2018 Bulletin
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<strong>2018</strong> BLANTON BULLETIN<br />
<strong>2018</strong> BLANTON BULLETIN<br />
Bringing Austin to Austin<br />
In February <strong>2018</strong>, the Blanton opened Austin—Ellsworth Kelly's final and most monumental masterpiece—on the grounds of<br />
the museum. Austin immediately became a destination for the community and visitors to the city, helping the Blanton reach<br />
new attendance records, and become an iconic global arts destination.<br />
Austin had a long gestation in the artist's mind before coming to the city for which it was ultimately named. The story of this<br />
work of art began in the late 1940s, when Kelly went to Paris on the GI Bill and explored Romanesque and Gothic churches<br />
and chapels. Many years later, in 1987, a patron in California asked Kelly to design a chapel for his vineyard, and Kelly<br />
conceptualized the work extensively through drawings and plans, though the work never came to fruition then. The present<br />
structure in Austin remains true to Kelly's original vision. Although inspired in part by religious iconography and architecture,<br />
Kelly envisioned Austin as a work of art and space for contemplation.<br />
Form Into Spirit: Ellsworth Kelly’s Austin<br />
Scheduled to coincide with the opening of Austin, the Blanton presented the exhibition Form Into Spirit: Ellsworth Kelly’s<br />
Austin (February 18–April 29, <strong>2018</strong>), organized by the museum’s deputy director for curatorial affairs Carter E. Foster. Form<br />
Into Spirit investigated Austin’s decades-long germination and conceptual origins, exploring four primary motifs featured in<br />
the building—Spectrum, Black and White, Color Grid, and Totem—that the artist grappled with throughout his career.<br />
In 2015, Kelly gifted the concept for Austin to the Blanton, and the museum then embarked on a two-year, in-depth<br />
collaboration with the artist to adapt the work of art to its ultimate home. This involved the architects working through<br />
different approaches to various design questions, and the Blanton sharing and evaluating these options with Kelly, who<br />
ultimately made every aesthetic decision. He passed away just weeks after signing off on his final selections and the<br />
groundbreaking for the building.<br />
Austin is now a cornerstone of Kelly's remarkable legacy. The Blanton has been fortunate to receive substantial gifts of<br />
Kelly's work since opening Austin, adding to the museum's holdings of the artist's work. A record of these gifts can be found<br />
in the Acquisitions section of this bulletin.<br />
Major funding for Form into Spirit: Ellsworth Kelly’s Austin was provided by the Ford Foundation.<br />
Generous funding also was provided by Jeanne and Michael Klein and the Scurlock Foundation Exhibition Endowment, with additional gifts from Suzanne Deal Booth,<br />
Heather James Fine Art, Jenny and Trey Laird, the Alice Kleberg Reynolds Foundation, Lora Reynolds and Quincy Lee, and donors who contributed to the 2017 Annual<br />
Fund.<br />
◂ Mayor of Austin Steve Adler, Blanton Director Simone J. Wicha, President of the Ellsworth Kelly<br />
Foundation Jack Shear, and President of The University of Texas at Austin Gregory L. Fenves at the grand<br />
opening of Austin by Ellsworth Kelly, Blanton Museum of Art, February 18, <strong>2018</strong>.<br />
6 —— Austin by Ellsworth Kelly Austin by Ellsworth Kelly —— 7