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SACRED AND SECULAR WORKS<br />
“Uwe Wolf’s masterful treatment of the sources and problems presented in the<br />
Mass in B Minor should afford scholars and performers for generations to come many<br />
opportunities to carefully examine the diverse complexities of Bach’s masterpiece.”<br />
(Notes)<br />
J. S. Bach · Mass in B Minor BWV 232<br />
in a Revised Edition<br />
Mass in B min BWV 232 (Lat)<br />
Urtext / Ed. U. Wolf<br />
Piano reduction by A. Köhs<br />
BA 5935-90 ° Vocal score<br />
TP 1232 Study score<br />
For the first time the “Dresden<br />
parts” of 1733 which were largely<br />
written by Bach are included as<br />
valuable additional source<br />
material.<br />
Also for the first time, annotations<br />
by J. S. Bach and C. P. E. Bach<br />
can be differentiated by using<br />
ink analysis (x-ray spectography<br />
of over 500 places in the score).<br />
This method also enables<br />
in-depth-analysis of areas which<br />
have been eroded to a large<br />
extent by iron ink gall erosion.<br />
Bach, Johann Sebastian<br />
(<strong>16</strong>85–1750)<br />
8<br />
Magnificat in E-flat maj<br />
BWV 243a (Lat)<br />
Urtext / Ed. A. Dürr<br />
Piano reduction by E. Müller,<br />
C. Heimbucher<br />
BA 52<strong>08</strong>-90 ° V.s.<br />
TP 58 Study score<br />
Mass in B min BWV 232<br />
Facsimile edition<br />
ISBN 978-3-7618-2194-7<br />
→ page 44<br />
Still available:<br />
Mass in B min BWV 232 (Lat)<br />
Urtext / Ed. F. Smend<br />
Piano reduction by G. Müller<br />
BA 5102-92 ° V.s.<br />
Mass in B min, early versions<br />
Missa BWV 232I (version of<br />
1733). Credo in unum Deum<br />
BWV 233II/1 (early version in<br />
G maj). Sanctus BWV 232III<br />
(version of 1724) (Lat)<br />
Urtext / Ed. U. Wolf<br />
Piano reduction by A. Köhs<br />
BA 5293-90 ° V.s.
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