f
+
+
+ + +% + 0 + + + + *%
U
!
arco normale
%$
, , , , , ,
ff
%$
" , , , , , ,
+
+
+
+
+
+
> +%
0
+
+
+
> +%
0
+
+% +1
+ +
+ 0 +
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
1
1
+
+
+
+
>+%
0
+
+ + + + 0
+ + + + 0
f
> +%
0
+% +1 + 0
+ + +
Perc. 1
Perc. 2
William
Vc.
Cb.
!
'
" '
! $
"" $
!%$
%$
"
&&& & &&&
&&&& &&& && &&&& &&&
&&&& &&&
&&&& &&&
&&&& &&& &&
+ ++ + + + +++ + + + ++++ ++ + ++++++ + ++++++ + ++++ + +++ + + + ++++ + + + + + + +++ + + + ++++ + ++++ + +++ + + + + + ++ + + + ++++++ + ++++++
+ + + + + + + + + + + + + + + + + + + + + + + +
1 + 0 + + + +% +% + + + *% 1 +
0 + + + 0 + ++ + + *% 1 + 5 + + + + + + + + +% + + *
Which like two spi-rits
do sug- gest me still; The bet-ter
an - gel is a man right fair, The wor-ser
spi-rit
a wo- man, col-our'd
ill.
, , , , , ,
, , , , , ,

32
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
361
! ,
%$
, , , , ,
%$
"
, , , + 0 + + + + 0 , ,
!%
"
!
'
f
%$ , , , , , ,
f
%$ , , , + 0 + + + + 0 , ,
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
&&&& &&&
&&&& &&&
&&&& &&&
&&&& &&& &&
&&& & &&&
&&&& &&&
+++ + + + ++ + + + + ++ ++ + ++ + + + ++ + + + + + + ++ + ++ + + + ++ + + + + ++ ++ + + + ++ + + +++ + + ++ + + + ++ + + + ++ + + + + ++ ++ + ++ + + + ++ + + + + ++ ++
> +%
0
+
+% +1
+ +
+ 0 +
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
>+%
0
+
Perc. 2
" '
+ + + + + + + + + + + + + + + + + + + + + + + +
William
Vc.
Cb.
! $
"" 1 + + + +% ++ 5
+ + + ++% + + + + + + +% + + + + , 1 + + + + + +% 5
+ + + + +% + + +
$
To win me soon to hell my fe-male
e-vil
Tempt-eth
my bet ter - an - gel from my side, And would cor-rupt
my saint to be a de-vil,
Woo-ing
!%$
, , , , , ,
%$
"
, , , , , ,
'
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
367
!
" $ $ # # # # #
" $ $ # # # # #
" $ $ # # # # #
" $ $ # # # # #
,
%$ ,
# # #
%$ , , # # # 1 + + + + 0
%$ , + 0 # # #
+
+ +
+
5 1 + + +
mf
%$
"
# # # #
, + 0 + + +
+ 0
!%
"
+
+
+
+
+
+
> +%
0
+
+
+
> +%
0
+
+% +1
+ +
+ 0 +
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
,
p
,
p
,
p
,
p
1 + + +
+
+
mf
mf
> +%
0
+
+
5
+ 0
+% +1 + 0
+ +
Perc. 1
Perc. 2
!
'
" '
&&&& &&&
&&&& &&& &&
&&&& &&&
& & & & &&&
&&&& & &&
&&&& &&& &&
+ +++ + + ++ + + + + ++ ++ + + + ++ + + +++ + + ++ + + + ++ + + + ++ + + + + ++ ++ + + + + + + ++ + + + + ++ ++ + ++ + + + ++ + + + + ++ ++ + + + ++ + + +++ + + ++ + +
+ + + + + + + + + + + + + + + + + + + + + + + +
William
! $
"" $
+ + + + +% ++ + , 1 0 + + + +% + 0 + + + + *% 1 + 0 + + +% + + + + + *%
his pu - ri - ty with her foul pride; And whe-ther
that my an-gel
be turned fiend Sus-pect
I may, yet not dir - ect - ly tell;
Vc.
!%$
,
,
, , , ,
Cb.
%$
"
,
,
, , , ,

33
Hn. 1
373
V
!
" $ $
, # # , , ,
ff p f
Hn. 2
Hn. 3
Hn. 4
" $ $ # #
, , , ,
ff p f
" $ $ # #
, , , ,
ff p f
" $ $ # #
, , , ,
ff p f
Tpt. 1
" $ # # # #
4 * + + + + + + +
f
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
" $ # # # #
" $ # # # #
%$ ,
# # #
%$
,
# # #
3
++++% +% 1
3
++++% +% 1
f
++++% +% 1 ++++% +% 1
3 3
f
, ,
f
, ,
f
B. Tbn.
%$ # #
,
1
f
+ + + + 0 , ,
Tba.
%$
"
# # #
1
f
+ + + + 0 , ,
Timp.
Perc. 1
!%
"
!
'
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
&&&& & &&
&&& & &&&
&&&& &&&
&&&& &&& &&
& & && &&&
& & && &&&
+ +++ + + ++ + +++ + + ++ + ++ + + + ++ + ++++ + ++ + ++ + + + ++ + ++++ + + + + + + ++ + + ++ ++ + ++ + + + + + + + + ++ + ++++ + ++ + + + + + + ++ + ++++ + + +
> +%
0
+
+% +1
+ +
+ 0 +
+
f
f
+
+
+
+
> +%
0
+
+
+
+
+
+
+
>+%
0
+
Perc. 2
'
+ + + + + + + + + + + + + + + + + + + + + + + +
f
Perc. 3
" ' # # # #
,
,
f
)
(
#
William
Vln. I
Vln. II
Vla.
Vc.
ff
! $
"" 1 0 + + + +% + + + + + *% 1 + 5 + + + 5
+ + + + +% *% 4 * + + + + + + +
$
But be-ing
both from me,both to each friend, I guess one an-gel
in an - o-ther's
hell. Yet
!
" $ # #
" $ # #
) $ # #
%$
4
4
4
mf
mf
mf
V
ff
ff
ff
this shall I ne'er know,
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
, , , , , ,
Cb.
%$
"
, , , , , ,

34
Hn. 1
379
!
" $ $ , , , , ,
Hn. 2
Hn. 3
" $ $
, , , , ,
" $ $
, , , , ,
Hn. 4
Tpt. 1
" $ $
, , , , ,
" $ * + + + + , 4 + + + * * + + + +
Tpt. 2
" $ ++++% 3 +% 1 ++++% 3 +% 1 ++++% 3 +% 1 ++++% 3 +% 1 ++++% 3
+% 1
Tpt. 3
" $ ++++% +% 1 ++++% +% 1 ++++% +% 1 ++++% +% 1 ++++% +% 1
3 3 3 3 3
Tbn. 1
%$
, , , , ,
Tbn. 2
%$
, , , , ,
B. Tbn.
%$
, + 0 + + + + 0 , , ,
Tba.
%$
"
, + 0 + + + + 0 , , ,
Timp.
!%
"
+
+
+
+
+
+
> +%
0
+
+
+
> +%
0
+
+% + 1
+ +
+ 0 +
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
Perc. 1
!
'
& & & & & & &
& & & & & & & & &
& & & & & & &
& & & & & & &
& & & & & & &
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Perc. 2
'
+ + + + + + + + + + + + + + + + + + + +
Perc. 3
" ' # #
,
,
)
(
# #
William
! $
"" $
* + + + + , 4 + + + * * + + + +
but live in doubt, Till my bad an - - gel
fire my good one
Vln. I
!
" $
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Vln. II
" $
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Vla.
) $
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Vc.
%$
, , , , ,
Cb.
%$
"
, , , , ,

35
Hn. 1
384
!
" $ $
,
# # # # / /
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
" $ $ # # # # / /
,
" $ $ # # # # / /
,
" $ $ # # # # / /
,
" $ ,
# # # # / / /
Tpt. 2
" $ 3
++++% +% 1
# # # # / / /
Tpt. 3
Tbn. 1
" $ ++++% +% 1
# # # # / / /
3
%$ ,
# # # # / / /
Tbn. 2
%$ ,
# # # # / / /
B. Tbn.
%$
+ 0 # # # #
+ +
+
5
/ / /
+
Tba.
%$
"
# # # # / / /
+ 0 + + +
+ 0
Timp.
!%
"
+
+
> +%
0
+
+% + 1
+ +
+ 0 +
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
+
+
+
+
> +%
0
+
+
+
> +%
0
+
+% + 1 + 0
+ +
ff
Perc. 1
!
'
& & & & & & & & &
+ + + + + + + + + + + + + + + +
& & & & & & &
& & & & & & &
& & & & & & &
& & & & & & & & &
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
ff
"
Perc. 2
'
+ + + + + + + + + + + + + + + + + + + +
ff
Perc. 3
" ' #
,
,
f
)
(
# # # '
William
! $
"" $
,
out.
# # # # / / /
Vln. I
!
" $ +
+ + + + + + +
# # # # / / /
Vln. II
Vla.
" $ + + + + + + + +
# # # # / / /
) $ +
+ + + + + + +
# # # # / / /
Vc.
%$
,
# # # # / / /
Cb.
%$ # # # #
" ,
/ / /

36
W
q=66
Sonnet 129 - Th'expense of Spirit
Bass Clarinet
389
!
" / in Bb
/ # # #
+++++ + , ,
B. Cl. *% + +
f
*% +
Bsn. 1
+ +
f
Bsn. 2
f
Glockenspiel
*
!
Perc. 1 " 2
pp
Perc. 2 4
+ 4 +
mp
Tam Tam
Perc. 3
" '
mp
William
Muse
*
2
Hp.
mp
#
W
q=66
Vla.
Cb.
mp
'
395
Bsn. 1
Tba.
p
Perc. 1
Perc. 2 4 4
+
Perc. 3
William
there?
Muse
""/ / / #
$
*
2
Hp.
#
Vla.
%
Cb. / / /
% / / / / # # #
++++ + , ,
%
" / / / *% + / +
# # #
+++++ + , ,
*
*
* # 2 * # 2 *
#
' # 4 4
# 4 4
#
+ +
+ +
# # #
, , ,
!
"/ / / # 4 9 9 9 # 4 9 9 9 2 4 1 9 0 9 4 4 1 9 0
$
Kill kill kill Kill kill kill Who's there? Who's
""/ / / # # 4 9 9 9 # 4 9 9 9 4 1 9 0 9 4
$
Knock knock knock Knock knock knock Knock, knock.
*
*
" // / * # 2 * # 2 *
#
% / / / # # # # # #
!
)/ / / #
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
mp
pizz
%
" / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
!% " / / / # # # #
!% " / / / # # #
, ,
!
*
*
" 2 * # 2 *
# #
' # 4 4
# #
+
+ +
" ' # # #
, ,
!
"/ / / 9 4 2
# # # #
$
p
Th'ex-pense
of spi-rit
in a waste of shame Is lust in ac - tion; and till ac - tion, lust
*
" // / * # 2 *
# #
% / / / # # # # #
!
)/ / /
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
" +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
3
4
+ + + + +
1 + 0 + + + +% 1 + + + + *% 1 + 0 + + + + + + + + 0 + + 0 *
f

400
X
!
B. Cl. " / # #
*% + / + +++++ + , ,
f
%
Cb.
" / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
Bsn. 1
% / / / #
*% + + / + ++++
,
+ ,
f
,
%
Bsn. 2
" / / / # #
*%
f
+ / + +++++ + , ,
*
!
Perc. 1 " # # # 2 *
#
Perc. 2 ' # # # 4
+
4
+
#
Perc. 3
" ' # # #
,
#
!
William "/ / 3 3
/ # # # #
1
+ 0 + + + 0 $ + + + / +
En-joyed
no soon -er
but des
Muse
""/ / 1
$ + 0 + + + + + + + 0 + + 5
+ 5 1
3
3
+
3
3
+ + + + + + + + + , 1 + 0 + / + + 0 + + + +
Is per- jured, murd' - rous, bloo- dy, full of blame, Sa- vage, ex treme, rude, cru - el, not to trust, En-joyed
no soon -er
but des
*
"
Hp.
#
/ # # # 2 *
#
% / / / # # # # #
X
!
Vln. I " // ,
/ # # # #
pp
,
Vln. II " // / # # # #
pp
Vla. )/ / /
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
pizz
%
Vc. / / / # # # #
+% +% + +% +% +
mp
%
Cb.
" / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
'
405
!
William "/ / 3 3
3
/
$ / + 3 + + + + + + 3 + + + + + + + + + / +
5 + + / + + 3 + + + 3 + + + 3 + % + + + + +
5
pi - sed straight, Past rea - son hun - ted, and no soon -er
had Past rea - son ha - ted as a swal-lowed
bait On pur- pose laid to make the ta - ker
Muse
""/ 3
/
+ + + + + + 3 + + + + + + + + + + 5 + + + + + + + + + + + + / + % + + 3 + + +
5
$
pi - sed straight, Past rea - son hun - ted, and no soon -er
had Past rea - son ha - ted as a swal-lowed
bait On pur- pose laid to make the ta - ker
, , , , ,
!
Vln. I " // /
, , , , ,
Vln. II " // /
Vla. )/ / /
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
%
Vc. / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
37

38
Tbn. 2
410
Y
!% / / $ / $
$
, $$ ,
# # #
p
f
B. Tbn.
% / / $ $ / $ $$ # # #
, ,
p
f
Tba.
%
" / / $ / $
$ $$ # # #
, ,
p
f
Perc. 1
*
!
" 2 *
# # # #
Perc. 2
' 4 4
# # # #
+ +
Perc. 3
" ' # # # #
,
William
!
"/ / /
, $ $ $ $$ + + + + + + + + + + 3 + + $ + + 3 + + + + + + + + + + + + + + 3+
$
mad; Mad in pur-suit
and in pos - se - sion so, Had, hav-ing
and in quest to have, ex - treme; A bliss in proof and proved,a
Muse
""/ / ,
/
$
3
$ $
$ $$ + + + + + + + + + + + + + + + + + + + + + + + + + + 3 + + +
mad; Mad in pur-suit
and in pos - se - sion so, Had, hav-ing
and in quest to have, ex - treme; A bliss in proof and proved,a
#
Hp.
" // / 2
*
*
$ $
$ $$ # # # #
% / / / # $ $
$ $$ # # # #
Vln. I
!
"/ / ,
/
$ $
$ $$
Y legato - punta d'arco
++ ++ + + + +++ + ++++ + + + + ++++ + + ++ + ++++ + + + + + + +++++ + +++ + ++ +
+ ++ + ++ + + + ++ + +
mp
Vln. II
,
" // /
$ $
$ $$
mp
legato - punta d'arco
++ ++ + + + +++ + ++++ + + + + ++++ + + ++ + ++++ + + + + + + +++++ + +++ + ++ +
+ ++ + ++ + + + ++ + +
Vla.
)/ / $ $
/
$ $$
+ + + + + + + + + + + + + + + + ++ ++ + +++++++++++ + ++++++ +++++++++ + ++ + +++++++++++ + ++ +++++++ + + + ++++
Vc.
% / / $ $ / +% +% + +% +% + $ $$
+% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
Cb.
%
" / / $ $ / +% +% + +% +% + $ $$
+% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +

B. Cl.
415
!
" // / / / # # /
f
*% + / + +++++ + , ,
39
Bsn. 1
%$ $
$ $$ # # / / /
f
*% + + / + ++++ + , ,
Bsn. 2
%$ $
" $ $$ # # / / /
f
*% + / + +++++ + , ,
Tbn. 2
!%$ $ $ $$ # , / / / ,
# #
p
f
B. Tbn.
%$ $
$ $$ # / / / # #
, ,
p
f
Tba.
%$ $
" $ $$ # / / / # #
, ,
p
f
Perc. 1
*
!
" # # 2 *
# #
Perc. 2
' # # 4 4
# #
+ +
Perc. 3
" ' # # # #
,
William
! $ $
" $ $$
+ 3 + + 1 0
/ / + $ + + + + + + + + + ,
/
1
$
+
5
+ + + + + + + + + *
ve
- ry woe; Be- fore, a joy pro - posed; be- hind, a dream. All this the world well knows, yet none knows well
Muse
#
Hp.
$ $
"" $ $$
+
1 0
/ / /
+ + + + + + + + + + + + 3,
1 + + + + / + 3 + + / + + 3 + *
5 $
ve
- ry woe; Be- fore, a joy pro - posed; be- hind, a dream. All this the world well knows, yet none knows well
" $ $ $ $ $ # # / / *
/ 2 *
# #
%$ $
$ $$ # # / / / # # #
Vln. I
!
" $ $ $ $ $ / / /
+ +++++ + +++ + + +++ + + + + +++++ + ++ + ++++
+ + + + ++ + + + + + + + + + + + + + + + ++ + + + + + + + + + + + + + + + + + +++ + + + + +
Vln. II
" $ $ $ $ $ / / /
+ +++++ + +++ + + +++ + + + + +++++ + ++ + ++++
+ + + + ++ + + + + + + + + + + + + + + + ++ + + + + + + + + + + + + + + + + + +++ + + + + +
Vla.
) $ $ $ $ $ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + / / /
3 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
Vc.
%$ $ $ $$
+% +% + +% +% + +% +% + +% +% + / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +
Cb.
%$ $
" $ $$
+% +% + +% +% + +% +% + +% +% + / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% +

40
B. Cl.
Bsn. 1
Bsn. 2
Perc. 1
Perc. 2
Perc. 3
William
Muse
Hp.
!
" / # # #- $
*% + / +
$
++++++ , ,
%
" / / / # # *% + / +
- # 3 ++++++ 3 3
, ,
!
*
*
*
" # # 2 * 2 * 2 *
-
' #
!
"/ / + + + + +
/ 5
+ + + + + + ,
5 M: He's mad that trusts in a boy's
$
""/ / /
$
#
420
To shun the hea-ven
that leads men to this hell.
To shun the hea-ven
that leads men to this hell.
f
% / / / # # *% + + / +
- # +++++ 3
, ,
3 3
f
f
' # # 4 4
4 4 4 4
- #
+ +
+ + + +
-
" ' # #
, , , ,
+ + + / + + 3 + / + / + 5 5 + + + ,
love or a whore's oath.
W: A boy. A whore. These two
beget a generation of still
breeding thoughts...
Metamorphosed...
a double majesty...
*
*
*
" // / # # 2 * 2 * 2 *
- # 3 3 3
% / / / # # # # # # - 3 3 3
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"/ / -
/ +++
+ ++ + ++ + ++++ + + ++++++ + +++ + ++++ + ++ + +++++ + ++ + + + + + + +++
+ +++ + +++++ + ++++ + ++ + ++ + ++++ + + ,
" // -
/ +++
+ ++++++++++ + + ++++++ + +++ + ++++ + ++++++++ + ++++ + + + + + +++ + +++++ + ++++ +++
+ ++++++++++ + + ,
W: O, thou
)/ / my lovely boy.
-
/
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + ,
% -
/ / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + ,
% -
" / / / +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + +% +% + ,
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
'
Sonnet 66 - Tired with all these
Perc. 1
Perc. 3
William
Muse
Hp.
Vln. I
Vln. II
426 Z AA q=72
!
' - Vibraphone
# # # 4 * + + * + + * + + * +
" ' - # " , ( ,( # # # #
!
" M: They say we are almost
$ as like as eggs.
M: What hour now?
W: If it proves so, then loving
goes by haps. Some Cupid
kills with arrows, some
with traps.
"" $
#
Tubular Bells
Z AA q=72
!
" - # # # #
mf
"" - # # # # # # #
mf
It has struck. It strikes a man
more dead than a great reckoning
in a little room. M: What hour now? MUSE EXITS
" # - # # # # # #
% # - #
mf
* *
* *
p
*
*
*
*
*
*
p
*
*
*
*
*
*
"
$
p
1 + + + + 0 +%
*
*
Tired
with all
*
*
these,
++++++++++++++++ ++++++++++++++++ +++++++ + ++++++++

41
Bsn. 1
433
!) * + +
"
# + *%
* + +
4
+ ,
# #
pp mp p pp mp p
Perc. 1
!
" '
+ * + + * + + * + + * + + * + + * + + * +
William
Hp.
3
!
"" 1 + 0 + + + 0 + + *% 5
1 + +
5
+ + + + + + + +% *% 1 + 5
$
#
for rest fuldeath I cry: As, to be hold de-sert
a beg gar born, And need-y
no thing trimmedin jol-li-ty
Andpur-estfaith un - hap-pi
- ly fore
" # # # # # # #
%
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
+ + + +% + + + ++ + + + + +% + 5
*
*
*
*
*
*
*
*
+ + * +
*
*
*
*
Vln. I
!
""
++++++++++++++++ ++++++++++++++++ +++ + +++++++++ +++ ++++++++++++++++ +++++ +++ + + +++ +++ ++++++++++++++++ ++++++++++++++++
'
Fl. 1
Fl. 2
Ob. 1
440
BB
! ++++
" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ + +++ 1 3 + + ++1 ++++ $ + +++ 1 3 + + ++1 +++ + $ + + ++ 1 3 + + + + 1 +++ + $ + + ++ 1 3 + + + + 1 +++ + $ + . + . ++ . . 1 3 + . + . + . + . 1
p
" $ + . +++ 1 . . . ++++ . . . . / + . + . ++ . . 1 $ + . +++ 1
. . . ++++ . . . . / + . + . ++ . . 1 $ + . ++ . . + 1
. + . + . ++ . . + . + . $ + . + . 1 $ + . ++ . . + 1
. + . + . ++ . . / + . + . + . + . 1 $ + . ++ . . + 1
. + . + . ++ . . / + . + . + . + .
1
p
" $ + . +++ . . . . . . .
. . . .
. . . .
. . . .
$ + . +++ 1
. . . 3 + . + . $ + . + .
1 $ + +++ $ + . +++ 1
. . . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1
p
Bsn. 1
* + + + + + + + + ,
) %
pp mp mf p mp
1
+ + + + 3+
,
5 5 5
Bsn. 2
% # # #
"
1 + + 0 + 0 + $ +
0 * 3*
mp
Perc. 1
!
'
+ * + + * + + * + + * + + * +
Perc. 2
""
Glockenspiel
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
pp
William
3
! ,
"" 2 4 + + + + + +% + + + * + + + +
4 1 5
+ + + + + $ + +
$
sworn,
mf
And
gil - ded hon - our shame - ful-ly
mis - placed
And mai-den
vir - tue rude ly strumpet-ed
#
Hp.
" # #
%
*
*
*
*
*
*
*
*
1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + +
C# G# G§ G# G§ G# G§ G#
$*
$ * $
$ * *
*
* * * 3 3
$*
$ * $
$ * *
Vln. I
Vln. II
Vla.
BB
!
" ++++ ++++++++ ++++ ++++ ++++++++ ++++ +++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++ ++ + + + + ++
mf
" # #
)
pizz
$ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + + + + + + ++
mf
1 $ + + + 1 35 + + + 1 $5 + + + 1 35 + + + 1 $5 + + + 1 3+
+ + 1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ +
5 5 5 5 5 5
Vc.
Cb.
mf
% # #
%
"
# #
4
div
arco
mf
pizz
$+
mf
4
4 + 4
4
4
+
3+
$+
/*
/*
* * *
* * * / / * *
* *
3+

42
Fl. 1
445
! +++
" . . . + . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ + + ++ 1 3 + + + + 1 +++ + $ + + + + 1 3 + + + + 1 +++ + $ + + ++ 1 3 + + + + 1 + ++ + $ + + ++ 1 3 + + + + 1 +++ + $ + . + . ++ . . 1 3 + . + . + . + . 1
Fl. 2
" $ + . ++ . . + . + . + . ++
1
. . / + . + . + . +
1 $ +
. . ++ . . + . + . + . + . +
1
. / + . + . + . +
1 $ +
. . ++ . . + . + . + . ++
1
. . / + . + . + . +
1 $ +
. . ++ . . + . + . + . ++
1
. . / + . + . + . +
1 $ +
. . ++ . . + . + . + . ++
1
. . / + . + . + . +
1
.
Ob. 1
" $ + . ++ . . + . . . . .
. . . .
. . . .
. . . .
$ + . + . ++ 1
. . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . + . + 1
. 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1 $ + ++ + $ + . + . ++ 1
. . 3 + . + . $ + . + .
1
Bsn. 1
%
1 + + + + 3+
,
5 5 5
1 + + + + 3+
, ,
5 5 5
mp
mp
Bsn. 2
%
"
1 + + 0 + 0 + $ +
0 * 3*
1 + + 0 + 0 + $ +
0 * 3 * $ * 3*
mp
mp
Perc. 1
!
' + * + + * + + * + + * + + * + (
Perc. 2
""
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
William
!
3
mp
"" * 4 1 + +% + + + + + + ++ + 5 4 4 1 + + + + + + + + 5 $ + + *% 1 $ + 5
$
And right per fec - tion wrong - ful ly disgraced Andstrengthby limp - ing swaydis - a - bl-ed,
And
#
Hp.
"
%
1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
*
* * * 3 3
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + + 1
$ + $ + + $ + $ + + 1
3 + $ + + 3 + $ + +
G§ G# G§ G# G§ G# G§ G# G§ Ab
Bb C§
$*
$ * $
$ * *
*
* * * 3 3
$*
$ * $
$ * *
*
* * * 3 3
Vln. I
!
"
+++ + + + ++ +++ + + + ++ +++ + + + + + +++ + + + ++ +++ + + + ++ +++ + + + ++ + ++ + + + ++ +++ + + + ++ +++ + + + ++ +++ + + + ++
Vln. II
"
$ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + + + 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++ $ + ++ + + + ++ 3 + ++ + + + ++
Vla.
)
1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ +
5 5 5 5 5 5 5 5 5 5
Vc.
%
4 + 4
+
4
$+
4
3+
4 + 4
+
4
$+
4
3+
4 + 4
+
Cb.
%
"
*
* * * / / * *
* * *
* * * / / * *
* * *
* * *

43
Ob. 1
450
!
" 2 3 +
= >
. + % 2 3 +
= >
. + % 2 / +
= >
. + % 2 / +
= >
. + % 2 3 + .
= > +%
pp
C. A.
" $ (Cor Anglais)
2 $ +
= >
. + % 2 $ +
= >
. + % 2 + = >
. + % 2 + = >
. + % 2 + .
= > +%
pp
Cl. 1
" $ $
2 3 + . = >+% 2 3 + . = >+% 2 / + . = >+% 2 / + . = >+% 2 3 +
= >
. + %
pp
Cl.
"" $ $ Clarinet in Bb 2
$ + . => 2
+%
$ + . => 2
+%
+ . => 2
+%
+ . => 2
+%
+ .
= > + %
pp
Hn. 1
!
" $ $ . ? . ? . ? . ?
.
?
+ >+% 3 + % < 1 $ + < > +% 3 + % 1 + < >+% $ + % 1 + < > +% $ + % 1 $ + > +% 3 + % 1
<
pp mf pp mf pp mf pp mf pp mf
Hn. 2
Hn. 3
" $ ?
$ + .
=> +% 3 + %
1
?
$ + .
= > +% 3 + %
1
?
+ .
= > +% $ + %
?
+ .
= > +% $ + %
?
$ + .
= > + % 3 + %
pp mf pp mf pp mf pp mf pp mf
" $ ?
?
?
?
?
$ +
= >+%
.
+% 1 $ +
= >
. +% +% 1 + = >+%
. +% 1 + = >
. +% +% 1 + .
= > +% +% 1
pp mf pp mf pp mf pp mf pp mf
1
1
1
Hn. 4
" $ $ +
=> . +% +%
?
1
$ +
= > . +% +%
?
1
+ = > . +% +%
pp mf pp mf pp mf pp mf pp mf
?
?
1
+ = > 1
. +% +%
?
+= > . +% +%
1
Tpt. 1
"
con sord.
1 $ + + + + + + 3 + % 1 1 $ + + + + + + 3 + % 1 1 + + + + + + $ + % 1 1 + + + + + + $ + % 1 1 $ + + + + + + 3 + % 1
pp
mp pp mp pp mp pp mp pp mp
Tpt. 2
"
1
con sord.
$ + + + + + + +%
pp
1 1
$ + + + + + + +%
1 1
1 1
1 1
+ + + + + + +%
+ + + + + + +%
$ + + + + + + +%
mp pp mp pp mp pp mp pp mp
1
Tpt. 3
""
con sord.
1
$ + + + + + + 3 + %
pp
1 1
$ + + + + + + 3 + %
1 1
+ + + + + + $ + %
mp pp mp pp mp pp mp pp mp
1 1
+ + + + + + $ + %
1 1
$ + + + + + + 3 + %
1
William
#
Hp.
!
"" $ 3 3
+ + + + +% + + $ + + * 1 3+
0 + + + + +% $ + + + *% 1 + 0 + + + + +% + + $ + +
$
art madetongue tied by au-tho-ri-ty,
And fol - ly (doc - tor - like) con-trol-ling
skill, And sim - ple truth mis- call'd sim-pli-ci
- ty,
/ + / +
/+
" # / + / +
# #
/+
+ ++ + + / + / +
+ + + + + + + +
+ ++++
p
A§ Gb
Cb
% # /+
/ + / +
# + + +
#
Vln. II
!
"
$ + ++ + + + + + + +++ + +++ $ + + + + + + + + + +++ + + + + + / + + + + + + + + +++ + +++ + / + + + + + + + + ++++ + + + + + + + + + + + + + + + + + + +
mp
Vla.
)
arco
$
$ + 1 5
p
*
*% % 3+ *
# 3 1 *% % # $ +
5 5
1 * *%
%
Vc.
% #
arco
$
$
+ 1 * *%
% # 3
3+ 1 * *%
%
#
5 5
p
Cb.
%
"
pizz
4 $ +
mp
$+
+ 4 $ +
$+
+ 4 3+
3+
+ 4 +
+
+ 4 +
+
+

44
Fl. 1
Fl. 2
455
!
" # #
" # #
rit. q=72
2
/
-
* + . + . + . + . . . . . . . . . . . . . $ + + + + 1 3 + + + + 1 + + + + $ + . + . + . + . 1 3 + . + . + . + . 1
pp p
-
2 /*
$ + . + . + . + . + . + . + . +
1
. / + . + . + . + . 1 $ + . + . + . + . + . + . + . +
1
. / + . + . + . + .
1
pp
p
Ob. 1
"
2 # . . . .
. . . .
3 + . = > +% 2 / + .
= > +%
$ + + + + $ + . + . + . + 1
. 3 + . + . $ + . + .
1 $ + + + + $ + . + . + . + 1
. 3 + . + . $ + . + .
1
p
C. A.
Cl. 1
Cl.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
" $ 2 + . > +% 2 3 + .
> +%
# # #
" $ -
$ 2 3 +
>
. +% 2 / +
>
. +% 2 /*
# #
pp
"" To B. Cl.
$
-
2
+ . > 2
+ %
3 + .
> 2 + %
3*
# #
!
" $ .
?
.
?
.
?-
$ + <
> +% 3 + % 1 + <
> +% +% 1 + <
> +% *
# #
pp mf pp mf pp
" $ ?
?
?-
$ + .
> 1
+ % 3 + %
+ .
> 1
+ % +% + .
> + % *
pp mf pp mf pp
" $ ?
?
?-
+ .
> +% +% 1 3 + .
> +% +% 1 3 + .
> +% *
" $ pp mf pp mf pp
?
?
?-
+= > 1
. +% +%
3+= > 1
. +% +% 3+= > . +% *
"
pp mf pp mf pp
-
1 $ + + + + + + 3 + % 1 1 + + + + + + +% 1 1 + + + + + + *
pp mp pp mp pp
" 1
-
1 1
1 1
$ + + + + + + +%
+ + + + + + +%
+ + + + + + *
""
1
pp mp pp mp pp
-
1 1
1 1
$ + + + + + + 3 + %
+ + + + + + +%
+ + + + + + *
pp mp pp mp pp
pp
# #
# #
# #
# #
# #
# #
Perc. 1
Perc. 2
William
!
' # # #
"" # # #
!
-
"" * 1 3+
0 + + +% + 0 + + + + * *
$
And cap - tive good at - ten - ding cap - tain ill:
4
pp
* + + * +
p
1 $ + + + 1 3+
+ + 1 $ + + + 1 3+
+ +
5 5 5 5
# #
Hp.
Vln. I
/+
" / + / +
/ + / +
# # #
/+
+ + + + + / + / +
+ / + + / + +
2
G§
mp
C§
% /+
/ + / +
#
/+
+ / +
#
!
" # # #
*
*
rit. q=72
p
*
*
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
*
*
*
*
Vln. II
Vla.
Vc.
-
"
+ + + + + + + + + + + + + + + + / + / + + + + + + + + + + + + + + + / + / + + + + + + + * + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
-
p
) #
pizz
/
3
+ 1 * *%
% 2 /
/* 1 $ +
5 5
+ + 1 35 + + + 1 $5 + + + 1 35 + + +
% $ -
+ 1 * % #
/
3+ 1 + * 5 5
mp
# #
Cb.
%
"
4 +
+
+ 4 / +
/+
+ 4 / +
/*
-
# #

Fl. 1
Fl. 2
Ob. 1
Bsn. 1
Perc. 1
Perc. 2
William
Hp.
460
! +
" . + . + . + . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ + + + + 1 3 + + + + 1 + + + + $ + + + + 1 3 + + + + 1 + + + + $ + + + + 1 3 + + + + 1 + + + + $ + + + + 2 # + + + + $ + . + . + . + . 1 3 + . + . + . + . 1
% # # ) * + + + *%
4 #
"
!
' + #
* + + * + + * + + 4
*%
"" 1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
1 3+
+ + 5
1 $ + + + 5
2 # 1 $ + + + 5
1 3+
+ + 5
3
!
"" 1 +
+ + + 0 +% 1 + 0 + + + 0 + + 0 *% 1 + + + + *% 5 1 + + + +% 5 $
#
" $ + . + . + . + . + . + . + . + . 1 / + . + . + . + . 1 $ + . + . + . + . + . + . + . +
#
. 1 / + . + . + . + . 1 $ + . + . + . + . + . + . + . + . 1 / + . + . + . + . 1 $ + . + . + . + . + . + . + . + .
2 $ + . + . + . + . + . + . + . + . 1 / + . + . + . + .
1
" $ + . + . + . + . . . . .
. . . .
. . . .
# . . . .
$ + . + . + . + 1
. 3 + . + . $ + . + .
1 $ + + + + $ + . + . + . + 1
. 3 + . + . $ + . + .
1 $ + + + + $ + . + . + . + 1
. 3 + . + . $ + . + .
1 $ + + + + $ + . + . + . + 2 $ + + + +
.
$ + . + . + . + 1
. 3 + . + . $ + . + .
1
pp mp p pp mp
Tired with all these, from these I would be gone, Save that,to die, I leave my love a - lone.
" # # # # # #
%
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
,
,
+ 0 ,
* + + +
*
*
* +
*
*
45
Vln. I
!
"
+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + * , + + + + + + + + + + + + + + + +
Vln. II
'
Vla.
Fl. 1
Fl. 2
Ob. 1
Bsn. 1
Tba.
Perc. 1
Perc. 2
Perc. 3
William
Muse
Hp.
Vln. I
"
) 1 $ + + + 1 35 + + + 1 $5 + + + 1 35 + + + 1 $5 + + + 1 35 + + + 1 $5 + + + 2 # 1 $5 + + + 1 35 + + +
5
466 rit.
CC
! +
" . + . + . + . $ + . + . + . + . 1 3 + . + . + . + . 1 # - # / / / / # # # # # # #
) * + + + , % - "
# / / / / # # # # # # #
!% "
# # - # / / / / # # # #
, , ,
mp mp mp
!
' + - * + , ' # # # # # # # #
" 1 $ + + # - + 1 3+
+ + # # ' # # #
5 5 , , ,
p
" ' # # - Tam Tam
# # # #
, , , ,
To Pno.
!
" , ,
$
"" #
$
#
" + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + * , + + + + + + + + + + + + + + + +
" $ + . + . + . + 1
# - # / / / / # # # / / / / . + /
. + . + . + . / + . + . + . + .
1 * / + + + 3 + + +% + 0 + 0 + / + + 5 + +% +% + 0 *
" $ + . + . + . + . $ + . + . + . + 1
. 3 + . + . $ + . + .
1
p mp p
To A. Fl.
p
% - * * , # / / / / # # # # # # #
* * ,
rit.
CC
! + + + + + + + + + + + + + + + + ,
" - # / / / / # # # # # # #
Alto Flute
# # - / / / / # # # # # # #
Bass Drum
W: I will be a fool in question.
Hoping to be the wiser by your answer.
mp
MISTRESS ENTERS
W: This paper is the history of my knowledge touching her flight.
Satisfy me home what has become of her!
Writ o' both sides of the leaf. Cupid's name.
I William swear to thee by cupid's strongest bow.
" # # # - / / / / # # # # # # #
/ + + +% 3+
Vln. II
Vla.
" - + + + + + + + + + + + + + + + + ,
# / / / / # # # # # # #
) 1 $ + + # - + 1 +
# / / / / # # # # # # #
5
Vc.
35 + +
% # # - #
"
/ / / / , , , , , , ,
p

46
A. Fl.
476
!
"" // / / /
. 0
+% / + + . 0
+
5
* , 4%
+ 0 / + + + 3 + +% + 0 + 0 + + 0 + + + +% + 0 *
/ + + +% 3+
Tpt. 1
(con sord.)
!
"/ / / / +
# # + + + + 3 + + +
# #
p
Tpt. 2
" // / / # # # #
(con sord.)
+ 3 + + + + + + +
p
Tpt. 3
" // / / # #
(con sord.)
3 +
/ + + + + + + + + + + + / + + + / +
p
Tba.
%
" / / / / # # #
, , ,
mp mp mp
Perc. 2
!
' # # #
, , ,
Perc. 3
" ' # # #
, , ,
William
!
" // / / M: That was the way to make his godhead wax. For he hath been five thousand years a boy. Five thousand drops pays that.
Muse
""/ / / /
W: O let me not be mad sweet heaven.
M: I will turn diseases to commodity.
#
Hp.
gliss
+ + + + +
,
3 +
" // / / + + + + + +
# # # #
p 6 6
% / / / / # # # #
, ,
Vln. I
!
" // / / # #
:;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , ,
p
Vln. II
" // / / # #
:;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , ,
p
Vla.
)/ / / / # #
arco
:;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , ,
p
Vc.
%
" / / / /
, , , , , ,

47
Fl. 1
482
!
" // / / # # #
1 + + + + + + + + + / + + + 3 + + + + + * + + + + + + + / + + + 3 + + + + +
5
mf
3
f
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
A. Fl.
"" // / / 3
.
/ +% 0 / + +
. 0 + # # # #
5 * + / + 3 + + +% +
.+ 0 +
.+ 0 +
.+ 0 *%
5
mf
Tpt. 1
!
" // / / + + + + + 3 + + + + 3 + + + + + + + # # + 3 + + +
Tpt. 2
" // / / 3 + / + + +
# #
+ + + +
+ + + + + 3 + + +
+ + + +
Tpt. 3
" // / / # # #
+ + + + / + + + / + 3 + / + + + + + + +
Tba.
%
" / / / / # # #
, , , ,
mp mp mp mp
Perc. 2
!
' # #
, , ,
To B. D.
# #
Perc. 3
" ' # # #
, , ,
To T.-t.
#
#
Hp.
, , , ,
" // / / # # #
% / / / / # # # #
, , ,
Vln. I
!
" // / / * : +;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , , , , ,
Vln. II
"/ / / / * : +;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , , , , ,
Vla.
)/ / / / * : +;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
, , , , , , ,
Vc.
%
" / / / /
, , , , , , ,

48
Fl. 1
DD q.=60
Sonnet 113 & 114
489
!
"" // / / *% *%
# # # # # # # #
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
@ A
Tpt. 1
!
"/ / / / *% *%
# # # # # # # #
Tpt. 2
"/ / / / *% *%
# # # # # # # #
Tpt. 3
""/ / / / # # # # # # # #
*% *%
William
Muse
Vla.
!
" // / / # # # # # # #
""/ / / / # # # # # # #
DD
Since I left you mine eye is in my
p
!
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& p & & & &
mf
q.=60
p
4% 1 1 +
0
4% 1 1 +
0
Since I left you mine eye is in my
mf p mf p mf p mf p
+ / +
0 3 + + 5
+ 0 + 3 + + 0
+ + 0 + + 0 + + 0 + + 0
Vc.
% / / / /
arco
*%
p
*%
*%
*%
*%
*%
*%
*%
*%
*%
Cb.
%
" / / / /
pizz
+%
mf
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
'
William
Muse
Vla.
Vc.
499
!
" // / / *% 4% 1 1 + 5
"" // / /
mind, And that which go-verns
me to go a - bout
Doth part his func-tion
and is part - ly blind, Seems see - ing, but ef-
!
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++%
& & & & &
% / / / /
+ + 5 + + +++ + 5 + 3+
0 3 + + + + + + + +
5 5 +5 + + + 5 + 3 + / + 3*
1 0 / +
*% 4% 1 1+ 0 + + 5 3 + + 0 3 + ++ + + + 0 + / + + + 3+
0 + + + 0
5 / +
+ + 0 3 + / + + + *
+ / +
0 3 + + 5
mind, And that which go-verns
me to go a - bout
Doth part his func-tion
and is part - ly blind, Seems see - ing, but efmf
p mf p mf p mf p mf p
*%
*%
*%
*%
*%
*%
*%
*%
1 +
0
+ + 0 + + 0
*%
Cb.
%
" / / / / +%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
'
A. Fl.
C. A.
Cl. 1
Cl.
William
Muse
Vla.
Vc.
Cb.
508
!
"/ / / / / #
""/ / # # # #
!
"/ / / /
(Alto Flute)
+ + + + + + + +++++ 3 + +++++++++++ + + + + + + + +++ + + 3 + ++++++ 0 4 + + + + + + + +++++ 3 + +++++++++++
mp
"/ / / # # # # 4% ++ 3 + +++ +% 4%
#
"/ / # # # #
+ 0 + 3 + / +
0 *% 4% 1 1 0 +
Bass Clarinet
in Bb
fect-tual- ly is out; For it no form de - li - vers to the heart Of
"" // / / / + + 0 + + 0 *% 4% 1 1 0 +
fect-tual- ly is out; For it no form de - li - vers to the heart Of
!
)/ / / / *% + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& & &
% / / / / *%
%
" / / / / +%
+%
mf p mf p mf p
*%
+%
+%
*%
+%
+%
mp
mp
mp
* + *% * 3+
*% *% * +
+ + 0 + + 0 + + 0 + + 0 *% 4% 1 1 + 0
+ / +
0 3 + + + 5 + 0 3 + + 0 *% 4% 1 1 + 5
*%
+%
+%
*%
+%
+%
*%
+%
+%
*%
+%
+%

49
A. Fl.
515
!
" // / / /
+ + + + + + + + + + + + 3 + + + + + + + 0 4 + + + + + + + + + + + + 3 + + + + + + + + + + + + + + + + + + + + + + + + 3 + + + + + + + 0 4
Ob. 1
C. A.
Cl. 1
" // / / # # # # # #
" // / # 4% + + 3 + + + + +% 4% # #
4% + + 3 + + + +
" //
mp
*% * + *% * 3 + *% * +
mp
B. Cl.
"" //
*% *% *% * + *% *%
William
Muse
Vla.
!
" // / /
"" // / /
+ + 5 3 + + 0 3 + + + + 0 + +
+ / + + + 3+
0 + + + 5
/ +
0 + + 0 3 + / + + + *
bird, of flower, or shape which it doth latch. Of his quick ob - jects hath the mind no part, Nor
+ + 5 + + + + 5
+ + + 3+
0 3 + + + + + + + +
5 5 + + + 5 5
+ + 3 + / + 3*
1 / +
0
bird, of flower, or shape which it doth latch. Of his quick ob - jects hath the mind no part, Nor
!
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& & &
mf p mf p mf p
1
+ 0
Vc.
% / / / /
* % * % * % * % * % * % Cb.
%
" / / / /
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%
'
Fl. 1
A. Fl.
Ob. 1
C. A.
Cl. 1
B. Cl.
521
!
" // / / # #
" // / / /
"" //
EE
+ .
1 + .
5
1
p
+ . . . .
5 1 + .
. .
5 1 + 1 +
5 5 1 + 1 5 + .
0 1 + 1 + 1 5 5
" // / / # # # # # #
"/ / / +% 4% # # 4% + + 3 + + + + +% 4%
#
"/ /
mp
+ . 0 1 / +
0 1
.
+ + + + + + ++++++ 3 + + + +++++++++ + + + + + + + + + + + + 3 + + + + + + + 0 4 + + + + + + ++ + +++ 3 + + + + + + + +++ + +
*% * 3 + *% * + *% * 3+
*% * + *% *% *% * +
William
Muse
!
" // / /
""/ / / /
mp
+ + 0 + + 0 / + + 0 + + 0 *% 4% 1 1 + 0 + / +
0 3 + + + 5 + 0 3 + + 0
his own vi - sion holds what it doth catch; For
his own vi - sion holds what it doth catch; For
mp
if it see the rud'st or gentl - est
+ / +
0 3 + + 5
+ + 0 3 + / +
0 *% 4% 1 1 + 0 + + 0 + + 0 + + 0 + + 0
if it see the rud'st or gentl - est
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
" // / / # #
" // / / # #
EE
pizz
p
> + . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > . + .
+ . + .
p
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& & &
% / / / /
+
+ + + + + +
mf p mf p mf p
*%
%
" / / / / +%
+%
*%
+%
+%
*%
+%
+%
*%
+%
+%
*%
+%
+
+%
+ +
*%
+%
+ / +
+%

50
Fl. 1
A. Fl.
Ob. 1
527
!
" // / / .
+ .
0 1 + 5
1
"/ / / / /
+ . . . .
5 1 + .
. .
5 1 + 1 +
5 5 1 + 5
1 + .
0 1 + 5
1 + 1 5
.
+ . 0 1 / +
0 1
. + .
0 1 + 5
1
+ . . . .
5 1 + 5 1 + 1 +
5 5 1
+ + + + + + + + + + + + 3 + + + + + + + 0 4 + + + + + + + + + +++ 3 + + + + + + + +++ + + + + + + + + + + + + + + 3 + + + +++ + 0 4
" // / / # # # # # #
C. A.
Cl. 1
" // / # 4% + + 3 + + + + +% 4% # # 4% + + 3 + + + +
" //
mp
*% * + *% * 3 + *% * +
mp
B. Cl.
"" //
*% *% *% * + *% *%
William
!
"/ / / /
*% 4% 1 1
+
5
+ + 5 + + + + + + 5 + 3+
0 3 + + + + + + + +
5 5 + 5
Muse
"" // / /
sight, The most sweet fa - vour or de - for - med'st crea - ture
The moun - tain or the
*% 4% 1 1 + 0 + + 5 3 + + 0 3 + + + + + + 0 + / + + + 3+
0 + + + 5
sight, The most sweet fa - vour or de - for - med'st crea - ture
The moun - tain or the
/ +
0
Vln. I
!
" // / /
+
+ + + + + +
+
+ +
+ / + +
+ + + + +
Vln. II
" // / / > + . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
+ > . + . 3 + .
+ > . + .
+ . + .
Vla.
Vc.
Cb.
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& & &
% / / / /
* % %
" / / / / +%
mf p mf p mf p
+%
* % +%
+%
* % +%
+%
* % +%
+%
* % +%
+%
* % +%
+%
'
Fl. 1
A. Fl.
Ob. 1
C. A.
Cl. 1
B. Cl.
533
!
" // / / + . 1 . .
5 + .
0 1 + 1 + 1 5 5
" // / / /
"" //
.
+ . 0 1 / +
0 1
. + .
0 1 + 1 5
+ . . . .
5 1 + .
.
5 1 + 1 +
5 5 1 + 1 5 + .
0 1 + 1 5
"/ / / / # # # # #
" // / +% 4% # #
4% + + 3 + + + + +% 4%
"/ /
+ + + + + + + + + + + + 3 + + + + + + + + + + + + + + + + + + + + + + + + 3 + + + + + + + 0 4 + + + + + + + + + + + +
*% * 3 + *% * + *%
*% * + *% *% *%
mp
William
!
"/ / / /
+ + + 5 + 3 + / + 3*
1 / +
0 + / +
0 3 + + 5
+ + 0 3 + / +
0 / + + + 1 + 0
Muse
"" // / /
sea, the day or night The crow or dove, it shapes them to your fea - ture.
In -
+ + 0 3 + / + + + *
1
+ 0 + + 0 + + 0 / + + 0 + + 0 + + + 1 + 0
sea, the day or night The crow or dove, it shapes them to your fea - ture.
In -
Vln. I
!
" // / /
+
+
+ +
+ / + +
+ + + + + +
+
+
Vln. II
Vla.
" // / / > + . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . + .
+ . > + .
+ . + .
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + ++++++++++++++ + ++++++ 3+
& & &
mf p mf p mf
Vc.
% / / / /
*%
*%
*%
*%
*%
Cb.
%
" / / / /
+%
+%
+%
+%
+%
+%
+%
+%
+%
+%

Fl. 1
A. Fl.
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
William
Muse
538
!
" // / / .
+ .
0 1 + 5
1
!
"/ / / /
"" // / /
mp
mp
ca
ca
+ . . . .
5 1 + .
. .
5 1 + 1 +
5 5 1 + 5
1 + .
0 1 + 5
1 + 1 5
mp
.
+ . 0 1 / +
0 1
. + .
0 1 + 5
1
+ . . . .
5 1 + 5 1 + 1 +
5 5 1
" // / / / 3 + + + + + + ++++++ ++ + +++ + +++ + + 3 + + + + + + + 0 4 ++ + +++ + +++ + + 3 + + + + + + ++ + +++ ++ + +++ + + ++ + +
"/ / / # # 4% ++ 3 + +++ +% 4%
# #
" //
"/ /
% / / / /
* + /*
+ * + /*
+ * + /*
+
* + * + * + * + * + * +
* + /*
+ * + /*
+ * + /*
+
%
" / / / / * + * + * + * + * + * +
+ + + + + 5 5 + 0 + + *% * 5 1 + + + + 5 5 + + 5 + 0 3 + / + + +
- pa - ble of more, re - plete with you, My most true mind thus makes mine eye un -
+ + 0 + + 0 + + 0 / + + 0 *% * 1 + 0 + + 0 + + 0 / + + 0 + + + +
- pa - ble of more, re - plete with you, My most true mind thus makes mine eye un -
To Cbsn.
51
Vln. I
!
" // / /
+
+ + + + + +
+
+ +
+ / + +
+ + + + +
Vln. II
Vla.
Vc.
" // / / > + . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > . + .
+ . + .
)/ / / / + / + +++++++++++% *% + / + +++++++++++% *% + / + +++++++++++% *%
& & &
% / / / /
mf p mf p mf p
*
*% % * % * % * % * % * % '
Cb.
A. Fl.
C. A.
Hn. 1
Hn. 2
Tpt. 1
Tpt. 2
Tpt. 3
Timp.
William
Muse
Vln. I
Vln. II
Vla.
%
" / /
+%
/ /
544 FF
!
"/ / / / / 3 + + + + + + + 0 4
""/ / /
!
" // /
" // /
mp
""/ / / / + . +
mp & & . * *% + & . + & . * *% + & . + & . * *%
!%
" *% * + *% * + *% * +
FF
!
" // / / arco + .
mp
senza sord.
mp
senza sord.
mp
senza sord.
mp
true
true
mf
mf
+%
To Picc.
To Picc.
4% ++ 3 + +++ +% 4%
mp
+%
# # # # #
To Ob.
Or
mf
Or
whe
whe
# # # #
" // / / + & . + & . * *% + & . + & . * *% + & . + & . * *%
" // / / + & . + & . * *% + & . + & . * *% + & . + & . * *%
. . .
+ + + . . + + + . .
. + . + + . . + / + + .
+%
+%
- ther doth my mind, being crowned with you, Drink
- ther doth my mind, being crowned with you, Drink
. . .
+ + + . . + + + . .
. + . + + . . + / + + .
. . .
+ + + . . + + + . .
. + . + + . . + / +
"/ / / / > + . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > >
. + .
+ . + +
. . + .
+ . > + . ++
. . > +++ . . . > + . + .
+ > . + . 3 + .
+ > . + .
+ . + .
)/ / / / & + / + +++++++++++% *% & + / + +++++++++++% *% & + / + +++++++++++% *%
+%
* + * + *% * + * + * +
* + * + *% * + * + * +
mf
!
"/ / / / *% 4% 1 1 + 0 + + 0 + + 0 + + 0 + + 0 +% + + + / + % 1 1 + 0
"" // / / *% 4% 1 1 + 0 + / +
0 3 + + 5
+ + 0 3 + + 0 +% + + + +% 1 1
+%
+%
+%
+%
+%
+%
+
5
Vc.
Cb.
% / / / /
%
" / / / /
mf p mf p mf p
& + +
&
mf
arco
+%
mf
&
+
& &
+ + +
&
&
+
& &
+ + + + +
&
& &
& + +
&
& &
+ + +
&
+ &
+ + + +% + + + + + + +% + +
+%
+ + + + +% + +
+%
+

52
Hn. 1
550
!
" // /
*% * + * + * + /*
+ * +
Hn. 2
"/ / /
*% * + * + * + /*
+ * +
Tpt. 1
"/ / / / .& & . .& & .
+ & . + & . * *% + & . + & . * + + * *% + + *
Tpt. 2
"/ / / / + & . + & . * *% + & . + & . * + & . + & . * /*% + & . + & . *
Tpt. 3
"" // / / + & . + & . * *% + & . + & . * + & . + & . * *% + & . + & . *
Timp.
!%
"
*% * + *% /*
+ /*
+ /*
+
William
!
" // / /
+ + 5 3 + + 0 3 + + + + + + 0 + / + + + 3+
0 + + + 5
/ +
0 + + 0 3 + / + + + * 1 + 0
up the mon - arch's plague this flat - ter - y,
Or whe - ther shall I say mine eye saith true, And
Muse
"" // / /
+ + 5 + + + + + + 5 + 3+
0 3 + + + + + + + +
5 5 + 5
+ + + 5 + 3 + / + * 1 + 0
up the mon - arch's plague this flat - ter - y,
Or whe - ther shall I say mine eye saith true, And
Vln. I
!
"/ / / / . . . .
. . . .
. .
+
+ + + + + + +
+ + . . + / + + .
. . .
+ + + . . + + + . .
. . +
+ + . . + / + + .
. . .
+ + + . .
+ + + . .
. . +
+ + . . + / +
Vln. II
" // / / > + . + .
+ . > + . + .
+ . > + .
+ . + . > + . + .
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mf p mf p mf p
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% / / / /
&
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Cb.
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Hn. 1
556
!
" // / /*
+ * + * +
$ $
$ $$
* + 3 * + * +
53
Hn. 2
"/ / $
/
$
$ $$
/*
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Hn. 3
Hn. 4
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" // / #
$ $
$ $$ * + * + * +
*% *%
p f mp
$ $ $ $$
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p
f
mp
Tpt. 1
" // / / $ $ .& .& .& .&
*%
&
. $ $ + + * *% + + *
+ + &
. * *%
Tpt. 2
"/ / / / $ $
$ $ & . & . & . .
/*% + + * 3 *% + & + *
+ & . + & . * *%
Tpt. 3
"/ / / / $ $
$ $
*% + & . + & . * *%
+ & . + & . * *% + & . + & . *
Tbn. 1
Tbn. 2
% *% *%
/ / / / # $ $ .&
$ $ + 5 1 1 4%
p
f
% *% *%
/ / / / # $ $ .&
$ $ + 5 1 1 4%
p
f
# #
# #
B. Tbn.
% / / / / # $ $
*% *%
$ $ # #
+ & . 0 1 1 4 %
p
f
Tba.
%
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$ $ # # #
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Perc. 1
!
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Susp. Cym.
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pp
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)
mf
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William
!
" // / / $ $
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5 5
+ + + 0 * 1 5 / +
0 + + 0 + + 0 + + 0 + + 0 *%
that your love taught it this al - che - my,
To make of mon - sters and thingsin - di - gest
Muse
"" // / / $ $
$
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that your love taught it this al - che - my,
To make of mon - sters and thingsin - di - gest
Vln. I
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+
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+ + $ $ +%
+ + + +% + + + + %
+ + +

54
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Timp.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
562
!
" $ $ $ 3 * +
$ * + 3 * + * + 3 * + * + 3 * +
$
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* + * + * + * + * + * +
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+ .& * *% + .&
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" $ $ $ $ 3 * % & + . & + . * 3 * % & + . & + . * 3 *% & + . & + . * 3 *%
"" $ $ $ $
*% + + .& & . * *% + & . + & . * *% + & . + & . * *%
!%
"
* + $ *
+ * + $ *
+ * + $ *
+ * +
!
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3 +
+ 3 + + +
5
+ 5
++ + + * 1 0 3+
Such che - ru - bins as your sweetself re - sem - ble
Cre - a - tingeve - ry bad a per - fect best As
"" $ $ $ $
+% 1 1 + 0 + + + 3+
3 + + 5 5 + + + + 0 + + + + $ +
0 + + 0 + + 0 + + 0 ++ $ + 3 + * 1 0 +
Such che - ru - bins as your sweetself re - sem - ble
Cre - a - tingeve - ry bad a per - fect best As
. . .
!
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$
mf p mf p mf p
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+ + +% + + +

Fl. 1
A. Fl.
Ob. 1
C. A.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
569
GG
!
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$ # # # # 4%
5 1 1 4%
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f
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# # # #
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+
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Clash Cym
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Bass Drum
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" $ $ $ $
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fast as ob - jects to his beams as -
f
sem - ble?
O, 'tis the first, 'tis flatt - 'ry in my
"" $ $ $
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5 5
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fast as ob - jects to his beams as - sem - ble?
O, 'tis the first, 'tis flatt - 'ry in my
. .
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6 &
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$
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f
55

56
Fl. 1
Picc.
Ob. 1
Ob.
Cl. 1
4%
575
!
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see - ing, And my great mind most king ly drinks it up Mine eye wellknows what
"" $ $ $ 3+
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1 + 0 + + 0 + 3+
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see - ing, And my great mind most king ly drinks it up Mine eye wellknows what
!
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. .
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& & &
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Cl.
Bsn. 1
Cbsn.
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Cym.
B. D.
T.-t.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.

Fl. 1
Picc.
Ob. 1
Ob.
Cl. 1
581
!
" $ $ $ + .
. . . .
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+ 3 + + + + 3 + + +
+ 3+
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.
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4%
5 1 1 4% 4%
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ff
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with his gust is 'gree-ing
And to his pa - late doth pre pare the cup.
If it be poi - soned,
ff
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with his gust is 'gree-ing
And to his pa - late doth pre pare the cup. If
it be poi - soned,
. .
!
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+ 3 + +++++++++++% +++
"
Cl.
Bsn. 1
Cbsn.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Cym.
B. D.
T.-t.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
57

58
Fl. 1
Picc.
Ob. 1
Ob.
Cl. 1
587
!
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.
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.
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.
.
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.
.
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+
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+
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.
+% +
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.
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" $ $ $ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
+ .
+ +
. . . . . . . . .
$ > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + >
" $ $ $ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
+ .
+ +
. . . . . . . . .
$ > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + >
" $ $ $ &
&
$ $
$ + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% + + + + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% + + + + + + 3 + $ + + + + + + + +
" $ $ $ &
&
$ $ + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% + + + + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% $
+ + + + + + 3 + $ + + + + + + + +
%$ $
$ $
*% + & . + & . * *% + & . + & . * *%
%$
" $
$ $
*% + & . + & . * *% + & . + & . * *%
!
" $ $ $ 3 *
+
$ * + 3 *
+ * + 3 *
+
$
" $ $ $ $ $ 3 *
+ * + 3 *
+ * + 3 *
+
" $ $ $ $ $
* + * + * + * + * +
" $ $ $ $ $ * + * + * + * + * +
" $ $ $ $ *% + .&
+ .& * *% + .&
+ .& * *%
" $ $ $ $ 3 * & . & + . * 3 * % & + . & + . * 3 *%
" $ $ $ $
*% + + .& & . * *% + & . + & . * *%
%$ $ .& .& .& .&
$ $ *% + + * *% + + * *%
%$ $
$ $ 3 *% + &
. + &
. * 3 *% + &
. + &
. * 3 *%
%$ $ $ $
*% + & . + & . * *% + & . + & . * *%
%$
" $
$ $
*% + & . + & . * *% + & . + & . * *%
!%
"
!
'
'
*
*%
*%
+ $ *
*
*
+
+
+
*
*%
*%
+ $ *
*
*
+
+
+
*
*%
*%
+
" ' *% # *% #
*%
!
" $ $ $ $
+ + 0 3 + + 0 + + + * + * + +% +%
'tis the les - ser sin That mine eye loves it
"" $ $ $ + + 0 + + 0 + + + + 3 + + * + +% +%
'tis the les - ser sin That mine eye loves it
. .
!
" $ $ $ . .
. .
. . .
.
. . . .
. .
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+ + .
. . . .
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+ +
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+
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$
" $ $ $ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
$ +
.
+ +
. . . . . . . . .
$ > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + 3 + + + + + + + + + + + +
> > > > > > + $ + + + 3 + + >
" $ $ $ &
&
$ + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% + + + + + + 3 + $ + + + + + + + + + 3 + + + + + + + + + + + +% + + + + + + 3 + $ + + + + + + + +
& + & &
%$ $ & & & & & & & & &
+ + + + + + + + + & + & + &
$ $ +
+
+
Cl.
Bsn. 1
Cbsn.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Cym.
B. D.
T.-t.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.

Fl. 1
Picc.
Ob. 1
Ob.
Cl. 1
Cl.
Bsn. 1
Cbsn.
Hn. 1
592
!
" $ $ $ $ + .
. . .
+ + + . . + + + . .
.
. +
+ + . . + 3 + *% *%
" $ $ $ . . .
$ . + + + . . . .
.
.
+
+ + + + + + . . + 3 + *% *%
" $ $ $ 3 + . . . . . . . .
+ + + + + + + + . + . + . + . . . . . . .
$ > > > > > + $ + + + 3 + + *% *%
>
" $ $ $ 3 + . . . . . . . .
+ + + + + + + + . + . + . + . . . . . . .
$ > > > > > + $ + + + 3 + + *% *%
>
# # # # # # - # / /
!
# # # # # # - # / /
!
# # # # # # - # / /
!
# # # # # # - # / /
!
" $ $ $ $ $ & + 3 + +++++++++++% + + + + + + 3 + $ + + + + + + + + $ *% *% # # # # # # - #
3 3
3 33 3
!
" $ $ $ $ $ & + 3 + +++++++++++% + + + + + + 3 + $ + + + + + + + + $ *% *% # # # # # # - #
3 3 3 33 3
!
%$ $
$ $ # # # # # # # # - # + !
& . + / /
& . * *%
%$ $ " $ $ # # # # # # # # - #
+ !
& . + & . * *%
/ /
!
" $ $ $ $ * + 3 * +
- $ * + * + *% * + * + * + *% *% # / !
59
Hn. 2
Hn. 3
Hn. 4
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
" $ $ $ $ $ * + 3 * + * + - * + *% * + * + * + *% *% # /
" $ $ $ $ $ * + * + # # # # # # # # - # /
" $ $ $ $ $ # # # # # # # # - # /
* + * +
!
" $ $ $ .& .&
$ + + * *%
# # # # # # # # - # / /
!
" $ $ $ $ & + . & + . * 3 * %
# # # # # # # # - # / / !
" $ $ $ $
# # # # # # # # - + + # / / !
.& & . * *%
%$ $
$ .& .& $ + + * *%
# # # # # # # # - # / / !
%$ $ $ $ + . + !
& &
. * 3 *%
# # # # # # # # - # / /
!
!
B. Tbn.
Tba.
Timp.
Cym.
B. D.
T.-t.
William
Muse
Vln. I
Vln. II
Vla.
Vc.
Cb.
%$ $
$ $ # # # # # # # # - # + !
& . + / /
& . * *%
%$
" $
$ $ # # # # # # # # - # + !
& . + & . * *%
/ /
!% $ *
+ * + - # "
$ *% $ * + $ *% $ * + $ *% $ * + $ *% $ *%
!
!
' * + *% *% *% # # # # # # - # "
' * + *% *% *% # # # # # # - #
" ' # *% *% *% # # # # # # - #
!
" $ $ $ $
* + * 1 + 0 *% *% # # # # # # - # / /
!
"" $ $ $ $ * + 3 * 1 + *% *% # # # # # # - # / /
5 !
!
" $ $ $ $
" $ $ $ $
" $ $ $ $
and doth first be gin.
and doth first be gin.
+ .
. . .
+ + + . . + + + . .
. + . + + . . + 3 + *% *% *% *% *% *% *% *% -*%
3 + . . . . . . . .
+ + + + + + + + . + . + . + . . . . . . . -
> > > > > + $ + + + 3 + + *% *% *% *% *% *% *% *% *%
>
&
+ 3 + +++++++++++% + + + + + + 3 + $ + + + + + + + + -
*% *% *% *% *% *% *% *% *%
%$ $ & & & & & &
+ + + + +
$ $ +
*
-
*% % * *% % * *% % * *% % * *% % * *% % * *% % * *% % * *% %
+
%$ $ + + +% + +
pizz
-
" $ $ +%
+ +% +% +% +% +% +% +% +%
+% +% +% +% +% +% +% +% *%
!
!
!
/ /
!
/ /
!
) / /
!
/ /
!
/ /
!

60
Perc. 1
Perc. 3
'
#
Hp.
Vla.
Vc.
603
!
" !
- Vibraphone
$ + # 2 4 + , , $ + 2 4 + , , $ + ,,
2 4 + ,
on bell
" ' !
- Susp Cym
9 )
# 2 4
!
"" // !
!
WILLIAM DRINKS
FROM THE CUP
Woefully
HH q=72
solo
" // - #
f
!
& &
q=72
p
p
HH
!
)/ / !
- pizz
# 1 + + 4 2 # 1 + + 4 2 # 1 + + 4 2
#
f
% " / /!
- pizz
# + + 1 4 2 # + + 1 4 2 # + + 1 4 2
#
f
Sonnet 119 - What potions have I drunk
#
THEY BEGIN WALKING "
$
&& $
+ + + $ + % + + + +%
2 >+ $ + + + ++ +
9 )
2 4
&& $
+ + + $ + % + + + +%
% / / - # + + # # + + # # + + # #
& &
& &
#
+ $ + % > >
4 ++ 2 +
+ + + ++ + + +
9 )
2 4
f
$ * * $ +
0 1 4 2
Aah
&& $
+ + + $ + % + + + +%
#
> >
+ $ + % 4 ++ 2 +
+ + + ++ + + +
Perc. 1
Perc. 3
William
Muse
#
Hp.
Vla.
610
!
$ + ,,
$ * ,,
" 2 4 + , 2 * , # 2 4
" '
9 )
2 4
!
"/ / # $ * * $ +
0 1 4 2 # $ ,
* $ +
0 1 4
#
$
Aah
f
#
"" // # 2 3 * + 0 1 4 2 # 2 3 * * + 0 1 4
#
Aah
2
, )
# #
" // && $ & &
&&
+ + + $ + % + + + +% + $ + % +
+ 3 + % + + + + + $ * ++% + $ + + $ + + 1 $ + ++ +
& + + &
+ ++ 2 >+ + $ + + + ++ +
+ + + $ + % + ++%
% / / + + # # + + + # # # + + # #
& &
& &
!
)/ / 1 + + 4 2 # 1 + + 4 2 # # 1 + + 4 2
#
Aah
Aah
2 4
$ + ,,
+ ,
9)
#
+ $ + % >++
+ +
>++ ++ + + +
Vc.
%
" / / + + 1 4 2 # + + 1 4 2 # # + + 1 4 2
#
'
Perc. 1
617
!
""
,
$
$ , $
$ , ,,
$,
$
$
$ ,
,
,
> *%%%
*
%%%
,
,
William
Muse
#
Hp.
Vla.
Vc.
!
"/ / $ ,
, $ *% 1 + 0 $ + + + +% + + + + $ + $ + % 4 1% = +
$
""/ / 2 3 * , 3 *% 4
# # #
!
)/ /
%
" / /
Aah What po-tions
have I drunk of Si - ren te- ars,
Dis-till'd
fromLim-becks
foul as Hell with
Aah
+ + + $ + $ + + + +% +
" // &&
&&
&&
& &
& &
+ + + $ + %+++ ++ + + +
$ +
+ + $ + %>++ > + $ + + + $ +
+ + $ + %+++ + $ + + + +
+ + + $ + % +++ ++ + + +
+ + $ + ++ + %+ + + + + + $ + % +++ ++ + + +
% / / + + # $+
$ + # $ +
$+ # + + # > + + # + + #
& &
& &
& &
& &
& &
& &
1 + + 4 2 1 $ +
+ 4 2 1 $ +
+ 4 2 1 + + +
4 2 1% + <
+ + 1 4 2 $ +
2 1 + + 4 2
$ + 1 4 2 $ +
$ + 1 4 2 + + 1 4 2 > + + 4 2 + + 1 4 2

Perc. 1
William
Muse
Hp.
Vla.
Vc.
623
! 0
"" > + %
# #
+
1% + = + + + % % $ + + + + ,
,
$ $,
$ $ ,
!
"/ / $ + 1% $ +
= + +% $ + % + $ + 4 1% $ + + + + * <
4 1 3+
3 + 5
+ + $ + + + + + + 3 * *
$
""/ / 4 1 > = + + +% # #
+% + $ + 4 1% $ +
= + + + * 4 4
#
!
)/ / 1% +
+
<
2 1 + + 4 2 1 $ +
+ 4 2
# #
%
" / /
in ap - ply-ing
fears to hopes and hopes to fears Still lo - sing when I saw my - self to win!
ap - ply-ing
fears to hopes and hopes to fears
" // >
+ + $ + + +% + + + +
+ + $ +
& + + + + + +
& & + + + +
$ +
+ $ + + + + + + +
& & &
$ + + $ + $ +
+ + +
+ + + + +
+ + + $ + $ + + + +
+ + +
+ + +
+ + +
+ + + $+ + $ +
% / / > + + && # + + &&
# + $ +
$ +
& & &
# $ +
&
# #
> + + 4 2 + + 1 4 2 $ +
$ + 1 4 4 + $ + +% + + +% + $ + +% + + + + +%
61
'
Hn. 1
Hn. 2
Hn. 3
Hn. 4
628
!
" / # #
" / # #
" / # #
"/ # #
2 4 1 + 5
p
p
p
p
II
*
7
$ ,
,
! !
2 4 1 + 0 7
! * ! , ,
2 4 1 $ + 7 * $ ,
,
5 ! !
2 4 1 +
0
7
!
f
f
f
* ! $ ,
,
f
Tpt. 1
Tpt. 2
Tpt. 3
B. Tbn.
Tba.
Perc. 1
Perc. 3
William
Muse
Hp.
Vln. I
Vln. II
Vla.
Vc.
%
" / / # # # 7
! # ! #
$,
f
! ,
,
,
" 7
! # ! $
$ #
,
,
, $
$ , ,,
" ' # # #
!
"/ / $ * *
7
! !
#
3 *% 4 3 ,
* $ ,
$
7
"" // $ * *
* * *% 4 2
$ + $ *%
! !
#
#
" // # #
" // # #
Aah
2 4 1 ++ 7 ++++++++ ! ! $ ,
,
Aah
% 7
" / / + + 1 4 2 + + 1 4 2 + + 1 4 2 ! # $ +
! $ + 1 4 2 $ +
Aah
p
2 4 1 ++ 7
! ++++++++ ! $ ,
,
7
" // # # 2 4 1 ++ ! ++++++++ !
$ ,
,
p
f
% / / # # # 7
! # ! #
$,
p
(ord)
)
7
!
& , 9 ! 4 2
" // 7
+ + $ +
! !
& + ++ +++
& & ++ + + +
+ + $ +
& + ++ +++
& & ++ + + +
+ + $ +
& + ++ +++
& & ++ +
&
&
& + + $ +
+ + ++ + ++ $ $ + 4 1%
+ = + + + $ + $ $ + + %% + + + $ + $ +
++
mp
f
% / / + + # + + # + + # 7
$
! # $
! $ + 4 2 " $ $+ + % + + + 4
& &
& &
& &
pizz
II
!
7
" // & & & &
arco 6 ( 6
# 1% + < 1% + < > + %
5 1 + 5 1% + < 1% + < > + %
5 ! # ! 1%
f
f
&
+
+ = $ + $ + ++ ++ + + + + $ + $ + + + $ +
+ + +
+ + +
+ + + + +
$ +
"/ / pizz
arco 6 ( 6
# 1% + = 1% + = 0
>+% 1 $ +
0 1% + = 1% + = 0
>+% 7
! # ! 1%
& &
& &
f
f
&
+
+ = $ + $ + ++ ++ + + + + $ + $ + + + + $ + + + + + + + + + $ +
+ +
)/ / 1 + + 4 2 1 + + 4 2 1 + + 4 2 7
! # ! 1 $ +
+ 4 2
#
p
f
f
mf
f
#
$ + % $ + + + +

62
Tpt. 1
Tpt. 2
Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Perc. 1
William
Muse
Hp.
Vln. I
Vln. II
Vla.
Vc.
!
" // # $,
# # # #
%
" / / $,
# # # # #
!
"" # # #
!
"/ / 3 ,
, $ *% 4
# # #
$
#
634
mp
mp
mp
Aah
Aah
p
"/ / # $,
# # # #
p
" // # # # # #
$,
$,
p
% / / # # # # #
% / / $,
# # # # #
"" // 2
3 * , $ *%
What wretch ed er rors - hathmyheartcom - mit ted, Whilstithas
(
!
"/ / +
(
$ + $ +
++ + 6
(6 (
$+ + +++ + + + + + $ + +
+
$ +
$+++ + +++ + + + + + + $ + $ +
++ +
+ + +
++ + + # # #
( (
$+
+
+
+ $ +
6
" // $ +
++ +
+ +++ +
+ + +
+ $ + $ + +
+ +++ +
+ + + (6 (
$+
+ $+++
+ + $ + $ +
++ + # # #
$+ + + +
++ + +
+ +
)/ / # # # 1 + + 4 2 # 1 + + 4 2
1%
+ $+ +
<
4 2% 1 0 $ +
* % * , , 1%
+ $+ +
<
* % *
$ + + + +% + + +% + $ + $ + % 4 1 0 + + +
" // $
+ +
+ + %% + + + + + + %% + $ + + $ + +
$ + + + % + + + + + + %% + $ + + $ + $ + + % %% + + + % %% + $ + + $ + + + + $ + %* 4 $ + ++ ++ + + +4
+ + + $ + %2
p
" // $
%
$ $+ + % + ++ % 4 $+
+ + # # + + #
$ + % + ++ % 4 $ + + %% + ++ %% 4
%
" / / $+
$ + % $ + + +% + $ +
%
"
#
$ + % $ + ++% $ + $ + $ + %
+ + $ + + + + 1 4 2 + + 1 4 2
'
Tba.
Perc. 1
640
!% " / / # # # # #
! $+ "" 1% + * % *
<
# # # #
William
!
"/ / # #
$
Gently mp 3
4 $ + 3 + + * 4 $ + 3 + + 3 + + + $ + % + +
How have mine eyes out of their spheres been fit ted
$ % 4 + + +
Muse
"" // 3 + + $ + + + +% + $ + % + 4 2
# # #
- in the disthought
it
- self so bles sed - ne-
ver!
Hp.
Vln. I
Vln. II
#
"/ / + + + $ + % + + + + + + + +
+ + $ + + + + % % / / + + # > + + + + + $ + $ + + + + 4 > $ +
$ +
+ $ + $ + + + + + + $ + + + + 4 + $ + $ + + $ + $ + + +
& &
# $ +
$+ # # $+
$+
#
!
"/ / # #
" // # #
$ & ,
p
&, $
&,
&,
&,
&,
Vla.
p
)/ / 1 + + +
4 2 1% + $+
$+
2 1 $ + 4 2 2 1 $ + 4
#
<
Vc.
%
" / / + + 1 4 2 > + + 4 2 $ +
$ + 1 4 2 2 $ +
$ + 1 4
#

Tpt. 1
645
!
" // #
,& &*%%% & + &*%%% & + &*%%% & + < < <
f
63
Tpt. 2
Tpt. 3
B. Tbn.
" // #
" // #
% / / #
, *%%% + = *%%% + = *%%% + =
& & & & & & &
f
,
& &
*%%%
&
+ = &
*%%%
&
+ = &
*%%%
&
+ =
f
,
& &
*%%%
&
+ = &
*%%%
&
+ = &
*%%%
&
+ =
f
Tba.
Timp.
%
" / / #
!% "
#
,
& &
*%%%
&
+
&
*%%%
&
+
&
*%%%
&
+
f(ossia 8va)
& & & & & & &
, *%%% + *%%% + *%%% + < < <
f
=
=
=
Perc. 1
!
" #
> + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +
f
C
Perc. 3
" '
, 9 )
&
pp
f
4 2
# # #
William
ff
!
"/ / $ + + + + + +% $ *
$ ,
3 ,
,
#
$
trac-tion
of this mad-ding
fe
- - -
ver!
Muse
ff
"" // # 3 + +% $ * + , ,
#
mad-ding
fe - ver!
#
Hp.
,
" // $,
# # #
f
gliss
% / / 2 $ + + 3 + $ + $ + + 3 + $ +
# # # #
Vln. I
!
" //
&,
+ + $ +
ff
+ + 3 + + + + 3 + + + + + + + +
+ + + + $ + +
Vln. II
"/ /
&,
+ + $ +
ff
+ + 3 + + + + 3 + + + + + + + +
+ + + + $ + +
Vla.
)/ / #
arco (
6
> + + $ + + + + (
+ + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +
ff
Vc.
% / / #
arco
6 ( (
> + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + + + + + $ + + + + + + + + + + + + $ +
ff
Cb.
%
" / / #
,
& &
*%%%
&
+ = &
*%%%
&
+ = &
*%%%
&
+ =
ff

64
Fl. 1
650
!
" // #
2 4
+ $ + .
$ +
$ +
++ +
5 1 4 2
f 6
# #
Cl. 1
" #
.
4 1 + $ + $ +
$ +
++ + $ + $ + +
5 1
f 3
6
+ $ + $ + + + + 3 + + $ + + .
5 4
6 3
6
+ $ + $ + + + +
# #
B. Cl.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
""
Bass Clarinet
in Bb
#
.
+ $ + $ + + + + + $ + $ + +
5 2 4 1
f
6
3
!
" / # # #
" / # # #
" / # # #
" / # # #
3
+ $ + $ + + + + + + $ + + .
5 1
6
# #
, ,
p
$ , ,
p
, ,
p
, ,
p
ff
ff
ff
ff
Tpt. 1
Tpt. 2
Tpt. 3
" // 6 6 6 6
+ +% + + + + +% $ *
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*
# #
p ff p
6 6 6 6
"/ / + +% + + + + +% $ *
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*
# #
p ff p
" // 6
6 6 6
# #
+ +% + + + + +% $ *
++++ + ++ + + +++ $ + + ++++ ++ ++ + +*
p ff p
B. Tbn.
Tba.
% / /
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +
%
" / /
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +
(ossia 8va)
(ossia 8va)
Timp.
!% & & & & & & & "
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +
&
Perc. 1
Perc. 3
!
" $ +
+ *
$ + + + + + + + + + + + + + ,
$ * *
+ $,
$*
# #
D
, 9 )
" ' #
&
4 2
# #
pp
f
William
Muse
Vln. I
Vln. II
!
"/ / $ ,
, $ + 4 2 3 , ,
$
Aah
"" // 2 + + . 03 + 3 ,
$ + 4 2 2 * ,
Aah
!
"/ / :;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
+ *% $ ,
, *% & & + & * * &
"/ / :;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
+ *% $ ,
,
&*%
&+ &*
* &
Aah
Aah
Vla.
)/ / $ +
+ $ + + + + +
+ + +
+ + +
+ + +
+ $ + $ +
+ + + + + +
+ + + + + +
+ $ + $ +
+ + +
+ + + + + +
+ + + + $ + $ * & $ % & + & * $ * &
Vc.
% / / $ +
+ $ + + + + +
+ + +
+ + +
+ + +
+ $ + $ +
+ + + + + +
+ + + + + +
+ $ + $ +
+ + +
+ + + + + +
+ + + + $ +
& * % & + & * & *
Cb.
%
" / /
+ +% + + + + +% $ + % +% + $ + % +% + +% +% + +% +% +

Tpt. 1
655
!
" // 6 6 6 6 6
> > > $ + + #
$ + + + + < <
>++> $ + + > $ + + > $ + + < <
>++> > > = 2 $ + + + + + + + + + + + + 4 ++++++++++++++++++
$ + + + + +
mp
ff p pp f pp pp f pp
65
@
!
Tpt. 2
Tpt. 3
" // > > > = = $ + + >++ > ++> ++> = = $ + + >++ > >
#
$ + + + +
$ + + + +
>+ = 2 $ + + + + + + + + + + + + 4 ++++++++++++++++++
mp
mp
ff
ff
pp f pp pp f pp
p
p
6 6
6 6 6
" // 6 6 6 6 6
> > > = = > > $ + +> $ + +> = = > > >
#
$ + + + + + + ++ + + ++
$ + + + +
>+ = 2
$ + + + + + + + + + + + + 4 ++++++++++++++++++
pp f pp pp f pp
@
!
@
!
B. Tbn.
Tba.
Timp.
William
% / /
$,
# # # #
%
" / /
$,
# # # #
!% " $,
# # # #
!
"/ / $,
$
# # # #
@
!
@
!
@
!
@
!
Muse
Vln. I
Vln. II
'
Vla.
Vc.
Cb.
Tpt. 1
@
"" // $ ,
#
1 $ + + + + + 3+
1 + $ + 3 +
5 5 *% 1% = $ + + + + ++ + + + + 3 + % !
O be-ne-fit
of ill! now I find true That bet-ter
is by e-vil
still made bet-ter
!
"/ / # #
$ ,
,
$ &,
" //
$ ,
,
)/ / (
1%
$ +
+ + + +
$ + +
% +% $ + +
$ + % +% + + + $ , & , & , &
% / / $ ,
*% 1 $ +
$ , & , & , &
%
" / / $ ,
*% 1 $ +
$ , & , & , &
660
&, $
!
"/ / 6 6
6 6 6 6
@ + + + + + + + + + + + + !
4 $ + + + + + + + + + + + + 4 ! 2 + + + + + + + + + + + +
pp f pp pp f pp pp
&,
&, $
@
!
@
!
@
!
@
!
@
!
7
!
Tpt. 2
@
" // 6 6 6 6
! $ + + + + + + + + + + + + 4 + + + + + + + + + + + + 4 ! 2 + + + + + + + + + + + +
pp f pp pp f pp pp
6 6
7
!
Tpt. 3
Timp.
William
@
""/ / 6 6 6 6 6 6
!
$ + + + + + + + + + + + + 4 + + + + + + + + + + + + 4 ! 2 + + + + + + + + + + + +
!% @
" !
#
! @
"/ / !
$
pp f pp pp f pp pp
2% 4 1 3+
+ + 5
!
+ + + + + + + + + + + + + + + +
mf
$ % 3 + %
! $ + + 3 + + + + +
7
!
7
!
7
!
Muse
#
Hp.
Vln. II
Vla.
Vc.
Cb.
@
"" // ! +
4 2 2
!
#
fMNLOLMNL
And
ru - in'd love, when it is built a - new,
" // @
! 4 4
+ $ + $ + + + + + 4 4 !
#
$+
+
% / /@
!
# !
#
!
" // @
! &*%
$ &* % ! , &
)/ / @
! $ &, % ! , &
% / /@
! $ &, % ! , &
% @
" / /!
$ &, %
! ,
&
7
!
7
!
7
!
7
!
7
!
7
!
7
!

66
Fl. 1
Picc.
Cl. 1
B. Cl.
662
!
" // 7
! #
7
" // ! #
!
!
9
.
"
7
! # ! 4
"
$+
$ + $ + + + + + + + $ + 5 1 4
7
" ! #
!
.
2 $ +
$ + $ + + + + + + + + 5 1
$ + $ + + + +
2 4 $ + + + +
f
f
9 .
$ + $ + + + +
$+ + + + $ + 5 1 2
f
9
f
9
To Fl.
#
#
#
#
Bsn. 1
% / / 7
! # !
#
$,
f
Cbsn.
Tpt. 1
% 7
" / /!
# !
#
$,
f
! 7
"/ / 6 6
+ + + + + + + + + + + +
!
!
# #
f
pp
Tpt. 2
Tpt. 3
7
" // 6 6
! $ + + + + + + + + + + + + !
# #
f
pp
7
" // 6 6
!
!
# #
+ + + + + + + + + + + +
f
pp
B. Tbn.
Tba.
Timp.
% / / 7
! # !
#
,
mf
% 7
" / /!
# !
#
,
mf
!% 7
" ! + $ +
+ +
+ +
+ + ! $ +
4 2
#
Perc. 3
! 7
" ' ! # !
#
,
&
p
William
!
"/ / 7
!
$
1 + 0 3 + + +
$ + ! 3*
1 $ + + $ + * 5 2
Muse
#
Hp.
Vln. II
7
"" // ! #
Grows fair - er than at first, far great - er
!
"/ / 7
! # !
#
4% + 0 $ *
* 2
more
% / / 7
! # !
# #
!
" // 7
!
!
# #
$ &*
strong,
$+
$ + $ + / + $ + $ + + + + + +
+ + + + + + + + +
pp
5 5 5 5
Vla.
)/ / 7
!
!
# #
&*
Vc.
% / / 7
!
!
#
&* ,
Cb.
% 7
" / /!
!
#
& * ,

67
Hn. 1
665
!
"" / , , $ ,
+% 1 2
& & &
p
molto rit.
# / /
Perc. 1
!
" # # # 2 4 1 + 0 +
'
$
$ , ,
Perc. 2
' # # # "
Glockenspiel
2 4 1 + 0 + $
$ , ,
'
Perc. 3
" '
,
&
,
&
, 9 )
&
4 2
#
William
Muse
!
"/ / # #
$
E
2 1 $ +
+ + +% $ +
3 + + + $ + $ ,
And gain by ills thrice more than I have spent.
""/ / E
2 4 1 3 + 5 + 3 + + +% $ + + $ + + $ + $ *
2 4% 3+
0 + + + $ + $ ,
So I re - turn re-buked
to my con - tent
thrice more than I have spent.
/ / /
/ / /
Hp.
Vc.
#
" // $ + $ + / + $ + $ + + + + + +
$+
+ + + + + + + + $ + $ + / + $ + $ + + + + + + + + + + + + + + $ + $ + / + $ + $ + + + + + + + + + + + + + + + $ +
+ $ +
+ $ *%
% 1 + $ ,
+ 5 $ ,
p
5 5 5 5 5 5 5 5 5 5 5 5
% / / # # # 2 4 1
+ 0 +
$ , , // /
pizz
molto rit.
! , ,
%
$ ,
,
" / /
# / / /
D§
" // /
'
Sonnet 57 - Being Your Slave
Perc. 1
Perc. 2
Perc. 3
William
Muse
670 q=96 JJ
!
' - # - # - # - # #
' # - # - # - # - #
" ' - # - # - # - # #
!
"/ / /
$
"" // /
M: Do you love me?
W: How if I answer no?
M: Then thou liest.
SHE LASHES HIM
M: Speak, or thy silence on the
instance is thy condemnation
and thy death. Do you love me?
W: Yes.
M: But how, but how?
Give me particulars!
SHE LASHES HIM
M: You general of hot desire!
Temple Blocks
+ + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5
mp
Tamourine
1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5
mp
2 4
+
Triangle
+
+
2 4
2 4
mp
f
"
$
9 9 9 9 4
Be-ing
your slave,
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
#
" // / # - # - # - # - # # # #
% / / / # - # - # - # -
JJ
!
"/ / / - pizz pizz
- -
-
# $ + 4 2 # $ + 4 2 # # #
1 + 0 1 + 0 1 + 0 + +
/
/
fff
" // / - pizz
- -
-
pizz
# $ + 4 2 # $ + 4 2 # # #
1 0 + 1 0 + 1 0 + + +
/
/
fff
pizz -
)/ / / - # $ + 4 2
/
fff
% / / - / # 4 2
$+ /
pizz -
fff
%
" / / - / # 4 2
$+
/
pizz -
fff
-
#
-
#
-
#
$+
/
$+
/
$+
/
ff
-
4 2 # 2 1
+ 0 1
+ 0 2 1
+ 0 1
+ 0 2 1
+ 0 1
+ 0
-
4 2
2 4%
#
+ +++
+ + +
+
f
f
+
+ ++ 1 + 5 + + + ++ 1 + + ++
+ + + ++ 1 + 5
+
f
4
-
4 2 # + + + 4 + + + 4 + + + 4
+
+
+
4
mf
mf
+
+
+
4

68
678
!
Fl. 1
"" // / # # # # # # #
!
Perc. 1 ' + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5
Perc. 2 ' 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5
+
+
+
+
+
+
+
Perc. 3
" ' 2 4 2 4 2 4 2 4 2 4 2 4 2 4
!
William
""/ / / 9 9 9 9 9 9 9 9 9 9% 9 0 9% 9 0 9% 9 0 9 4 4%
+ 0 + + + + +% + +% + + 0 4 + 0 / + + + + + + + + + + , 9 4
$
what should I do but tend Up-on
the hours and times of your de- sire?
I have no pre-cioustime at all to spend, Nor ser-vi
ces to do, till you re - qui - re;
"/
Hp.
#
/ / # # # # # # #
% / / / + + + ++ 1 + 5 + + + ++ 1 + 5 + + + ++ 1 + 5
+ + + ++ 1 + +5
+ + + ++ 1 + 5 / + + + / ++ 1 + + ++ + + + ++ 1 + 5
!
Vln. I " // / 1 + 0 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + +
Vln. II " // / 1 + 0 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 0 + + +
Vla. )/ / / 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 0 + 1 / + 0 2 1 + 0 1 + 0
%
Vc. / / /
4
4
4 + + + +
+
+
+
+
+
+
+
+
4 + + + 4 +
/ + + 4
4
+
+
+
%
Cb.
" / / / +
+
+ 4 + + + 4 + + + 4 + + + 4 + + + +
4 /+ + + 4 + + + 4
'
685
!
Fl. 1
""/ / / # # # # # # #
!
Perc. 1 ' + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + 5 + + + + 1 + +
5 + + + 1 + 5 + + + + 1 + 5
Perc. 2 ' 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5
+
+
+
+
+
+
+
Perc. 3
" ' 2 4 2 4 2 4 2 4 2 4 2 4 2 4
!
William
""/ / / 2 9 9 9 9% 9 9% 9 9 9 9 4 1 0 + +% + 0 + + + + + + *
+ +
+ / + / + % + + + + 1 + / + 3+
5
1 0 + + 1 0 +
$
Nor dare I chide the world with-out-end
hour Whilst I, my sover-eign,
watch the clock for you, Nor think the bit-ter
ness of ab-sence
sour When
" // / # # # # # # #
#
Fb
D§ C§
Hp.
Cb
% / / /
+
+
+ ++ 1 + 5 + + + ++ 1 + 5
+ + + ++ 1 + 5
+ + + ++ 1 + +5
/ + + + / ++ 1 + 5 /
/ + + + / +
/+ 1 + 5 + + + +
+
1 +5
!
Vln. I " // / 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 + 0 + + 1 0 + 1 0 + 1 0 + + + 1 + 0 1 0 + 1 + 0 + + 1 0 + 1 0 + 1 0 + + + 1 + 0 1 + 0 1 + 0 / + + 1 $ + 1 + 1 + + +
5 5 5
Vln. II " // / 1 0 + 1 0 + 1 0 + + + 1 0 + 1 0 + 1 + 0 + + 1 0 + 1 0 + 1 0 + + + 1 + 0 1 0 + 1 + 0 + + 1 0 + 1 0 + 1 0 + + + 1 + 0 1 + 0 1 + 0 / + + 1 $ + 1 + 1 + + +
5 5 5
Vla. )/ / / 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 + 0 1 + 0 2 1 + +5 1 + 2 1 0 5 + 1 / + 0 0
2 1 /+ 1 + 0 2 1
/ +
+ 0 1 + 0
%
Vc. / / /
4
4 + + + +
+
+
+
+
+
4 + + + 4 +
/ + + 4 /+
/ + + + 4 + + + 4
%
Cb.
" / / / + + + 4 + + + 4 + + + 4 + + + +
/ + + + 4 /+ + + 4 /+
4 + + + 4

69
Fl. 1
Perc. 1
Perc. 2
Perc. 3
William
Hp.
Vln. I
Vln. II
'
Vla.
Vc.
Cb.
Fl. 1
Perc. 1
Perc. 2
Perc. 3
William
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
692
!
"" // / # # # # # # #
!
' + + + + 1 + 5 + + + + 1 + 5 + 4 2 + 4 2
+
4 2 + + + + 1 + 5 + 4 2
' 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 1 + 5 # # # 1 + 5 1 + 5 1 + 5 1 + 5 #
" ' 2 4
+
2 4
+
# # # 2 4
+
#
!
""/ / 3 3 3
/ + + + + + + +% + , 4 9 9 9 9 9 9 9 9 9 9% 9 9 9 9 9 1 + 0 + + + +% + * 2 1 + 0 + + + +
$
you have bid your ser-vant
once a- dieu.