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Issue 104 / October 2019

October 2019 issue of Bido Lito! magazine. Featuring: STRAWBERRY GUY, MARVIN POWELL, COMICS YOUTH, RICHARD HERRING, BRADLEY WIGGINS, ENNIO THE LITTLE BROTHER, EDWYN COLLINS, SKELETON COAST, WAND, FUTURE YARD and much more.

October 2019 issue of Bido Lito! magazine. Featuring: STRAWBERRY GUY, MARVIN POWELL, COMICS YOUTH, RICHARD HERRING, BRADLEY WIGGINS, ENNIO THE LITTLE BROTHER, EDWYN COLLINS, SKELETON COAST, WAND, FUTURE YARD and much more.

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INTERSECTIO<br />

Matt Hogarth of Eggy Records reflects on a cultural exchange<br />

that saw a bit of Liverpool transplanted to Russia and a creative<br />

community on the banks of the Volga.<br />

If you told me last year that I would have accompanied three<br />

bands for a state-sponsored trip to Russia, I would’ve said<br />

that you were deluded. For almost two years I had been<br />

trying to convince my previous girlfriend to go to Moscow<br />

for a week of Communist history, ogling brutalist architecture<br />

and visiting the resting place of Lenin, arguing how this was<br />

time better spent than on a beach holiday. This was, somewhat<br />

unsurprisingly, to no avail. So when I got a call out of the blue<br />

from Kevin McManus (one of Liverpool’s soundest people and<br />

mastermind of the Capital of Culture bid back in 2008) asking<br />

if I wanted to pick some bands from my label, Eggy Records, to<br />

go and play in Russia, I bit his hand off.<br />

The thought of some of Eggy’s finest left unsupervised in<br />

Russia was enough to fill my heart with dread – which is why<br />

my presence as chaperone was justified. Having managed to<br />

stow away with EYESORE & THE JINX, STORES (formed from<br />

the ashes of Jo Mary and Hannah & The Wick Effect) and friend<br />

of the eggs, ALI HORN, I’m soon lost in a swirl of forms and<br />

passport details. The trip has been organised under the banner<br />

of the UNESCO Creative Cities network. As a UNESCO City of<br />

Music, Liverpool is committed to helping expand the reach of<br />

the city’s musical identity around the world, showing that there’s<br />

far more to it than The Beatles et al. While in Russia, the bands<br />

will perform at two events in different cities – one of them in<br />

Ulyanovsk, a UNESCO City of Literature – as representatives of<br />

Liverpool’s current music scene.<br />

The run up to the trip feels like a surreal fever dream. Russia<br />

could perhaps be seen as one of the few enigmatic frontiers<br />

in Europe. A vast landmass so large it’s home to almost 200<br />

nationalities and races, both native and from bordering countries.<br />

The Iron Curtain may have fallen over 30 years ago but its<br />

shadow still hangs heavy, with a large number of westerners<br />

not really knowing what Russia is actually like. From the<br />

Novichok attacks, which were allegedly the work of Russian<br />

secret services, to a regressive attitude towards LGBTQ+, British<br />

perceptions of the country are still mixed.<br />

The mood in the group is a little giddy. As our Aeroflot flight<br />

touches down in Moscow, the hammer and sickle badges on the<br />

stewards’ brilliant red blazers flicker golden in the light. We are<br />

met at the airport by Alex, without whom we would probably<br />

still be there today, lost among commemorative Vladimir Putin<br />

plates and surviving on a diet harvested exclusively from vending<br />

machines. “You all have such beautiful names,” Alex says once<br />

we’ve introduced ourselves to him. “Samuel Paul Warren: it’s<br />

perhaps the most beautiful name I’ve heard.”<br />

Having educated Alex on how Liverpool is far better<br />

22

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