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MMoCA Fall 2019 Newsletter

Read about the Wisconsin Triennial, Ray Yoshida, the Chicago Imagists, and James Cagle. Get details on upcoming events, including Gallery Night, the Triennial opening, and the MMoCA Art & Gift Fair.

Read about the Wisconsin Triennial, Ray Yoshida, the Chicago Imagists, and James Cagle. Get details on upcoming events, including Gallery Night, the Triennial opening, and the MMoCA Art & Gift Fair.

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FALL <strong>2019</strong>


EXHIBITIONS<br />

WISCONSIN TRIENNIAL<br />

Oct 19, <strong>2019</strong>–Feb 16, 2020<br />

<strong>MMoCA</strong> Opening • Friday, Oct 18 • 6–9 PM<br />

A signature survey of contemporary art statewide, <strong>MMoCA</strong>’s Wisconsin Triennial has been a cornerstone of curatorial<br />

programming since 1978. This year, the <strong>2019</strong> Wisconsin Triennial will feature 34 individual artists and collectives<br />

working in painting, drawing, sculpture, installation, video, photography, performance, and sound—a broad array<br />

of media that reflect the varied approaches that artists engage within their explorations of process and content. A<br />

longstanding tradition within the history of the institution,<br />

the Triennial takes the pulse of the contemporary art scene<br />

in Wisconsin, both highlighting the latest developments in<br />

artistic practice and honoring timeless themes that remain<br />

relevant for artists working today.<br />

As in previous years, the artists invited to participate in the<br />

<strong>2019</strong> Wisconsin Triennial were selected through a rigorous<br />

jury process undertaken by <strong>MMoCA</strong>’s curatorial team. After<br />

a careful review of the material submitted by hundreds of<br />

artists, the jurors visited over 70 artist studios across the<br />

state, traveling everywhere from Menomonie to Ellison Bay.<br />

The final roster of artists represents a range of individuals<br />

at all points in their careers, including professional artists<br />

with national reputations and current BFA students who<br />

are eager to exhibit their work for the first time. Their works<br />

will be on view in several museum spaces, the main galleries,<br />

State Street Gallery, Imprint Gallery, and in the Rooftop<br />

Sculpture Garden, as well as in the lobby, the hallway to<br />

Henry Street Gallery, and the 2nd-floor landing. A testament<br />

to the dedication and sophistication of Wisconsin’s<br />

artistic community, the <strong>2019</strong> Wisconsin Triennial serves<br />

as a platform to inspire and celebrate artistic invention by<br />

established and emerging artists alike.<br />

2<br />

COVER: Pranav Sood, Who is She?, 2018. Acrylic on canvas, 72 x 48 inches. PAGE 2: Gina Litherland, Yggdrasil, 2018. Oil on panel, 20<br />

x 40 inches. • Della Wells, My Rainbow Makes Me Dance, <strong>2019</strong>. Collage, 16 x 12 inches. PAGE 3: Diane Levesque, Dancing Bear and<br />

Savoyard, from The Penny Dreadful Project, 2018. Acrylic on canvas, 48 x 40 inches. PAGE 4: Francisco Mora, Travesia en la panza de<br />

un Burro (Voyage on a Donkey’s Belly), 2018. Pencil on paper, 12 x 16 inches. • Christina Ramberg, Lizard Hair and Shoe, 1969-70. Acrylic<br />

on Masonite, 13 x 25 1/8 inches. Collection of the Madison Museum of Contemporary Art. Gift of Mark and Judy Bednar. © The Estate of<br />

Christina Ramberg. PAGE 5: James Cagle, Eyes, <strong>2019</strong>. Archival pigment print, 5 x 6 inches. • Jeffrey Gibson (Mississippi Band Choctaw/<br />

Cherokee), Like A Hammer (detail), 2014. Elk hide, glass beads, artificial sinew, wool blanket, metal studs, steel, found pinewood block,<br />

and fur; 56 x 24 x 11 in. Collection of Tracy Richelle High and Roman Johnson, courtesy of Marc Straus Gallery, New York. Image courtesy<br />

of Jeffrey Gibson Studio and Roberts Projects, Los Angeles, California. Photograph by Peter Mauney. • Tyanna Buie, In Celebration (detail),<br />

2017. Screenprint, hand-applied ink, and Caran d’Ache monotype on paper, 96 x 84 inches. Image courtesy of the artist and The Alice<br />

Wilds Gallery, Milwaukee. • Shimon Attie, The Crossing, 2017. Single-channel video with 4.1 audio, 7:59 minutes. Courtesy the artist and<br />

Jack Shainman Gallery, New York. • Ray Yoshida, Would They?, 1992. Collage on paper, 6 x 11 1/2 inches. The Bill McClain Collection of<br />

Chicago Imagism, Madison Museum of Contemporary Art. © Raymond K. Yoshida Living Trust.


The artists selected for the <strong>2019</strong> Wisconsin Triennial<br />

are: Saif Alsaegh (Milwaukee), Emily Arthur (Madison),<br />

Tom Berenz (Milwaukee), Timothy Brenner (Madison),<br />

Jennifer Bucheit (Middleton), Ed Erdmann (Menomonie),<br />

Marianne Fairbanks (Madison), Ben Grant (Milwaukee),<br />

Rachael Griffin (Madison), Helen Hawley (Madison), John<br />

Himmelfarb (Spring Green), John Hitchcock (Madison),<br />

Jon Horvath (Waukesha), Chele Isaac (Madison), Tom<br />

Jones (Madison), Tomiko Jones (Madison), Diane<br />

Levesque (Kenosha), Gina Litherland (Cedarburg),<br />

Dakota Mace (Madison), Francisco Mora (Fox Point),<br />

Stephen Perkins (Madison), Jeffrey Repko (Madison),<br />

Suzanne Rose (Forestville), Andy Rubin (Madison), Dane<br />

Schumacher (Green Bay), Peter Schwei (Dodgeville),<br />

Anders Shafer (Eau Claire), Pranav Sood (Madison),<br />

Spatula&Barcode (Madison), SPOOKY BOOBS (Madison),<br />

Ariana Vaeth (Shorewood), Leslie Vansen (Milwaukee),<br />

Shane Walsh (Milwaukee), and Della Wells (Milwaukee).<br />

A SELECTION OF WORK INCLUDES:<br />

DIANE LEVESQUE’S ongoing series of paintings<br />

and drawings, The Penny Dreadful Project, reinterprets themes depicted in Staffordshire figurines produced between<br />

1810 and 1835. Some of these popular collectibles portrayed idealized pastimes, as well as disturbing and often violent<br />

contemporaneous events, such as infamous murders, public hangings, and animal baiting. Despite this, or perhaps<br />

because of it, the figurines were acquired as decorative household items. These themes corresponded to what could<br />

be read in “penny dreadfuls,” popular serial literature from the same era with sensational storylines. With bold color<br />

choices and energetic paint application, Levesque heightens the implied violence and sexuality of the subject matter.<br />

The consumer tastes and decorative motifs associated with the material culture of the Victorian and pre-Victorian<br />

eras are here transformed into social commentary that is unusual yet beautiful.<br />

PRANAV SOOD’S intricate, pattern-heavy paintings are filled with narrative that draws on the artist’s<br />

personal relationships. Influenced by Indian, Persian, and Egyptian art, Sood emphasizes the flatness of the canvas<br />

while also playing with bold lines, strong profiles, and symbolic motifs. The artist also references Op Art in his work<br />

and each of the figures in his fantastical compositions inhabit a veritable wonderland of vibrant color, whimsy, and a<br />

surreal graphic sense of space. These works tell the story of a quest for love between a young couple as they embark<br />

on the journey towards adulthood and leave their homes behind. Sood complicates the cultural norms experienced<br />

in his native India, challenging expectations on how love should be formed and with whom. The vibrating patterns<br />

and repetitive geometric vocabulary of these works investigate visual language across cultures while drawing from<br />

a universal theme.<br />

GINA LITHERLAND’S immaculately rendered paintings reference the artistic traditions of Magic Realism<br />

and Midwest Surrealism, as well as narrative threads found in folktales, fairytales, and literature. Litherland creates<br />

her own mythologies in her wood panel paintings, twisting familiar iconographies and storylines into new realms of<br />

the uncanny where young girls befriend wolves and tigers and join packs of dogs howling at the moon. In her painting<br />

Yggdrasil, Litherland illustrates the Tree of Life from Norse Mythology, the three “Norns” (female beings who control<br />

the fate of both gods and humans) appear as girls eerily floating beneath the tree, lit from below, toying with their<br />

environment. Litherland imbues her mystical worlds with tales of female empowerment, making them places where<br />

young girls and women have immense power and magic over their incongruous surroundings.<br />

DELLA WELLS employs the medium of collage to construct fractured, narrative compositions. Together, her<br />

works reveal an imaginary world she refers to as “Mambo Land,” a dynamic environment which serves as an arena for<br />

women and girls to take control of their own fears. In Haitian Vodou religion, a Mambo is a female priestess, one who<br />

often performs healing works and guides others throughout complex rituals. Similarly, in Wells’s collages, women are<br />

the predominant figures, presiding over each scene. In the artist’s Mambo Land, there is no fixed point of reference;<br />

scales shift, people and animals fly, children rule, monsters thrive, and daily routines are given a sense of staggering<br />

importance. These collages create a subverted world, utilizing symbolism such as American flags, highway signs, state<br />

buildings, and chickens, to offer complex commentary on what it means to be a Black woman in this political moment.<br />

CONTINUED, PAGE 4<br />

3


EXHIBITIONS<br />

FRANCISCO MORA’S<br />

drawings reveal the imaginary world<br />

of his dreams. Playing freehandedly<br />

with scale, he transmogrifies<br />

humans into animals and back again,<br />

setting his fantastical characters<br />

on journeys through a mysterious<br />

jungle. Born and raised in Mexico<br />

City, Mora draws on the visual<br />

traditions of Mexican Surrealism,<br />

which emerged during the 1940s<br />

and 1950s as an international community<br />

of artists fled World War<br />

II in Europe and settled in Mexico.<br />

Mexican artists merged their own<br />

history and folklore with the ideas<br />

that had defined Surrealism abroad,<br />

transforming and expanding the<br />

movement through new stylistic<br />

innovations and cultural references. Mora here creates a body of work cataloguing his imagination, where a giant<br />

child, a wizard, a woman traveling inside of a donkey’s stomach, a fish-man, and a bird-man all intersect in a visionary<br />

and hand-penciled world.<br />

The Triennial will open with a reception beginning at 6 pm on Friday, October 18. The exhibition will be on view<br />

through February 16, 2020.<br />

Generous support, to date, for the <strong>2019</strong> Wisconsin Triennial has been provided by Ellen Rosner and Paul J. Reckwerdt,<br />

Nancy Mohs, the Steinhauer Charitable Trust, University Research Park, Katie Howarth Ryan, JoAnne Robbins and<br />

David Falk, Nancy Doll and Michael Bernhard, Darcy Kind and Marc Vitale, Dynee and Barney Sheafor, Lynda and<br />

Charles Clark, BDO USA, LLP, an anonymous donor, and Dane County Arts with additional funds from the Endres<br />

Mfg. Company Foundation, the Evjue Foundation, Inc., charitable arm of the Capital Times, the W. Jerome Frautschi<br />

Foundation, and the Pleasant T. Rowland Foundation. Design support is provided by Hiebing.<br />

UNCOMMON ACCUMULATION<br />

THE MARK AND JUDY BEDNAR<br />

COLLECTION OF CHICAGO IMAGISM<br />

Main galleries • <strong>MMoCA</strong> Opening Mar 13, 2020<br />

In addition to funding several acquisitions of<br />

Chicago Imagist artworks over the years, Mark and<br />

Judy Bednar have chosen to gift their esteemed collection<br />

of Chicago Imagism to the museum’s permanent<br />

collection. This extraordinary gift of over<br />

100 works of art—which includes works by Roger<br />

Brown, Robert Lostutter, Gladys Nilsson, Jim Nutt,<br />

Ed Paschke, Christina Ramberg, Barbara Rossi, and<br />

Karl Wirsum—will be received by the museum over<br />

the next several years. To showcase this transformative<br />

gift, the museum will be presenting over 80<br />

of the works in a large-scale exhibition in the museum’s<br />

main galleries. Uncommon Accumulation: The Mark and Judy Bednar Collection of Chicago Imagism will be<br />

accompanied by a catalogue that will feature in-depth essays on several of the donated works of art, while highlighting<br />

<strong>MMoCA</strong>’s existing collection of Chicago Imagism.<br />

To support continued research and the accessibility of these works, the Bednars have also funded the museum’s collection<br />

database and website redesign. While strengthening the museum’s existing collection of Chicago Imagism, these generous<br />

gifts also support the museum’s core mission of increasing education and inspiration through the arts.<br />

4


JAMES CAGLE<br />

A FINAL MEDITATION ON ART<br />

State Street Gallery • Opens Feb 2020<br />

James Cagle is a Wisconsin-based artist who draws on the formalist language of<br />

modernist photography to transform familiar objects and overlooked spaces into<br />

elegant compositions. The forthcoming exhibition, titled A Final Meditation on<br />

Art, represents the culmination of Cagle’s creative vision: a quietly powerful photographic<br />

installation he conceived while confronting terminal illness. The fifteen<br />

photographs in this exhibition range from the purely abstract to the pointedly<br />

figurative. Presented together in a tight grid, the images can be observed singularly<br />

or in relationship to each other, thereby allowing for visual connections and<br />

narrative associations to ricochet off each other. Cagle, in considering the end<br />

of his own life, delights in the expansiveness of potential meanings this body of<br />

work will undoubtedly engender among museum visitors. Imbuing the everyday<br />

with an aura of mystery, A Final Meditation on Art serves as Cagle’s final act of<br />

generosity: a lyrical eulogy to the creativity and profundity of daily life.<br />

DON’T MISS THESE EXHIBITIONS<br />

JEFFREY GIBSON<br />

LIKE A HAMMER<br />

On view in the main<br />

galleries through Sept 15<br />

Jeffrey Gibson: Like a Hammer is organized by the Denver<br />

Art Museum.<br />

TYANNA BUIE<br />

AFTER IMAGE<br />

On view in the State Street<br />

Gallery through Sept 22<br />

SHIMON ATTIE<br />

THE CROSSING<br />

On view in the Imprint<br />

Gallery through Sept 29<br />

RAY YOSHIDA<br />

THE SPACES IN BETWEEN<br />

On view in the Henry Street<br />

Gallery through Apr 12, 2020<br />

5


MUSEUM EVENTS<br />

TALKS, DISCUSSIONS, TOURS, FILM<br />

ADMISSION TO TALKS AND<br />

TOURS IS FREE<br />

THURSDAY, SEPT 5 • 1–1:45 PM<br />

ROBERTA HILL ON<br />

INDIGENOUS FUTURISM<br />

Through his work, Jeffrey Gibson imagines future<br />

possibilities by uniting traditions of the past with<br />

current socio-political shifts that are reshaping society.<br />

Roberta Hill will discuss Indigenous futurism<br />

within the context of Gibson’s art. Indigenous futurism<br />

seeks to reinvent science fiction genres through<br />

incorporation of Indigenous stories, knowledge, and<br />

perspectives.<br />

Kendra Greendeer is a third-year Art History PhD<br />

student at the University of Wisconsin-Madison.<br />

She holds an MA in Art and Museum Studies from<br />

Georgetown University. Her research focuses on<br />

contemporary Native women artists and Indigenized<br />

museum spaces. Greendeer is also the collections<br />

manager for the Little Eagle Arts Foundation, a<br />

Ho-Chunk run arts organization.<br />

Dakota Mace is a Diné (Navajo) artist and scholar<br />

with concentrations in the appropriation of<br />

Indigenous designs, material culture, and textile<br />

history. Mace received her MA and MFA degrees in<br />

Photography and Textile Design at the University<br />

of Wisconsin-Madison and her BFA in Photography<br />

from the Institute of American Indian Arts.<br />

Roberta Hill is professor of English and American<br />

Indian Studies at the UW-Madison, where she teaches<br />

courses on twentieth century literature and history;<br />

race, gender, class, and ethnicity; and American<br />

Indian literature, among other subjects. Professor<br />

Hill is also a poet of Wisconsin Oneida heritage and<br />

author of Star Quilt, Philadelphia Flowers: Poems,<br />

and Cicadas: New and Selected Poems.<br />

Molli Pauliot is a Buffalo clan member of the<br />

Ho-Chunk nation and pursuing a PhD in the<br />

UW-Madison Department of Anthropology. Pauliot’s<br />

research focuses on material culture and policy that<br />

affect access to cultural resources for American<br />

Indian people. She is an award-winning artist who<br />

concentrates on textiles and beadwork, with an interest<br />

in photography.<br />

FRIDAY, NOV 1 • 6:30–7:30 PM<br />

IN CONVERSATION: CHELE<br />

ISAAC AND HELEN HAWLEY<br />

Phenomena and rhythms of nature are among the<br />

ideas that Chele Isaac and Helen Hawley make visible<br />

through their video installations on view in the<br />

Wisconsin Triennial. Together, they will examine<br />

their individual approach to making their work and<br />

describe its conceptual underpinnings.<br />

Chele Isaac’s films and multimedia installations<br />

have been exhibited nationally and internationally.<br />

She has been an adjunct faculty member in the Art<br />

Department at UW-Madison, where she also serves<br />

on the Board of Visitors. In 2017, her seven-channel<br />

film, the understory, was installed in <strong>MMoCA</strong>’s<br />

State Street Gallery. Helen Hawley is accomplished<br />

in various art media, including sculpture, printmaking,<br />

painting, and video. She has been an artist in<br />

residence at the Vermont Studio Center and her work<br />

has been exhibited at the Flux Factory, Arrowmont<br />

School of Arts and Crafts, and in the 2016 Wisconsin<br />

Triennial.<br />

FRIDAY, SEPT 13 • 5:30–6:30 PM<br />

THREE NATIVE WOMEN ON<br />

LIKE A HAMMER<br />

Kendra Greendeer (Ho-Chunk), Dakota Mace (Diné),<br />

and Molli Pauliot (Ho-Chunk) will discuss Indigenous<br />

craft and gender roles reflected within Jeffrey<br />

Gibson’s work. This will include the cross-cultural<br />

use of Indigenous designs, the use of traditional and<br />

contemporary materials, and pan-Indianism referring<br />

to identity and gender.<br />

THURSDAY, NOV 7 • 1–1:45 PM<br />

STEPHEN PERKINS ON LATIN<br />

AMERICAN ART AND THE<br />

DECOLONIAL TURN<br />

Stephen Perkins will discuss his installation, Latin<br />

American Art and the Decolonial Turn (1963-<br />

2018): “Memories of Underdevelopment” Revisited,<br />

which is a response to the exhibition Memories of<br />

Underdevelopment: Art and the Decolonial Turn in<br />

6


Latin America, 1960-1985, that the artist visited at<br />

the Museo Jumex in Mexico City in 2018. Perkins’s<br />

installation includes materials from his archive coupled<br />

with works by Latin American artists that are a<br />

rejoinder to “the forces that created modernism or<br />

development in Latin America” and how they “produced<br />

radically different effects from those in the<br />

colonialist and imperialist centers.” (Luis Camnitzer<br />

et al., 1999)<br />

Stephen Perkins is an artist and independent art<br />

historian specializing in alternative artists’ periodicals<br />

and printed matter. He curates his home-based<br />

gallery, Subspace, from his extensive archive and<br />

maintains a blog dedicated to artists’ accordion publications.<br />

He was director of the Lawton Gallery at<br />

UW-Green Bay, where he taught courses on gallery<br />

and museum practices and policy.<br />

FRIDAY, DEC 6 • 6:30–7:30 PM<br />

IN CONVERSATION: TOMIKO<br />

JONES AND TOM JONES<br />

Tomiko Jones and Tom Jones each extend the boundaries<br />

of photography to explore identity, tradition, and<br />

intergenerational understanding. In this joint gallery<br />

talk, Tomiko Jones will discuss her photographic<br />

installation memorializing her father through the<br />

Japanese Buddhist ritual of Hatsubon. Immediately<br />

following, Tom Jones will describe his incorporation<br />

of traditional Ho-Chunk beading designs in his<br />

photographic series Strong Unrelenting Spirits.<br />

Tomiko Jones’s interdisciplinary work has been<br />

exhibited internationally and she has held residencies<br />

at Museé Niépce in Chalon-Sur-Saône and at The<br />

Camargo Foundation in Cassis, France. Tom Jones’s<br />

photographs have been widely exhibited and are<br />

included in the permanent collection of the National<br />

Museum of the American Indian, among others. He<br />

is co-author of the book, People of the Big Voice,<br />

Photographs of Ho-Chunk Families by Charles Van<br />

Schaick, 1879-1943. Both are faculty members in the<br />

UW-Madison Art Department.<br />

DROP-IN TOURS<br />

SATURDAYS • 1 PM<br />

SEPT 14, OCT 12, NOV 9, DEC 14<br />

Drop by <strong>MMoCA</strong> for lively and informal discussions of<br />

current exhibitions. Expertly led by <strong>MMoCA</strong>’s docents,<br />

these free, 30-minute guided tours consider artists’<br />

creative decisions and provide insight into their methods,<br />

ideas, and influences. Meet in the museum lobby.<br />

September 14 on Jeffrey Gibson: Like a Hammer<br />

October 12 on Ray Yoshida: The Spaces in Between<br />

November 9 on the <strong>2019</strong> Wisconsin Triennial<br />

December 14 on the <strong>2019</strong> Wisconsin Triennial<br />

SPOTLIGHT CINEMA<br />

Wednesdays • 7–9 PM<br />

Oct 16, 23, 30 • Nov 6, 13, 20 • Dec 4 & 11<br />

<strong>MMoCA</strong>’s Spotlight Cinema features<br />

premieres of critically acclaimed and<br />

award-winning documentary and feature<br />

films. This year’s series includes<br />

Lucio Castro’s End of the Century, an<br />

alluring art-house romance set in sunsoaked<br />

Barcelona. End of the Century<br />

begins with a seemingly casual hookup<br />

that spirals backward and forward<br />

into a decades-spanning relationship<br />

with no clear beginning or end. Lucio<br />

Castro’s open-ended meditation on<br />

missed connections and lives shared is<br />

a kindred spirit of Richard Linklater’s<br />

Before Sunrise series.<br />

Admission is free for <strong>MMoCA</strong> members<br />

and $7 per screening for the general public. Ticket sales begin at 6:30 pm in the museum’s lobby. Spotlight Cinema<br />

is curated by Mike King, and is a program of <strong>MMoCA</strong>’s education department. Visit mmoca.org/mmoca-cinema<br />

for details.<br />

Spotlight Cinema is generously funded by maiahaus, Venture Investors, LLC, and an anonymous donor.<br />

7


MUSEUM EVENTS<br />

GALLERY NIGHT<br />

FRIDAY, OCT 4 • 5–9 PM<br />

AFTER PARTY • 9–11 PM<br />

Gallery Night is a Madison tradition that showcases the city’s vibrant arts community. Organized each May and<br />

October by <strong>MMoCA</strong>, Gallery Night offers art lovers and art novices alike an opportunity to enjoy a wide variety<br />

of exhibitions, opening receptions, special events, and demonstrations at venues throughout the Madison area.<br />

During Gallery Night, dozens of venues open their doors to invite the public in to see and shop for original artwork.<br />

Gallery Night will take place from 5-9 pm on Friday, October 4. Light up the night at the After Party at <strong>MMoCA</strong><br />

from 9-11 pm with DJ Femme Noir, hands-on art activities, food, and beverages. Free for members/$5 for<br />

non-members. All venues participating in Gallery Night are open free of charge, unless otherwise noted. See a<br />

full list of venues at mmoca.org/gallerynight.<br />

<strong>MMoCA</strong> OPENING<br />

FRIDAY, OCT 18<br />

6–9 PM<br />

Join us at <strong>MMoCA</strong> on Friday, October 18 for a special<br />

evening celebrating the opening of the <strong>2019</strong> Wisconsin<br />

Triennial. Widely regarded as the state’s most prestigious<br />

showcase of contemporary Wisconsin visual<br />

art, the Triennial reflects a broad range of art representing<br />

current directions in contemporary visual art.<br />

Meet the artists and mingle with other art lovers as<br />

you immerse yourself in Wisconsin contemporary art.<br />

Enjoy live DJ mixes, a cash bar, and hors d’oeuvres in<br />

the <strong>MMoCA</strong> Lobby.<br />

This event is free for <strong>MMoCA</strong> Members/ $10 for<br />

non-members. <strong>MMoCA</strong> Openings are sponsored by<br />

Newcomb Construction Company and The Alexander<br />

Company with additional support from Fresco and<br />

media support from Isthmus.<br />

VISIT CHICAGO<br />

WITH <strong>MMoCA</strong><br />

FRIDAY, NOV 1<br />

Save the date for a trip to Chicago with <strong>MMoCA</strong>.<br />

Join us for a day in the Windy City as we travel to<br />

the Art Institute of Chicago to see the exhibition<br />

Andy Warhol—From A to Z and Back Again. In<br />

the afternoon, choose to remain at the AIC to explore<br />

their collection or take the bus to the Museum<br />

of Contemporary Art to view their exhibitions.<br />

Members receive a special discounted rate on tickets.<br />

Find more information at mmoca.org/bustrip.<br />

PAGE 6: Jeffrey Gibson (Mississippi Band Choctaw/<br />

Cherokee), IN NUMBERS TOO BIG TO IGNORE, 2016. Glass<br />

beads, artificial sinew, copper jingles, metal studs, and<br />

repurposed wool army blanket over wood panel; 61 1/2 x 43<br />

in. Fried Family Collection, courtesy of Marc Straus Gallery,<br />

New York. Image courtesy of Jeffrey Gibson Studio and<br />

Roberts Projects, Los Angeles, California. Photograph by<br />

Peter Mauney. PAGE 7: Still image from End of the Century<br />

(Dir. Lucio Castro, <strong>2019</strong>, Argentina, 84 min, Spanish with<br />

English subtitles).<br />

8


AN ART-FILLED CELEBRATION<br />

<strong>MMoCA</strong> ART & GIFT FAIR<br />

Saturday, Nov 16 • 10 AM–6 PM<br />

Sunday, Nov 17 • 10 AM–4 PM<br />

One of Madison’s most beloved winter art fairs returns this November 16 and 17 as <strong>MMoCA</strong> presents the 49th<br />

annual <strong>MMoCA</strong> Art & Gift Fair. Guests will enjoy shopping for hand-crafted art from around the country, along<br />

with opportunities to sample and buy delicious fare, accompanied by festive seasonal entertainment.<br />

Spread across the beautiful spaces of <strong>MMoCA</strong> and the Overture Center, you can enjoy a fun-filled weekend<br />

of relaxed shopping at nearly 100 booths filled with art and fine craft, jewelry and artful wearables, gourmet<br />

foods, and specialty gifts; wine and divine beverages at two cash bars; live music, dance performances, creative<br />

demonstrations, and other attractions for the whole family.<br />

The fair weekend begins with a Bubbly Brunch fundraiser for <strong>MMoCA</strong> at Fresco Rooftop Restaurant on Saturday,<br />

November 16, 9-10:30 am. Tickets to the brunch will include fresh, seasonal offerings and contemporary twists<br />

on the classics. Watch for invitations to both the <strong>MMoCA</strong> Art & Gift Fair and the Bubbly Brunch this October.<br />

To date, the <strong>MMoCA</strong> Art & Gift Fair is being generously sponsored by Custer Plumb Financial Services, Isthmus<br />

Publishing, Magic 98, and Wisconsin Public Radio. The Bubbly Brunch is sponsored by Fresco Rooftop<br />

Restaurant.<br />

VOLUNTEER WITH US AT THE NOVEMBER FAIR!<br />

Get behind the scenes with your friends and family during the <strong>MMoCA</strong> Art & Gift Fair. Volunteers are needed<br />

to assist with admissions, stamping fair passports for attendees, providing short breaks for artists, the silent<br />

auction, and more! Visit mmoca.ivolunteer.com for news, updates, and sign-up links.<br />

DONATE ONCE-LOVED TREASURES<br />

Each year, <strong>MMoCA</strong> volunteers organize a sale of donated items as a fundraiser for the museum during the<br />

<strong>MMoCA</strong> Art & Gift Fair—the Rediscovered Treasures & Art Sale. Your donation of even a single item can easily<br />

generate $5-100 or more in support for the museum. Donations of artwork, antiques, collectibles, home décor,<br />

jewelry, and leather handbags are being accepted now through November 16 at <strong>MMoCA</strong>. Call 608.257.0158 for<br />

more information.<br />

PAGE 8: Gallery Night venue. Photo © <strong>MMoCA</strong>. PAGE 9: <strong>MMoCA</strong> Art & Gift Fair. Photo by Ben Zastrow. PAGE 10: Kids’ Art<br />

Adventures. Photo © <strong>MMoCA</strong>.<br />

9


FREE FAMILY RESOURCES<br />

10<br />

KIDS’ ART<br />

ADVENTURES<br />

Families are invited to make art together in <strong>MMoCA</strong>’s<br />

classroom after a lively discussion in the galleries.<br />

Activities are appropriate for kids ages six to ten;<br />

younger siblings are welcome. Kids’ Art Adventures<br />

are free and begin at 1 pm. Come 15 minutes early to<br />

sign up.<br />

SUNDAY, SEPT 15 • 1–2:30 PM<br />

Take in the dazzling colors, patterns, textures, and<br />

materials on display in Jeffrey Gibson: Like a<br />

Hammer. Afterward, use these elements as inspiration<br />

to make a mixed-media wall hanging that expresses<br />

your unique vision.<br />

SUNDAY, OCT 13 • 1–2:30 PM<br />

Step into the fantastic world of art in Ray Yoshida:<br />

The Spaces in Between to explore the relationship<br />

between forms both found and created. Then make<br />

a pop-up book that tells a visual story with the forms<br />

that you enjoy most.<br />

SUNDAY, NOV 10 • 1–2:30 PM<br />

Enjoy a variety of artwork in the Wisconsin Triennial<br />

that highlights the natural landscapes of our world.<br />

Then use printmaking techniques to create a postcard<br />

celebrating your favorite aspects of nature. What a<br />

treat for someone to receive handmade mail from a<br />

young Wisconsin artist!<br />

SUNDAY, DEC 8 • 1–2:30 PM<br />

Let the exciting paintings that show interwoven colors<br />

and shapes in the Wisconsin Triennial spark your<br />

imagination. After thinking about color relationships<br />

in the galleries, make a woven paper collage in the<br />

classroom.<br />

<strong>MMoCA</strong>kids<br />

ARTPACK<br />

Stop by the museum’s lobby welcome desk and ask<br />

for the <strong>MMoCA</strong>kids ArtPack, the museum’s hands-on<br />

discovery kit for exploring art. Find the elements of<br />

art (line, shape, color), make a drawing, design a composition,<br />

step into a work of art, and define emotions<br />

provoked by art. For further exploration, use the takehome<br />

activity for Ray Yoshida: The Spaces in Between<br />

and the Wisconsin Triennial.<br />

<strong>MMoCA</strong>teens &<br />

<strong>MMoCA</strong>kids ART<br />

GUIDES<br />

Designed for use anywhere in the museum, the<br />

<strong>MMoCA</strong>teens and <strong>MMoCA</strong>kids art guides provide<br />

young visitors with multiple ways to investigate<br />

contemporary art. Find them in exhibition learning<br />

centers and at the entrance to <strong>MMoCA</strong>’s State Street<br />

Gallery.<br />

LEARNING<br />

CENTERS<br />

<strong>MMoCA</strong>’s Learning Centers offer families a variety of<br />

fun and engaging resources for exploring <strong>MMoCA</strong>’s<br />

exhibitions. A range of kid-friendly activities promote<br />

imaginative play inspired by works of art. Learning<br />

Centers for kids and teens are available for Ray<br />

Yoshida: The Spaces in Between.<br />

<strong>MMoCA</strong>’s free family resources<br />

are generously funded by the<br />

Nimick Forbesway Foundation.


CALENDAR OF EVENTS<br />

SEPTEMBER<br />

5 1–1:45 PM Gallery Talk: Roberta Hill on Indigenous Futurism<br />

13 5:30–6:30 PM In Conversation: Three Native Women on Like a Hammer<br />

14 1–1:30 PM Drop-in Tour on Jeffrey Gibson: Like a Hammer<br />

15 1–2:30 PM Kids’ Art Adventures • Jeffrey Gibson: Like a Hammer<br />

OCTOBER<br />

4 5–9 PM Gallery Night<br />

9–11 PM Gallery Night After Party<br />

12 1–1:30 PM Drop-in Tour on Ray Yoshida: The Spaces in Between<br />

13 1–2:30 PM Kids’ Art Adventures • Ray Yoshida: The Spaces in Between<br />

16 7–9 PM Spotlight Cinema<br />

18 6–9 PM <strong>MMoCA</strong> Opening • Wisconsin Triennial<br />

23 7–9 PM Spotlight Cinema<br />

30 7–9 PM Spotlight Cinema<br />

NOVEMBER<br />

1 6:30–7:30 PM In Conversation: Chele Isaac and Helen Hawley<br />

6 7–9 PM Spotlight Cinema<br />

7 1–1:45 PM Stephen Perkins on Latin American Art<br />

and the Decolonial Turn<br />

9 1–1:30 PM Drop-in Tour on Wisconsin Triennial<br />

10 1–2:30 PM Kids’ Art Adventures • Wisconsin Triennial<br />

13 7–9 PM Spotlight Cinema<br />

16 9–10:30 AM Bubbly Brunch<br />

10 AM–6 PM <strong>MMoCA</strong> Art & Gift Fair<br />

17 10 AM–4 PM <strong>MMoCA</strong> Art & Gift Fair<br />

20 7–9 PM Spotlight Cinema<br />

28 Galleries and Museum Store closed<br />

29 8 AM–12 PM Black Friday Sale at the Museum Store<br />

DECEMBER<br />

3 Museum Store extended holiday hours begin<br />

4 7–9 PM Spotlight Cinema<br />

6 6:30–7:30 PM In Conversation: Tomiko Jones and Tom Jones<br />

8 1–2:30 PM Kids’ Art Adventures • Wisconsin Triennial<br />

11 7–9 PM Spotlight Cinema<br />

14 1–1:30 PM Drop-in Tour on Wisconsin Triennial<br />

24 8 AM–3 PM Museum Store open<br />

Galleries closed<br />

25 Galleries and Museum Store closed<br />

31 Galleries and Museum Store closed<br />

11


12<br />

MEMBERSHIP & GIVING<br />

BUSINESS, FOUNDATION,<br />

& GOVERNMENT DONORS<br />

<strong>MMoCA</strong> gratefully recognizes the businesses, foundations, and government agencies making contributions to museum<br />

exhibitions, education programs, events, and ongoing operations. Thanks to this support <strong>MMoCA</strong> can offer compelling<br />

and thought-provoking programming, which makes this community and region more vibrant. Through their gifts, the<br />

organizations below have established themselves as engaged, generous community leaders. <strong>MMoCA</strong> thanks the following<br />

for their support:<br />

BENEFACTORS ($10,000+)<br />

Art & Sons<br />

BMO Wealth Management<br />

Eugenie Mayer Bolz Family<br />

Foundation<br />

The DeAtley Family Foundation<br />

John J. Frautschi Family Foundation<br />

W. Jerome Frautschi Foundation<br />

Future Foam<br />

Great Dane Pub & Brewing Co.<br />

Hiebing<br />

J.H. Findorff & Son, Inc.<br />

David and Paula Kraemer Fund<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

maiahaus<br />

National Guardian Life<br />

Insurance Company<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Steinhauer Charitable Trust<br />

Wisconsin Arts Board<br />

Wisconsin Public Radio<br />

SPONSORS ($5,000-9,999)<br />

Bell Laboratories, Inc.<br />

Brava Magazine<br />

Century House<br />

Chance Productions<br />

Custer Plumb Financial Services<br />

Dane Arts<br />

Dr. Mary Kay Inc.<br />

The Evjue Foundation Inc.,<br />

the charitable arm of<br />

the Capital Times<br />

Frank Beverage Group<br />

Habush Habush and Rottier S.C.<br />

Ho-Chunk Gaming Madison<br />

Hooper Corporation / General<br />

Heating and Air Conditioning, Inc.<br />

Isthmus Publishing Company, Inc.<br />

MG&E Foundation<br />

Midwest Family Broadcasting<br />

Newcomb Construction Company Inc.<br />

Octopi Brewing Co.<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

SMS Foundation<br />

Summit Credit Union<br />

Supranet Communications Inc.<br />

The Terry Family Foundation<br />

University Research Park<br />

Venture Investors<br />

Wildwood Productions<br />

WISC-TV Channel 3<br />

WKOW-TV<br />

Zendesk Inc.<br />

LEADERS ($2,500-4,999)<br />

Access Information Management<br />

The Alexander Company<br />

All Energy Solar<br />

American Transmission Company<br />

Artful Home<br />

Associated Bank<br />

Capital Newspapers<br />

Chalmers Jewelers<br />

Cirrus Partners<br />

The Cummings Christensen<br />

Family Foundation<br />

CYC Fitness<br />

Dane County Regional Airport<br />

Dirigible Studio<br />

DoubleTree by Hilton Madison<br />

Food Fight Restaurant Group<br />

Green Bay Packers Foundation<br />

Irwin A. and Robert D. Goodman<br />

Foundation, Inc.<br />

Johnson Financial Group<br />

LeafFilter<br />

Mad City Windows & Baths<br />

Milwaukee Valve<br />

Pepsi of Madison<br />

Perkins Coie<br />

Qual Line Fence Corporation<br />

RSM<br />

Sprinkman & Dines Downtown<br />

TDS Telecom<br />

Think Ink & Design<br />

Thysse<br />

Total Administrative Services<br />

Corporation<br />

U.S. Bank Private Wealth Management<br />

Veridian Homes Foundation<br />

Waunakee Remodeling<br />

Wisconsin Lottery<br />

PARTNERS ($1,000-2,499)<br />

A-1 Movers<br />

Artist & Craftsman Supply<br />

Artistic Insanity<br />

Atmosphere Commercial Interiors<br />

Axley Brynelson, LLP<br />

BDO USA, LLP<br />

Best Western Premier - Park Hotel<br />

Bill Fritsch Photography<br />

Boardman & Clark<br />

The Capital Times Kids Fund<br />

Celebrations Entertainment<br />

Colony Brands, Inc.<br />

Delve<br />

Destination Madison<br />

Exact Sciences<br />

First Business Bank of Madison<br />

First Supply<br />

Foley & Lardner<br />

Full Compass Systems, Ltd.<br />

Hausmann-Johnson Insurance<br />

Hoffman Manufacturing Corp<br />

Hunter Connors Herm Photography<br />

J.F. Ahern Co.<br />

Knox Family Foundation<br />

Lycon Inc.<br />

M3 Insurance<br />

Madison Arts Commission<br />

MC Audio<br />

Neckerman Insurance Services<br />

Oak Bank<br />

Oakbrook Corporation<br />

Phillips Distributing Corporation<br />

Plantes Company<br />

Potter Lawson<br />

Quarles & Brady LLP<br />

The QTI Group<br />

RBC Wealth Management<br />

Roman Candle Pizzeria<br />

Shawn Harper Photography<br />

Sitka Salmon Shares<br />

Sketchworks Architecture<br />

Strang Inc.<br />

The Rock Agency<br />

Tom McInvaille Photography<br />

Widen Enterprises<br />

WIPFLi CPAs and Consultants<br />

Wisconsin Chamber Orchestra<br />

ANNUAL FUND DONORS, OCT 1, 2018–JULY 1, <strong>2019</strong><br />

Jess Anderson, Sandra Bass, Robert Baum and MaryBeth Kretz, Anne and Stephanie<br />

Bolz, Jim and Cathie Burgess, Shawn and Nancy Carney, Lynda and Charles Clark,<br />

Donna Rae and Robert Clasen, Marshall and Arlene Colburn, Frederick and Wendy<br />

Coleman, Ted and Barbara Crabb, Joan and Lowell Creitz, Susan and Richard<br />

Davidson, Kim and Bill Donovan, Henry John Drewal and Sarah Khan, Eve Drury<br />

and Peter Beatty, Carol Emmons, Frank and Dolores Emspak, Karen Foget, Susan and<br />

Michael Fox, Michael Goldsberry, Linda and Tony Granato, Willy Haeberli, Don and<br />

Mary Harkness, Tim Heinrich, Duane and Leif Hendrickson, Carol Holtsapple and<br />

J Borkowski, Beth Houlahan, Ralph and Marie Jackson, Elizabeth and Jonathan Jibson,<br />

Christine Johnston, Lee and Rosemary Jones, Millie Jones, Charles and Mary Kamps,<br />

Katie Kazan and Dan Slick, Herbert Kohl, Sylvia and Lawrence Kruger, Douglas and<br />

Janet Laube, Elsa Leverington and Margi Jones, Efrat Livny and Ken Baun, Stewart and<br />

Monica Macaulay, Mary Maher and Eileen Maher, Rona Malofsky, Lyn Malofsky and<br />

Jessica Perez, La Verne Marcus, John Marek, Nancy Marshall Bauer, Jan Marshall Fox,<br />

Stefanie Moritz and Vince Jenkins, Sue Mueller, Kathie Nichols, Mary Anne Oemichen,<br />

David and Ann Orr, Marcia Park, Ernest and Arlene Peterson, Dr. Barbara Prindiville,<br />

David Puchalsky and Christine Dillon-Puchalsky, Michele and James Rohan, Bruce<br />

Rosen and Diane Seder, Judy Schwickerath, Pat and Jay Smith, Kim and Mark Sponem,<br />

Daniel and Sherri Stafford, Randy L. and Mary K. Steinhauer, Don Thompson, Richard<br />

Thurner, Family and friends in honor of Sherry Thurner, Jane and Michael Voichick,<br />

Mark and Liz Weller, Jack and Sandy Winder, Linda Zeck, Theodora Zehner, James<br />

Zimmerman and Nelson Graham


<strong>MMoCA</strong> BOARD<br />

OF TRUSTEES<br />

OFFICERS<br />

Marc Vitale, President<br />

Vikki Enright, Vice-President<br />

Bret Newcomb, Vice-President<br />

Leslie Smith III, Vice-President<br />

Charlotte Cummins, Secretary<br />

Dynee Sheafor, Treasurer<br />

TRUSTEES<br />

Shiva Bidar<br />

Marian Bolz, Life Trustee<br />

Bryan Chan<br />

Karen Christianson<br />

Jennifer DeMain<br />

Jim Escalante<br />

Dave Franchino<br />

Larry Frank<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Life Trustee and<br />

Chair, The Langer Society<br />

Jason Knutson<br />

Oscar Mireles<br />

Dave Orr<br />

Amy Paulios<br />

Rick Phelps<br />

Eric Plautz<br />

Jennifer Ridley-Hanson<br />

John Ronzia<br />

John Sims<br />

QuHarrison Terry<br />

NEW LANGER<br />

SOCIETY MEMBERS,<br />

MAR 16–JULY 1<br />

Amanda Bush and Alex Rubin<br />

Kayla Gilman and Joe Piaskowski<br />

Susan Machi and Alex Polizzi<br />

Rosemary Mayberry and<br />

Jeremy Schwach<br />

Julie Nahrgang and Jessica Braun<br />

Joel Peissig and Chene Lawson<br />

Olivia Reese and<br />

Andrew Tomkowiak<br />

Taylor Weiss<br />

Richard Wolff and Colin Renk<br />

NEW REGULAR MEMBERS, MAR 16–JULY 1<br />

Megan and Alexander Bea, Terri and Dave Beck-Engel, Carol Bishop and Peter Orlik,<br />

Christa Bruhn, Greg Cichock, Daniel Constien and Karen Russell, Erin Crawley and<br />

Mark Plane, Tuyet and Stephen Cullen, Hannah Dirkse, Maggie and Charles Gleason,<br />

Lisa Gleboff and Michelle Bloome, Marcella Goff and Colin Dewey, Elizabeth and<br />

Andrew Graf, Karen and Gary Haertel, Marcia Heidenreich, Jennifer and Bill Jensen,<br />

Kristi Kaylo and Alex Sherwood, Johanna Kenney, Betsy Korbinyr, Debbie and Bruce<br />

Krause, Sherry Lessing, Kirby Livingston, Kathryn McComb, Thomas McDermott,<br />

Gregory Mickells and Beverly Mazur, Kerry Motoviloff, Mary O’Leary and Ken Buelow,<br />

Helen and David Peterson, Carol Pollis, Jeffrey and Annie Potter, Jane and Stephen<br />

Powers, LaShunda Prescott-Manly, Emily Quetel and Jeremiah Streck, Agnes Rona,<br />

Daniel Row, Marta and David Staple, Mason Swanson and Mary Thompson, Pamela<br />

Talmadge and Susan Gouin, Tessa Uppena, Jodi Vander Molen and Yogesh Chawla,<br />

Faye Whitaker, Andy White, Julie White, Lyn Wible and Lyman Wible, Megan Wincek,<br />

Friedericke Wowerat<br />

GABRIELE HABERLAND<br />

PERMANENT COLLECTION<br />

FUND<br />

Gabriele Haberland (far right)<br />

enjoying an <strong>MMoCA</strong> event.<br />

Gabriele Haberland was a close friend of <strong>MMoCA</strong> who passed away in 2017. She regularly<br />

attended museum events, supported exhibitions, and served on the Board of<br />

Trustees from 2007 to 2012. She also contributed artworks to <strong>MMoCA</strong>'s permanent<br />

collection including Jennifer Steinkamp's digital projection Rapunzel 9. More recently,<br />

two works by Sandro Chia and Tony Cragg were gifted in her memory by her husband,<br />

Willy Haeberli, and are among the works in <strong>MMoCA</strong>'s Rooftop Sculpture Garden.<br />

As part of her legacy at the museum, a major gift has been made to establish the Gabriele<br />

Haberland Permanent Collection Fund. Revenue from this endowed fund will be used<br />

to support a wide range of activities that directly relate to the presentation, publication,<br />

and conservation of this exceptional community resource. This fund will have a transformative<br />

impact on the museum and its audiences for generations to come.<br />

To fully reflect this generous contribution, <strong>MMoCA</strong>'s directorship is now a named position<br />

and will be referred to as the Gabriele Haberland Director of the Madison Museum<br />

of Contemporary Art.<br />

PLANNED GIVING<br />

Join the <strong>MMoCA</strong> Circle and leave a legacy for future audiences. Gifts can be designated<br />

to support a favorite program or add funds to the museum endowment, providing free<br />

admission to <strong>MMoCA</strong> visitors for generations to come.<br />

If you’d like more information about the <strong>MMoCA</strong> Circle, and making a legacy gift to<br />

the museum, visit mmoca.org/support or contact Kaitlin Kropp at kaitlin@mmoca.<br />

org or 608.257.0158 x249.<br />

13


ABOUT<br />

Elegant dining<br />

with a view.<br />

<strong>MMoCA</strong> members<br />

receive a 10%<br />

discount at Fresco<br />

and all Food Fight ​<br />

restaurants.<br />

Join today at<br />

mmoca.org<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

ABOUT THE MUSEUM The Madison Museum of Contemporary Art<br />

is an independent, nonprofit organization presenting exhibitions by local,<br />

regional, national, and international artists. A permanent collection of more<br />

than 5,500 works of art is maintained and enlarged through gifts and purchases.<br />

The museum’s education department presents programs to increase public<br />

understanding and appreciation of modern and contemporary art.<br />

HOURS<br />

Galleries Store Fresco<br />

Monday Closed 12–5 pm Closed<br />

Tue–Thur 12–5 pm 11 am–5 pm 5–9 pm<br />

Friday 12–8 pm 11 am–8 pm 5–10 pm<br />

Saturday 10 am–8 pm 10 am–8 pm 5–10 pm<br />

Sunday 12–5 pm 12–5 pm 5–9 pm<br />

ACCESSIBILITY Exhibitions, lectures, tours, and special events<br />

at <strong>MMoCA</strong> are accessible to people with disabilities. Please contact the<br />

museum at 608.257.0158 regarding accommodations for persons with limited<br />

mobility, sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />

MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to <strong>MMoCA</strong> Openings and films; discounts at the Museum Store, at<br />

Fresco and other Food Fight restaurants; invitations to special member events<br />

and previews; opportunities to meet artists; a subscription to <strong>MMoCA</strong>’s newsletter;<br />

and tax deductions for contributions.<br />

VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.org/volunteer for current volunteer opportunities.<br />

CHANGE OF ADDRESS Please notify us about address changes so<br />

that your mailings are not interrupted. Contact Betsy Wyns at betsy@mmoca.<br />

org or 608.257.0158 x224.<br />

JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s email newsletter,<br />

keeps you informed about upcoming events, exhibitions, and museum store<br />

specials. Sign up online at mmoca.org.<br />

CONTACT THE MUSEUM<br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise noted.<br />

Artworks may not be reproduced without permission of the copyright holder.<br />

SPECIAL PROJECT<br />

UNDERWRITERS<br />

A major gift from Pleasant Rowland and W. Jerome Frautschi helps to fund<br />

capital improvements at <strong>MMoCA</strong>.<br />

Brand strategy and design support is contributed by Hiebing, including the<br />

development of <strong>MMoCA</strong>’s brandmark and website, and the design for the <strong>2019</strong><br />

Wisconsin Triennial.<br />

A major gift from the Nimick Forbesway Foundation supports the museum’s<br />

school and family education programs.<br />

ArtZone, <strong>MMoCA</strong>’s afterschool workshop program offered in partnership<br />

with Madison community centers, is supported by U.S. Bank Foundation, the<br />

Capital Times Kids Fund, the Madison Arts Commission, Zendesk Neighbor<br />

Foundation, and the Green Bay Packers Foundation.<br />

Photo by Sharon Vanorny.<br />

Internet service is provided by Supranet Communications. Design and technical<br />

guidance for <strong>MMoCA</strong>’s website is donated by Dirigible Studio.<br />

14


#ARTFAIRONTHESQUARE<br />

Thank you to the generous sponsors who supported our<br />

61st annual Art Fair on the Square: Habush, Habush &<br />

Rottier, S.C.; Wildwood Productions; All Energy Solar;<br />

Artful Home; Dane County Regional Airport; Ho-Chunk<br />

Gaming Madison; Leaf Filter; Mad City Windows &<br />

Baths; Pepsi Cola of Madison; Sprinkman + Dines<br />

Downtown; Waunakee Remodeling; Wisconsin Lottery;<br />

American Transmission Company; Destination Madison;<br />

The QTI Group; DoubleTree by Hilton Madison; Isthmus<br />

Publishing Company; Madison Magazine; Magic 98;<br />

Wisconsin Public Radio; Wisconsin State Journal; and<br />

WKOW-TV.<br />

@bekahbarrysmiles<br />

@onenataliaonly<br />

@thaddeus_art<br />

@divinesassy<br />

@instasluka<br />

@1darrelm<br />

CONNECT WITH US ON INSTAGRAM @MMOCAMADISON<br />

15


227 State Street • Madison, WI 53703<br />

GET READY FOR THE HOLIDAYS<br />

AT THE MUSEUM STORE<br />

It’s not too soon to think about the holidays! A handsome handbag, a stylish scarf, and Parisian socks make for chic<br />

gifts. Board games, jigsaw puzzles, and playing cards are family gifts that will delight young and old. Don’t forget<br />

hostess gifts—tea towels, napkins, ornaments, or a box of note cards are always appreciated.<br />

BLACK FRIDAY • NOV 29, 8 AM–12 PM<br />

Mark your calendars for the biggest shopping event of the season: Black Friday at the Museum Store! On Friday,<br />

November 29, 8 am-noon only, the Store offers 25% off ONE non-consignment item. If you are a member, you can<br />

add your usual 10-20% discount on top of this. Sale merchandise or other coupons are not included.<br />

MUSEUM STORE EXTENDED<br />

HOURS BEGIN DECEMBER 3<br />

Visit mmoca.org to see updated hours. You can<br />

also purchase gift memberships and make year-end<br />

donations online.<br />

Every sale helps keep museum admission and education<br />

programs free.<br />

Gift wrap is always complimentary and shipping is<br />

available.<br />

MUSEUM STORE<br />

HOURS<br />

Sunday & Monday 12–5<br />

Tuesday–Thursday 11–5<br />

Friday 11–8<br />

Saturday 10–8<br />

16<br />

Christmas Eve 10–3<br />

Closed Dec 30–Jan 1

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